Vortex by Rodney Hall wins The Age Book of the Year fiction prize

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Vortex by Rodney Hall wins The Age Book of the Year fiction prize

10 May 2025

Vortex, by Queensland based Australian author Rodney Hall, has won the fiction prize in The Age Book of the Year award for 2025.

The two times winner of the Miles Franklin literary award, says the basis for his latest novel were some pages for a book he started writing, but later gave up on, in 1971. It pays to hold onto those old manuscripts, even the ones you don’t like, or thought you didn’t.

Lech Blaine, also living in Queensland, won the non-fiction prize, with his memoir Australian Gospel.

The announcement of the winners coincided with the opening of this year’s Melbourne Writers Festival (MWF), on Thursday. The Age Book of the Year awards have a story worthy of a novel themselves. They were first presented in 1974, by The Age newspaper, for fiction and non-fiction writing. In 1993 a poetry award, the Dinny O’Hearn Prize was added.

In 1998, the awards became a feature of the MWF, until they were ceased all together in 2013. However, in 2021 the award was rebooted, but for fiction only. Then in 2022, an award for non-fiction was introduced (or should that be reintroduced?).

Are more first time authors struggling to get published?

18 June 2024

Kate Dwyer, writing for Esquire:

Almost everyone mentioned that debut fiction has become harder to launch. For writers, the stakes are do or die: A debut sets the bar for each of their subsequent books, so their debut advance and sales performance can follow them for the rest of their career.

It might be harder today to launch a debut novel than in past decades, but people still succeed in doing so. What sort of sales might be generated by a “successful” debut novel, is another matter though. Spoiler: probably not a whole lot, unless the title is the next Harry Potter, or has enjoyed some sort of celebrity endorsement.

Promotional channels are more fractured, and maybe the number of people who want to write a book is greater. Everyone has a book has in them, after all. It could be tools such as word processors, and access to helpful resources online, empower more to try getting published.

So what to do, to help debut authors? Encourage more people to read newer fiction? Place less emphasis on the classics? Why not? If people are reading books that are centuries old, when is there time to read contemporary work? For my part, I rarely look at anything over ten years old nowadays.

I tried though. Don Quixote, by Miguel de Cervantes. Mansfield Park, by Jane Austen. Both cornerstones of Western literature, no doubt. How many novels feature a key character, having been out of the country on a prolonged absence, returning home, unexpectedly, late at night? We can thank Mansfield Park for that.

But despite my interest in these novels, I finished neither. I’m sure they’re both great books, but they’re just not for me. Ditto Vanity Fair. So contemporary fiction it is. Call me shallow and uncultured, but hopefully I’m helping a new or emerging author at the same time.

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books, fiction, literature, novels

Will Vision Pro change or enhance the book reading experience?

8 June 2023

A few days ago Apple unveiled its much anticipated spatial computer headset device, Vision Pro. According to Apple, the product is “a revolutionary spatial computer that seamlessly blends digital content with the physical world, while allowing users to stay present and connected to others.”

This assertion is borne out by American Apple/tech blogger John Gruber, who briefly tried out a test version of the Vision Pro, on the sidelines of this year’s Worldwide Developers Conference (WWDC):

First: the overall technology is extraordinary, and far better than I expected. And like my friend and Dithering co-host Ben Thompson, my expectations were high. Apple exceeded them. Vision Pro and VisionOS feel like they’ve been pulled forward in time from the future. I haven’t had that feeling about a new product since the original iPhone in 2007. There are several aspects of the experience that felt impossible.

If you have even the slightest interest in the Apple headset, I suggest you read Gruber’s article in full. While the device is capable — or eventually will be — of doing all sorts of things, including offering an almost immersive movie watching experience, the rendering of (could we call them) fantasy scenarios caught my eye:

Then, a dinosaur — a velociraptor-looking thing, seemingly about 9 or 10 feet tall — approached the “portal” in the wall and came halfway through into the room. I was invited to stand up from the couch and approach it. […] The dinosaur was not pre-recorded. It reacted, live, to me, keeping eye contact with me at all times. It was spooky, and a significant part of my own lizard brain was instinctively very alarmed. I got extremely close to the dinosaur’s head, and the illusion that it was real never broke down.

Aside from the dinosaur simulation, Gruber also saw an excerpt of James Cameron’s 2022 movie Avatar: The Way of Water. I’m not really a fan of 3D films, I sometimes think they’re an eye-straining gimmick, but Vision Pro sounds like the platform 3D movies have been waiting for:

Cameron shot Avatar 2 with state-of-the-art 3D cameras, and the 3D effect was, as promised, better than anything I’ve ever seen in a theater or theme park. I don’t generally like 3D feature-length movies at all — I find myself not remembering them afterwards — but I might watch movies like Avatar this way with Vision Pro. But even though Avatar is 3D, it’s still a rectangular movie. It’s just presented as a very large rectangle with very compelling 3D depth inside that rectangle.

While a completely different medium from dinosaur simulations and 3D films, the possibilities Vision Pro presents made the book reader in me wonder how, or if, books, or novels, could be consumed on the platform. Books don’t exactly constitute digital content in this context, but still, could the way they’re “read” be somehow augmented, or enhanced, on a headset like this?

Might a book optimised for Vision Pro consumption combine an audiobook experience with visuals other than (but not excluding) pictures or illustrations. “Video” vignettes perhaps? And then audio. What about some background sound? Or might that be something book readers would resist?

While not every novel published would be adapted for Vision Pro — for obvious reasons, cost being one — I can’t imagine ebooks, which one or two people will read on their Vision Pros, not ever being altered or embellished, in some way for the platform.

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books, fiction, technology

Deadly Game, the debut novel of British actor Michael Caine

8 June 2023

Book cover of Deadly Game, written by Michael Caine.

At the age of ninety, British actor Michael Caine has turned his hand to novel writing. His debut title, Deadly Game — set to be published in Australia by Hachette on Tuesday 28 November 2023 — quite possibly draws a certain amount of inspiration from some of Caine’s acting roles:

DCI Harry Taylor has no respect for red tape or political reputations — but he’s great at catching criminals. And all his unorthodox skills will be needed as an extraordinary situation unfolds on his doorstep: a metal box of radioactive material is found at a dump in Stepney, East London, but before the police can arrive it is stolen in a violent raid.

With security agencies across the world on red alert, it’s Harry and his unconventional team from the Met who must hit the streets in search of a lead. They soon have two wildly different suspects, aristocratic art dealer Julian Smythe in London and oligarch Vladimir Voldrev in Barbados. But the pressure is on. How much time does Harry have, and how many more players will join the action, before the missing uranium is lighting up the sky?

Copy on the Hachette page describes Deadly Game as hero Harry Taylor’s “first adventure”… does this mean more thrillers written by Caine are in the works?

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books, fiction, Michael Caine, writing

The 2023 Miles Franklin longlist

18 May 2023

The 2023 Miles Franklin longlist was unveiled yesterday. Considered to be one of Australia’s most prestigious literary awards, the Miles Franklin honours works of fiction by Australian writers, and is made up of the following eleven titles:

Hopeless Kingdom by Kgshak Akec
Limberlost by Robbie Arnott
Cold Enough for Snow by Jessica Au
Chai Time at Cinnamon Gardens by Shankari Chandran
Enclave by Claire G. Coleman
Losing Face by George Haddad
Forty Nights by Pirooz Jafari
Madukka The River Serpent by Julie Janson
The Lovers by Yumna Kassab
Iris by Fiona Kelly McGregor
Waypoints by Adam Ouston

In being included on this year’s longlist, Melbourne based author Jesscia Au continues on her upward trajectory, while Tasmanian writer Robbie Arnott is possibly only two steps away from garnering another accolade. But there’s also a number of not so familiar authors present, which is positive. This is looking like a wide open contest at the moment.

It’s also been another good year for independent publishers, particularly Sydney based Ultimo Press, who have three titles in the 2023 longlist. On the other hand, Allen & Unwin, one of Australia’s biggest publishing houses, is conspicuous by absence. In the past, being published by Allen & Unwin was considered a precursor of success in Australian literary awards.

The Miles Franklin shortlist will be announced on Tuesday 20 June 2023.

Madukka The River Serpent, crime fiction by Julie Janson

29 March 2023

Madukka The River Serpent, by Julie Janson, book cover

It takes ten-thousand hours to become an expert. Or so some people claim. Malcolm Gladwell made the assertion in his 2008 book, Outliers. Broken down, if ten-thousand hours are required to become proficient at something, it will take about five years to achieve expert status. Assuming you put in about forty-hours per week.

Aunty June, a private investigator, and owner of Yanakirri Investigative Services, on the other hand, reckons thirty-hours is enough. That’s thirty-hours all up. That’s how long it took her to complete a certificate course in investigative services, at a nearby vocational education school.

And with the ink on her business cards barely dry, Aunty June has landed — sort of — her first case. Investigating the whereabouts of her missing nephew, Thommo. The thing is, Aunty June’s investigative services weren’t exactly asked for. Fed up at the lack of progress local police were making in the wake of Thommo’s disappearance, she decided to get involved, whether anyone else liked it or not.

Aunty June is the protagonist in Madukka The River Serpent, published by UWA Publishing, December 2022, written by New South Wales based Australian playwright, poet, and Darug Burruberongal woman, Julie Janson. But as Aunty June delves into the mystery surrounding her nephew’s disappearance, it quickly becomes apparent this is far more than a missing person’s case.

She runs up against racism, corruption, and lies. Bikie gang members and cotton farmers are also in the mix. And with water levels in the Darling River, one of Australia’s longest rivers, in decline, water theft may also be on the cards. Along with murder. Aunty June soon comes to see why police want to give the case a wide berth.

Madukka The River Serpent is Janson’s first foray into crime fiction, and is one of only a few such works by Indigenous writers. Australian author Jock Serong has described Janson’s novel as “raw, visceral, rude and tough, [and a] new perspective on Australian noir that we’ve been waiting for.” Perhaps then Madukka The River Serpent will be the beginning of something.

Once a Stranger, debut fiction by Zoya Patel

28 March 2023

Ayat as not seen, nor spoken to, her mother, Khadija, and sister, Laila, who live in Canberra, for six years. Ayat hurriedly moved away to Melbourne after her mother and sister learned she was dating Harry, a Catholic. Ayat made clear her boyfriend would not convert to Islam, the religion of her Indian family, in the event they decided to marry.

Ayat also took exception to Laila agreeing to marry a man of the family’s choosing, in accordance with tradition. Arranged marriages may have been appropriate in another time and place, but Ayat sees no place for the institution in today’s world. After six years though in the Victorian capital, she has made a new life for herself with Harry.

But Khadija is unwell. She has only a short time to live. Laila contacts Ayat, and asks her to come home and see her ailing mother, while there is still time. But on arriving in Canberra, Ayat is asked to travel far further afield. Khadija would like to make a final trip to India, with her daughters, before she dies.

But the prospect of visiting India is daunting for Ayat. For one thing, it will bring her face to face with her extended family, and their expectations. But Khadija hopes the trip will help Ayat understand her values, and desire to uphold tradition, in Once a Stranger, published by Hachette Australia, March 2023, the debut novel of Canberra based journalist and author, Zoya Patel.

Based in part on Patel’s own experiences, which she also explores in her 2018 memoir, No Country Woman, Once A Stranger treads a path that will be familiar to many first generation Australians.

People who sometimes feel they are neither here nor there, as they walk a line between the traditions their families adhere to, and embrace the culture of another country. And where acceptance and alienation comes from compatriots and locals alike, in attempting to navigate the difficult middle ground.

How to Kill a Client, the debut whodunit by Joanna Jenkins

23 March 2023

How to Kill a Client, by Joanna Jenkins, book cover

Gavin Jones is the in-house counsel at a large mining company, headquartered in Brisbane, the capital of the Australian state of Queensland. In his role, Jones awards legal contracts worth millions of dollars each year. As such, legal firms in Brisbane, and across Australia, are at his beck and call.

Among these law companies is Howard Green, one of Brisbane’s best known legal practitioners, who are frequently awarded lucrative work thanks to their relationship with Jones. There is nothing they wouldn’t do for fear of losing his favour. With his influence, Jones is feted wherever he goes.

Or at least that used to be the case. But at age thirty-nine, Jones is found dead. The victim of murder. Who though could possibly want someone who was the life-blood of so many businesses in mining and legal circles, dead? As the police investigation commences though, a side of Jones, not so well known to those outside of industry circles, begins to emerge.

He was demanding. Manipulative. Aggressive. Abusive. Narcissistic. And a misogynist. He treated women appallingly. Any women partners of Howard Green whom Jones took a disliking to were quickly swept aside. He treated his wife no differently. But his horrific conduct was not limited to women, and many others were also subjected to Jones’ wrath.

Indeed as the police probe continues, instead of eliminating suspects, the list of people with a grudge against Jones only grows. Far from being lauded by his business associates, just about no one actually liked him. This is the premise of How to Kill a Client, published by Allen & Unwin, January 2023, the debut novel of Brisbane based Australian author, and former lawyer, Joanna Jenkins.

Readers of How to Kill a Client have described Jenkins’ whodunit as captivating, compelling, razor sharp, and riveting. Numerous readers were unable to discern the identity of Jones’ killer until the final reveal, which speaks mountains for Jenkins’ skilful writing… despite the number of suspects.

I’ll Leave You With This, by Melbourne author Kylie Ladd

18 March 2023

I'll Leave You With This, by Kylie Ladd, book cover

Deciding to donate our bodily organs, perhaps in the event of our unexpected demise, is a decision we make, then largely forget about. After all, when the time comes, we won’t be around to think about it, nor appreciate the difference doing so might make to the lives of others. For instance, what opportunities, what new hopes, might such a donation create for the recipient, and their loved ones?

This is one of the themes running through I’ll Leave You With This, published by Penguin Random House Australia, January 2023, the seventh book by Melbourne based Australian author and psychologist, Kylie Ladd. Every year, the four O’Shea sisters, each troubled in their own way, gather on the anniversary of the death of their brother, Daniel. He was the victim of a shooting, and had requested that his organs be donated should he die suddenly.

Allison, the eldest of the sisters, who works at a Sydney hospital, is married with two children. Bridie, once a promising film director, finds her career languishing. Clare, also a medical professional, has struggled to conceive a child, which has resulted in the breakdown of her marriage. Emma — far younger than her elder sisters — is a musician, plagued by loneliness, who turned to religion in a bid to find meaning in her life.

Daniel’s loss is keenly felt. He was more than an only brother to the four sisters, and while alive bound the family together. Since he died, the sisters, occupied with their own lives, have slowly drifted apart. But on the third anniversary of Daniel’s death, Clare tells her sisters about an idea she has. Why don’t they try and locate the people who received Daniel’s organs, and learn how they have helped those who received them?

Finding each recipient — for all the difficulties entailed in the process — and hearing their stories, might give the sisters a collaborative goal to work towards, and perhaps be a source of hope for them. I’ll Leave You With This is a layered family drama, following four people leading sometimes rich, and definitely complex, complicated, lives. The sisters’ quest takes them to unexpected places, and forces them to evaluate their lives, and relationships with each other, in the cold light of day.

Spanning a number of years in its telling, I’ll Leave You With This is another example of compelling Australian literature. With a story such as this, I have the feeling it will not be told solely through the pages of a book. This is a story I could see as possibly a film, or a TV series, one day. Let’s sit back and see what happens.

Reading fiction books can make more empathic people of us

16 March 2023

Jeannie Kidera, writing for Big Think:

The capacity for empathy — to first identify and then understand and share in someone else’s feelings — is largely held as a virtue these days. Yet, philosophically speaking, there is a bit of a knowledge problem that makes being naturally empathetic a struggle. Why? As poet John Keats put it, “Nothing ever becomes real until it is experienced.”

So how can someone else’s perspective and emotions ever become real enough for us to develop empathy? Reading fiction may provide an answer. Research suggests that fictional books may effectively be empathy-building tools, offering us the closest we can get to first-hand knowledge of someone else’s experience.

To read a chapter out of someone’s life story is to truly walk a mile in their shoes.

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fiction, novels, psychology, reading

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