About The Souffle, a film about homelessness by Jacob Hazeldine

17 September 2026

Here’s something I only discovered recently: someone can still be homeless, even if they are not sleeping rough, or on the street. Couch surfing, living in temporary or emergency accommodation, and boarding houses or caravan parks, are also considered forms of homelessness in Australia.

This even though a person has a roof over their head for the night.

Connor van Helsing (Instagram link), a resident of Darwin, in Australia’s Northern Territory (NT), has experienced all forms of homelessness, including sleeping rough.

van Helsing has collaborated with Australian filmmaker Jacob Hazeldine (Instagram link), to bring his lived experience of homelessness to the big screen in About The Soufflé (trailer).

In terms of rental accommodation, the NT comes second only to Australia’s most populous state, New South Wales (NSW), in terms of cost.

This means a single person in the NT, earning only the minimum wage, is presently priced out of the rental market. And if people here don’t have friends or family they can call on when something goes wrong, they may all to quickly find themselves homeless.

About The Soufflé, which was filmed on a shoe-string budget of just fifteen-hundred Australian dollars, premiered at the Darwin International Film Festival, last week, on Friday 11 September 2026.

I’m not sure if the film will screen outside the film-festival circuit, meaning it may be hard to see in cinemas, but perhaps it be available through streaming instead.

Enshittification rules: there goes the post-platform internet era

16 September 2026

Enshittification, the idea that online platforms, particularly social networks and social media, degrade once they become popular, is a fiction, according to Ruby Thelot, Professor of Design, AI and Media Theory, at New York University.

Because, rather than turning away from from the likes of Facebook, Instagram, and TikTok, people continue to embrace these platforms.

Thelot made the claims in comments published at a16z, which were re-posted by 404 Media, and said people are using these platforms more than ever, and are quite happy with the experience. Further, according to Thelot, membership of the platforms is increasing, along with their profits.

But Thelot didn’t stop there.

He said Cory Doctorow, who first used the word enshittification, might have valued Facebook early on, but became resentful as the platform evolved. Thelot believes that people who are about the same age as Doctorow probably feel the same way, but younger people see things differently.

The idea of enshittification, he posits, gives people who should have left a social media platform, reason to stay put and despise being there. Thelot doesn’t mince his words.

Thelot’s comments though are at odds with the emergence of what is described as the post-platform internet ere. This is a shift towards decentralised platforms such as Mastodon and Bluesky, newsletter publishing platforms like Buttondown, and a resurgence of personal websites and blogs.

But the term post platform internet sounds like wishful thinking. There are, of course, adherents. I’m among them. But there is really a mass migration towards decentralised social media platforms?

Hardly.

Mastodon, despite not being that difficult to use, still confuses a lot of people. Bluesky, meanwhile, has seen a decline in active users in recent months.

The main social platforms including Facebook, Instagram, TikTok, and Threads, remain for now, just too easy to use, and are also places where most members will find other people they know.

Despite the angst and despair the major platforms engender, a post-platform internet seems, for now, destined to remain a fringe movement.

Addicted to information, not social media or smartphones

15 September 2026

explorator.dev:

Then… I finally realised. I’m not addicted to the internet, neither to my smartphone. I’m addicted to information. Good information, in particular.

The web, smartphones, and social media keep that information tap flowing.

A teacher of mine often to used say: “there is no such thing as too much information”. I think they were trying to tell us there’s always more you could learn.

We had the web back then, clunky desktop computers, and dial-up internet, but not social media, nor smartphones. I’m not sure though the teacher envisaged a time when we could access information, day and night, from the palm of our hand.

Maybe today we could instead say, “there is no such thing as too much good information”.

My Feed My Way will make Instagram feeds overwhelming says Adam Mosseri

14 September 2026

Ange Lavoipierre, writing for the Australian Broadcasting Corporation (ABC), quoting Adam Mosseri, Head of Instagram (IG):

“If you go to a chronological feed, it ends up getting overwhelmed with content from companies, brands, and publishers. Creators get drowned out, and then your friends get drowned out even more.”

These are the words of the Head of Instagram. Can it be Mosseri has no idea how the platform he oversees, works?

Australia’s proposed My Feed, My Way laws give local IG users a choice. They can either see content posted only by the people they follow, in their main feed, or elect to see what the algorithm presents.

If IG users choose to only see what the people they follow publish, how is anyone supposed to see what is posted by “companies, brands, and publishers”, if they’re not following them?

Of course creators — a dubious use of the term in the first place, given the quality of some of their content — who sit squarely in the companies, brands, publishers, and influencers category, will be drowned out: that’s the idea.

As for friends, how do they “get drowned out even more”, if they are the only people an IG user follows? Their content is the entirety of what anyone opting for the “friends only” feed will see. With the possible exception of ads, I imagine.

But if someone is only following two people, both of whom maybe only post something twice daily, how could they feel their feed was overwhelming?

Mosseri is clearly unhappy with the proposed My Feed, My Way laws.

So displeased that he seems to be losing sight of what’s what. He continues to believe the platform is not addictive, while also conceding IG “is too complicated”. In saying that, Mosseri is trying to suggest adding a button somewhere, giving users the choice of what they see, will clutter — clutter even further — IG’s interface.

The last time I looked at the IG app, before deleting it from my phone, there was an option to select “following” or “favourites”. In theory, choosing “following” meant someone would mainly see posts only from those whom they followed. This was only somewhat effective though, provided another option, “snooze suggested posts”, was enabled.

Suggested posts, being content by the aforementioned companies, brands, publishers, and influencers, were slipped into an IG member’s main feed, if the algorithm deemed this was somehow of interest. But the “snooze suggested posts” setting only did so for thirty-days at a time.

Disabling suggested posts also required drilling down through several levels of the settings menu to find. Indeed Mosseri is correct when he says IG “is too complicated”. The Australian government proposal aims to make this a one-step, lasting, action.

Mosseri can take consolation though from Anika Wells, the Australian communications minister, who thinks, as I wrote last week, most IG users will stick with the algorithm:

“The reality is that lots of people will want to choose the algorithm.”

Anyone hoping an unintended, or unspoken consequence, of the My Feed, My Way laws, would result in people spending less time looking at screens, will be disappointed.

But to each their own. I spend quite a bit of time using my phone, while say on a public transport trip. Typically I’ll be reading or sending emails, organising work schedules, or reading news.

And I’m often grateful for the chance to do so during so-called downtime, as it leaves time for doing nothing later on. But I don’t look at any Meta social media/network apps, as I removed them.

But I’m still at a loss to recall what I used to do on a train trip during the pre-smartphone era. Likely I starred out the window and daydreamed, something I still do once I’ve finished using my phone.

AI-free LibreOffice productivity suite sees record downloads

11 September 2026

The productivity suite, which includes a word processor and spreadsheet, similar to Office 365 (though I understand it is now called Microsoft 365), was downloaded about one-million times the other week. One-million downloads. Amazeballs.

LibreOffice’s surge in popularity has been attributed to the absence of AI features. I’ve been using LibreOffice for almost two years now, and am stoked to be using apps that let me do my thing without AI, or anything else, trying to takeover the workflow.

Unmasking Italian author Elena Ferrante, because we must

10 September 2026

There’s been yet more speculation as to the identity of the Italian author known as Elena Ferrante.

The writer of novels including the Neapolitan Quartet, and The Lying Lives of Adults, has always been upfront about their use of a pseudonym. And despite writing novels since 1992, her identity, their identity, has, so far, remained a mystery.

Nonetheless, the resolve to unmask the person, or persons, behind the works written under the name of Elena Ferrante, refuses to wane.

Of course people want to know who the author really is. For sometime there has been a consensus that Anita Raja, an Italian literary translator, writes the novels attributed to Ferrante.

In a more recent twist though, suspicion has moved towards Italian author and screenwriter Domenico Starnone, who is also Raja’s husband.

The plot thickens.

Starnone has denied the claim. For my part, I couldn’t care less. So far, I’ve enjoyed every of the novels attributed to Ferrante that I’ve read, and hope the writer continues publishing.

Although I’m sure someone will figure it out eventually, learning the identity of the actual writer (or writers) would be an anticlimax. A let down even.

Great going though, for keeping everyone guessing all this time.

Proposed Australian laws allow social media users to opt-out of algorithms

9 September 2026

It’s almost enough to entice me back onto social media. But not quite.

The Australian government is proposing to give local social media users the choice to opt out the algorithms that determine the content they see.

If the laws eventuate, social media companies will be obliged to allow their members to only see content posted by the people they follow, if that’s what they choose.

Anika Wells, the Australian communications minister, thinks however most social media users will elect to keep the algorithm. It seems to me, seeing the content of only those they’re following might feel like going cold turkey for some people, who are accustomed to non-stop algorithm content.

The proposed new laws, which are currently being considered by the Australian parliament, will also compel social media companies, search engines, and AI chatbots, to withhold “harmful” content:

For Australians aged under 18, platforms must take steps to prevent content that promotes eating disorders, misogynistic content, pornography, glorification of crime, bullying and abuse, and any other material that could inflict “serious harm” on children.

In relation to adults, the harms are confined to existing crimes including child abuse, sexual violence, menacing or harassment intended to cause serious harm, support for terrorist organisations or encouraging suicide.

Some people are concerned these provisions may result in curbs on free speech, given the communications minister will have the power to add to the “harmful” content categories.

As of the time of writing, I’ve not heard reactions from the big tech companies to the proposed laws, but I doubt we’ll be waiting long.

Peter Jackson says he is writing a Tintin film sequel

8 September 2026

On the subject of less than faithful book-to-film adaptations, it sounds like a sequel to 2011’s the Adventures of Tintin might be on the way.

To be precise, New Zealand filmmaker Peter Jackson, who collaborated with Steve Spielberg to make the 2011 film, said, earlier this year, he was writing a screenplay for a sequel. There’s the possibility though things may go no further.

The full title of the 2011 film was The Adventures of Tintin: The Secret of the Unicorn. Readers of the Tintin graphic novels though will tell you only elements of The Secret of the Unicorn, the eleventh book in the Tintin series, made it into the film.

There were smatterings — quite a lot really — of other stories in the mix on this occasion.

I doubt too many Tintin fans were bothered, though The Secret of the Unicorn, and its second part Red Rackham’s Treasure, contained sufficient material for the 2011 film. There was no need lift segments from other stories, but Spielberg and Jackson saw things differently.

If there is to be sequel, I’d like to see an adaptation — a moderately faithful one — of The Castafiore Emerald. This was the twenty-first Tintin story, and differed markedly from the others, in that it was set entirely at Marlinspike Hall, ancestral home of accident prone series stalwart, Captain Haddock.

Not all fans were pleased by this, as they were accustomed to Tintin and friends visiting several countries, once even the Moon, in James Bond style, in each story.

But to my mind, the blend of intrigue, mystery, supposition, red herrings, and hilarity, made The Castafiore Emerald one of the best stories in the series. Bring on the adaptation.

The book is better than the film but does not need to be

8 September 2026

Emily Wilson, Professor of Classical Studies at the University of Pennsylvania, in the United States, has lashed American film director Christopher Nolan’s recent adaptation of The Odyssey, in a recent London Review of Books article.

Wilson, who translated the version of the Odyssey, a poem traditionally attributed to ancient Greek poet Homer, used by Nolan, was less than impressed by the screenplay:

I was humbled to learn that Nolan has read at least the first line of my translation of The Odyssey into iambic pentameter. In at least one interview, he cited my version of the first line of the poem: ‘Tell me about a complicated man.’ But I would be ashamed to have written any part of this script.

Stern stuff. Another of Wilson’s comments, in regards to book (or literature) to film adaptations, also caught my eye:

Adaptations needn’t and shouldn’t follow the original with anything like the exactitude of a translation.

In other words, there’s no need for filmmakers, who adapt a book to film, to follow the source material to the letter. A point-of-view many directors would say makes sense. In the same way perhaps cover songs shouldn’t be carbon copies of the original, but rather re-interpretations.

But try telling that to the fans of a book, who are often appalled by the screen version. The book-is-better-than-the-film people. But how might Nolan have fared with Odyssey had he taken the story in a different direction? Even though it can be argued his is not a faithful adaptation.

Voting open for Tiny Awards 2026

7 September 2026

Eleven websites have been selected as finalists for this year’s Tiny Awards, and you can vote for your favourite. Polling closes on Friday 25 September 2026. There’s some awesome late-nineties web design vibes to found among the 2026 finalists.

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