Showing all posts tagged: legacy
Deirdre Sullivan Beeman, surrealist figurative artist
30 March 2017
Deirdre Sullivan-Beeman is a surrealist figurative artist, based in Los Angeles. This work is titled Orphic Egg Girl, a wood panel painted with oil and egg tempera.
Tempera is a painting medium, often consisting of, yes, egg yoke. As a painting medium, egg tempera is long lasting, very long lasting. Artworks painted with egg tempera in the first century survive to this day. You learn something new every day. And who knows, people may still looking upon Orphic Egg Girl two thousand years from now.
Originally published Thursday 30 March 2017.
art, Deirdre Sullivan Beeman, legacy
Lena Macka Lyon France based illustrator and tattoo designer
21 March 2017
Lena Macka is an illustrator and designer of minimal tattoos, who is based in the French city of Lyon. She seems to work mainly in black and white, and shades of grey, but look through her illustrations, and you will see some colour works.
Originally published Tuesday 21 March 2017.
Thilo Vogel, engineer, digital nomad, and portrait photographer
1 February 2017
Thilo Vogel describes himself as a photographer, engineer, digital nomad, and rooftop tent camper. That’s quite the mix. But check out his portrait photography. He certainly has a way of bringing out his subject’s — in this case Fabian Freigeist — individuality. Am I right, or am I right?
Originally published Wednesday 1 February 2017.
I doubt that our lives are merely the sums of our possessions
12 December 2013
This piece I read on Kottke last week had me wondering about the way we… measure someone’s achievements, success, or net worth, upon their death. In October US comedian and author David Sedaris wrote about the suicide of his youngest sister, Tiffany, earlier this year. Judging from her will, Tiffany appeared to have become estranged, to some degree, from her family, but it was Sedaris’ reference to his late sister’s possessions, or lack thereof, that caught my eye:
Compared with most forty-nine-year-olds, or even most forty-nine-month-olds, Tiffany didn’t have much. She did leave a will, though. In it, she decreed that we, her family, could not have her body or attend her memorial service. “So put that in your pipe and smoke it,” our mother would have said. A few days after getting the news, my sister Amy drove to Somerville with a friend and collected two boxes of things from Tiffany’s room: family photographs, many of which had been ripped into pieces, comment cards from a neighborhood grocery store, notebooks, receipts.
In response, Michael Knoblach, a friend of Tiffany’s, chastised Sedaris in an article he wrote for the Wicked Local Somerville. Among other points, Knoblach wished to make clear that Tiffany’s estate amounted to more than just two boxes of belongings:
I found David Sedaris’ article, “Now we are five,” in the Oct. 28 New Yorker to be obviously self-serving, often grossly inaccurate, almost completely unresearched and, at times, outright callous. Some of her family had been more than decent, loving and kind to her. “Two lousy boxes” is not Tiffany’s legacy. After her sister left with that meager lot, her house was still full of treasures. More than two vanloads of possession were pulled from there and other locations by friends.
Tiffany may have been troubled, but it is clear her life had value far beyond her possessions, regardless of their quantity.
Originally published Thursday 12 December 2013
Give up and ghost the host, leave a party without saying bye
10 July 2013
When it comes time to leave a social gathering, sometimes people simply drift out the door without saying a word. It’s bad form for sure, but dispensing with what feels like contrived pre-departure small talk, might make for a more graceful exit. It turns out though the practice is quite widespread. So much so, it has been given a name, and has become known as “ghosting”:
Goodbyes are, by their very nature, at least a mild bummer. They represent the waning of an evening or event. By the time we get to them, we’re often tired, drunk or both. The short-timer just wants to go home to bed, while the night owl would prefer not to acknowledge the growing lateness of the hour. These sorts of goodbyes inevitably devolve into awkward small talk that lasts too long and then peters out. We vow vaguely to meet again, then linger for a moment, thinking of something else we might say before the whole exchange fizzles and we shuffle apart. Repeat this several times, at a social outing delightfully filled with your acquaintances, and it starts to sap a not inconsiderable portion of that delight.
Context is everything of course. We’re talking large events here, not small, intimate, dinner parties. That said, how many people here have observed this, ghosting, before? Yep, as suspected… I can see more than a few of you nodding your heads.
Originally published Wednesday 10 July 2013.
When galaxies collide, coming to the night sky in four billion years
4 June 2012
Several billion years hence our galaxy, the Milky Way, will collide with galactic neighbour Andromeda, and form a new entity some are calling Milkomeda. This NASA image depicts key steps in the process, and if nothing else will transform the night sky into a visual spectacle.
Not that anyone will probably be around to think about it anyway, but the night sky will have far less appeal once the merger is complete. The bright white haze (in the last frame) that will eventually take the place of the Milky Way (first frame) looks a little bland to me.
Via NASA Science.
Originally published Monday 4 June 2012.
French illustrator Mega’s new take on the alphabet
14 May 2012
Image courtesy of Mega.
Paris based illustrator and street artist Mega, whose work I’ve mentioned before, recently launched I Just Murdered The Alphabet, a new project that will see him create a new illustration each day for five months.
Inspired variously by graffiti, sign painting, and psychedelic art, Mega’s new series of works are a tribute to hip-hop culture, and also an introduction to an intriguing, though imaginary, tribe that seeks to set itself apart from mainstream society.
Originally published Monday 14 May 2012.
Something that really cooks: Michael J Fox replays Johnny B Goode
17 November 2011
Michael J. Fox who played Marty McFly in Back To The Future, recently re-performed Chuck Berry’s 1958 hit Johnny B. Goode at A Funny Thing Happened On The Way To Cure Parkinson, an annual event staged by his foundation that supports research into Parkinson’s disease.
Fox’s, or rather McFly’s, rendition of Johnny B. Goode at the Enchantment under the sea dance in 1955, is one of the (fictitious) historical events I’d like to witness. It’d also be an opportunity to be a dance floor innovator/early adopter, by showing 1950’s dance-goers a whole new way to trip the light fantastic.
Originally published Thursday 17 November 2011
film, legacy, Michael J Fox, music, video
Trigger, a film by Bruce McDonald, with Tracy Wright, Molly Parker
16 August 2011
Trigger (trailer), a comedy drama, is the latest feature of Canadian film director Bruce McDonald (The Tracey Fragments, Pontypool). The story traces the reunion of two indie-rockers, Kat (Molly Parker), a bass player and vocalist, and Vic (the late Tracy Wright), who once performed together in a two-piece band called Trigger.
Trigger, which premiered in Australia at the Canadian Film Festival in Sydney on Wednesday, 10 August, 2011, picks up the story of the two band members ten years after their acrimonious on-stage split. They have accepted an invitation to perform at a Women in Rock tribute show taking place in Toronto, their hometown.
Kat has since relocated to Los Angeles where she works in marketing, but often travels to Toronto for work. The two have arranged to meet for dinner in the restaurant of the five-star hotel where Kat is staying. Vic however is less than impressed with the extravagant setting of their first face-to-face meeting since the band broke up.
While past tensions quickly surface, it isn’t long before some traces of their earlier, close if turbulent, friendship comes to light. While Vic is happy to go along to the tribute show, she is not so willing to perform, even though Kat promised organisers they would. The show however soon rouses happy memories of their on-stage hey-day.
While reacquainting themselves with former associates, both come to the doleful realisation that they cannot reclaim their old lives. This is brought home by the fact friends have moved on, become older, more conservative, and are even driving hybrid vehicles, surely a contravention of the hard living, hard playing, rock ethos.
Despite having been apart Kat and Vic learn they have had a number of similar experiences, including having dealt with substance abuse issues, which both seem to have overcome. But just as the two are beginning to warm to each other again, Vic then learns that there is just a little more to the tribute show than meets the eye…
Trigger is a slice-of-life drama featuring just two central characters, and covers a only small period of time, in much the same way as Richard Linklater’s Before Sunset and Before Sunrise films, and plays out over the course of a single night. This however gives Kat and Vic plenty of time to try and make sense of their post-band lives.
Trigger isn’t all introspection though, and features a stirring performance reminiscent of the band during its peak, plus flashback glimpses of the friendship of Kat and Vic in earlier days. This is a story that anyone who has had the dream, or once lived the dream, and now finds life to be a little quieter, will be all too familiar with.
Originally published Tuesday 16 August 2011.
Bruce McDonald, film, legacy, Molly Parker, Tracy Wright, trailer, video
Fade to grey: as we get older we stop dreaming in technicolour
12 July 2011
We tend to stop dreaming in colour as we age, according to a study which surveyed a group of people in 1993, and then again in 2009.
In both surveys, approximately 80% of subjects younger than 30 years of age experienced color in their dreams, but the percentage decreased with age and fell to approximately 20% by the age of 60. The frequency of dreaming in color increased from 1993 to 2009 only for respondents in their 20s, 30s, and 40s. We speculate that color TV may play a role in the generational difference observed.
Originally published Tuesday 12 July 2011.