Showing all posts about film
The Wonder by Emma Donoghue now a film by Sebastian Lelio
8 November 2022
Manna from heaven is all eleven year old Irish girl Anna O’Donnell needs to sustain herself. She eats no other food. Or so she, and her family, say. Along with the inhabitants of the nineteenth century Irish Midlands village where Anna lives.
Her situation has come to the attention of the authorities. But is it true? Is the girl able to survive without eating? Or is it a stunt? A ploy contrived to lure curious, cashed-up, tourists to the region?
To ascertain whether the phenomenon is a medical anomaly, or perhaps a sign of something more divine, Lib Wright (Florence Pugh) an English nurse, is dispatched to investigate.
Together with a nun, Wright will take turns to keep watch on Anna (Kíla Lord Cassidy), to see what is happening, in Chilean filmmaker Sebastián Lelio’s adaptation, trailer, of Emma Donoghue’s 2016 novel (published by Pan Macmillan) of the same name.
I read the novel in 2019, and am looking forward to seeing the story on the big screen. If the trailer is anything to go by, Lelio’s film looks like a faithful adaptation of Donoghue’s book.
RELATED CONTENT
books, Emma Donoghue, film, Sebastian Lelio, trailer, video
The Neighbors’ Window a short film by Marshall Curry
29 October 2022
Here’s some weekend viewing for you. The Neighbors’ Window, a short film made in 2019 by American filmmaker Marshall Curry, is a story about two middle-aged parents who become obsessed with a twenty-something couple who move into an apartment across the street.
The Neighbors’ Window tells the story of Alli (Maria Dizzia), a mother of young children who has grown frustrated with her daily routine and husband (Greg Keller). But her life is shaken up when two free-spirited twenty-somethings move in across the street and she discovers that she can see into their apartment.
Any film with the word window in it is just about always going to draw the inevitable comparions to Alfred Hitchcock’s Rear Window, but as The Neighbors’ Window goes to show, things are never quite what they seem to be.
Based on actual events, as recounted by writer and filmmaker Diane Weipert, Curry’s fictional work has won a slew of awards, including Best Live Action Short at the 2020 Academy Awards.
RELATED CONTENT
The Novelist’s Film a film by Hong Sang-soo
29 October 2022
The Novelist’s Film, trailer, the 2022 feature from Seoul based South Korea filmmaker Hong Sang-soo, casts a spotlight on “the importance of authenticity in the dishonest world of cinema.” And chance encounters.
The story might strike a chord with authors who have been fortunate enough to have a book of theirs adapted to film, though the writer here seems to be taking a slightly unorthodox approach to bringing her novel to the big screen:
A female novelist takes a long trip to visit a bookstore run by a younger colleague who has fallen out of touch. Then she goes up a tower on her own and runs into a film director and his wife. They take a walk in a park and meet an actress, after which the novelist tries to convince the actress to make a film with her. She and the actress get something to eat, then revisit the bookstore where a group of people are drinking. The actress gets drunk and falls asleep.
RELATED CONTENT
film, Hong Sang-soo, trailer, video
Wrought a timelapse video of food gracefully going rotten
26 October 2022
States of decay can have a beauty to them. Depending on what’s in decay, and how up close you are to the action, that is. Leaves that have fallen from trees during autumn can be a colourful spectacle as they decay and breakdown. The same could be said — in some cases at least — for rotting food.
If you can’t see what possible appeal there is in watching food go off though, Wrought, trailer, a short timelapse film by Winnipeg, Canada, based producers Joel Penner and Anna Sigrithur, just might change your mind. After all, microbes spoil food, but sometimes they can enrich it:
While the very word ‘rot’ might give rise to revulsion — perhaps the memory of a mildewed fruit or the pungent stench of a past-its-prime cut of fish — the processes it describes often yield delicious results. Indeed, many of the world’s most popular foods, from beer and bread to kimchi and cheese, are born of chemical conversions that would, in other contexts, constitute a food ‘going bad’.
RELATED CONTENT
Anna Sigrithur, film, Joel Penner, trailer, video
Iron Island (Jazireh ahani) a film by Mohammad Rasoulof
19 October 2022
Living amongst a tight-knit community aboard a ship as it sails the world’s seas might be a dream come true for some people. But that’s not quite the case for the residents living on a disused oil tanker anchored in waters off the the south coast of Iran, in Iron Island, trailer, the 2005 debut feature of Iranian filmmaker Mohammad Rasoulof.
It may not be any world cruise, but the vessel isn’t exactly stationery either. It is slowly, oh so slowly, sinking. But for the moment this is the least of ship master Captain Nemat’s (Ali Nassirian) problems. The enterprising, some might say exploitive, captain is barely out of frame as he struts about the rusting hull being all things to all people.
One minute he’s greeting new residents, the next he’s fending off the vessel’s owner, who wants to sell the ship for scrap. But that’s probably because Nemat has the same idea. Nemat doesn’t ask rent payments from his tenants, instead they become his employees, and he deducts rent from the salary he pays them.
Everyone except children — whom Nemat provides a school for — and the infirm, are put to work. Work that entails gradually dismantling the crumbling hull of the vessel they call home. Biting the hand that feeds. Any fixtures and fittings that Nemat deems superfluous are cut away and taken ashore to be sold as scrap metal.
Captain Nemat is a compelling character, and one has to wonder what his true motives are. Is he really looking out for the interests of the down-trodden who have no choice but live on his leaky ship? Or is he a shrewd, calculating, business person who sees the ship’s residents as a captive workforce, who will follow him no matter what?
This is the question viewers are left with, when everyone is forced to leave the vessel. While Nemat may not want to see members of his community end up truly homeless, he doesn’t want to lose faithful employees either. Nemat offers them an alternative, but is there any substance to it? Worse still though, does it even matter?
RELATED CONTENT
film, Mohammad Rasoulof, trailer, video
A guide to your spooky season Michael Myers-Briggs Type
17 October 2022
Image courtesy of Simon Wijers.
Hot off the desk of writer, actor, and comedian Simon Henriques. Understanding your Michael Myers-Briggs Type is never more important than during spooky season:
It’s important to keep in mind that no Michael Myers-Briggs Type is the “correct” one — every style of silent, masked stabbing spree is equally valid. Instead, use your type as a jumping-off point to honestly reflect on your strengths and weaknesses, as well as just your personal preferences for how you enjoy to ruthlessly murder.
RELATED CONTENT
film, humour, personality, psychology
Sofia Coppola Instagram to show making of Priscilla Presley film
17 October 2022
The Virgin Suicides, Lost in Translation, Marie Antoinette, Somewhere, and The Bling Ring, are among Sofia Coppola made movies I’ve loved. Now the American filmmaker has started work on her new feature, a biopic about Priscilla Presley. And in what is sure to be a treat for fans, Coppola has created an Instagram page where she will document production of the film.
Coppola’s first post shows a well-worn copy of Priscilla Presley’s 1985 memoir, Elvis and Me, placed on top of some script pages from her forthcoming adaptation. Starring Cailee Spaeny and Jacob Elordi, Priscilla will chronicle Presley’s torrid, one-of-a-kind romance with the king of rock and roll.
RELATED CONTENT
film, Priscilla Presley, Sofia Coppola
Irish filmmaker Alan Gilsenan’s take on James Joyce’s Ulysses
11 October 2022
Ulysses | Film, a documentary by Irish filmmaker and theatre director Alan Gilsenan, is screening as part of this year’s online Irish Film Festival. The work is Gilsenan’s own interpretation of Irish author James Joyce’s novel Ulysses.
Alan Gilsenan’s Ulysses | Film is a personal response and cinematic ‘reading’ of Joyce’s novel. Fractured and poetic, this non-narrative film/installation is a myriad of images and sounds evoking Joyce’s imaginary world. Intended as a creative echo of Joyce’s work and life, this work is neither a film of the book nor a visual illustration of the novel. It is instead a personal interpretation of the book, acting as a doorway into the work, an invitation to read or re-visit this seminal piece of literature.
RELATED CONTENT
Alan Gilsenan, books, film, James Joyce, trailer, video
Dr. Bird’s Advice for Sad Poets, a film by Yaniv Raz
10 October 2022
James Whitman (Lucas Jade Zumann) is a troubled sixteen year old. With only one friend, Kwane (Odiseas Georgiadis), who sees the friendship as a social experiment more than anything else, James’ life is in turmoil following the disappearance of his older sister Jorie (Lily Donoghue), a month earlier.
If things were bad at home before Jorie vanished, they’ve taken a turn for the worse since. His father, Carl (Jason Isaacs), whom James refers to as “the brute” is an angry ex-navy officer, who won’t hesitate to hit his mother Elly, (Lily Donoghue) when he loses his temper.
Elly meanwhile is disillusioned with her life. In her younger days a promising career as an artist in New York City beckoned. But she was forced to abandon these ambitions because Carl wanted to move to a small town and open a sushi restaurant. Or so she tells James.
A ray of light arrives in the form of James’ classmate Sophie (Taylor Russell). Sophie is the editor of the school’s literature zine, and asks James if he can track down a poem Jorie promised to submit for publication before she disappeared. Sensing Sophie may be seeking more though, he’s happy to oblige.
While searching Jorie’s room — which Carl had placed out of bounds — for the poem, he instead finds a photo of Jorie with some friends, a few of whom James recognises. Believing they may know her whereabouts, he sets off with Sophie, who has agreed to help him, to locate his sister.
Despite its comedy billing, Dr. Bird’s Advice for Sad Poets, trailer, has more than a few dark moments. James is not as well as his father likes to believe, and as the pressure builds, James begins unravelling.
Light relief in the form of the titular Mr Bird, a pigeon voiced by Tom Wilkinson, who dispenses wisdom to the downtrodden James, lifts the mood. As do the musings of James’ hero Walt Whitman (voiced by Michael H. Cole), along with nods to the work of Wes Anderson, who is clearly a hero of director Yaniv Raz.
RELATED CONTENT
film, trailer, video, Yaniv Raz
The Stranger a film by Thomas M Wright with Joel Edgerton
8 October 2022
Daniel Morcombe, a thirteen year Sunshine Coast boy, went missing in December 2003, as he set off to do some Christmas shopping. In August 2011, after an extensive police investigation, and a sting operation, Brett Peter Cowan, who would later be convicted of Morcombe’s kidnapping and murder, was arrested by detectives.
The Stranger, trailer, directed by Thomas M Wright, is a dramatisation of the police operation to apprehend Cowan, and is based on the 2018 book, The Sting, by Kate Kyriacou. But The Stranger is not a direct re-telling of Morcombe’s disappearance. Instead it focuses on efforts to bring the person responsible to justice.
Australian actor and director Joel Edgerton stars as Mark, an undercover police officer, who befriends a man named Henry Teague. Teague is suspected of committing a serious crime, but police lack sufficient evidence to charge him. Mark sets about gaining Teague’s trust, and he hopes, an admission of Teague’s guilt.
A friendship forms between two strangers. For Henry Teague, worn down by a lifetime of physical labour, this is a dream come true. His new friend Mark becomes his saviour and ally. However, neither is who they appear to be, each carry secrets that threaten to ruin them and in the background, one of the nation’s largest police operations is closing in.
The Stranger is currently screening in Australian cinemas.
RELATED CONTENT