Showing all posts tagged: Evelyn Araluen
18 May 2022
“Artists in this country are used to living one paycheque away from poverty.” With those words, Evelyn Araluen, winner of this year’s Stella Prize, had everyone’s attention. The proceeds from the literary prize mean Araluen will be able to pay down some debt, and work two jobs instead of three.
But that’s not the reality for many other writers — even those who are published — in Australia, if working two jobs, while still focussing on their art, is meant to constitute reality.
Most writers are forced to take other work, because the rewards for writing all those books we like to read are virtually non-existent. It’s a state of affairs, warns Melbourne based literary agent and author Danielle Binks, that will force young and emerging authors to consider other lines of work all together:
“Kids are already hung up on how much money you can make and whether you can do this for a living … I tell them the reason I write – the reason we all engage in books, art, theatre, anything – is that art changes people and people change the world. But I’m convinced there’s a whole generation of artists, and writers in particular, who will not choose this path.”
13 May 2022
Former Australian Prime Minister Julia Gillard talks to the 2022 Stella Prize winner Evelyn Araluen, in her podcast A Podcast of One’s Own. Also joining the discussion is Evie Wyld, winner of the 2021 Stella, and Jaclyn Booton, executive director of the Stella Prize.
To celebrate the 2022 prize, Julia sits down with Evelyn Araluen, this year’s prize winner, to discuss her award-winning debut book, Drop Bear, which weaves together past and present, her personal history and the story of indigenous Australia through powerful lyrical verse. Evelyn shares her writing experience, her journey into poetry and what it’s been like being recognised by the prize.
Julia also speaks with Jaclyn Booton, the Executive Director of the Stella Prize, about how it was established and why it is so important to spotlight Australian women’s writing. Evie Wyld also joins this bumper episode to share her experience as the 2021 prize winner and talk about her critically acclaimed novel, The Bass Rock.
10 May 2022
Some late news to hand… Australian poet Evelyn Araluen, winner of the 2022 Stella Prize, will speak with Wiradjuri writer Jeanine Leane, at the Wheeler Centre in Melbourne, this Thursday evening, 12 May 2022.
3 May 2022
Artists, in this country anyway, are used to instability, we’re used to two or three jobs, we’re used to paltry super, and the constant fear of illness and accident faced by all precarious workers. We’re used to living one pay check away from poverty. Despite this slap in the face, this blunt dismissal of the clear social and cultural good the arts provides to all Australians, artists were still advocating and organising throughout the pandemic, and the fires and the floods. They were still working through the isolation of endless lockdowns in the hope that their creative efforts, their work, would help someone else survive.
28 April 2022
Melissa Lucashenko, chair of the 2022 Stella Prize judges, says Dropbear “announces the arrival of a stunning new talent to Australian literature.”
“When you read Evelyn Araluen’s Dropbear you’ll be taken on a wild ride. Like the namesake of its title, this collection is simultaneously comical and dangerous. If you live here and don’t acquire the necessary local knowledge, the drop bear might definitely getcha! But for those initiated in its mysteries, the drop bear is a playful beast, a prank, a riddle, a challenge and a game. Dropbear is remarkably assured for a debut poetry collection, and I think we can safely say it announces the arrival of a stunning new talent to Australian literature. Congratulations, Evelyn.”
At twenty-nine, Araluen is the youngest recipient of the literary prize that celebrates the writing of Australian women, and says she may never have become a poet had she not studied her great-grandfather’s language:
Araluen, a descendant of the Bundjalung Nation born in Dharug Country and now based in Naarm/Melbourne, began writing poetry while she was studying her great-grandfather’s language at TAFE, becoming attuned to poetic techniques like fragmentation and different sentence structures. “I honestly don’t think I would have become a poet if I hadn’t started learning that language,” she told ABC Arts in 2021.