To read more, pick up a book not your phone, no wait…

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To read more, pick up a book not your phone, no wait…

23 July 2026

Hobart, Tasmania, based Australian software engineer Elia Scotto:

First of all, you don’t have to make time to read. What you need to do is read every single time you are not doing something else. In today’s world, most people pick up their phones as soon as they get a moment of inactivity. Serious readers pick up their books instead.

I’ve been having difficulty finding time to read books recently, for various reasons, and am still working on a way to resolve this.

Since removing most of the social media apps from my phone though, I’m not spending so much time looking at it. That’s eventually going to free up some time to read.

Ironically though, I’ll probably end up reading e-books, on my phone. I know that isn’t the idea, but it’s better than not reading at all. Besides, I don’t like hauling physical media around.

But, if you feel you don’t have enough time to read books, whether print or electronic, try deleting the social media apps from your phone, as a first step.

Reading books has to be more fulfilling than doomscrolling social day-in and day-out.

Reading was something we used to do before AI came along

13 July 2026

Rose Horowitch, writing for The Atlantic (gift link):

Reading has come to seem extraneous even to some of the best-educated members of society. Margaret Rennix, Harvard’s assistant director for humanities and social-sciences support, told me she’d spoken with a student who was struggling to read a book written in Old English. The culprit: Anthony Burgess’s 1962 novel A Clockwork Orange. (The student used ChatGPT to “translate” the book into easier language.)

I used to read a lot. But that was when for a couple of years I wasn’t doing too much writing here. Once blogging resumed, reading, or finding time to read, became more challenging.

There’s a correlation here. That’s my story, and I’m sticking to it. Nothing to do with AI. One activity increases, the other decreases. There’s only so much time in the day, after all.

It’s a poor excuse not to read though. And then there are book bloggers, who need to read in order to blog meaningfully about what they say they’ve read.

The example of the Harvard (how can that be?) student who was struggling to read A Clockwork Orange is another matter though. I don’t know anything about the individual in question, but I suspect blogging wasn’t holding them back from reading.

Maybe they simply didn’t like the novel, even if it was required reading for their course.

A trailer for Klara and the Sun, a film by Taika Waititi, based on the novel by Kazuo Ishiguro

25 June 2026

The first trailer for the Taika Waititi directed adaptation of Kazuo Ishiguro’s 2021 novel, Klara and the Sun has landed. I’m not one to complain about differences between the book and its movie counterpart — mainly because adapting a novel for the big screen is far from straightforward — but this two minute glimpse of the film version shows up some obvious differences with the book.

The tone of the film, at least the little we see of it in the trailer, is somewhat lighter (no pun intended) than that of the novel. Bordering on the comedic at times. It is not without dark moments though, which the novel is replete with.

Klara, portrayed by Jenna Ortega, as an AF (Artificial Friend), looks startlingly human in appearance. AF’s, being humanoid robots, were meant to look like people to a degree, but it was obvious they were not human. Ishiguro’s novel, for instance, created the impression AF’s were usually shorter than the teenage humans they accompanied.

Here, Klara looks as human as Josie (Mia Tharia), the fourteen-year-old girl she was bought to be friends with. A two-minute long trailer isn’t much to go on of course, but if Taika Waititi is directing, we’re going to get Taika Waitit. That includes lines such as “you’re not the droid we’re looking for”, delivered by Amy Adams, as Chris, Josie’s domineering mother.

Entirely Waititi’s idea that one, I’d say.

Tomorrow, and Tomorrow, and Tomorrow, by Gabrielle Zevin, coming to the big screen

4 June 2026

The news we’ve been waiting for. Tomorrow, and Tomorrow, and Tomorrow, the 2022 novel by American author Gabrielle Zevin, is to be adapted to film.

Daisy Edgar-Jones, who starred in the screen adaptation of Sally Rooney’s novel Normal People, has been cast in the central role of Sadie Green, a games designer.

Tomorrow, and Tomorrow, and Tomorrow sadly remains on my TBR list all these years later. Maybe I’ll get to experience the screen adaptation of the story instead.

As an aside, and I don’t by any means know the ins and outs here, but I’m surprised it’s taken so long for this to happen, given the interest in the novel when it was published.

The Miles Franklin Literary Award 2026 longlist

25 May 2026

The longlist for the 2026 Miles Franklin award was published on Wednesday 20 May 2026, and includes the following ten titles:

Discipline by Randa Abdel-Fattah
Elegy, Southwest by Madeleine Watts
Fierceland by Omar Musa
First Name Second Name by Steve MinOn
I Want Everything, Dominic Amerena
Little World by Josephine Rowe
My Heart at Evening by Konrad Muller
Salt Upon the Water by Lyn Dickens
Tenderfoot by Toni Jordan
You Must Remember This by Sean Wilson

Presented annually, the Miles Franklin award recognises Australian novels of the highest literary merit. The shortlist will be announced in June, next month, with the winner being named in August.

If you’re looking for reading ideas, literary award longlists make a good starting place, and are for me, a de-facto TBR list. I need more hours in the day to keep up with the resulting reading though.

Capture, a new novel by Australian author Amanda Lohrey

7 May 2026

The tenth novel by the Tasmania based author, and previous winner of the Miles Franklin literary award, was published last week:

James Mather is a psychiatrist in his sixties. He is invited to take on a new group of patients. All he knows about them is that each one claims to have been abducted by aliens.

His wife, Deborah, is sceptical, but he gets going anyway. His patients tell mesmerising stories. There’s Anthony, for instance, who was camping one night by the Aral Sea; or Mary, the owner of a beauty salon, confronted by a ball of light moving towards her in her bedroom.

James’s research assistant Lucy Cheng sits in on each session. She’s an attractive young divorcee, who has made a study of anxiety, and who takes notes about each conversation.

With the sci-fi tinge, Capture seems worlds removed — no pun intended — from Lohrey’s 2021 title The Labyrinth, winner of the Miles Franklin that year. But who knows, maybe it isn’t.

Sally Rooney books may be withdrawn from sale in UK bookshops

2 December 2025

The Irish author, whose titles include Intermezzo and Conversations with Friends, wants United Kingdom royalties from her novels, and any screen adaptations made there, to go to Palestine Action, a British pro-Palestinian organisation.

The British government however considers Palestine Action to be a terrorist group, and banned them earlier this year.

In sending Rooney royalty payments, her UK publishers, and the BBC, who co-produced the 2020 TV adaptation of Normal People, Rooney’s second novel, would be breaking terrorism laws. The author says this could result in her novels being withdrawn from sale in the UK.

Read a chapter of a book daily in your RSS reader

17 November 2025

Made by Las Vegas based software developer Pablo Enoc, who’s also behind indie RSS aggregator powRSS, lettrss will send a chapter of the book you’re reading to your RSS reader each day.

Here’s an idea with merit.

Reading novels is just about the last thing I get to each evening, and I don’t usually cover much ground before falling asleep. If a chapter of whatever I was reading appeared in my RSS feed though, I might make more progress since I read a lot of what takes my interest there. This idea might get a few more of us reading more regularly, since a chapter at a time usually isn’t too onerous.

At the moment only books in the public domain (or those out of copyright) can be read with lettrss. But this idea has possibilities. Imagine if book publishers were to make recent titles available this way, through possibly a subscription model of some sort.

Children’s Booker Prize hopes to encourage younger people to read more books

17 November 2025

The Booker Prize, which recognises English language novels published in the United Kingdom and Ireland, has unveiled a new award: the Children’s Booker Prize, which will be awarded for the first time in 2027.

The Children’s Booker Prize, which will launch in 2026 and be awarded annually from 2027, will celebrate the best contemporary fiction for children aged eight to 12 years old, written in or translated into English and published in the UK and/or Ireland. The aim of the prize is to engage and grow a new generation of readers by recognising and championing the best children’s fiction from writers around the world.

This is good news all around. Not only will the Children’s Booker encourage more younger people to read, it will also support authors with an enticement to write more stories for children. The more literary awards there are, the better it is for literature, writing, and reading, as a whole.

Authors claim Salesforce used their novels to train AI agents

21 October 2025

American novelists Molly Tanzer and Jennifer Gilmore have launched legal action against Salesforce, accusing the San Francisco based software company of copyright infringement.

Tanzer and Gilmore allege Salesforce used thousands of novels, not just their work, without permission, to train AI agents.

Salesforce want to have their cake and eat it as well. After replacing several thousand workers with AI technologies, presumably saving the company large sums of money, Salesforce want to pay as little as possible to develop the AI agents that displaced the workers in the first place.

What part of any of this is reasonable?

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