Showing all posts about film
My Salinger Year: did Joanna Rakoff talk to J.D. Salinger?
14 March 2022
Still from My Salinger Year, courtesy of Mongrel Media.
In late 1995 twenty-three year old Joanna Rakoff abruptly leaves her degree course, and boyfriend Karl, at Berkeley, California, and returns to her native New York. She’s had enough of studying the work of other writers, she wants to write for herself. And what better place to do so than New York City. But she still needs to pay the bills.
Initially hoping to find work with a book publisher — and the industry contacts that would come with the role — Rakoff instead takes a job as an admin assistant at one of New York City’s oldest literary agencies. Little has changed in the agency’s office, she later quips to friends, since 1927, a place where the office photocopier is considered high-tech.
Computers are forbidden. Agency boss Margaret believes they create work, rather than reduce it. The literary agency appears to be as old-school as they come. But there is one consolation for Rakoff. The agency represents none other than reclusive author J.D. Salinger, he of The Catcher in the Rye fame, a book, ironically she has not read.
Released on 1 January 2021 in Australia, My Salinger Year is Canadian filmmaker Philippe Falardeau’s screen adaptation of the 2014 memoir of the same name, written by literary journalist and author Joanna Rakoff, played by Margaret Qualley. But while Rakoff’s book was well received, Falardeau’s adaptation of her memoir did not meet with the same acclaim.
Salinger’s Miranda Priestly problem
Despite being a nostalgic stroll through a New York City that no longer exists, and a visual treat, with its warm, saturated hues, and lovingly rendered frames, My Salinger Year rates a paltry fifty percent among critics, according to film review aggregator Metacritic. Critics had a number of issues with the production.
Peter Bradshaw, writing for The Guardian thought My Salinger Year tried too hard to be another The Devil Wears Prada, and failed abysmally:
The provincial-making-it-in-the-big-city genre is well established, but the influence of The Devil Wears Prada is so clear it almost begins to feel like a upscale homage. It suffers in comparison because The Devil Wears Prada is forthright and funny with Anne Hathaway and Meryl Streep delivering fireworks. Perhaps Qualley and Weaver could have done the same with a sparkier script. But the all-important master-servant hero-worship dynamic is always stymied: diverted on to the semi-unseen and necessarily unresponsive Salinger.
When I saw Margaret coldly ignoring Rakoff on her first day of work at the agency, I too thought of Miranda Priestly. But I’m not sure making Margaret out to be a Priestly clone was the filmmaker’s intention. Meanwhile Peter Debruge, writing for Variety, didn’t think Qualley’s portrayal of Rakoff as an aspiring writer was convincing:
Director Philippe Falardeau (who made one very good movie in the form of “Monsieur Lazhar”) has written Joanna Rakoff as well-read and intelligent, but Qualley has a dopey, nobody-home quality: The actor looks eager and ready to please, standing politely with her shoulders back and hands clasped like an obedient schoolgirl, but there’s nothing happening behind the eyes. Portrayed thus, Joanna comes across as childlike, naive and shockingly shallow. Though she’s no doubt plenty bright in person, close-ups in which she’s shown thinking are eerily unconvincing.
It’s true Qualley portrayed Rakoff with wide-eyed enthusiasm, and a breathy exuberance, but I wouldn’t say the lights were on but no one was home. Let’s not forget Rakoff aspired to other things, and working at the agency wasn’t exactly what she wanted in the first place. She didn’t see the role as a stepping stone, but rather a means to keep a roof over her head.
My friend Salinger
While My Salinger Year may not rate as award winning drama, the question remains. Were the interactions viewers of the film witnessed between Rakoff and Salinger the real deal, or were the producers’ taking some cheeky poetic licence? And while we may never know exactly what did transpire, Rakoff and Salinger indeed spoke to each other.
Given the nature of Rakoff’s work at the agency, corresponding — by way of standard, clipped, responses — to the volumes of Salinger fan mail the agency received, regular communication between the pair might go without saying. But the hermit-like Salinger had no interest in what his readers had to say.
But on learning Rakoff wrote poetry, Salinger warmed to her. He even encouraged her writing, almost chastising her for doing humdrum office work. “Don’t get stuck answering the phone Joanna, you’re a poet,” he said to her on one occasion. He cared, even if the then partly deaf author did get her name wrong, when they first spoke:
Salinger, when Rakoff finally plucks up the courage to converse with him, is indeed kind to her. He is extremely deaf, and gets her name wrong. But he also encourages her to keep writing her poetry (he reveres poets).
While Salinger didn’t ask to see her work, it’s hard to imagine Rakoff being disappointed. When a literary giant is in your corner, rooting for your writing ambitions, what more do you need? Who wouldn’t give up the dead-end day job, and follow their dreams. And this is who My Salinger Year — for all its apparent faults — really speaks to: the dreamers with the big ideas.
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film, J.D. Salinger, Joanna Rakoff
A trailer for the Obi-Wan Kenobi TV mini-series
12 March 2022
A teaser/trailer for the upcoming Disney+ Obi-Wan Kenobi six-part TV mini-series, that delves further into the Star Wars saga. Both Ewan McGregor and Hayden Christensen reprise their roles as Obi-Wan and Darth Vader, respectively.
The story begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat — the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.
From this snippet, Obi-Wan Kenobi looks promising. Though some have been better than others, I’m wary of some efforts to “fill in” gaps in the original Star Wars saga, or more the point, the first six films, as, to me, episodes seven through nine didn’t feel the least bit like Star Wars.
While I thought Rogue One, depicting events immediately prior to A New Hope, wasn’t too bad — terrible CGI representation of some characters aside — Solo, the Han Solo “origin story”, was unnecessary to say the least.
Given almost twenty-years separate events of Revenge of the Sith, and A New Hope, there’s probably enough room to insert a story half-way between episodes three and four, without compromising the integrity of the saga. Time will tell. Obi-Wan Kenobi debuts on Wednesday 25 May 2022.
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film, science fiction, trailer
Adaptable 2021/22 text to screen longlist announced
11 March 2022
Adaptable is an initiative of the Queensland Writers Centre that connects aspiring screen writers, working across all genres, with film and television producers.
Adaptable seeks material for film or television adaptation. Open to writers across Australia and New Zealand, the contest accepts any genre, fiction or non-fiction, published or unpublished. Queensland Writers Centre also identifes several early career unpublished/emerging writers to pitch their work to screen creatives, with these writers receiving mentorship and advice prior to the pitching sessions.
A longlist of contenders was unveiled this week, with the shortlist to follow shortly.
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Apollo 10 1/2, a film by Richard Linklater
10 March 2022
Talk about the trip of a lifetime. American space agency NASA accidently builds an Apollo Moon lander that’s too small for adult astronauts. So the investment doesn’t go to waste, a young boy is clandestinely recruited to take the vessel to the lunar surface, in Apollo 10 1/2, trailer, an animated feature directed by Richard Linklater.
The story of the first moon landing in the summer of 1969 from two interwoven perspectives. It both captures the astronaut and mission control view of the triumphant moment, and the lesser-seen bottom up perspective of what it was like from an excited kid’s perspective, living near NASA but mostly watching it on TV like hundreds of millions of others. It’s ultimately both an exacting re-creation of this special moment in history and a kid’s fantasy about being plucked from his average life in suburbia to secretly train for a covert mission to the moon.
Apollo ten and a half, this is Houston. Do you read?
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animation, film, Richard Linklater, trailer
Trailer for My Brilliant Friend season three
8 March 2022
A trailer for season three of the HBO produced series My Brilliant Friend, based on Those Who Leave and Those Who Stay, the third novel of the four part Neapolitan Novels series, written by Italian author Elena Ferrante, between 2011 and 2014.
And in case you (somehow) missed it, a Netflix made teaser for the in production Lying Life of Adults series, based on Ferrante’s 2019 novel of the same name, which is coming to a screen near you maybe later this year.
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The Oscar for the best Twitter nomination goes to…
7 March 2022
Last month I wrote that the Oscars were, for the first time, allowing the general public an opportunity to participate in the 2022 awards. The Academy of Motion Picture Arts and Sciences had decided to hold a popular vote, a people’s choice award, if you like, on social networking platform Twitter.
This “fan favourite” vote was one of two initiatives the Academy introduced this year, to bolster interest in the awards. In recent years television audiences have been abandoning the annual celebration of film in droves. A mere 9.85 million viewers tuned into the 2021 ceremony, compared to 23.6 million in 2020.
That’s an alarming decrease in anyone’s book. But it’s not only the Oscars who are struggling. The Emmy Awards, and the Grammy Awards, are also seeing significant declines in their television audiences. But, in the case of the Oscars, with past ceremonies clocking in at well over three-hours in duration, is anyone surprised?
While I’ve always been interested in the Academy Awards, I’ve not once sat through a televised broadcast of the event. Or I should say, an entire broadcast. I watched once, but alarmed at the glacial pace of proceedings, switched off the TV, and wandered around to the local cinema to see a movie.
When I came home, the Oscars hadn’t even reached the Best Picture award. To counter this indulgent run-time, the Academy has promised to slim down the event, and will omit certain awards all together from the live broadcast. How that will help, if at all, remains to be seen. The fan favourite vote, on the other hand, has been an overwhelming success.
Well, kind of. The proposal certainly drummed up interest, though not perhaps quite what the Academy envisaged. Twitter members residing in the United States were invited to tweet the title of their favourite film from the last year, and or a scene from a film of any age, appended with a particular hashtag.
People without Twitter accounts had the option to participate at OscarsFanFavorite. Voting for the fan favourite on Twitter seemed a little out of hand though, with the likes of Taxi Driver (from 1976), Apocalypse Now (1979), and No Country For Old Men (2007), being selected. All great films, albeit they were released well before 2021.
At least they were actual movies. Karl Quinn, an entertainment writer for The Sydney Morning Herald, spotted a film called Rochelle, Rochelle, sitting among frontrunners for the fan favourite award. Fans of nineties TV sitcom Seinfeld would be familiar with Rochelle, Rochelle, but year of release aside, there was another problem: the film does not exist.
While soon removed from the listings, its inclusion highlights the need to set firm parameters when opening the doors to everyone online. A few years ago, the Hottest 100, an annual music poll run by alternative and indie music Australian radio station Triple J, was swamped with votes for a track performed by Canadian singer Justin Bieber.
While Bieber’s nationality was not at issue — artists from across the globe feature prominently in the Hottest 100 countdowns — Triple J listeners took exception to the way some Bieber fans, spurred on by a large betting agency, were attempting to manipulate the vote. Ultimately the efforts of Bieber fans failed though.
But the question stands, was the Oscars fan favourite vote a folly on the part of the Academy of Motion Picture Arts and Sciences? Again, while the final answer remains to be seen, if nothing else, the idea started people talking, and taking action. Perhaps the interest stirred up may yet make a difference.
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Bullet Train, a film by David Leitch
5 March 2022
Sandra Bullock, Brad Pitt, and Aaron Taylor-Johnson, star in what might be described as a kind of locked-room thriller, albeit set on a Japanese bullet train, in a film of the same name, Bullet Train, trailer, directed by American actor, stunt performer, and filmmaker David Leitch.
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Release of The Batman, and other films, delayed in Russia
4 March 2022
Turning Red, The Batman, Morbius, The Lost City, and Sonic the Hedgehog 2, are among films whose releases are being delayed in Russia, in response to the invasion of Ukraine.
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Australian actors overlooked at Screen Actors Guild Awards 2022
1 March 2022
Australian actors Cate Blanchett, Kodi Smit-McPhee, Sarah Snook, and Nicole Kidman, missed out being recognised in this year’s Screen Actors Guild Awards, after being nominated in a number of SAG categories. Here’s hoping those in line for an Oscar fare better on 28 March.
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Sissy, a film by Hannah Barlow and Kane Senes
26 February 2022
Cecilia (Aisha Dee) runs into old school mate Emma (Hannah Barlow) after ten years, and is invited to her hen’s weekend. But the reunion quickly takes a turn for the worse, as old tensions resurface, in Sissy, trailer, directed by Australian actors and filmmakers Hannah Barlow, and Kane Senes.
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