Future Boy, a book by Michael J. Fox, and a missing Gibson guitar

Showing all posts about film

Future Boy, a book by Michael J. Fox, and a missing Gibson guitar

20 August 2025

Future Boy: Back to the Future and My Journey through the Space-Time Continuum, is a book written by American actor Michael J. Fox, of, of course, Back to the Future (BTTF) fame, in conjunction with TV and film producer, Nelle Fortenberry.

Fans of the 1985 time-travel caper, and Fox himself, probably already know the story. Fox was also on the cast of TV sitcom Family Ties, and during the filming of BTTF, would shuttle back and forth between the sets of TV and film. TV during the day, film by night. If working two jobs each day was tiring, Fox sure as hell didn’t show it, as he seemed to do nothing but burst about the screen in BTTF.

Future Boy delves deeper into this story, through interviews with the cast and crew of both Family Ties and BTTF, and will be published on Tuesday 14 October 2025.

That’ll definitely be a red-letter day for BTTF aficionados.

And in other news, BTTF cast and crew are searching for the guitar, the Cherry Red Gibson ES-345 to be precise, which Marty McFly played when performing Chuck Berry’s Johnny B. Goode, at the Enchantment Under the Sea high school dance.

This is no publicity stunt (I don’t think). BTTF producers realised the iconic guitar was missing when they went to film the sequel, Back to the Future Part II, back in 1989.

They’re hoping to find it today, soon, this century, to coincide with the fortieth anniversary of BTTF, and the release of a documentary about the film, Lost to the Future, which I think goes to air later this year. Members of the cast, including Fox, Harry Waters Jr, Lea Thompson, and Christopher Lloyd, are among those who have issued an appeal for information in the search for the Gibson.

I’d forgotten 2025 was such a red-letter year in the history of BTTF. I think this calls for a screening this evening of BTTF.

Vale David Stratton, Australian film critic

15 August 2025

The family of the noted film critic announced his death, at age 85, yesterday, Thursday August 2025.

I used to do some film writing (I still do occasionally) but would never describe my efforts as critique. Nonetheless, I used to be invited to preview screenings and premieres, and from time to time Stratton would be present.

Stratton, together with long time collaborator Margaret Pomeranz, were recently inducted onto the Australian Film Walk of Fame, becoming the first non-actors to be accorded the honour. If that doesn’t speak volumes about the regard in which Stratton’s work was held, I don’t know what does.

Steve Coogan, Rob Brydon, return for Northern Lights trip

12 August 2025

It seemed pretty clear 2020’s The Trip to Greece was the final jaunt for British foodies Steve Coogan and Rob Brydon. This after travels to the north of England, Italy, and Spain.

But now a new six-part series, The Trip To The Northern Lights, where the pair will venture around Scandinavia, starts production later in 2025, and presumably screens sometime in 2026.

Picnic at Hanging Rock, a film by Peter Weir, released fifty years ago

9 August 2025

Yesterday, Friday 8 August, marked fifty years since Picnic at Hanging Rock, trailer, premiered in Adelaide, South Australia. They story about some students of a girls’ school who go missing during a picnic, continues to captivate, and baffle, film watchers.

The Sydney born Australian filmmaker Peter Weir has made a slew of top-notch movies. These include Gallipoli, Dead Poets Society, and The Truman Show, but Picnic at Hanging Rock is by far — to my mind at least — his most enigmatic.

The screenplay was based on the 1967 novel of the same name, by late Australian author Joan Lindsay. Much of mystery enveloping the film stemmed from the belief it was based on actual events. The story is in fact fiction (thankfully).

I re-watched Picnic at Hanging Rock a few years ago, and soon after saw a lesser known Weir feature, The Plumber, which is truly bat shit mad/disturbing. Take a look at the trailer. If not already, Weir’s work should be required learning at Australian film schools.

War of the Worlds 2025, with Ice Cube, scores ZERO on Rotten Tomatoes

8 August 2025

Jesse Hassenger, writing for The Guardian:

The real question is how audiences have made it through an unconvincing cheapie like War of the Worlds — a sci-fi epic that seems to take place in real time yet features a vast and coordinated worldwide mobilization of multiple armed forces — without shutting it off in disgust (it boasts a rare 0% rating on Rotten Tomatoes).

Check out the trailer. The 2025 adaptation of the H. G. Wells novel — published as a book in 1898 — directed by American filmmaker Rich Lee, had been sitting in the store room since production wrapped five years ago.

War of the Worlds’ zero percent score on review-aggregation website Rotten Tomatoes, is in sharp contrast to the one-hundred percent score achieved by 2022’s The Unbearable Weight of Massive Talent. At least for a time.

I only learned a few years ago Wells’ novel has an Australian connection, being written as a protest against the treatment of Indigenous/First Nations people in Tasmania, at the hands of British colonisers. In a bid to sway public opinion, Wells portrayed a terrifying invasion of England by powerful extra-terrestrials, to help people comprehend the atrocities taking place in Australia.

Cast of The Castle reunite, but not for a sequel, nor a prequel

16 July 2025

Alisha Buaya, writing for Media Week:

Uber has reunited Australian film icons, stars of The Castle, Michael Caton, Stephen Curry and Anthony Simcoe, to highlight Uber Green’s transition to a fully electric rideshare product.

The Castle was made by Australian actor, comedian, and filmmaker, Rob Sitch. The 1997 film is a feel good, David versus Goliath comedy, about a working class family attempting to stop property developers taking their home, their castle, away from them.

But wait until you see where the home is located.

The Uber promotion informs riders they now have the option to hire an EV for their journey. As yet, I’m not sure just how much of The Castle — aside from the stars — comes into this.

Emulate Wes Anderson with Shoot Like Wes, a book by Adam Woodward and Liz Seabrook

3 July 2025

Jason Schwartzman, Bill Murray, on the set of Wes Anderson's film Asteroid City

Perhaps the world is still sufficiently pre-peak the work of American filmmaker Wes Anderson, to the point that photographers still want to emulate his style in their work. If you believe the former, and are among the latter, then Shoot Like Wes, a book by British journalist and film critic Adam Woodward, and London based photographer Liz Seabrook, might be for you.

Inspired by the distinctive vision of director Wes Anderson, Shoot Like Wes is packed with rich imagery and in-depth analysis of the auteur’s remarkable body of work. This is the only guide you’ll need to create your own cinematic masterpiece, transforming everyday scenes into vibrant, storytelling moments worthy of the big screen.

RELATED CONTENT

books, film, photography, Wes Anderson

Fifteen years ago, my interview with Claire McCarthy, Australian filmmaker

30 June 2025

In 2010, Claire McCarthy’s publicity company kindly gave me the opportunity to ask her about her then upcoming film, The Waiting City, which starred Radha Mitchell and Joel Edgerton. I published the interview on this day fifteen years ago.

I remember feeling a tad apprehensive preparing my questions as I hadn’t seen the film beforehand, and subsequently didn’t think they were particularly original. All seemed to be well (or well enough) on the night though, as they say.

Margaret Pomeranz, David Stratton, join Australian Film Walk of Fame

28 June 2025

Colloquially referred to as Margaret and David, the long time Australian film critics became, on Sunday 1 June 2025, the first non-actors to be inducted to the Australian Film Walk of Fame.

The pair are perhaps best known for the two film review television shows they co-hosted, The Movie Show, on SBS, from 1986 until 2004, and then At the Movies, on ABC, from 2004 through to 2014.

Among other roles, Stratton served as director of the Sydney Film Festival from 1966 until 1983. Pomeranz meanwhile was a prominent anti-censorship activist, and was once detained by police during a protest. Despite the warmth of their professional partnership, they often disagreed with each other as to the merits of a film. This became a distinguishing hallmark of their collaboration.

In the earlier days of disassociated I wrote a fair bit about film, and often saw Pomeranz and Stratton at various previews screenings and other events. Stratton hosted a conversation with Keir Dullea and Gary Lockwood, of 2001: A Space Odyssey, in 2006.

One evening, while waiting to go into a preview screening of The Dark Knight Rises in Sydney in 2012, Pomeranz walked right passed me, as she was leaving the earlier screening. “Any good?” I asked her. She nodded politely in response.

The Australian Film Walk of Fame plague awarded to Pomeranz and Stratton earlier this month, is the second one presented this year. In recent years, the Walk, located outside the Ritz Cinema, in the Sydney suburb of Randwick, has been a little quiet. Is this something of a Film Walk of Fame revival?

Downton Abbey: The Grand Finale, the third and final Downton film

25 June 2025

Downton Abbey: The Grand Finale, trailer, directed by Simon Curtis, with a fair chunk of long time Downton cast members reprising their roles, will be released globally on Friday 12 September 2025.

I’ve only ever seen series three of the original TV show, which aired in the second half of 2012, and that’s because I was gifted the DVD set of the series some years later. I saw the first spin-off film, simply named Downton Abbey in 2019, but missed the 2022 follow-up, Downton Abbey: A New Era.

It’s tricky to work out what’s happening based on the little of the story we see in the trailer for The Grand Finale. One thread of the preview seems to revisit the earlier part of series three, where the possibility the Crawley family would have to leave the Abbey, loomed large. But who knows.

There’s no missing the finality of that title though.

« older posts

newer posts »