Showing all posts about film
Going Down, a 1982 film by Haydn Keenan
2 November 2021
Made in 1982 and filmed on a micro-budget over the course of a few days, Going Down, directed by Australian filmmaker Haydn Keenan is a gritty, no holds barred, slice of life glimpse of a night out on the town in Sydney. While the pacing and narrative technique reminded me a little of something like American Graffiti, Going Down is far more in your face.
Karli (Tracy Mann) is about to fly to New York. Her friends Jane (Vera Plevnik), Jackie (Julie Barry), and Ellen (Moira MacLaine-Cross), take her out for one last night of revelry before she leaves. The result is chaotic. Parties and bars are gone to, drugs are taken, sex is had, and a large sum money is lost. In the middle of it all, one of Karli’s friend’s tries to find sex work, as the girls, individually and collectively, make their way around the inner suburbs of a now barely recognisable Sydney.
Check out a snippet of the film here (NSFW: profanity, drug references).
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House of Gucci, a film by Ridley Scott
1 November 2021
Ridley Scott has put together a star studded cast including Lady Gaga, Adam Driver, Salma Hayek, Jared Leto, Al Pacino, and Jeremy Irons, for his adaptation of House of Gucci (trailer), based on the 2002 book by Sara Gay Forden. Not that a star studded cast really makes much difference to whether I see a film or not.
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Passing, a film by Rebecca Hall
29 October 2021
We’re all passing for something, aren’t we? Passing (trailer) is the directorial debut of British actor and filmmaker Rebecca Hall, and is based on the 1929 book of the same name, written by late American author Nella Larsen. Clare (Ruth Negga) and Irene (Tessa Thompson), are old school friends who meet again by chance years after leaving school. While both women are mixed-race, Irene identifies as being African-American, while Clare’s light complexion allows her to “pass” as being white. But their obsessive interest in each other threatens to unravel both their lives.
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I Am Belmaya, the story of Belmaya Nepali
27 October 2021
Growing up in Nepal, Belmaya Nepali found little support – to put it mildly – for her ambition to become a filmmaker. Her inspiring story of overcoming all manner of obstacles and setbacks, is told in I Am Belmaya (trailer), a feature she co-directed with London based documentary maker Sue Carpenter.
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Last Night in Soho movie poster
26 October 2021
I don’t know what the film itself is like, but Last Night in Soho (trailer) by English actor and filmmaker Edgar Wright (think Shawn of the Dead) brings the London of the swinging sixties in all its west-end nightclub glory to the big screen. But isn’t the vintage style movie poster, designed by British artist and portrait painter James Paterson, stunning?
Also: a selection of Edgar Wright’s favourite fan artworks based on his films.
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Edgar Wright, film, James Paterson, movie posters, posters
A Hero, a new film by Asghar Farhadi
25 October 2021
A Hero (teaser) is the latest feature from Iranian film director Asghar Farhadi. Variety describes the new film thusly:
[A Hero] is the story of Rahim (Amir Jadidi), who is in prison for a debt that he was unable to pay. During a two-day leave, an act of kindness provides him with an opportunity to convince his creditor to withdraw the complaint so he can go free, but not everything goes as planned.
But not everything goes as planned… this is the hallmark of Farhadi’s work. A relatively minor incident occurs. Those in the vicinity scramble to cover their tracks because they have something to hide. But it’s too late, and from there things quickly spiral out of control. If you’re new to Farhadi’s films I suggest you look at About Elly, A Separation, and The Past to get started.
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Malignant trailer
23 October 2021
It’s been a long week. I think this calls for a quiet night in, watching a nice movie. Do you think Malignant (trailer), the latest feature from James Wan, starring Annabelle Wallis, is a good choice?
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The Lost Daughter trailer
20 October 2021
The Lost Daughter (trailer), a film adaptation of Italian author Elena Ferrante’s novel of the same name, directed by Maggie Gyllenhaal, starring Olivia Colman. That’s a whole lot of awesome in one regular size sentence.
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Elena Ferrante, film, Maggie Gyllenhaal, Olivia Colman, trailer, video
Is home streaming films the new normal cinema experience?
11 October 2021
Image courtesy of Yousaf Bhutta.
Life in this part of Australia, New South Wales, begins to return to some semblance of normal today. After months of lockdowns many residents will no longer be subjected to the restrictions they’ve become accustomed to recently. Cafes, bars, and cinemas are among a slew of businesses re-opening, which will be welcome news to many people.
While getting out to a cafe, and maybe a bar, is something I’ve been looking forward to, I’m not so sure about going back to the movies. And it’s not because of the possible risks of being seated in a confined space with several hundred people for two to three hours. If the past eighteen months has shown me anything, it is how convenient streaming films online is.
Home streaming films may not offer the big screen experience of a cinema, or the enjoyment of being out with other people, but it’s still going to be hard to walk away from. For one thing, you’re not bound to a schedule. If say you’re streaming the latest James Bond movie, the show starts exactly when it suits you, not someone else.
There’s also advantages I’d never thought of until we started streaming regularly. Unlimited pauses are one. Anything goes; there’s time to grab a snack, take a phone call, text someone, google a point of interest in the film that’s on, or tap in a few notes for the article I need to write for work tomorrow. And then there’s the in your own home comfort of the whole thing.
Imagine no inconsiderate fellow patrons, talking loudly, texting incessantly, scrolling their socials (with the screen set to maximum brightness of course), or making or taking phone calls mid-session without leaving the auditorium (I’ve seen it happen). And let’s not get started on noisy food wrappings, or people who don’t understand allocated seating.
Of course the comforts of our would-be home cinema causes me to feel some guilt. Staying home could have an impact on a cinema’s viability. Staff may have to be let go. Their bottom-line is still being affected even though I may be paying to watch films from said cinema’s stream service, but they’re missing out on my vital for them coffee and pop-corn purchases.
But who knows what might happen? In six months we may have traded the simple joys of watching movies at home for the big-screen, cinema auditorium extravaganza. Regardless, I think the post pandemic lockdown period will be pivotal for the cinema industry. And if the worst comes to the worst, it could be the home cinema will become a permanent feature after all.
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Barbara, by Mathieu Amalric… will the real Barbara stand up?
5 October 2021
How best to describe French actor and filmmaker Mathieu Amalric’s 2017 feature Barbara? A movie within a movie? So frequently do the lines between the real and the portrayed blur, it’s not always easy to tell.
Amalric, who also stars as a director making a bio-pic about a cabaret singer named Barbara, becomes enamoured with Brigitte, the actor portraying Barbara. But is it really Brigitte (Jeanne Balibar) he’s obsessed with, or her representation of Barbara? But he’s not the only person on set who’s confused. Brigitte, in learning what she can about Barbara, almost comes to believe she is the late cabaret singer.
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