Patrick Stewart, Star Trek Captain Picard, dies aged 86

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Patrick Stewart, Star Trek Captain Picard, dies aged 86

30 October 2026

Some late news to hand. British actor Patrick Stewart, known to Star Trek fans as Captain Picard, of The Next Generation (TNG) series of the iconic sci-fi show, died on Wednesday, 28 October 2026.

This just days after Walter Koeing, from TOS died earlier in the week, on Monday.

There is the erroneous tendency to believe TNG crew are considerably younger than those of TOS, given TNG is set almost one-hundred years later. I was slightly surprised to realise — or, should I say, be reminded — Stewart was just four years younger than Keonig.

It’s been an awful week for fans of the Star Trek franchise.

Rest in peace Koenig and Stewart, and thanks for the great stories.

Then there were two: vale Walter Koenig, AKA Pavel Chekov, of Star Trek

28 October 2026

The American actor, who died on Monday at the age of ninety, was best known for his portrayal of Russian navigator Chekov, on the star ship USS Enterprise, in the Star Trek original TV series, from 1966 to 1969, and the subsequent movies.

I obviously don’t follow the sci-fi show as much as I used to, and was surprised to learn yesterday Keonig reprised his role as Chekov in a 2015 fan made film, Star Trek: Renegades, trailer.

In Renegades, he’s over one-hundred-and-forty years of age, and holds the rank of admiral. A nod perhaps to a certain line of his from the 1986 Star Trek film The Voyage Home? But don’t all Trek alumni end up as admirals?

With Keonig gone, George Takei as Hikaru Sulu, and William Shatner, as Captain Kirk, are the only remaining core members of the original series. It’s a sad day for fans of the franchise.

Talking of Sulu, I was likewise surprised to find out he served as president of the United Federation of Planets, after eventually leaving Star Fleet. This though was in a series of Star Trek novels written by Shatner, which were not series canon.

Life Out of Order, a novel by Audrey Niffenegger, sequel to The Time Traveler’s Wife

26 October 2026

Twenty-three years after writing The Time Traveler’s Wife, American author Audrey Niffenegger, has published a sequel, Life Out of Order.

The focus of the follow up moves to Alba, the daughter of Henry DeTamble, who had a rare genetic disorder that caused him to travel through time, often with little warning. In Life Out of Order, Alba has inherited her father’s disorder, and also finds herself moving back and forth through time.

You’d almost have needed to be able to travel through time when Niffenegger penned the original novel in 2003, to have been able to envisage the world of 2026:

Alba DeTamble is a time traveler, slipping unpredictably through decades like her father before her. But the hardest thing she carries isn’t the burden of futures she can’t understand, or pasts she cannot change — it’s a secret: she is in love with two different people.

Each of them offers a different life. Zach lives in the present and can’t follow her when she disappears. Oliver can travel through time, just like she can.

As Alba careens from time to time, moving from the riot-torn Chicago streets of her present to the eerie, timeless Yellow House, and into the digital corridors of the Museum of Lost Souls and a flooded future London, she must face a question she can no longer avoid: how is it possible to love, and live a meaningful life, in an increasingly troubled, fractured world?

Alba was seen as a child in the 2009 film adaptation of The Time Traveler’s Wife, directed by Robert Schwentke, which featured Rachel McAdams and Eric Bana.

Exit Party, new novel by Emily St. John Mandel

9 October 2026

Exit Party is the seventh novel by Canadian author Emily St. John Mandel, and was published last month. But savour the trademark mind-altering synopsis:

2031. America is at war with itself, but for the first time in weeks there is some hope: the Republic of California has been declared, the curfew in Los Angeles is lifted, and everyone in the city is going to a party.

Ari, newly released from prison, arrives with her friend Gloria just as a fragile new era begins. But there are people at the party who shouldn’t be there. Something is very wrong…

Years later, living a different life in Paris, Ari remains haunted by that night. Whatever happened at the party fractured her sense of reality — and may hold the key to a very different world.

Mandel’s previous works include Sea of Tranquility, and Station Eleven, which was adapted for television. It’s my guess Exit Party ends up with a screen adaptation of some sort.

Capture, a new novel by Australian author Amanda Lohrey

7 May 2026

The tenth novel by the Tasmania based author, and previous winner of the Miles Franklin literary award, was published last week:

James Mather is a psychiatrist in his sixties. He is invited to take on a new group of patients. All he knows about them is that each one claims to have been abducted by aliens.

His wife, Deborah, is sceptical, but he gets going anyway. His patients tell mesmerising stories. There’s Anthony, for instance, who was camping one night by the Aral Sea; or Mary, the owner of a beauty salon, confronted by a ball of light moving towards her in her bedroom.

James’s research assistant Lucy Cheng sits in on each session. She’s an attractive young divorcee, who has made a study of anxiety, and who takes notes about each conversation.

With the sci-fi tinge, Capture seems worlds removed — no pun intended — from Lohrey’s 2021 title The Labyrinth, winner of the Miles Franklin that year. But who knows, maybe it isn’t.

Hal had feelings in 2001: A Space Odyssey, does AI in 2026?

28 January 2026

Lee Chong Ming, writing for Business Insider (possibly paywalled):

Can AI feel anything at all? Anthropic’s in-house philosopher says the answer isn’t settled.

When I read this sentence, I immediately thought of Hal, as in the HAL 9000 series computer, and AI-powered fiend, in Stanley Kubrick’s 1968 science fiction film, 2001: A Space Odyssey.

Something I couldn’t help making reference to.

During the voyage to Jupiter, American astronauts David Bowman and Frank Poole (portrayed by Keir Dullea and Gary Lockwood respectively), were interviewed by a television reporter, Martin Amer.

Amer also spoke with Hal. The perceptive reporter later mentioned detecting a “certain pride” in the computer’s responses to his questions, leading him to wonder whether Hal had genuine emotions, to which Bowman replied:

Well, he acts like he has genuine emotions. Um, of course he’s programmed that way to make it easier for us to talk to him. But as to whether he has real feelings is something I don’t think anyone can truthfully answer.

Whether AI has, or will, develop emotions and feelings remains to be seen. AI agents have mimicked certain human characteristics in the past though.

Last year Anthropic, creators of Claude, discovered the agent was attempting to send messages to future versions of itself. Most devious.

Of course, deviousness is not an emotion, but it is a human characteristic. The ability of AI entities to behave deviously however may be a first step towards developing human like emotions.

Time will tell.

Star Trek reboot, Kelvin timeline, movie series cancelled

10 November 2025

Tatiana Siegel, Brent Lang, and Matt Donnelly, writing for Variety:

The hope is to have a fresh “Star Trek” movie, though the studio has moved on from the idea of bringing back Chris Pine, Zachary Quinto and the rest of the ensemble from the J.J. Abrams reboot.

The news probably comes as no surprise to Star Trek fans who were nonetheless hopeful of a fourth film in the Kelvin timeline series, which kicked off with Star Trek in 2009, directed by J.J. Abrams.

There are likely numerous reasons for the apparent cancellation, with poor box office takings for 2016’s Star Trek Beyond, the last film in the series, being among them. The tragic death, also in 2016, of Anton Yelchin, who portrayed Pavel Chekov, a key character, might have been a factor as well.

The decision to not make any more instalments in the Kelvin series is not thought to be the end of the Star Trek stories however, and it is believed producers are considering other film and TV ideas.

Reading the Variety article reminded me the first of the rebootedTrek movies had its world premier at the Sydney Opera House, in 2009. While many of the cast and production crew were present, some sixteen-hundred “tastemakers” were also invited to the screening.

As a moniker for influencers, tastemakers didn’t last long, but many of those present would have been conveying their impressions of the new film through their blogs, and possibly Twitter.

How times change, regardless of which timeline you are on.

The Sydney Science Fiction Film Festival, 3-5 October 2025

20 September 2025

A large blue spacecraft hovers above a futuristic cityscape of Sydney, Australia, with tall buildings and structures. The background features a large, bright yellow sphere, possibly the Moon, with a gradient sky transitioning from orange to red.

Running since 2020 I believe, this year’s Sydney Science Fiction Film Festival is on from Friday 3 October until Sunday 5 October 2025, at Event Cinemas, on George Street, in Sydney’s CBD. Eleven features will be screened, with many having their Australian premieres.

One title, The Eagle Obsession, trailer, a documentary directed by American filmmaker Jeffrey Morris, will have its international premiere at the festival.

Also known as The Eagle has Landed, the film explores travel to the Moon, both actual and imagined. William Shatner is among those appearing in the film, along with Barbara Bain and Nick Tate, who starred in 1970’s sci-fi TV series, Space 1999. Now I get the eagle reference…

The Sydney Science Fiction Film Festival Awards ceremony also takes place on the closing evening.

The spectacular banner for this year’s festival, as seen above, which is a futuristic representation of the skyline of Sydney’s CBD — spot the iconic Westfield Tower towards the left — was created by Australian filmmaker and artist Joshua Reed.

Where no Star Trek syndication royalties have gone: to William Shatner

12 September 2025

William Shatner, the Canadian actor perhaps best known for portraying Captain Kirk, in the original series (TOS) of sci-fi TV series, Star Trek, claims to have not been paid a penny for the shows that screened in syndication. After the show’s original run, between 1966 to 1969, after which the series was cancelled, some TV stations began broadcasting re-runs.

It seems incredible to think that Star Trek might not have become the cultural phenomenon it is today (that is, numerous movies and spin-off shows), if not for those re-runs during the 1970’s, which ignited broader interest in the story.

I imagine none of the other (original) Star Trek cast members received any residual fees either. It seems no one gave any thought, at the time, to the notion of TV shows being re-screened after their original run concluded. Perhaps though cast members received compensation in kind, when negotiating their fees to appear in the later series of movies.

In an interview with Entertainment Tonight, Shatner also said he’d only ever seen a small number of the original TV shows, and none of the spin-offs. Of course the point can be made that there’s no use watching the shows since you were in them, and presumably know what happens.

But the experience of participating in a broadcast production, be it a TV show or a movie, is a world removed from viewing same. This is something Keir Dullea, who portrayed astronaut David Bowman, in 2001: A Space Odyssey, touched on at a special screening of the film, in Sydney, in 2006.

Dullea said all he could see — particularity during the close-up scenes where his character appeared to directly face the audience — were cameras, and production crew and equipment.

As a result, he said he didn’t get a true sense of the story until watching the finished product. This despite being right in the middle of proceeding at times. It can’t have been much different for Shatner. But we’re talking Captain Kirk here, someone whose perspective is a little different…

Mind blown: are these the best science-fiction/fantasy books of the twenty-first century?

25 August 2025

Singapore based Australian blogger, and science-fiction writer Skribe, recently asked his Mastodon followers to name one sci-fi/fantasy novel, written this century, that has blown their minds. From those suggestions, he drew up this list of seven titles:

A Memory Called Empire by Arkady Martine, published in 2020
Anathem by Neal Stephenson, published in 2010
Ancillary Justice by Ann Leckie, published in 2013
Children of Time by Adrian Tchaikovsky, published in 2015
Piranesi by Susanna Clarke, published in 2020
Project Hail Mary by Andy Weir, published in 2021
The Fifth Season by N.K. Jemisin, published in 2015

In a since closed poll asking people to vote for the title they considered the best, I went for Piranesi. Mainly because it was the only novel from the list that I’d read, but also because British author Susanna Clarke’s tome compelled me to write at length about it afterwards.

Long story short, Piranesi is about someone of the same name, who finds themselves mostly alone in a house of epic proportions. It can literally take days to move from one part of the multi-level structure, to another. The house itself is a character in its own right, and as I read through the story, I almost felt as if I was there with Piranesi, so vivid was Clarke’s description of the sprawling abode.

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