Does a court ruling mean no more Internet Archive, Way Back Machine?

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Does a court ruling mean no more Internet Archive, Way Back Machine?

11 September 2024

The Internet Archive (IA) has been fighting a number of legal proceedings recently, after making digitised copies of numerous books and novels freely available, through their website. At no point did the IA seek permission from any of the authors involved, nor did they offer them any sort of payment, for copying and distributing their work.

Last week the United States Court of Appeals ruled against the IA, who were seeking to overturn a lawsuit brought against them by a number of publishing houses. The outcome may force the not-for-profit organisation to shut down.

The IA is perhaps best known for the Way Back Machine, a repository of past and present websites. According to the IA, they have archived over eight-hundred-and-sixty billion webpages, including copies of disassociated since 1998.

But websites and books are not all that the IA has taken copies of. TV shows, software applications, and images, are also among their vast collections of digital paraphernalia, much of which is also subject to copyright, as Bryan Lunduke writes:

First and foremost: Has the Internet Archive made, and distributed, digital copies of work you own? This ruling will certainly not hurt your case should you decide to take legal action against Archive.org. And — holy smokes — the amount of copyrighted material on Archive.org is absolutely massive.

Although past versions of my website archived by the IA may constitute them distributing digital copies of my work, I’ve never viewed that negatively. In fact, I’ve always found it useful to have access to earlier instances of disassociated, especially as I didn’t backup all of my old website designs. In my case though, I don’t see the IA’s duplicates of my work as any sort of copyright violation. Rather, I think of these copies as something of a “mirror” of disassociated.

Whether people look up my website via the URL, or the Way Back Machine, doesn’t particularly matter. The content is the same. It hasn’t been altered in any way I’m aware of. Further, as far as I know, the IA isn’t charging anyone to see the archived versions of disassociated, and therefore making money by way of my efforts.

But the Way Back Machine isn’t just there for me to go looking up old versions of my website. It’s also akin to a museum of the internet. A place where we can go and see websites that have long since gone offline, and study the history of the web. To this end, in my opinion, the Way Back Machine serves an important purpose.

The IA’s duplication of novels, and distribution through a “library”, is a different matter entirely. Although some well-known novels are now in the public domain, those published in recent decades usually are not. Copyright laws prevent novels from being duplicated and distributed by unauthorised means. And that’s the way it should be. Consider that many Australian authors earn less than thirty-thousand (Australian) dollars a year. Poets usually make well below ten-thousand dollars. Both these figures are far less than the minimum wage in Australia.

Depriving writers of income by freely copying and distributing their work is plain wrong. I’m really at a loss to understand why the IA pushed ahead with such a program. Equally, I find it hard to believe they thought they were doing the right thing. But what’s truly unfortunate is how the judicial findings against the IA could bring about their end, and that of the Way Back Machine.

Authors slam NaNoWriMo neither for nor against AI stance

9 September 2024

National Novel Writing Month, AKA NaNoWriMo, the popular, twenty-five year old, write a fifty-thousand word novel in thirty-days challenge, infuriated authors last week, after organisers appeared to support the use of AI tools by participants. While they didn’t specifically endorse apps such as ChatGPT, they did not rule them out either:

NaNoWriMo neither explicitly supports nor condemns any approach to writing, including the use of tools that leverage AI.

NaNoWriMo’s neutral stance however has upset many writers. Not only do they feel generative AI tools threaten their livelihoods, some have also seen their own works used to “train” AI chatbots, usually without their permission or knowledge.

To these authors, the neutral position represents support of this conduct. But like many segments of society, NaNoWriMo, and its community of amateur and professional writers, have been grappling with the advent of AI technologies. Organisers say their (since amended) AI policy was intended to put an end to what had become inflammatory discussion on the topic:

In early August, debates about AI on our social media channels became vitriolic. It was clear that the intimidation and harassment we witnessed were causing harm within our community of writers. The FAQs we crafted last week were written to curtail those behaviors.

I don’t really know much about the NaNoWriMo community, but with over half a million members globally, it surely represents a wide and varied group of writers. Although some six-hundred NaNoWriMo manuscripts have gone on to be published, for many participants the writing challenge is simply a fun way to pass some time. The majority are not looking for publishing deals. I’d venture to say some participants may not be the greatest of writers. Others might struggle, for whatever reasons, to put a story idea they have, into words.

NaNoWriMo is saying they don’t have a problem with some of their members using AI tools, if it helps them with the process, be that drafting or proofreading. But they make an obvious caveat:

If using AI will assist your creative process, you are welcome to use it. Using ChatGPT to write your entire novel would defeat the purpose of the challenge, though.

I’m not in favour of using AI apps in any creative endeavours, particularly writing. Personally, I don’t think AI has any place in NaNoWriMo, for the precise reason organisers have stated above. AI defeats the purpose. But we’re getting to the point where it’s going to be hard to tell what work has been AI assisted, and what hasn’t. Plagiarism tools may be effective, but not if the AI apps stay one-step ahead. Imposing a ban on AI apps seems pointless. AI is here to stay, and is only going to more deeply embed itself in our lives. This is what we need to expend our energies on navigating.

Dusk, a novel by Robbie Arnott, being published in October 2024

30 August 2024

Dusk, the new novel by Hobart based Australian author Robbie Arnott, is being published on Tuesday 8 October 2024.

In the distant highlands, a puma named Dusk is killing shepherds. Down in the lowlands, twins Iris and Floyd are out of work, money and friends. When they hear that a bounty has been placed on Dusk, they reluctantly decide to join the hunt. As they journey up into this wild, haunted country, they discover there’s far more to the land and people of the highlands than they imagined. And as they close in on their prey, they’re forced to reckon with conflicts both ancient and deeply personal.

I’ve read two of Arnott’s previous novels, The Rain Heron — of which Dusk seems slightly reminiscent — and Limberlost. Dusk has duly been added to my TBR list.

Reading: good for your mental and overall health?

23 August 2024

Ceridwen Dovey, writing for the New Yorker, in 2015:

For all avid readers who have been self-medicating with great books their entire lives, it comes as no surprise that reading books can be good for your mental health and your relationships with others, but exactly why and how is now becoming clearer, thanks to new research on reading’s effects on the brain.

Self-medicating with a book can’t be bad. I’ll have to see if I can find out what conclusions the research Dovey referred to, found. For my part, I know sitting quietly somewhere and reading a novel can be calming and relaxing, just like writing.

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books, psychology

Wanting to read more novels, versus trying to do everything else

21 August 2024

About six years ago I decided I wasn’t reading enough novels. Books sat on the side table untouched, gathering dust, and inducing a pang of guilt whenever I took notice of them. I wondered what I could do to get more into reading. One thing I am good at is meeting deadlines, and doing things I put on my to-do lists. If I could regard the period of a library book loan — being three weeks at my local library — as a deadline, maybe I could increase my reading rate that way?

So I took out a library membership, and began to borrow books. I had three weeks to finish a novel. Books could no longer sit on the side table indefinitely. They had to be back at the library after twenty-one days, or else I risked paying a late-return fee. But then I noticed the library offered a one-week loan for recently acquired titles. This so as many people as possible could read new books. And for a while, this is what I did. Read books in a week or less.

Sometimes it was a strain. But if I didn’t finish the book before it was due back, no problem: I’d make a note of the page/chapter I was up to on my online task list. I could then re-borrow the book later, and pick up where I left off. It was a plan, and it was working. I’d gone from reading no books, to sometimes, one a week. At that point I wasn’t really discriminating. I’d go over to the one-week loan shelf, and select any title I felt I could read in seven days.

But I knew it was too good to last. The first thing to come along and burst the read-one-book-a-week bubble, was the pandemic. The library shut its doors when the lockdowns commenced. Automatic three week loan extensions were granted indefinitely to anyone who’d borrowed a book prior. I think I ended up holding my then latest loan for about three-months, before pandemic restrictions eased sufficiently, so I could return it. But the pandemic wasn’t a problem of itself.

I could still borrow books through any number of library-book apps. By this stage, I’d been away from disassociated for three years (so much for the envisaged break of a few months…), and was looking at a return. But I wanted to try experimenting with the blogging format on social media. Instagram (IG) specifically. Blogging on IG was a terrible idea, and I knew it. The inability to embed links into posts being the primary drawback.

Since I’d been reading a lot, I started (a long since gone) IG page, dedicated to Australian novels. In the time the page was online, it garnered several hundred followers, and a surprisingly high degree of engagement. A little too high maybe. People sure wanted to talk about local books. Before long, I was spending most my time conversing with a regular group of followers about books, and everything else, leaving little time to read. A book was now taking several weeks, longer, to read.

I was beginning to run out of material I could write about. And not being able embed links into posts (link in bio, anyone?) was really beginning to annoy me. By this time, it was the fourth quarter of 2021. I quietly resumed writing at a temporary domain, while creating a new WordPress theme for disassociated. By late summer of 2022, I’d closed the IG page, and told followers where they could find me. But blogging, while working, while reading, does not a good blend make.

My book reading rate has slowed right down. The desire to write is in constant conflict with the desire to read, and it looks like the blog is winning. Yet, I see plenty of prolific book bloggers out there. People reading a lot, and writing a lot about that. Good for them is all I can really say. The battle for balance is without end, even if I get a chapter or two in each day. But I’m not the only one who struggles to read, as I discovered from this post at 82MHz.

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books, novels, reading, writing

Mark and Evette Moran Nib Literary Nib Award 2024 longlist

12 August 2024

Seventeen books have been included on the recently announced Mark and Evette Moran Nib Literary Nib Award 2024 longlist. Also known as the “Nib”, the literary award celebrates excellence in Australian literary research, and as such works of any genre, including fiction, non-fiction, and autobiography, are eligible for inclusion.

A Very Secret Trade, by Cassandra Pybus
Alice™ The biggest untold story in the history of money, by Stuart Kells
Because I’m Not Myself, You See, by Ariane Beeston
Bennelong and Phillip: A History Unravelled, by Kate Fullagar
Book of Life, by Deborah Conway
Crimes of the Cross, by Anne Manne
Datsun Angel, by Anna Broinowski
Donald Horne, by Ryan Cropp
Edenglassie, by Melissa Lucashenko
Frank Moorhouse: Strange Paths, by Matthew Lamb
Killing for Country, by David Marr
My Brilliant Sister, by Amy Brown
Reaching Through Time, by Shauna Bostock
Transgender Australia – A History since 1910, by Noah Riseman
Wear Next, by Clare Press
What the Trees See: A Wander Through Millennia of Natural History in Australia, by Dave Witty
Wifedom, by Anna Funder

A shortlist of six titles will be published on Tuesday 17 September 2024, with the winner being named on Wednesday 27 November 2024.

Nothing about Kissing by Kathryn Lomer wins 2024 Furphy literary award

12 August 2024

Hobart based Australian poet, and young adult writer, Kathryn Lomer, has been named winner of the 2024 Furphy literary award for short stories, with her work Nothing about Kissing (PDF).

Set in Tasmania’s Museum of Old and New Art (Mona), also in Hobart, Nothing about Kissing, is the story of an unnamed museum cleaner, who’s early morning shift gets off to a rather bad start.

I’m not really into short stories, they’re a hard act to master, but Lomer’s work is, literally, a winner. It’s short enough to read during a refreshment break, so do give it a look.

The Ledge, a new thriller/whodunit by Christian White

8 August 2024

The Ledge is the fourth novel by Victoria based Australian writer, and master of twists that will leave you breathless and dumbfounded: Christian White.

When human remains are discovered in a forest, police are baffled, the locals are shocked and one group of old friends starts to panic. Their long-held secret is about to be uncovered.

It all began in 1999 when sixteen-year-old Aaron ran away from home, drawing his friends into an unforeseeable chain of events that no one escaped from unscathed.

White’s novels are chock full of the things readers of thrillers and suspense love: red herrings, blind alleys, smoke and mirrors, lies, deception, characters with multiple aliases, the list goes on. So far I’ve read The Nowhere Child, White’s 2019 debut, and The Wife and the Widow, which possibly has of one the most mind-blowing twists in the genre.

Wild Place, meanwhile, published in 2021, remains on my TBR list, where it will be joined by The Ledge, when it is published on Tuesday, 24 September 2024.

The Echoes, a new novel by Evie Wyld, author of The Bass Rock

5 August 2024

Cover image of The Echoes, a new novel by Evie Wyld.

London based Anglo-Australian author Evie Wyld’s 2021 novel, The Bass Rock, which won the Stellar Prize literary award in the same year, was a riveting read. Her new book, The Echoes, looks like it will follow suit, given it incorporates elements of The Bass Rock, including settings across several locations and time, and a dollop of the supernatural thrown in for good measure:

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him.

In the weeks and months before Max’s death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max.

Both a celebration and an autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them. It asks what of our past we can shrug off and what is fixed forever, echoing down through the years.

That time Douglas Adams unofficially signed copies of his books in Sydney, Australia

22 July 2024

If you enjoyed the novels of late British author Douglas Adams, you may enjoy this in-depth article about his later life, by Jimmy Maher.

Adams, it seems, did not restrict his particular brand of humour to the written word. A regular customer at a coffee shop I used to go to, told me about an encounter (of a sort) with Adams, in Sydney, Australia, sometime in the late 1990’s. My friend at the coffee shop once worked at a large bookshop in Sydney’s CBD.

He told of the day that Adams — who was presumably in Australia promoting his latest work — arrived at the shop unannounced, and made his way to the sci-fi section. Apparently, his most recent book, plus a selection of others, were on display in a promotional cardboard gondola, similar to what you see on this webpage.

Adams, without saying a word to anyone, pulled a pen from his pocket, and proceeded to sign random copies of his books. Before turning to leave, he scrawled his name across the top of the gondola, and walked out of the shop, again, without saying a word to anyone.

My friend told me how a huddle of bewildered bookshop staff quickly gathered at the gondola, trying to make sense of what had just happened. “Was that him?” was a phrase uttered numerous times apparently. Signed copies of Adams’ novels must have been a windfall for those who bought them…

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