Showing all posts tagged: Saoirse Ronan

Blitz, a movie by Steve McQueen, with Saoirse Ronan

18 November 2024

I’ve ended up seeing a stack of movies featuring Irish-American actor Saoirse Ronan, over the years. Tracking all the way back to Atonement in 2007, I think. Maybe I’m not so much of a Ronan fan, as I am the movies she’s in.

But it’s an impressive list of titles. The Lovely Bones, The Way Back, Hanna, Violet & Daisy, The Host, How I Live Now, The Grand Budapest Hotel, directed by Wes Anderson, Brooklyn, On Chesil Beach, Ammonite, The French Dispatch, again, directed by Wes Anderson, and finally, Foe. It could be then, I am as much a fan of Ronan, as the films she’s in.

Curiously, her latest film, Blitz, trailer, directed by British filmmaker Steve McQueen, and has some eerie parallels with Atonement. Both include World War II settings in London, and tube stations, where civilians sheltered during Nazi bomb raids.

Blitz screened as part of this year’s British Film Festival, along with another title starring Ronan, The Outrun, directed by Nora Fingscheidt. Talk about prolific output.

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Trailer for Foe, a film by Garth Davis, with Saoirse Ronan, Paul Mescal

11 September 2023

A still from Foe, a film by Garth Davis, depicting Saoirse Ronan and Paul Mescal

Still from Foe, a film by Garth Davis.

Foe, trailer, a science fiction psychological thriller, is the third feature of Australian filmmaker Garth Davis. Based on the 2018 novel of the same name, by Canadian author Iain Reid, and set in 2065, Foe tells the story of a married couple Hen (Saoirse Ronan), and Junior (Paul Mescal), who work on a secluded farm. Their lives, and happy marriage, are thrown into turmoil though when a stranger, Terrance (Aaron Pierre), arrives unannounced one day and informs them that Junior is to be sent to a space station for a year.

Hen however will not be left alone, a robot will be sent to keep her company during Junior’s absence. Terrance’s proposal, and the prospect of a human-like robot living with Hen for a year, quickly places a strain on the couple’s relationship. Foe, which opens in Australian cinemas on Thursday 2 November 2023, is certainly an intriguing conceit. What is behind Terrance turning up at the farm in the first place, and why is Junior required to spend a year living in space?

Ronan’s work speaks for itself, while Mescal’s recent performances include starring in Aftersun, and Normal People, a TV mini-series adaptation of Sally Rooney’s novel of the same name.

Update: Transmission Films advises that Foe opens in Australian cinemas on Thursday 2 November 2023.

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Brooklyn, a film by John Crowley starring Saoirse Ronan

8 February 2016

Eilis Lacey (Saoirse Ronan), a young Irish woman, seems set to live an ordinary life in Enniscorthy, on the south east coast of Ireland. Aware of Eilis’ potential, and the lack of opportunities in the country in the 1950’s, older sister Rose (Fiona Glascott), arranges for her to emigrate to New York, in Brooklyn, trailer, the latest feature of John Crowley (Boy A, Closed Circuit).

Eilis is all too happy to farewell her routine job, and spiteful boss, Miss Kelly (Brid Brennan), at a local bakery, and leap into the unknown. What she doesn’t initially count on though is debilitating home sickness, and a way of life not much different to the one she left behind. Even the support of kindly Irish priest, Father Flood (Jim Broadbent), seems to be of little consolation.

Things change when Eilis falls in love with young Italian-American plumber, Tony (Emory Cohen), and finally she begins to feel that she belongs in New York. A family tragedy however sees her return to Ireland, where her mother, and friends, pressure her to remain, forcing Eilis to make a difficult choice between her old life, or a future with Tony, in her adopted homeland.

Based on the 2009 book of the same name, by Colm Tóibín, Brooklyn is an engaging, albeit mildly predictable, tale of the struggles of an immigrant making a new life for themselves, far from home. This might have been a lesser story, if it were not for Ronan’s convincing portrayal of a person who has to decide which side of the fence the grass is greener on.

Originally published Monday 8 February 2016.

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