Showing all posts tagged: legacy
Deirdre Sullivan Beeman, surrealist figurative artist
30 March 2017
Deirdre Sullivan-Beeman is a surrealist figurative artist, based in Los Angeles. This work is titled Orphic Egg Girl, a wood panel painted with oil and egg tempera.
Tempera is a painting medium, often consisting of, yes, egg yoke. As a painting medium, egg tempera is long lasting, very long lasting. Artworks painted with egg tempera in the first century survive to this day. You learn something new every day. And who knows, people may still looking upon Orphic Egg Girl two thousand years from now.
Originally published Thursday 30 March 2017.
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art, Deirdre Sullivan Beeman, legacy
Lena Macka Lyon France based illustrator and tattoo designer
21 March 2017
Lena Macka is an illustrator and designer of minimal tattoos, who is based in the French city of Lyon. She seems to work mainly in black and white, and shades of grey, but look through her illustrations, and you will see some colour works.
Originally published Tuesday 21 March 2017.
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Thilo Vogel, engineer, digital nomad, and portrait photographer
1 February 2017
Thilo Vogel describes himself as a photographer, engineer, digital nomad, and rooftop tent camper. That’s quite the mix. But check out his portrait photography. He certainly has a way of bringing out his subject’s — in this case Fabian Freigeist — individuality. Am I right, or am I right?
Originally published Wednesday 1 February 2017.
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Wuher: A Star Wars Story, and other films you may not live to see
18 November 2015
If a single movie, Rogue One, a Star Wars “spin off” story, slated for release in late 2016, can be spawned by way of a few words taken from the opening crawl of A New Hope, then imagine what else seen in the six films released to date, has the potential to inspire? A point that’s not lost on current series producers, the Walt Disney Company:
And if the people at the Walt Disney Company, which bought Lucasfilm for $4 billion in 2012, have anything to say about it, the past four decades of Star Wars were merely prologue. They are making more. A lot more. The company intends to put out a new Star Wars movie every year for as long as people will buy tickets. Let me put it another way: If everything works out for Disney, and if you are (like me) old enough to have been conscious for the first Star Wars film, you will probably not live to see the last one. It’s the forever franchise.
I think Wuher, the gruff bartender in the canteen at Mos Eisley, is worthy of a film. In fact, I’m of the opinion that the significance of his role in the saga has been greatly understated so far. Read his profile. I think you’ll agree there’s far more to him than meets the eye.
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film, legacy, science fiction, Star Wars
Pluto, the solar system’s other red… planet?
14 July 2015
NASA’s New Horizons space probe will probably be skimming, mere thousands of kilometres, passed Pluto around about now. That means the photos it sends in the next few days will doubtless be far sharper than the above image of Pluto and Charon, taken from a distance of approximately twenty million kilometres.
While it’s been known for sometime Pluto is reddish-brown in colour, I didn’t realise it was referred to as the solar system’s “other red planet”, with Mars being, I guess, the red planet. While both have reddish hues, their colouring comes about in quite different ways:
What color is Pluto? The answer, revealed in the first maps made from New Horizons data, turns out to be shades of reddish brown. Although this is reminiscent of Mars, the cause is almost certainly very different. On Mars the coloring agent is iron oxide, commonly known as rust. On the dwarf planet Pluto, the reddish color is likely caused by hydrocarbon molecules that are formed when cosmic rays and solar ultraviolet light interact with methane in Pluto’s atmosphere and on its surface.
Also, isn’t referring to Pluto as “other red planet”, with the operative word being planet, likely to start all sorts of arguments?
Originally published Tuesday 14 July 2015.
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Graffiti, with punctuation and grammar, only in Quito, Ecuador
13 March 2015
Just as one Wikipedia member is intent on ridding the online encyclopaedia of the grammatically incorrect phrase “comprised of” from articles, counterparts of a sort are on a mission to tidy up errors made by graffiti artists and others, in the Ecuadorian city of Quito:
In the dead of night, two men steal through the streets of Quito armed with spray cans and a zeal for reform. They are not political activists or revolutionaries: they are radical grammar pedants on a mission to correctly punctuate Ecuador’s graffiti. Adding accents, inserting commas and placing question marks at the beginning and end of interrogative sentences scrawled on the city’s walls, the vigilante editors have intervened repeatedly over the past three months to expose the orthographic shortcomings of would-be poets, forlorn lovers and anti-government campaigners.
Originally published Friday 13 March 2015.
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Stories about ghosts that nurses have seen
29 October 2014
Image courtesy of Maximiliano Estevez.
I once spent a month staying at a hotel when I was somewhere or other, and every evening when I came in there’d be a young woman with straight blonde hair, sitting on the stairs. She’d always be engaged in a FaceTime conversation, speaking in Spanish, with, I came to notice, the same male.
I never saw her at any other time. Curious as to who she was, I asked the manager about her one morning. He looked blankly at me. He knew of no such guest, especially one who had been staying there as long as I had. Predictably, I never saw her again.
That’s not quite how things unfolded, and that’s not quite meant to be a ghost story, but I thought I’d tell the tale nonetheless.
Anyway to bookmark for later tonight… ghosts may well contravene the second law of thermodynamics, but these ghost stories, as told by nurses, may have you doubting the axiom that nothing unreal exists, for a spine chilling couple of minutes at least.
Originally published Wednesday 29 October 2014.
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I doubt that our lives are merely the sums of our possessions
12 December 2013
This piece I read on Kottke last week had me wondering about the way we… measure someone’s achievements, success, or net worth, upon their death. In October US comedian and author David Sedaris wrote about the suicide of his youngest sister, Tiffany, earlier this year. Judging from her will, Tiffany appeared to have become estranged, to some degree, from her family, but it was Sedaris’ reference to his late sister’s possessions, or lack thereof, that caught my eye:
Compared with most forty-nine-year-olds, or even most forty-nine-month-olds, Tiffany didn’t have much. She did leave a will, though. In it, she decreed that we, her family, could not have her body or attend her memorial service. “So put that in your pipe and smoke it,” our mother would have said. A few days after getting the news, my sister Amy drove to Somerville with a friend and collected two boxes of things from Tiffany’s room: family photographs, many of which had been ripped into pieces, comment cards from a neighborhood grocery store, notebooks, receipts.
In response, Michael Knoblach, a friend of Tiffany’s, chastised Sedaris in an article he wrote for the Wicked Local Somerville. Among other points, Knoblach wished to make clear that Tiffany’s estate amounted to more than just two boxes of belongings:
I found David Sedaris’ article, “Now we are five,” in the Oct. 28 New Yorker to be obviously self-serving, often grossly inaccurate, almost completely unresearched and, at times, outright callous. Some of her family had been more than decent, loving and kind to her. “Two lousy boxes” is not Tiffany’s legacy. After her sister left with that meager lot, her house was still full of treasures. More than two vanloads of possession were pulled from there and other locations by friends.
Tiffany may have been troubled, but it is clear her life had value far beyond her possessions, regardless of their quantity.
Originally published Thursday 12 December 2013
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Give up and ghost the host, leave a party without saying bye
10 July 2013
When it comes time to leave a social gathering, sometimes people simply drift out the door without saying a word. It’s bad form for sure, but dispensing with what feels like contrived pre-departure small talk, might make for a more graceful exit. It turns out though the practice is quite widespread. So much so, it has been given a name, and has become known as “ghosting”:
Goodbyes are, by their very nature, at least a mild bummer. They represent the waning of an evening or event. By the time we get to them, we’re often tired, drunk or both. The short-timer just wants to go home to bed, while the night owl would prefer not to acknowledge the growing lateness of the hour. These sorts of goodbyes inevitably devolve into awkward small talk that lasts too long and then peters out. We vow vaguely to meet again, then linger for a moment, thinking of something else we might say before the whole exchange fizzles and we shuffle apart. Repeat this several times, at a social outing delightfully filled with your acquaintances, and it starts to sap a not inconsiderable portion of that delight.
Context is everything of course. We’re talking large events here, not small, intimate, dinner parties. That said, how many people here have first hand experience of this? Of ghosting? Yep, as suspected… I see more than a few of you nodding your heads.
Originally published Wednesday 10 July 2013.
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Face to Face, a film by Michael Rymer, with Matthew Newton and Luke Ford
12 September 2012
Face to Face (trailer), a drama, is the latest feature of Australian film director Michael Rymer (Perfume, Queen of the Damned), who also produced the Battlestar Galactica TV shows from 2003 to 2009. Face to Face is Rymer’s film adaptation of the play of the same name, written by Queensland based playwright David Williamson, in 2000.
Face to Face traces the proceedings of a community conference, a trial scheme that takes minor matters out of the court system, and brings together all who are party to a dispute. The process allows everyone to tell their side of the story, under the auspices of a moderator, who later drafts a resolution that binds on all involved.
Wayne (Luke Ford), a former employee of a Melbourne scaffolding company, is a hot headed young man who lost his job as result of violent outbursts and inappropriate conduct in the workplace. Luke finds himself before a community conference after ramming his ute into the car of ex-boss, Greg Baldoni (Vince Colosimo).
Wayne is supported by his mother Maureen (Lauren Clair), and best friend Barry (Josh Saks). Meanwhile Greg’s wife Claire (Sigrid Thornton), Julie (Laura Gordon) his secretary, Therese (Ra Chapman) the accountant, Richard (Chris Connelly) the foreman, and Hakim (Robert Rabiah) a worker, turn out for the company.
As the conference progresses though, Jack (Matthew Newton) who is moderating, often struggles to control tensions in the room. As the complicated series of events that led to Wayne’s outbursts work their way to the surface, tempers fray and emotions erupt, but it becomes clear there is far more to his actions than meet the eye.
For a drama that for the most part features ten people sitting in just one room for almost ninety minutes, Face to Face is utterly compelling. The key to this intrigue lies in both its strong characters, the ceaseless allure of gossip, together with the voyeuristic pleasure of witnessing people’s dirty laundry being aired in public.
In opening a can of worms that leaves just about everyone present embarrassed to a greater or lesser degree, Face to Face is a reminder that there are always two sides, maybe more, to every story. Robust performances, solid scripting, together with a deprecating humour, combine to create intense, gripping, fly on the wall style drama.
Originally published Wednesday 12 September 2012.
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