Showing all posts about film
The Last King of Scotland, a film by Kevin Macdonald, with Forest Whitaker, James McAvoy
23 March 2007
I’m not sure how exactly to classify The Last King of Scotland since it’s not actually a true story in itself, though the portrayal of the brutal Ugandan dictator Idi Amin (Forest Whitaker), and his reign of terror, is certainly accurate.
The Last King of Scotland tells the story of Amin’s rise to power through the eyes of Nicholas Garrigan (James McAvoy), a graduate doctor from Scotland, who through various turns of events becomes Amin’s personal physician.
Garrigan’s euphoria at being newly arrived in Uganda matches that of the Ugandan people, and their belief that the then new leader Amin would turn the fortunes of the country around. Garrigan’s subsequent lapse into depression and despair also parallels that of Uganda, as the previously charismatic and apparently affable Amin becomes increasingly tyrannical and oppressive.
Whitaker’s fits-like-a-glove portrayal of Amin surely matches that of Helen Mirren in The Queen.
Originally published Friday 23 March 2007.
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film, Forest Whitaker, James McAvoy, Kevin Macdonald, legacy
The Queen, a film by Stephen Frears, with Helen Mirren, Michael Sheen
9 February 2007
Constitutional politics has always fascinated me. And The Queen offers — for me at least — an intriguing insight into the British governing hierarchy.
Set in 1997, newly elected Prime Minister Tony Blair (Michael Sheen) nervously sets off to meet the Queen (Helen Mirren), to be invited to form a Government. While the Prime Minister holds the real, executive power, the Queen has an authority of her own. But this standing is threatened, following the death of Princess Diana, in the weeks following Blair’s election.
Originally published Friday 9 February 2007.
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film, Helen Mirren, James Cromwell, legacy, Michael Sheen, Stephen Frears
The Pursuit of Happyness, a film by Gabriele Muccino, with Will Smith
20 January 2007
The Pursuit of Happyness: based on a true story. I loved the central character’s lateral thinking abilities. Often with little warning, he manages to devise excuse upon excuse, while lurching from one crisis to the next. And if losing your home and going bankrupt isn’t bad enough, Chris Gardner (Will Smith) is also trying to land an internship at a prestigious stockbroking firm.
Originally published Saturday 20 January 2007.
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film, Gabriele Muccino, Jaden Smith, legacy, Thandiwe Newton, Will Smith
The Prestige, a film by Christopher Nolan, with Hugh Jackman, Christian Bale
30 November 2006
First an aside, I wonder if The Prestige was the team behind 2005’s Batman Begins deciding to apply their collective acting and producing talents to a completely different story? We have Christian Bale, Michael Caine, and director Christopher Nolan, all from Batman Begins, present here.
The Prestige traces the unhealthy obsession (is any obsession healthy though?) friends turned rivals, Alfred Borden (Bale) and Robert Angier (Hugh Jackman), have with each other’s magic acts, and the ends one will go to, so as to out do the other.
Caught up in this rivalry is Scarlett Johansson as stage assistant, Olivia, who becomes romantically involved with both men during the course of proceedings. And though I knew David Bowie was also in the movie, I didn’t recognise him as Tesla, an American inventor competing with Thomas Edison.
Originally published Thursday 30 November 2006.
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Christian Bale, Christopher Nolan, film, Hugh Jackman, legacy, Michael Caine, Scarlett Johansson
Keir Dullea, Gary Lockwood, speak at 2001: A Space Odyssey screening, Sydney, Australia
1 October 2006
Anyone who has even once watched 2001: A Space Odyssey, could be forgiven for thinking the two lead actors, Keir Dullea and Gary Lockwood, who portray astronauts Dave Bowman and Frank Poole respectively, mightn’t exactly be the life of the party, were they ever to meet them.
After all, nary a snigger, let alone the merest of smiles, is ever forth coming during their ill-fated deep-space voyage towards Jupiter. Aside from the BBC 12 interview that is, but such theatrics are referred to as spin in today’s post-2001 world.
Were you however to meet Dullea and Lockwood in person, you’d be forgiven for believing they were part of a comedy act. A latter day version of Laurel and Hardy, god help us, piloting humanity one-way through the final frontier. “It’s full of Aussies,” quipped Lockwood, to much amusement, as the actors walked on to the stage at the Orpheum theatre, in the Sydney suburb of Cremorne.
The actors were speaking at a special 2001 event held on the evening of Wednesday 27 September, 2006. The event also included a screening of the seventy millimetre version of the movie. “A very good print, actually,” Dullea told us.
And he was right, not only was the film visually stunning (as always), but the soundtrack really hit the audience in the face also. Never before has the Moon monolith’s electronic scream seemed so shrill, so high pitched, so prolonged.
The pair spoke with Australian film critic David Stratton, and for the most part talked candidly about almost, well everything. The conversation was laced with anecdotes about working with director Stanley Kubrick, and the movie itself.
There were plenty of asides, including discussion on the “science of acting”, with Lockwood insisting improvisation is not an acting method per se. Lockwood also told stories about meetings with people such as Orson Wells, John Lennon, and Neil Armstrong, over the years.
There was little doubt that the pair’s participation in 2001 was a highlight of both their acting careers. And how couldn’t taking part in the greatest movie of all time, not be? Greatest movie of all time?
Lockwood related once meeting someone — possibly not a fan of the film — who told him 2001 was ranked as the thirty-fourth greatest movie ever. “Oh yeah?” Lockwood had retorted, “well, name the thirty-three movies that come before 2001 then.”
If that’s not the greatest comeback of all time, what is?
Originally published Sunday 1 October 2006.
RELATED CONTENT
2001: A Space Odyssey, David Stratton, film, Gary Lockwood, Keir Dullea, legacy, science fiction, Stanley Kubrick
Revenge of the nerds: on naming Star Wars movies
28 July 2004
After much speculation — and discussion, heated at times, among fans — the official title of the next instalment in the Star Wars™ saga has been announced: Revenge of the Sith.
But the first question that comes to my mind is: revenge for what? Since when were the Sith so hard done by that they felt the need to extract revenge? So far everything has gone their way. Their clandestine plan to take control of the galaxy has all but succeeded.
Unless of course we are referring to their (almost) complete annihilation centuries ago. Even then revenge seems to somewhat understate what they are trying to achieve now. The other factor being no original Sith remain from that time anyway.
So it’s not as if the latter day Sith are avenging the demise of any contemporaries. Their comrades have been dead a thousand years (or whatever). If revenge is indeed what the Sith are seeking, it is certainly a dish served cold. Very cold.
I’d have thought a title like Rise of the Sith, or Rise of the Empire, would have been more appropriate. Well I just could be right (if I may say so). One or other of those titles were apparently being considered, but a change was required.
Why? Because Star War’s secrets are among the worst kept in the galaxy. It can’t be much fun for series creator George Lucas when fans keep figuring out the title of one of the most anticipated movies of all time.
But why announce the title now? After all, the movie is not due for release until May 2005. I’m guessing as just about all possible names had already been guessed, it was better to go ahead and make the name official, lest it leak later on.
There’s also of course that most basic tenet of marketing to factor into the mix as well: all publicity is good publicity.
Originally published Wednesday 28 July 2004.
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film, legacy, science fiction, Star Wars
Hal, of 2001: A Space Odyssey fame, inducted into Robot Hall of Fame
16 November 2003
I didn’t realise that Hal, AKA HAL 9000, the supercomputer in Stanley Kurbick’s 1968 film, 2001: A Space Odyssey, was regarded as a robot, but apparently he is. That’s why Hal was, recently, inducted into the Robot Hall of Fame.
There he joins other illustrious bots and ‘droids, including R2D2 from, of course, Star Wars. This hall of renown, brought to us by Carnegie Mellon University’s School of Computer Science, is not restricted to fictional robots though, as the Mars Sojourner Rover is also honoured with a place.
Originally published Sunday 16 November 2003, with subsequent revisions, updates to lapsed URLs, etc.
RELATED CONTENT
2001: A Space Odyssey, artificial intelligence, film, legacy, science, science fiction, Stanley Kurbick
