Showing all posts tagged: IndieWeb
My blog is powered by my obsessions
18 January 2025
What makes for a good blog? Merlin Mann, writing in 2008, the golden age of blogging if ever there was one, has a few answers to the question:
Good blogs reflect focused obsessions. People start real blogs because they think about something a lot. Maybe even five things. But, their brain so overflows with curiosity about a family of topics that they can’t stop reading and writing about it. They make and consume smart forebrain porn. So: where do this person’s obsessions take them?
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Rambles.NET, a webzine founded by Tom Knapp in 1999
6 January 2025
Rambles.NET is an online magazine founded by Tom Knapp in 1999, and still going strong over twenty-five later. Knapp himself continues to contribute. Rambles is another example of Indie Web in its original inception; I think a Facebook page is the only hint of social media present.
I had a crack at publishing a webzine way back in the day, something called channel static (Internet Archive link). Notice my ever-present use of lower case styling for proper website names.
Like all good webzines of the day (and today), Rambles published articles on a wide range of topics, including music, film, literature, pop culture, nature, history, science, religion, steampunk, and the supernatural. Check out the impressive list of past and present contributors.
In a way, I always considered disassociated to be more a webzine than anything else. Granted, only with one writer, and very much on and off in the twenty-five plus years this website has been online.
Rambles has no RSS feed that I can see, so you’ll have to read it the old fashion way: with a browser.
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history, IndieWeb, publishing, self publishing, writing
Indie Web makes all of us property owners online
6 January 2025
American engineer and product manager Den Delimarsky offers another way of looking at the core Indie Web tenets of owning your own website domain, and owning your own content. See yourself as a property owner, rather than a renter.
If any of your online presence is on social media channels, you’re leasing the space, you don’t own it. The property owner could give you your marching orders at any time.
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W3C ethical web principles: web standards for a mature web
19 December 2024
A statement of twelve guiding principles for an ethical web, recently published by the World Wide Web Consortium (W3C).
The web is a fundamental part of our lives, shaping how we work, connect, and learn. We understand that with this profound impact comes the responsibility to ensure that the web serves as a platform that benefits people and delivers positive social outcomes. As we continue to advance the web platform, we must therefore consider the consequences of our work.
Comparable, to a degree, to the IndieWeb community’s core tenets. To me, the W3C’s ethical web principles seem like web standards for a more mature, established web, of the third decade of the twenty-first century. One objective of web standards was to build a web (specifically websites), that everyone could view and use uniformly, regardless of their browser, or platform (operating system). We have the technical side of the web down pat, hopefully, now it’s time to focus on ethics.
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2024 word the year: enshitiffication. I nominate IndieWeb for 2025
2 December 2024
The neologism, devised by blogger and author Cory Doctorow, just over two years ago, has been named the 2024 word of the year by Australian English wordbook, Macquarie Dictionary.
This must be some sort of record, between the time a new word is coined, comes into popular usage, and then named as a dictionary’s word of the year. Enshitiffication was among sixteen other candidate new words (PDF) shortlisted by Macquarie, and also won as the People’s Choice word.
It seems apt enshitiffication is selected as word of the year, given the rise in prominence IndieWeb/SmallWeb has experienced during 2024. If there’s any sort of counterpoint to the declining integrity of many of the social media platforms, IndieWeb/SmallWeb is it.
Macquarie accepts suggestions for their word of the year, and this might be an opportunity to bring the community/movement/concept/notion, however you like to describe IndieWeb/SmallWeb, to the notice of more people.
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People also need a motive to start a personal website
15 November 2024
Garrett writing on his Mastodon page:
How do we make it easier for “everyone else,” the “normies,” all those “regular” folk who just want to get online, how do we reduce the friction required to get them to make their own little corners of the web? How do we make the #IndieWeb easier? How do we make the #WebRevival more convenient?
It’s the question of the times, and one I think about. Thing is, almost “everyone else” is comfortable with the ease of using a social media platform to get online. Set up an account. Find friends and follow them. Ask them to do the same. Start posting stuff. Sit back and enjoy the discussion that might accompany a post. No special knowledge required. Nothing else to worry about.
It’s just too easy. But the personal website space really seems reserved for people with a keen interest in creating their own presence online, because there are a few hurdles to entry. I could say — with my relatively low-tech website setup — “well, look at me. I don’t have that much technical knowledge, but see: I have a website, therefore so can you.” But that’s not really much help.
I wanted to have a personal website, and was motivated enough to figure what I needed to do, to make that happen. The problem is, I just don’t think there’s too many regular people, who are the same. Even if there are free-to-sign-up options, such as WordPress.com, or Neocities, open to them.
So, it’s not just ease of setup. Some sort of motive is needed. And motives have come along before. Fifteen to twenty years ago people left, right, and centre, were setting up blogs, motivated by the prospect of making money from them. Some bloggers boasted of “six-figure incomes.” It was enough to see complete novices figuring out content management systems, hosting, content production, and how to build an audience, all in the name of bringing in a dollar or million.
I don’t know what the prospects are like for website monetisation today. Sure, there’s people making some money from their blogs, but like fifteen-plus years ago, only a handful are earning enough to make a difference. Making money from a website may not then be the enticement we’re looking for.
If we are to lure more people away from social media, and encourage them to launch personal websites, presenting them with a motive is something that also needs to be considered.
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blogs, IndieWeb, technology, trends
Building a website is easy: a guide to the first steps
16 October 2024
HTML for people, by American software developer Blake Watson, is a helpful resource for people wishing to build their first website, with a simple text editor. HTML for people guides first time web designers through the process of creating webpages, to uploading them, to produce a live website.
You, my friend, are about to go from zero to internet by putting your very first homemade page on the web. I will let you in on a little secret — websites are just files with text. They don’t require fancy, expensive software to create. You can literally make a website with Notepad. In fact, that’s what we’ll do right now.
It’s literally that simple, and it’s what I did — using Notepad, a simple text editor — way back in the day, to create the first version of disassociated. I was still using NotePad until recently, to create the PHP files here. If you’re on Linux, Mousepad is a simple text editor you could try there.
But even today, you can still comfortably go old-school, and build a website using component HTML files, e.g. an index page, about page, blog page, etc, using a simple text editor, without the need for CMS software, such as WordPress, if you so wanted.
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IndieWeb, technology, web design
All IndieWeb participants need to be vocal, not just developers
5 October 2024
Evan Sheehan, writing at The Darth Mall:
I think Jeremy Keith is right, that all that really matters is having your own website. However big or small, however you make it, whatever you choose to put on it. I just don’t think that this is what the IndieWeb is actually focused on. The IndieWeb feels like it’s something by developers, for developers, because it focuses so much on implementing certain features.
My take here, is that it’s the people developing and implementing the microformats, the webmentions, what have you (sorry, a lot of this stuff is over my head), who seem to be the most vocal in the conversation. I’m not saying that’s a bad thing, but you’d be forgiven for sometimes thinking IndieWeb was the exclusive domain of developers. But I’m not having a go at developers here, because, you know, if there were no developers, there’d be no web/internet.
Instead, the discussion needs more input from others in the IndieWeb community. The creatives, the writers, the artists, the photographers. The other people doing their thing on the non-corporate web. There are already such people doing that, but more need to weigh in. The topic brings to mind something American author Edgar Allen-Poe once wrote:
Shadows of Shadows passing… It is now 1831… and as always, I am absorbed with a delicate thought. It is how poetry has indefinite sensations to which end, music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry. Music without the idea is simply music. Without music or an intriguing idea, color becomes pallour, man becomes carcass, home becomes catacomb, and the dead are but for a moment motionless.
It’s all very deep. But the point is that different ideas complement each other. IndieWeb, the web, needs the technical infrastructure, but then alongside that, there needs to be something else. An idea, a thought, content. Something to engage with.
It’s my roundabout way of saying IndieWeb isn’t just for the technical people, it’s for anyone who wants to be involved. And in this case, the more the merrier. Let’s hear it then, from the other IndieWeb participants.
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IndieWeb, social media, technology, trends
Independent bookshops, independent web, a tale of two cities
4 October 2024
Louis Menand, writing for The New Yorker. How familiar does this sound:
Between 1998 and 2020, more than half of the independent bookstores in the United States went out of business.
It was a similar story for personal websites and blogs, though definitely across different timeframes. Maybe from 2010 — later even — as social media began to dominate the web. Something else was dominating the book market though:
Even though books make up a relatively small fraction of Amazon’s sales, they constitute more than half of all book purchases in the United States. Amazon is responsible for more than half of all e-book sales, and it dominates self-publishing with its Kindle Direct platform.
After a time though, consumers began to yearn for the bookstore vibe again. A certain something was missing when buying literature online. Book buyers wanted a more personal experience, one that only brick and mortar bookshops could offer:
One is the obvious benefit of being able to fondle the product. Printed books have, inescapably, a tactile dimension. They want to be held. “Browsing” online is just not the same experience. For that, you need non-virtual books in a non-virtual space.
Then the movement started. Not IndieWeb though, rather IndieBookstores. The push was spearheaded by American author James Patterson:
When the pandemic started, Patterson launched a movement, #SaveIndieBookstores, to help such businesses survive. He pledged half a million dollars, and, with the support of the American Booksellers Association and the Book Industry Charitable Foundation, the campaign ended up raising $1,239,595 from more than eighteen hundred donors.
Maybe that’s where I’ll leave this independent bookshops to independent web analogy/allegory, and suggest you read (or listen to the audio of) Menand’s article in full. Save for this sobering sentence:
According to Kristen McLean, an industry analyst, two-thirds of the books released by the top-ten trade publishers sell fewer than a thousand copies, and less than four per cent sell more than twenty thousand.
It ain’t easy being a writer; making a living from writing. If independent bookshops can help authors realise a even few more sales of their work, then that can only be a good thing.
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books, bookshops, IndieWeb, James Patterson, novels
Independent websites: vital for the survival of the hyperlink
3 October 2024
This Halifax Examiner article, by Philip Moscovitch, which features a number of quotes by Matt Pearce, a Los Angeles Times journalist, recorded on a recent episode of the Tech Won’t Save Us podcast, has been doing the rounds. The upshot being hyperlinks, links from one webpage to another, are in danger of becoming obsolete. Extinct. Quite unsurprisingly, social media, and some search engines, are among the culprits intent on “degrading” hyperlinks:
There is a real bias against hyperlinking that has developed on platforms and apps over the last five years in particular. It’s something that’s kind of operating hand-in-hand with the rise of algorithmic recommendations. You see this on Elon Musk’s version of Twitter, where posts with hyperlinks are degraded. Facebook itself has decided to detach itself from displaying a lot of links. That’s why you get so much AI scum on Facebook these days. Instagram itself has always been kind of hostile to linking. TikTok as well…
Threads, Meta’s micro-blogging platform, allows hyperlinks to be included in posts at the moment. Whether though they “degrade” them, in X/Twitter style, down the line, remains to be seen. Instagram has never been hyperlink friendly, but remember it started out as a platform for sharing photos, not links.
Not long after I started making websites in the late 1990’s, I read an article about Tim Berners-Lee, who created the web in 1991. The piece is long gone now, but as I recall it, Berners-Lee said when he devised HTML, the markup language used to build websites, he made it intentionally simple to use (though maybe hard to master…). This so information could be shared easily:
However, in 1991 the internet changed again. That year, a computer programmer working at the CERN research center on the Swiss-French border named Tim Berners-Lee introduced the World Wide Web: an internet that was not simply a way to send files from one place to another but was itself a “web” of linked information that anyone on the Internet could retrieve. Berners-Lee created the Internet that we know today.
Here we are, all these years later, where some people would like to do away with one of the web’s building blocks, which made everything we have today possible in the first place. Go figure. Well, link-haters are gonna hate, and do their best rid their web of hyperlinks, I guess. What this does though is underline the importance of an independent web, and websites that are interlinked by hyperlinks. Continue freely and abundantly sharing those links everyone.
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IndieWeb, social media, technology, Tim Berners-Lee, trends, web design