A trailer for Klara and the Sun, a film by Taika Waititi, based on the novel by Kazuo Ishiguro
25 June 2026
The first trailer for the Taika Waititi directed adaptation of Kazuo Ishiguro’s 2021 novel, Klara and the Sun has landed. I’m not one to complain about differences between the book and its movie counterpart — mainly because adapting a novel for the big screen is far from straightforward — but this two minute glimpse of the film version shows up some obvious differences with the book.
The tone of the film, at least the little we see of it in the trailer, is somewhat lighter (no pun intended) than that of the novel. Bordering on the comedic at times. It is not without dark moments though, which the novel is replete with.
Klara, portrayed by Jenna Ortega, as an AF (Artificial Friend), looks startlingly human in appearance. AF’s, being humanoid robots, were meant to look like people to a degree, but it was obvious they were not human. Ishiguro’s novel, for instance, created the impression AF’s were usually shorter than the teenage humans they accompanied.
Here, Klara looks as human as Josie (Mia Tharia), the fourteen-year-old girl she was bought to be friends with. A two-minute long trailer isn’t much to go on of course, but if Taika Waititi is directing, we’re going to get Taika Waitit. That includes lines such as “you’re not the droid we’re looking for”, delivered by Amy Adams, as Chris, Josie’s domineering mother.
Entirely Waititi’s idea that one, I’d say.
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film, Jenna Ortega, Kazuo Ishiguro, Mia Tharia, novels, screen adaptations, Taika Waititi, trailers
Nominations for Tiny Awards, for personal web projects, open now
22 June 2026
Nominations for the 2026 Tiny Awards, are being accpted until the end of the month, June.
Entry is open to websites of a non-commercial and/or personal nature, launched between July 2025 and July 2026. Submissions from brands and agencies are not accepted. The same goes for apps.
Given only relatively new websites are eligible, I’m thinking recent events across the world will form the focus or subject matter of a number of nominations.
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awards, design, IndieWeb, SmallWeb, technology
Above average Antarctic winter temperatures concern scientists
22 June 2026
Winter temperatures have been well above average, in recent times, on what is supposed to be the world’s coldest landmass.
The unusually high temperatures being experienced in parts of Antarctica seems like it accounts for the so-far mild start to winter in our part of Australia. Here we are two-thirds the way through June, the first month of winter, and I think I’ve needed to wear a jacket maybe two times when going out. Still very much tee-shirt weather at the moment.
Slightly cooler, and wetter weather, however, is forecast — at least locally — for coming days.
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Australia, climate, climate change, environment, weather
Good Internet magazine pauses publishing
18 June 2026
Good Internet only started publishing, both online and in print, about a year ago.
News that the founders have decided to cease publication indefinitely is sad for for the IndieWeb/SmallWeb community, whom the magazine supported.
Running an online magazine is a major undertaking on its own. A print version is another matter all together. An independent publisher I know in Australia, did something similar several years ago.
Whenever I asked how it was going, their first response was to say they were making no money, only breaking even, and that the venture was entirely a labour of love. It sure isn’t easy.
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IndieWeb, self publishing, SmallWeb
George Miller wants to bring Mad Max stories to an end, a slow end
18 June 2026
The Australian film director thinks it’s time to bring the story to an end. But a movie, and a separate TV series in addition, sounds like at least another several years worth of work.
The first Mad Max film was made in 1979, and another four have followed, albeit with decades long gaps in between. Assuming the sixth movie, and TV show eventuate, the franchise will have been running for the best part of fifty years.
It’s probably been said before, but I could see Mad Max going the way of stories such as Star Trek and Star Wars, in other words indefinitely. After all, Miller seems interested in selling the franchise at some point. I think this might only be the beginning.
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Australian film, film, George Miller
Vale David Hockney, British artist, photographer
15 June 2026
Hockney died aged 88 last week. The work of the British artist and painter, purveyor of bold colours, was required learning in my final year high school art history course.
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art, artists, David Hockney, photography
Backrooms: McDonald’s versus Kane Parsons
15 June 2026
You don’t see too many mentions of global hamburger behemoth McDonald’s here, but their take on Kane Parsons’ 2026 horror/thriller film Backrooms, is simply finger licking good.
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film, food, humour, Kane Parsons
Teaser for The Social Reckoning, a film by Aaron Sorkin, follow-up to The Social Network
12 June 2026
Although hints of what was to come were there to see, The Social Network, the 2010 dramatisation of the founding of Facebook, had the hallmarks of a feel-good story.
At least from the perspective of would-be entrepreneurs, whose next-big-thing idea, had, against the odds (of course), become the next-big-thing.
A lot has happened in sixteen years though, and there’s not much left in the Facebook story for many people to feel good about today.
Aaron Sorkin, who co-wrote the screenplay for the David Fincher directed 2010 feature, has tapped into the darkness pervading the world’s largest social network, to write and direct a follow-up to the 2010 film, titled The Social Reckoning.
Sorkin initially floated the idea of a sequel in 2024. At that point the American playwright and screenwriter sought to cast a critical light on the part he felt Facebook played in the January 6 insurrection of 2021, in the United States.
But Sorkin’s focus has changed. In The Social Reckoning the negative impact on users mental health is among subject matter explored. As is co-founder and CEO Mark Zuckerberg’s seeming dictatorial style of management.
Darkness permeates the teaser/trailer. Gloom is banished, but only momentarily, by the glare of bright spotlights shining in our faces. There are no frat-house parties, or swimming pool high-jinks, in this chapter of the social network’s story. This is a bleak world indeed we now find ourselves in.
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Aaron Sorkin, David Fincher, Facebook, film, social networks
Cash strapped Australians yearn for the ‘happy’ days of COVID lockdowns
10 June 2026
Tangentially related to the previous post. Data recently published by the Australian Bureau of Statistics (ABS) suggests some Australians felt better off during the COVID pandemic, despite lockdowns and other restrictions on their movements, than they do today.
In 2026 people are dealing with cost-of-living pressures, reduced real income, and the potential threat to their jobs from AI, among other things.
In contrast, during the pandemic, many Australians were the recipients of government UBI-like payments. Some were possibly also content with the prospect of not having to work, even if they couldn’t go too far from their homes.
Whoever could have thought some people might one day look on that difficult period with fondness?
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Australia, economics, health, pandemic, trends
Facebook spent billions on the metaverse and all they got was a new name
10 June 2026
A postmortem, perhaps, of the metaverse, particularly as envisaged by Meta, by Nick Heer.
A number of other big tech players also had visions of an all encompassing immersive, digital realm, but aside from sometimes considerable expenditure, not a whole lot came of it.
From where we are now, several years later, the connection between the COVID pandemic, and Facebook’s announcement they were effectively going all-in on the metaverse, couldn’t be clearer.
The world was in the midst of seemingly endless lockdowns, and stay at home mandates. The metaverse pitch was certainly persuasive. We couldn’t live in the real world, so how about instead a vast virtual domain? Who couldn’t help but be excited by the prospect?
I went as far as setting-up a metaverse tag here, which tellingly, hasn’t been used in three years.
But the world we find ourselves in, nearly five years later, couldn’t be much further removed from that of late 2021, when Mark Zuckerberg, co-founder and CEO of what was then Facebook, unveiled his vision of the metaverse.
But let’s give Zuckerberg some due here. He had known something big, something groundbreaking, was in our future, declaring three years earlier in 2018, that “every ten to fifteen years or so, there’s a major new computing paradigm.”
The thing of course is this new paradigm turned out to be something else all together.
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Facebook, Mark Zuckerberg, metaverse, social networks, technology
