Showing all posts about books
Cats & Books, the book
21 March 2022
If you’ve spent any time on Bookstagram you’ll know cats and books are pretty much synonymous. Enter Cats & Books, filled with images sourced from the #CatsandBooks hastag, is then the logical confluence of such an association.
This charming photo book of precious kitties with books from the popular Instagram hashtag, #CatsandBooks, is a crowd-sourced effort from various owners of both discerning cats and book taste.
Dogs & Books must be next.
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How I was conned by a manuscript thief
16 March 2022
American writer Peter C. Baker on being fooled into handing over a draft of his novel to a manuscript thief. The culprit, known as the Spine Collector, who was finally arrested earlier this year, had tricked numerous other authors, including many who were still unpublished, into sending him copies of their work.
It was the first book I’d ever tried writing, and, during the previous near-decade, it had become an overburdened locus of my ambitions, hopes, doubts, and fears. Many times, I’d looked at the manuscript and wondered if I was fooling myself. Getting fooled into handing it over made me feel sick.
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Adaptable 2021/22 text to screen longlist announced
11 March 2022
Adaptable is an initiative of the Queensland Writers Centre that connects aspiring screen writers, working across all genres, with film and television producers.
Adaptable seeks material for film or television adaptation. Open to writers across Australia and New Zealand, the contest accepts any genre, fiction or non-fiction, published or unpublished. Queensland Writers Centre also identifes several early career unpublished/emerging writers to pitch their work to screen creatives, with these writers receiving mentorship and advice prior to the pitching sessions.
A longlist of contenders was unveiled this week, with the shortlist to follow shortly.
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Women’s Prize for Fiction 2022 longlist
10 March 2022
The longlist for the 2022 Women’s Prize for Fiction was announced on Tuesday. Just under ten percent of the original one hundred-and-seventy-five submissions were among the sixteen titles selected. A few familiar titles leapt out at me: Great Circle by Maggie Shipstead, Sorrow and Bliss by Meg Mason, The Paper Palace by Miranda Cowley Hellerand, and The Sentence by Louise Erdrich. The shortlist, consisting of six titles, will be announced on Wednesday 27 April.
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We Got This, edited by Eliza Hull
7 March 2022

We Got This (published by Black Inc, 1 March 2022), is an anthology by parents with disabilities, edited by Victorian based Australian writer, audio producer, and musician Eliza Hull.
In We’ve Got This, twenty-five parents who identify as Deaf, disabled or chronically ill discuss the highs and lows of their parenting journeys and reveal that the greatest obstacles lie in other people’s attitudes. The result is a moving, revelatory and empowering anthology. As Rebekah Taussig writes, “Parenthood can tangle with grief and loss. Disability can include joy and abundance. And goddammit – disabled parents exist.”
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Do large book reviews result in more book sales?
4 March 2022
Since 2012 the Stella Count has been analysing the number, and length, of book reviews published across twelve Australian publications. These periodicals include regional and national newspapers, magazines, and journals.
Reporting of the counts for the two most recent years — being 2019 and 2020 — has been delayed by COVID imposed restrictions, but they have shown for the first time that reviews of books written by women, has exceeded the fifty percent mark for the first time since the Stella Count commenced.
While on the surface it appears there is finally some parity in book reviews between the genders, being published in the twelve surveyed publications, there is a significant caveat. This comes down to the length of the reviews. While more than half of small and medium sized reviews critiqued the work of women in the 2019 and 2020 period, when it came to large reviews, books by men remained in the majority.
As far as I can tell, the Stella Count only looks at print publications, though I assume these reviews are cross-posted to their online counterparts. While using established periodicals makes for a consistent benchmark to measure comparisons over time, I’m guessing these numbers would be quite different if social media reviews were — somehow — to be included.
The value — and prestige even — of large reviews cannot, and should not, be dismissed, but I wonder what the conversion rate, if you like, of large reviews to book purchases is, compared to small and medium reviews. Research tell us people take more time to assimilate longer articles (consisting of a thousand words or more), than they do shorter, or small and medium, sized write-ups.
This is possibly because large reviews contain more information, and readers perhaps feel better informed if they are making a decision to spend money. If I were making a big purchase, such as a car, I would read as many long-form, in depth articles, about the vehicle I was interested in as I could, but buying a novel would be different.
I tend to read several small book reviews published on social media, and possibly a couple of small to medium periodical articles, before deciding what to do. That way I’m able to get a range of opinions, and quickly, rather than relying on the thoughts of a single reviewer.
Might others of the TL;DR generation agree with me?
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Australian literature, books, Stella Prize
Memorable reading suggestions for March 2022
3 March 2022
Reading suggestions from Jason Steger, books editor at The Sydney Morning Herald, this time for the month of March. I have my eye on Loveland, by Melbourne based Australian writer Robert Lukins.
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Avoid the loss of your Goodreads data, back up your account regularly
2 March 2022
Alarming news for members of book cataloguing website Goodreads, of which I am one. Be sure to regularly backup your account data, as it may be irretrievably lost in the event of a website glitch, as was the case recently for Nelson Minar.
Goodreads lost my entire account last week. Nine years as a user, some 600 books and 250 carefully written reviews all deleted and unrecoverable. Their support has not been helpful. In 35 years of being online I’ve never encountered a company with such callous disregard for their users’ data.
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Global Grey, an online ebook collection
19 February 2022
Global Grey, the project of London based book aficionado Julie, is a repository of novels in electronic format, with about three thousand titles currently on the catalogue.
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Will electronic book publishing kill libraries?
18 February 2022
Brewster Kahle, an American librarian, and founder of the Internet Archive, writing for Time, fears libraries may become a thing of the past, if commercial publishers have their way:
The libraries I grew up with would buy books, preserve them, and lend them for free to their patrons. If my library did not have a particular book, then it would borrow a copy from another library for me. In the shift from print to digital, many commercial publishers are declaring each of these activities illegal: they refuse libraries the right to buy ebooks, preserve ebooks, or lend ebooks. They demand that libraries license ebooks for a limited time or for limited uses at exorbitant prices, and some publishers refuse to license audiobooks or ebooks to libraries at all, making those digital works unavailable to hundreds of millions of library patrons.
In Australia we have the Lending Right Schemes, and I’m sure similar arrangements apply in other countries, whereby an author or publisher receives a royalty when one of their titles is borrowed from a library. While the arrangement doesn’t presently cover electronic books, changes are afoot. But it sounds like these sorts of payments may not be enough for some publishers going forward.
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