Vale David Hockney, British artist, photographer

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Vale David Hockney, British artist, photographer

15 June 2026

Hockney died aged 88 last week. The work of the British artist and painter, purveyor of bold colours, was required learning in my final year high school art history course.

No basic income for Australian artists, but some writers can live in reduced rent accommodation

14 April 2026

Ireland pays a select group of artists a basic income for a three year period, an initiative the Irish government claims is a world first.

At present, the weekly value of the payment equates to about five-hundred-and-forty Australian dollars. You’d be hard pressed to live on that sort of money in Australia, but it’s better than nothing, considering no such scheme exists locally.

But there is a glimmer of hope. For some local creatives at least. The NSW state government is offering writers the opportunity to rent terrace houses in The Rocks area of Sydney, for two-hundred dollars (Australian) per week.

Spots are limited, and creatives still need a source of income, but the initiative is a (small) step in the right direction. To be eligible, a writer must be considered to be a literature practitioner:

In this instance, ‘Literature Practitioners’ are defined as: writers working in any creative form, including fiction, short stories, screenplay/drama, poetry, children’s books, and narrative non-fiction, and illustrators working in children’s books and graphic novels. The Program is open to NSW Literature Practitioners at any stage of their career.

Has the true identity of British street artist Banksy been revealed or not?

19 March 2026

Has the cover been blown on the true identity of British street artist Banksy?

Some people seem to think so. A British tabloid, The Mail on Sunday, claim they learned Banksy’s actual name in 2008, something that has — apparently — now been verified.

Banksy however, through his lawyer, disputes the finding, says Achol Arok, reporting on the story for The Daily Aus (Instagram link).

Assuming the latest reporting is correct, I’m surprised, with his remarkable profile, that Banksy has succeeded in concealing his actual identity for so long,

I imagine Banksy’s had help protecting this information hitherto, but the feat is impressive given the daring nature of his works, many in public places, often subject to much surveillance.

The Artocalypse, an IndieWeb arts community by Chris Shaw

26 June 2024

The Artocalypse is a subscription based community for artists on IndieWeb, created by Chris Shaw at uncountable thoughts. This a great cross-promotional idea, showcasing the work of artists, while also spreading the word about IndieWeb.

I dare say some of the participating artists will already have followings elsewhere, and their membership of Artocalypse will introduce IndieWeb to people who have not heard of it before.

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art, artists, community, IndieWeb

NSW Labor party to pay musicians $250 for live shows at publicly funded events

21 December 2022

Should they form government at the state election in March 2023, the NSW state Labor party will mandate a minimum payment of A$250 for musicians performing at any event or show in NSW that has received public, or government, funding.

The $250 flat fee will be a condition of a contract by a business or other entity that accepts a government grant for a show or event. While there is currently no guarantee that artists will receive a minimum fee for performing at events funded by public money in New South Wales, a Chris Minns-led government aims to change things.

This is a step in the right direction. A$250 may not be much, once musicians have deducted their various overheads, but it’s something. And worth far more than the trite line that artists doubtless hear often: “but performing (gratis) at our event will give you some great exposure.”

Heck, it’s even a line that’s been spun on me sometimes here at disassociated. Do I need/want exposure? Sure. But I also need income, to, you know, make a living.

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artists, arts, Australian music, music

Ireland to offer a weekly basic income to artists and creatives

17 September 2022

The Irish government will pay two thousand artists and creative arts workers a basic income of three hundred and twenty-five Euros (about four hundred and eighty Australian dollars) per week, as part of a trial being conducted over the next three years.

The Basic Income for the Arts pilot scheme will examine, over a 3 year period, the impact of a basic income on artists and creative arts workers. Payments of €325 per week will be made to 2,000 eligible artists and creative arts workers who will be selected at random and invited to take part.

This is the sort of initiative that’s needed in Australia, where artists and writers seldom earn more than fifty-thousand dollars a year — likely well below that for many — compared to the average annual salary of about ninety-thousand dollars for other workers.

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artists, Ireland

Shahir Ampey, an artist whose superpower is art

13 July 2017

“Art is my superpower” says Shahir Ampey (Instagram page), who works as an artist come nightfall. This all makes sense, after all superheroes tend to do their best work after dark, don’t they?

Originally published Thursday 13 July 2017, with subsequent revisions, updates to lapsed URLs, etc.

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art, artists, legacy

Tips for artists arranging their own art exhibition and opening

8 March 2010

Ask anyone what they like the best about going to an art show and most people will tell you it’s the opening night party.

And who can blame them, after all what better way is there to spend an evening, than enjoying some brand new art while partying?

So while from a show-goer’s point of view the opening night party seems like a straightforward process — placing a collection of artworks in a gallery and then laying on refreshments and live music — there’s a lot more to staging an exhibition, even a smaller show, than meets the eye.

Months, possibly years, of planning and organising go into some shows and their opening night party, so in the interests of imbuing the curious with an appreciation of the process, here it is, a step by step guide to planning and staging an exhibition.

Planning

You might be surprised at the amount of planning an exhibition requires. Factors such as venues, budgets, funding, sponsorship, advertising and promotion, catering, and possibly insurance, all need careful consideration.

Lead times can vary greatly as a result, with some shows taking a year or more to set up, while others can be arranged within a couple of months.

Budgets, sponsorship, and funding

Staging an exhibition can be expensive, and you will need to ensure you have sufficient funding, whether private, or through sponsorships, to cover the cost of things like catering, promotion, printing, and gallery space.

While established artists may be able to find sponsors to cover costs, as their larger following ensures a reasonable degree of exposure for their backers, new or emerging artists may not be so fortunate, and will have to rely on savings, or help from family or friends.

Check around though.It may be possible to obtain funding through arts grants, and sometimes municipal councils or community groups may offer some assistance staging a show, whether it be providing a venue, or publicity.

Artists at some exhibitions I have been to sometimes ask a for small (gold coin) contribution to help cover costs, a portion of which they usually donate to charity.

Finding a gallery

Gallery space is competitive, and can be hard to secure, especially if you want to exhibit at an established, well known, venue.

You will also need to weigh-up the amount, nature, and size, of work to be exhibited, against the availability of suitable galleries.

Other things to consider are whether the gallery operates on a commission basis, taking a percentage on works sold, or charges a fixed fee for holding a show.

Also, depending on your location, since regulations vary from place to place, are insurance matters, both public liability, and cover for items on show.

Look out also for alternative venues, such as cafes or bookshops for instance, which may offer wall space, and would surely be happy to collect a commission on any works sold.

Given the potential for publicity and custom, cafe and bookshop owners may possibly be prepared to provide other forms of support for your show as well.

A theme and a name for the exhibition

Your show will need a name and a theme. It’s worth taking some time to think this over.

Pricing your artworks

This is one of the more difficult steps in the process of planning an art show.

The amount you can ask for an artwork will depend on a number of factors including your reputation or standing as an artist. Obviously the more regarded your work, the more you can ask.

Another is the arrangement you have with the gallery exhibiting your work. Most galleries take a commission on works sold during an exhibition. While this cut varies, sometimes greatly, rates of about twenty-five to up to fifty percent are reasonably common.

Don’t be afraid to negotiate on the commission either. If you believe you will sell a lot of your work, you may be able to haggle a slightly lower rate.

To set a price you will need to work out much you would like to receive, against how much you think someone will pay, less the commission asked for by the exhibiting gallery.

Printing

Once you have funding, a venue, and a theme worked out, you can start arranging the printing of promotional flyers and brochures, title cards, and a list or catalogue of items you’ll be exhibiting.

If money is tight you may be able to reduce some printing costs by doing some of the work yourself.

Great looking catalogues and title cards can be produced with a word-processor, the use of good fonts, some careful page layout, and a reasonable quality printer.

If you know someone with calligraphy skills see if they can make title cards for your works.

Promote and advertise

There’s quite a few options when it comes to promoting shows, many of which are low-cost, or free.

Social networking sites, such as Facebook, make it easy for members to create pages for events, such as an exhibition opening, and issue invitations to their contacts.

There’s also art focused discussion forums, and you could even consider approaching arts bloggers to see if they will help the spread the word. Be careful not to wear out your welcome, or take anything for granted here though.

Setting up a page on a photo-sharing site, such as Flickr, and posting photos of your work is also a good way to generate some ongoing profile.

If your budget permits, consider printing flyers to post on community notice boards. Local shops may also be happy to display these for you. Also think about writing a press release to send to local and community magazines and newspapers.

I’ve received a number of invitations to exhibition openings through (snail) mail, so if time and money allows, have some invitations printed and then gather up a list of people to post them to.

Finally, invite as many people as you can, however you can, to the opening. Not only will they appreciate a drink and snack, they’ll also add some atmosphere, and make your attendance numbers look good. Nothing says success more than a well attended show opening.

Food, beverages, and catering

A big part of the opening night of any exhibition is the food, drink and party atmosphere, but you don’t need to go overboard.

Offering guests a choice between a red and white wine, and water (and juice or soft drinks, if you really want to push the boat out) is quite acceptable.

If you have a generous sponsor, or even just a catering sponsor, you may also be able to lay on beer and some finger food.

Other entertainment

Many of the openings I’ve been to have some sort of live music, and given the atmosphere a DJ, or even a band, can add to proceedings, this is something well worth thinking about.

If money, or floor space dictates otherwise, the only option may be background music. Whatever you do, choose music that is light and upbeat, and generates a good vibe.

Opening times

Most of the shows I go to usually open on Wednesdays, Thursdays, or Fridays. Thursday seems to be the most common day, it’s not too early in the week, and not too close to the weekend.

If possible, avoid weekend openings, or early in the week, times that people usually have other plans.

An early evening opening of around 6pm is probably a good all round time. Most your guests will be on the way home form work by then, yet it is still early enough for them to fit your show in around other plans they have for later in the evening.

Photos

You will definitely want a photographic record of the opening, so try and arrange for someone to take photos through out the evening.

Post the photos to your Flickr or Facebook pages, and also use them when you write about about the opening on your blog later.

And enjoy

The opening night, and exhibition itself, will probably be over in what feels like no time, especially when compared to the months of prior planning and preparation, so be sure to take a little time out to enjoy your own exhibition.

Good luck with it.

Originally published Monday 8 March 2010, with subsequent revisions, updates to lapsed URLs, etc.

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art, art shows, artists, legacy