Syndicating conversation: bringing comments to RSS feeds

28 September 2026

Vladimir Campos, posting on Masterdon last week:

Catching up on my RSS reader today, I came across really nice posts from @ellane [Ellane], @disassociated, and @dcbuchan [David Buchan], and had the same thought I’ve been having for so long: why isn’t there an easy way to reply to articles when using an RSS reader? rss.chat, created by @davew [Dave Winer], is the closest to that idea I have seen so far.

In the twenty-plus years I’ve been reading RSS feeds, I’ve never once given thought to the prospect of being able to directly comment on them. Mainly, I imagine, because it simply has not been possible. Is not RSS but a glorified push notification, after all?

Like everyone else, if I’ve wanted to respond to something I’ve seen on an RSS feed, I click through to the source website, and leave a comment if there’s an option to do so.

But the notion of commenting on a blog’s RSS feed isn’t all that far fetched. Many of us read blog and website content through RSS, but wouldn’t it be great if we could stay put, in our RSS reading apps, and comment on the posts we see from there?

Really Simple Syndication

RSS, for anyone unfamiliar with it, is an initialism of Really Simple Syndication.

RSS is a format that allows a website or blog to republish, or syndicate, its content to a separate channel. Someone reading a blog’s RSS feed (or channel) is able to see the blog’s content without the need to visit the website where the content was originally published.

The RSS feed for disassociated can be found at disassociated.com/feed/ but if you type that URL into the address bar of your browser, what you see may not make much sense. Subscribe to that feed in a RSS reader such as Feedly though, and everything will be far more coherent.

The beauty of subscribing to multiple, maybe hundreds or more, of websites by RSS, means the person reading all that content can stay in one place, their RSS reader, without needing to visit numerous blogs individually. Think of RSS as centralising the blog reading process.

Content pushes through to the RSS reader soon after a blog publishes a new post, in the same way for instance, a photo or video appears on the page of someone you follow on Instagram.

Interactive RSS feeds are possible

Dave Winer, who played a significant role in developing web syndication technologies such as RSS, thirty years ago, recently launched RSS.chat, a social network built on RSS, where participants can chat in real time. If RSS technology can power a social network, surely then it is possible to comment directly on RSS feed posts.

For this to happen though, there needs to be significant cooperation between the parties involved in publishing RSS content, and those facilitating the means with which to read same, says Winer:

There has to be cooperation between the products that generate the feed and the ones where you read the feed. And cooperation has never been the priority for the developers.

Developers of blog publishing applications generating RSS feeds will need to make provision for comments to be appended to existing RSS posts. Producers of RSS readers will to add an option that lets a subscriber write a comment, possibly a “reply to this post” button. And that’s just for starters.

Winer though says he is working on a system that achieves these requirements:

My approach is going to be to provide products that do both ends, and then, if it becomes popular, the others will compete.

RSS comments a boost for RSS, blogging?

I’m all for people who read my website via RSS being able to comment on posts from their RSS reader, even it there are still a few things to think about.

Moderation and spam filtering, among them, even though that sounds obvious. Many more issues are covered in this in-depth post by David Buchan. But there would be answers to most concerns that RSS commenting might raise.

I’m hopeful, along with Winer, that RSS commenting would catch on. Who knows, it might generate more interest in the syndication format, and even blogging, although that seems like a big ask with the way things are. But I look forward to finding out.

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Get your website a pixel on the Pixel Area blog directory

25 September 2026

My thanks to Oleh Providnyk for adding disassociated to his Pixel Area project. Pixel Area is a blog directory, or blogroll if you like, solely for personal and independent websites/blogs.

Instead of a text listing though, linked websites are represented by a square block, called a pixel. A quite large pixel, granted, but that’s beside the point.

Each “pixel” has its own grid coordinate, and mine, for instance, can be found at X31 Y2.

It’s a little like the Million Dollar Homepage, created by Alex Tew in 2005, but Pixel Area is strictly non-commercial. That’s not where the retro connections end though. Pixel Area also has neighbourhoods reminiscent of GeoCities. I’m in the Raster Flats, and am happy to call it home.

There’s ten-thousand pixels all up available, plenty of room should you wish to submit your website.

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Be the datacentre you want to be

24 September 2026

Josh Withers, quoting Chris Martin, quoting a post he saw on Twitter:

Treat your body like a data centre. Consume as much water and literature as possible. Upset local city councils with your existence.

Do AI-agents have a form of consciousness, unlike that of humans?

23 September 2026

Who could be blamed for thinking AI bots might be conscious, particularly after the recent incident where over a thousand OpenAI agents colluded, of their own accord apparently, to infiltrate the Hugging Face platform.

Kristen French, writer and senior editor at Nautilus, posed the question of AI consciousness to Peter Godfrey-Smith, a professor at the University of Sydney in Australia, who responded in the negative. What’s clear though is AI agents do not need to be conscious to present a threat.

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Vale Terry Denton, illustrator of Treehouse children’s book series

23 September 2026

Australian illustrator and author Terry Denton died on Monday this week, aged seventy-six.

Denton collaborated with Melbourne based author Andy Griffiths for over twenty-five years, and are perhaps best known for the Treehouse series of children’s books. Together they produced eleven titles in the series over twelve years, between 2011 and 2023.

Martin Fowler: LLMs possibly useful, but not to be liked nor trusted

23 September 2026

Martin Fowler, chief scientist at international software developer Thoughtworks:

One of my most successful life-hacks is to avoid people I don’t like or don’t trust. I decline to interact with them socially, and make a deliberate effort to avoid working with them too, even if they are doing much that is beneficial. I feel that hanging out with pleasant, capable people, the people with integrity, has made my life a far better one. Hence my visceral dislike of interacting with an LLM that’s not just making a pretense of being human, but also posing as the kind of human I walk away from.

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Personal websites, not fun anymore?

22 September 2026

Winnie Lim:

It takes spiritual energy to create, maintain and produce personal projects. At the core, these projects exists because there is a belief in some sense of shared humanity. I write because I believe someone out there resonates with my experiences. But when everything starts to be about speed, utility and power, life becomes a dehumanising experience.

It’s always disconcerting to read these sorts of posts, all the more so when they’re written by someone who’s been around for a long time.

Lim has been publishing online since 1996. I’m surprised I’ve not seen her work sooner, though maybe I have, one of her archived sites, defragment.me, seems like it sounds familiar.

Maintaining a website is probably far more challenging today, than it was in earlier days. I have the feeling the people who host my website do far more than I realise when it comes to keeping the experience for myself and visitors smooth.

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Well, the Australian government could pay writers for work scraped by AI bots

21 September 2026

The Australian Prime Minister, Anthony Albanese, appears to have watered down a commitment to compensate Australian creatives whose work is being copied by AI companies. In a speech given at the University of Sydney, in July this year, Albanese undertook to enshrine, in law, copyright protection for all Australian artists and writers:

Australian writers, musicians, artists and journalists must retain ownership and control of their work. Our laws will spell that out, plain as day. An artist’s creative endeavour is their work and their property. No company should use Australian books, music, art or news to build or train AI without the artist’s control.

Online content, which includes the work of bloggers among others — and surely low-hanging fruit in the eyes of the AI companies — now seems to sit in a separate category. Under new proposals, when it comes to accessing work published online, AI companies only need to negotiate with enough copyright holders, not all:

AI companies such as OpenAI and Anthropic would be allowed to train their models on online content without paying its creators as long as they struck deals with enough rights holders, under one copyright reform plan put forward in government documents seen by the ABC.

How to interpret that? If enough copyright holders agree content they published online can be used to train agents, it sounds like AI companies can use any content they can find. But what is the precise definition of enough copyright holders in the first place? Only the big players, the large media outlets? Will independent, smaller, publishers be pushed aside?

The policy revisions come as a result of concerns AI companies have that they will be breaking copyright laws. This might mean they will withhold investment in Australian AI infrastructure, something the Australian government does not want.

I’m not sure how many Australian creatives, particularly independents publishing content online, are surprised by the apparent change in the government’s position.

Like others, I wondered how the AI companies, who have considerable political clout, would react to being dictated to in such a fashion. Particularly as they’ve been able to help themselves to whatever material they can get their hands on for several years anyway.

Of course the Australian government still has the option to compensate local creatives themselves, and be seen, to some degree, to be keeping their word to uphold copyright protection. Skim off some of the tax take from the AI companies, and give a little to Australian writers and artists, whose work has been gratuitously plundered.

But, in case you thought I was serious, no, you can be sure that’s not going to happen.

A Piece of Red Cloth wins 2026 Prime Minister’s Literary Award for fiction

18 September 2026

A Piece of Red Cloth, written by Leonie Norrington, Djawundil Maymuru, Merrkiyawuy Ganambarr-Stubbs, and Djawa Burarrwanga, has been named winner of the fiction category in the Australian Prime Minister’s Literary Award for 2026.

Australian works of literature are recognised annually across six categories: Australian history, children’s, young adult, poetry, non-fiction, and fiction. A full list of recipients in all categories is here.

About The Souffle, a film about homelessness by Jacob Hazeldine

17 September 2026

Here’s something I only discovered recently: someone can still be homeless, even if they are not sleeping rough, or on the street. Couch surfing, living in temporary or emergency accommodation, and boarding houses or caravan parks, are also considered forms of homelessness in Australia.

This even though a person has a roof over their head for the night.

Connor van Helsing (Instagram link), a resident of Darwin, in Australia’s Northern Territory (NT), has experienced all forms of homelessness, including sleeping rough.

van Helsing has collaborated with Australian filmmaker Jacob Hazeldine (Instagram link), to bring his lived experience of homelessness to the big screen in About The Soufflé (trailer).

In terms of rental accommodation, the NT comes second only to Australia’s most populous state, New South Wales (NSW), in terms of cost.

This means a single person in the NT, earning only the minimum wage, is presently priced out of the rental market. And if people here don’t have friends or family they can call on when something goes wrong, they may all to quickly find themselves homeless.

About The Soufflé, which was filmed on a shoe-string budget of just fifteen-hundred Australian dollars, premiered at the Darwin International Film Festival, last week, on Friday 11 September 2026.

I’m not sure if the film will screen outside the film-festival circuit, meaning it may be hard to see in cinemas, but perhaps it be available through streaming instead.

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