Was the dead man, who became known as “Somerton Man”, the victim of an elaborate murder plot, or did he take his own life? Why is it that no one was able to positively identify him, despite extensive publicity given to the case at the time? What is to be made of his apparent association with an Adelaide nurse, and rumours of links to espionage groups?
The police had brought in another expert, John Cleland, emeritus professor of pathology at the University of Adelaide, to re-examine the corpse and the dead man’s possessions. In April, four months after the discovery of the body, Cleland’s search produced a final piece of evidence — one that would prove to be the most baffling of all. Cleland discovered a small pocket sewn into the waistband of the dead man\’s trousers. Previous examiners had missed it, and several accounts of the case have referred to it as a “secret pocket,” but it seems to have been intended to hold a fob watch. Inside, tightly rolled, was a minute scrap of paper, which, opened up, proved to contain two words, typeset in an elaborate printed script. The phrase read “Tamám Shud.”
Efforts to solve the mystery remain on-going, which includes determining the man’s identity, and what exactly occasioned his death, are being lead by a University of Adelaide team. More information about the case can be found on Wikipedia.
Trigger (trailer), a comedy drama, is the latest feature of Canadian film director Bruce McDonald (The Tracey Fragments, Pontypool). The story traces the reunion of two indie-rockers, Kat (Molly Parker), a bass player and vocalist, and Vic (the late Tracy Wright), who once performed together in a two-piece band called Trigger.
Trigger, which premiered in Australia at the Canadian Film Festival in Sydney on Wednesday, 10 August, 2011, picks up the story of the two band members ten years after their acrimonious on-stage split. They have accepted an invitation to perform at a Women in Rock tribute show taking place in Toronto, their hometown.
Kat has since relocated to Los Angeles where she works in marketing, but often travels to Toronto for work. The two have arranged to meet for dinner in the restaurant of the five-star hotel where Kat is staying. Vic however is less than impressed with the extravagant setting of their first face-to-face meeting since the band broke up.
While past tensions quickly surface, it isn’t long before some traces of their earlier, close if turbulent, friendship comes to light. While Vic is happy to go along to the tribute show, she is not so willing to perform, even though Kat promised organisers they would. The show however soon rouses happy memories of their on-stage hey-day.
While reacquainting themselves with former associates, both come to the doleful realisation that they cannot reclaim their old lives. This is brought home by the fact friends have moved on, become older, more conservative, and are even driving hybrid vehicles, surely a contravention of the hard living, hard playing, rock ethos.
Despite having been apart Kat and Vic learn they have had a number of similar experiences, including having dealt with substance abuse issues, which both seem to have overcome. But just as the two are beginning to warm to each other again, Vic then learns that there is just a little more to the tribute show than meets the eye…
Trigger is a slice-of-life drama featuring just two central characters, and covers a only small period of time, in much the same way as Richard Linklater’s Before Sunset and Before Sunrise films, and plays out over the course of a single night. This however gives Kat and Vic plenty of time to try and make sense of their post-band lives.
Trigger isn’t all introspection though, and features a stirring performance reminiscent of the band during its peak, plus flashback glimpses of the friendship of Kat and Vic in earlier days. This is a story that anyone who has had the dream, or once lived the dream, and now finds life to be a little quieter, will be all too familiar with.
Jaloux, trailer (French language), a drama thriller, is the debut feature of Montreal director Patrick Demers, who wrote the screenplay, which was largely improvised during filming, in conjunction with its three stars, Sophie Cadieux who plays Marianne, Maxime Denommée as Thomas, and Benoît Gouin as the neighbour of Thomas’ uncle.
Marianne and Thomas have been together eight years but boredom has begun to stifle their relationship. Thomas believes a weekend away at his uncle’s remote forest cabin, near Mandeville, in Quebec, will help them rediscover each other. Jaloux premiered in Australia at the 6th Canadian Film Festival in Sydney on Tuesday, 9 August, 2011.
To say Marianne and Thomas’ relationship is in strife would be an understatement. A fierce argument, which turns into a tussle, as they approach his uncle Michel’s (Daniel Gadouas) cabin, results in their car running off the gravel road into a ditch. Neither is hurt however, and they complete the trip to the nearby cabin on foot.
On reaching the cabin they are surprised to find Michel’s neighbour, Ben, has prepared a meal for them. Ben had however been expecting Michel and his girlfriend Helene (Marie-France Lambert), but after learning that Thomas is his nephew, and having taken a shine to Marianne, instead invites the couple to share the meal with him.
After a night’s heavy drinking Marianne and Thomas wake the next morning, having slept in separate parts of the house, with little memory of the evening before. Deciding a swim will help clear their heads, they wander down to the nearby lake, only to meet Ben again, much to Thomas’ annoyance, who happens to be out rowing his boat.
Not happy with the way Marianne is taking to Ben, Thomas instead decides to find a mechanic to repair their car. On his way into the local town though he, by chance, meets a cousin who he hasn’t seen in years. It is only then that Thomas comes to realise that the man claiming to be his uncle’s neighbour is in fact someone else altogether…
Jaloux is a slow burning thriller that is underscored by a simmering unease that threatens to boil over at any minute. This tension is accentuated by flashbacks and memories that may be from the night before, the week before, or possibly even months or years earlier.
But what here is real, imagined, or fantasy? While the storyline is relatively simple, what Jaloux lacks in narrative it makes up for in drama and suspense, as jealousy, lies, deceit, and guilt compound. Clichés bountiful in a story of this nature are refreshingly absent, leaving the viewer uncertain as to what exactly will happen next.
