Showing all posts about novels

Mine, by Adam Ouston, a novel length story written as one sentence

31 August 2026

That’s Mine, by Hobart based Australian author Adam Ouston (Instagram page), which features one incredibly, outrageously, long sentence of perhaps eighty-five thousand words. No full-stops, chapters, or even a few lines of space to break up the text it seems.

I can’t find an official word count for the novel, so made a guess. The hardback version of Mine has two-hundred-and-eighty-eight pages, and if each has perhaps three-hundred words each, then the total number of words would be well north of eighty-thousand.

Whatever the exact number, that’s one long sentence. The synopsis however perfectly suits the seemingly endless flow of words, written in stream-of-consciousness prose:

While searching for inspiration for what will be his final work, an unnamed poet and defender of Tasmania’s wild places finds himself trapped down an abandoned mine in the island’s mountain rainforests. In the darkness he is visited by memories and voices both from his own past as well as the tortured history of the pillaged landscape to which he has devoted his life and work.

That’s quite the predicament to be in. I imagine my thoughts would run into each other ceaselessly, relentlessly, were I in the same situation.

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AI slop exposes fraudulent publishing offer to Australian author Mary Colussi

18 August 2026

Touch Grass, the debut novel of Sydney based Australian author Mary Colussi, was published in June this year. And a fraudulent publishing deal was not too far behind. In this instance though AI slop played a part in giving the scam away.

An email sent to Colussi, apparently from a representative of a well-known publishing house in the UK, was full of praise for Touch Grass. Curiously though comments about the novel’s plot were limited only to what had been published online in its synopsis.

This despite claims by the publishing house rep that they’d read the book. Their AOL (once America Online) email address was also something of a give away, to say nothing of the request for money in exchange for a publishing deal.

While this wasn’t the best executed fraud attempt, as AI agents evolve their efforts will no doubt become more convincing. But asking an author to pay to be published would still arouse suspicion.

Traditional publishing houses do not ask writers for money, rather they pay out in the form of an advance. The objective of these scams though is catch people — particularly newcomers to the industry — off guard, and this is where they might succeed.

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Time Travel for Beginners, a novel by Sydney author Jaclyn Moriarty

8 August 2026

I’ve been talking about time-travel stories recently, so here’s another one, this time a book. Time Travel for Beginners, is the latest novel by Sydney based Australian author Jaclyn Moriarty.

If you can find a shop called the Time Travel Agency, located somewhere in Sydney, then you too may be able to travel through what some people call the fourth dimension:

The guidelines are simple: you can go whenever you wish into the past, and there’s no fear of altering the present. Have tea with Jane Austen, scream at a Beatles concert, witness the Olympics in ancient Greece. Perhaps a more personal trip? Visit your long-lost grandmother, recapture the heady days of your youth, return to the idyllic time when your teen was a babbling baby — or watch yourself make the one decision that changed everything.

Is it a hoax? And if it’s real, what’s the catch?

When single mother Anna is offered a job at the agency, she glimpses the possibility of happiness. Meanwhile, Teddy’s a customer hoping to untangle his recently imploded marriage. And Jade, who has a deeply buried secret, despises the agency for offering false hope.

The line about there being no fear of altering the present (ah, the Grandfather Paradox), reminds me a little of Toshikazu Kawaguchi’s 2015 time travel novel Before the Coffee Gets Cold.

Visitors to a particular cafe in Tokyo, Japan, can, subject to a number of stipulations, travel to the past. They cannot however change anything in the past, and must return to the cafe in the present day before their coffee gets cold. Not too much time to unravel the spacetime continuum there.

Back to Moriarty though. Writing is clearly a talent running through her family. Sisters Liane Moriarty, and Nicola Moriarty, are also accompanied authors.

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To read more, pick up a book not your phone, no wait…

23 July 2026

Hobart, Tasmania, based Australian software engineer Elia Scotto:

First of all, you don’t have to make time to read. What you need to do is read every single time you are not doing something else. In today’s world, most people pick up their phones as soon as they get a moment of inactivity. Serious readers pick up their books instead.

I’ve been having difficulty finding time to read books recently, for various reasons, and am still working on a way to resolve this.

Since removing most of the social media apps from my phone though, I’m not spending so much time looking at it. That’s eventually going to free up some time to read.

Ironically though, I’ll probably end up reading e-books, on my phone. I know that isn’t the idea, but it’s better than not reading at all. Besides, I don’t like hauling physical media around.

But, if you feel you don’t have enough time to read books, whether print or electronic, try deleting the social media apps from your phone, as a first step.

Reading books has to be more fulfilling than doomscrolling social day-in and day-out.

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Reading was something we used to do before AI came along

13 July 2026

Rose Horowitch, writing for The Atlantic (gift link):

Reading has come to seem extraneous even to some of the best-educated members of society. Margaret Rennix, Harvard’s assistant director for humanities and social-sciences support, told me she’d spoken with a student who was struggling to read a book written in Old English. The culprit: Anthony Burgess’s 1962 novel A Clockwork Orange. (The student used ChatGPT to “translate” the book into easier language.)

I used to read a lot. But that was when for a couple of years I wasn’t doing too much writing here. Once blogging resumed, reading, or finding time to read, became more challenging.

There’s a correlation here. That’s my story, and I’m sticking to it. Nothing to do with AI. One activity increases, the other decreases. There’s only so much time in the day, after all.

It’s a poor excuse not to read though. And then there are book bloggers, who need to read in order to blog meaningfully about what they say they’ve read.

The example of the Harvard (how can that be?) student who was struggling to read A Clockwork Orange is another matter though. I don’t know anything about the individual in question, but I suspect blogging wasn’t holding them back from reading.

Maybe they simply didn’t like the novel, even if it was required reading for their course.

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A trailer for Klara and the Sun, a film by Taika Waititi, based on the novel by Kazuo Ishiguro

25 June 2026

The first trailer for the Taika Waititi directed adaptation of Kazuo Ishiguro’s 2021 novel, Klara and the Sun has landed. I’m not one to complain about differences between the book and its movie counterpart — mainly because adapting a novel for the big screen is far from straightforward — but this two minute glimpse of the film version shows up some obvious differences with the book.

The tone of the film, at least the little we see of it in the trailer, is somewhat lighter (no pun intended) than that of the novel. Bordering on the comedic at times. It is not without dark moments though, which the novel is replete with.

Klara, portrayed by Jenna Ortega, as an AF (Artificial Friend), looks startlingly human in appearance. AF’s, being humanoid robots, were meant to look like people to a degree, but it was obvious they were not human. Ishiguro’s novel, for instance, created the impression AF’s were usually shorter than the teenage humans they accompanied.

Here, Klara looks as human as Josie (Mia Tharia), the fourteen-year-old girl she was bought to be friends with. A two-minute long trailer isn’t much to go on of course, but if Taika Waititi is directing, we’re going to get Taika Waitit. That includes lines such as “you’re not the droid we’re looking for”, delivered by Amy Adams, as Chris, Josie’s domineering mother.

Entirely Waititi’s idea that one, I’d say.

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Tomorrow, and Tomorrow, and Tomorrow, by Gabrielle Zevin, coming to the big screen

4 June 2026

The news we’ve been waiting for. Tomorrow, and Tomorrow, and Tomorrow, the 2022 novel by American author Gabrielle Zevin, is to be adapted to film.

Daisy Edgar-Jones, who starred in the screen adaptation of Sally Rooney’s novel Normal People, has been cast in the central role of Sadie Green, a games designer.

Tomorrow, and Tomorrow, and Tomorrow sadly remains on my TBR list all these years later. Maybe I’ll get to experience the screen adaptation of the story instead.

As an aside, and I don’t by any means know the ins and outs here, but I’m surprised it’s taken so long for this to happen, given the interest in the novel when it was published.

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The Miles Franklin Literary Award 2026 longlist

25 May 2026

The longlist for the 2026 Miles Franklin award was published on Wednesday 20 May 2026, and includes the following ten titles:

Presented annually, the Miles Franklin award recognises Australian novels of the highest literary merit. The shortlist will be announced in June, next month, with the winner being named in August.

If you’re looking for reading ideas, literary award longlists make a good starting place, and are for me, a de-facto TBR list. I need more hours in the day to keep up with the resulting reading though.

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Capture, a new novel by Australian author Amanda Lohrey

7 May 2026

The tenth novel by the Tasmania based author, and previous winner of the Miles Franklin literary award, was published last week:

James Mather is a psychiatrist in his sixties. He is invited to take on a new group of patients. All he knows about them is that each one claims to have been abducted by aliens.

His wife, Deborah, is sceptical, but he gets going anyway. His patients tell mesmerising stories. There’s Anthony, for instance, who was camping one night by the Aral Sea; or Mary, the owner of a beauty salon, confronted by a ball of light moving towards her in her bedroom.

James’s research assistant Lucy Cheng sits in on each session. She’s an attractive young divorcee, who has made a study of anxiety, and who takes notes about each conversation.

With the sci-fi tinge, Capture seems worlds removed — no pun intended — from Lohrey’s 2021 title The Labyrinth, winner of the Miles Franklin that year. But who knows, maybe it isn’t.

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Sally Rooney books may be withdrawn from sale in UK bookshops

2 December 2025

The Irish author, whose titles include Intermezzo and Conversations with Friends, wants United Kingdom royalties from her novels, and any screen adaptations made there, to go to Palestine Action, a British pro-Palestinian organisation.

The British government however considers Palestine Action to be a terrorist group, and banned them earlier this year.

In sending Rooney royalty payments, her UK publishers, and the BBC, who co-produced the 2020 TV adaptation of Normal People, Rooney’s second novel, would be breaking terrorism laws. The author says this could result in her novels being withdrawn from sale in the UK.

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