Showing all posts about writing

BAD Sydney Crime Writers Festival

22 November 2021

Four days of misdemeanours, transgressions and far worse no doubt, that’s the 2021 BAD Sydney Crime Writers Festival, taking place from Thursday 2 December 2021, until Sunday 5 December, which is sure to be a treat for fans of crime writing, who are in and around Sydney, Australia.

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Seven and a Half, by Christos Tsiolkas

18 November 2021

Seven and a Half, Christos Tsiolkas, book cover

The premise of Seven and a Half (published by Allen & Unwin, November 2021) by Melbourne based Australian author Christos Tsiolkas, reminds me a little of the concept of the Metaverse. In short, an array of technologies, many that are currently still in some form of development, will allow us to live in one world while we inhabit another, or maybe even several, as the case may be.

You could be in Sydney, but sitting in on a meeting of colleagues in London, and feel like you were in the same room. Later you could be “present” at a concert in Los Angeles, again feeling as if you were really there. But back to Seven and a Half. An author has travelled to a small coastal Australian town. Free of the distractions of city life, he begins to write. His novel is about an author trying to write a novel. Here we have meta-fiction, rather than Metaverse though.

The protagonist of Tsiolkas’ “written-author” story is a retired porn star named Paul, who has been offered a chance to make a comeback. The “written-author” seeks to write sensual prose, drawing on the author’s present proximity to nature and the ocean, without becoming sordid. A challenge perhaps, as Paul becomes immersed in the dubious merits of the world he is returning to.

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How to write one hundred thousand words daily

17 November 2021

American writer Matthew Plunkett tackles the question of writing one hundred thousand words every day. Put it this way, it’s not for the faint-hearted.

My first blog post appeared online in 2008 when I explained how I attained my top ranking on a popular worldwide online game. Since then, I haven’t stopped writing. If you’re wondering whether this level of output will hinder your relationships with friends and lovers, let me set you straight. Life is about decisions. Either you write 100,000 words a day or you meet people and develop ties of affection. You can’t do both.

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On quitting the day jobs to become a published author like Christian White

16 November 2021

Golf buggy driver. Call centre operator. Editor of porn videos. These were some of the jobs Australian thriller writer Christian White worked on the way to becoming a published author. If you want to succeed, and have the requisite determination to succeed, you will succeed, says White, in an interview with Melbourne based journalist Kylie Northover.

White, 40, has wanted to be a writer since he was a teenager, having an “iron-clad plan” to be a best-selling author by 25. “That shifted because 25 came and went, so I changed it to 30, which also came and went,” he says. “When I went past 30 and there was still no career in sight, I made the decision to just focus on writing for the love it – I really do just love the craft.”

And then there’s this nugget of wisdom:

He also realised he’d be better off writing the kinds of books he’d like to read. “Early on I was going to write deep, thoughtful novels – it wasn’t until I started writing thrillers I went oh! Because I love reading thrillers,” he says.

Write what you like reading. I think it’s something many aspiring authors overlook in the burning desire to become a published author. White’s third novel Wild Place was published last month.

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Piranesi, by Susanna Clarke

15 November 2021

Piranesi, by Susanna Clarke, book cover

Not that it’s my intention to traumatise you with the workings of my subconscious, but the premise to Piranesi (published by Bloomsbury Publishing, August 2021), by British author Susanna Clarke sounds like the sort of dream I might have. The setting is an old, dilapidated multi-level building, and is home to the titular protagonist known as Piranesi, who refers to the enigmatic structure as the “House.”

And dream-like is the best way to describe the dwelling. An ocean floods the lower levels of this labyrinth, providing food and fuel – in the form of seaweed – for Piranesi. The sprawling hallways of the house’s mid-section stories are lined with statues, while the upper floors are shrouded in clouds. Save for an old scholar, whom Piranesi calls the “Other”, who makes brief appearances a few times a week, the building is otherwise deserted.

But one day Piranesi begins to notice messages chalked onto walkways around the House. Do they point to the presence of a third person within the building? The Other sees them a portent of bad things to come. In order to discover the identity of this mysterious third person, and what they want, Piranesi will need to learn more about the House and its history.

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The Sentence, by Louise Erdrich

12 November 2021

The Sentence, by Louise Erdrich, book cover

The Sentence (published by Hachette Australia, November 2021), written by Minnesota based American author Louise Erdrich, is a book set in a bookshop. A bookshop with a difference though. The independent bookshop, also located in Minnesota, is haunted by a ghost. And not any old ghost either. No, the shop has become the afterlife abode of Flora, who happened to be the store’s most irritating customer during her (regular) lifetime.

Now she’s back, and back to stay, unless a way can be found to get rid of her. To this shop comes Tookie, a new employee, who’s recently been released from prison after serving a ten year sentence. She’s looking for stability and normality in her life, and has even gone so far as to marry, Pollux, the now former police officer who originally arrested her many years earlier.

Set during a turbulent chapter in the city’s recent history, with Black Lives Matter protests, and the Covid pandemic, Tookie learns she has one year to somehow extricate Flora from the shop. But Tookie has her work cut out for her. The intentions of Flora, who must have a few scores she wants to settle, soon move from the annoying to the sinister…

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The Deep, by Kyle Perry

11 November 2021

The Deep, by Kyle Perry, book cover

A rugged coastline. A treacherous, turbulent, ocean. An air current so deadly locals call it the black wind. A remote village, home to the Dempsey family for generations. A family who has a made a name and livelihood for themselves as fishers and drug dealers. And then there are the names. Mackerel. Ahab. Blackbeard. It’s a nautical blend of ingredients indeed.

Such is the setting for The Deep (published by Penguin Books Australia, July 2021) the second novel of Burnie, Tasmania, based Australian writer Kyle Perry. But the inhabitants of Shacktown, on the Tasman Peninsula, wake to a troubling mystery one day. A young relative of the Dempsey’s, Forest, who disappeared seven years earlier, aged six, and long assumed to be dead, along with his parents, Jesse and Alexandra, has inexplicably appeared on a nearby beach.

A cross tattooed onto Forest’s back suggests he has been in the captive custody of Blackbeard, a rival drug lord who is intent on muscling into the illicit Dempsey family operation. But Mackerel and Ahab are reluctant to help the family deal with Blackbeard. Mackerel is on prison release, and any misstep will see him incarcerated again, while Ahab wants to turn his back on the family’s shady business ventures…

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Cloud Cuckoo Land, by Anthony Doerr

10 November 2021

Cloud Cuckoo Land, by Anthony Doerr, book cover

Sometimes I find the synopsis of a book so intriguing I feel compelled to write about it for that reason alone. Cloud Cuckoo Land (published by Simon & Schuster, 2021), written by American author Anthony Doerr, is such a novel. The first point of interest are the settings. Constantinople, now Istanbul, in past times the capital of several large empires, is one.

Here a teenage girl called Anna lives, in the lead up to the fateful 1453 siege of the city, and final remnant of the Byzantine Empire. In her spare time, she reads a book, the story of Aethon, a man who yearned to become a bird, so he could fly to a better place. The next setting is five hundred years later, in Idaho, where Zona, a woman in her eighties, is preparing a group of children to take part in a play based on Aethon’s story. The final setting is somewhere in interstellar space, where Konstance, a resident born on a generational colony ship, is transcribing the story of Aethon, after he father recited it to her.

And here we come to the second point of interest, an ancient story that links people living centuries apart, people keeping – in their own way – Aethon and his story alive, many centuries after its original telling. While the nature of the story appeals to me, like any book, it’s not for everyone, if the comments of some GoodReads members are anything to go by.

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Interior Chinatown, by Charles Yu

9 November 2021

Interior Chinatown, by Charles Yu, book cover

Willis Wu imagines he is an extra in a TV crime show. But he aspires to be more than an insignificant figure lurking in the background, he has his eye on a lead role. Kung Fu Guy would be ideal, but he can’t seem to break out of the part he has become typecast in, that of Generic Asian Man. Is it possible his Taiwanese Chinese ancestry is working against him?

The TV show, named Black and White – the lead characters are police officers, one is black, the other white – plays out in a restaurant called Golden Palace, located in the Chinatown of an American city. It might be though Willis is actually a restaurant worker who imagines he is part of a TV show. But in Interior Chinatown (published by Allen & Unwin, January 2021), the fourth novel by American author Charles Yu, the distinction isn’t really relevant.

Behind the screenplay, or the would-be cop-show, is a story of immigration and assimilation. Of people who leave their homeland and relocate to a new country. A place where their appearance, and the language they speak, may set them apart. See them sometimes relegated to the fringes of society. This may not be a TV show many of us want to be cast in…

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The Quiet at the End of the World, by Lauren James

8 November 2021

The Quiet at the End of the World, by Lauren James, book cover

The title of The Quiet at the End of the World brings to mind the line here at the quiet limit of the world, from a poem called Tithonus, written by Alfred Tennyson in the nineteenth century. In my mind the words take me to any deserted stretch of coast bordering the Mediterranean, and carefree summers spent ambling around Europe.

Tennyson’s verse, on the other hand, is about an immortal man yearning for death. Go figure. Needless to say, I decided to learn more about The Quiet at the End of the World (published by Walker Books, March 2019), by British author Lauren James, before choosing an inclination inspired by the book’s poetic title. That turned out to be a good idea. A devastating virus has rendered the population of the planet infertile, and Lowrie and Shen are the last remaining teenagers in the world. They live with a small group of elderly survivors from across the globe congregating in London.

Aside from the fact humanity faces an inevitable extinction, Lowrie and Shen lead exceedingly comfortable lives. But that all changes one day, when a new mystery disease begins striking down the older people around them. The teenagers need to figure out what is happening, and find a way to save the remaining residents of their community, before there they are the only humans left on Earth.

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