The Super Models, Cindy, Linda, Christy, and Naomi, reunited

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The Super Models, Cindy, Linda, Christy, and Naomi, reunited

22 September 2023

Nineties supermodels Naomi Campbell, Christy Turlington, Linda Evangelista, and Christy Turlington, were household names thirty years ago. At least in my household, that is, because when you had an aspiring fashion photographer in your midst, little that the four did would go unmentioned. But thirty years on, Cindy, Linda, Christy, and Naomi, remain household names, on account of their now legendary trailblazing exploits.

The Super Models, trailer, a four part documentary produced by Apple TV+, which began streaming on Wednesday 20 September 2023, sees Cindy, Linda, Christy, and Naomi reunited thirty years later, and traces their epic story, from the 1980’s onwards:

“The Super Models” travels back to the 1980s, when four women from different corners of the world united in New York. Already forces in their own right, the gravitas they achieved by coming together transcended the industry itself. Their prestige was so extraordinary that it enabled the four to supersede the brands they showcased, making the names Naomi, Cindy, Linda and Christy as prominent as the designers who styled them. Today, the four supermodels remain on the frontlines of culture through activism, philanthropy and business prowess. As the fashion industry continues to redefine itself — and women’s roles within it — this is the ultimate story of power and how four women came together to claim it, paving the way for those to follow.

Exquisite Gucci ad by Alessandro Michele a Stanley Kubrick homage

31 August 2022

Alessandro Michele, creative director of Gucci, shows off the Italian luxury fashion house’s latest designs and accessories in an advert blending numerous Stanley Kubrick films, as a homage to the late American filmmaker.

2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Eyes Wide Shut, are among Kubrick’s work that Michele decided to re-inhabit:

As an act of love, I decided to reinhabit Kubrick’s films, pushing to the core this incendiary approach. I took the liberty of disassembling, blending, grafting and reassembling them. Sticking to my creative praxis, I seized those movies, resemanticizing them, populating them with my clothes.