Showing all posts tagged: photography

AI is changing the way photos are classified, photos or memories

26 September 2024

The iPhone 16, Apple’s latest smartphone, has arrived on shop shelves. There are four versions of the device: 16, 16 Plus, 16 Pro, and 16 Pro Max. In time all will feature Apple Intelligence, Apple’s artificial intelligence (AI) offering, which will be “deeply integrated” into iOS18 and other Apple operating systems. From what I can gather, Apple Intelligence features will be rolled out over time, presumably by way of incremental updates to iOS18, and beyond.

One of the iPhone 16’s — specifically the Pro and Pro Max models — big talking points though, has been the inclusion of a physical shutter button (although Apple calls it “camera control”) for the camera. It means people will be able to tilt their phone into (what I’ll call) landscape mode, and have the device mimic cameras of old.

Of course, photos can still be taken in portrait orientation using the button. There are a number of other major new camera and photo settings, but Nilay Patel, editor-in-chief of The Verge, suggests the new camera/photo features alone may be reason enough to consider buying a 16.

There’s also speculation as to the difference Apple Intelligence will make to photos taken, going forward. A yet to arrive feature, called “Clean Up”, which like the “Magic Eraser” function on Google phones, will allow people to alter, with the aid of AI, their iPhone photos. They’ll be able to remove (and add) objects and people. It’s going to be a game-changer. So much so, that some smartphone images are being referred to as memories:

I asked Apple’s VP of camera software engineering Jon McCormack about Google’s view that the Pixel camera now captures “memories” instead of photos, and he told me that Apple has a strong point of view about what a photograph is — that it’s something that actually happened.

This distinction is significant. Old school images, raw and unedited, recording an instant in time, will continue to be referred to as photos. This will be a journalistic application. Images edited by way of AI, meanwhile, will become more appropriately considered memories.

Clean Up or Magic Eraser can be used to remove that inadvertently photo-bombing stranger who strays into the background of a family group shot, thus preserving the memory of the moment as those present would like to remember it.

Photos or memories. It seems all very inconsequential, a small step even — I’m merely scratching the surface here — but another of the many changes AI technologies are bringing our way.

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Accidentally Wes Anderson exhibition now on in Melbourne

20 September 2024

Photography exuding the aesthetic of American filmmaker Wes Anderson, is on show in Australia at the Accidentally Wes Anderson exhibition, in Melbourne, until early November 2024.

“Accidentally Wes Anderson: The Exhibition” is a journey through more than 200 of the most beautiful, idiosyncratic, and interesting places on Earth — all seemingly plucked from the whimsical world of Wes Anderson. 10 themed areas provide you a personal passport to visual inspiration and adventure with amazing photography and immersive moments throughout.

Surely a treat for Wes Anderson fans, and an excuse (for some of us) to visit the southern capital.

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The photorealistic AI-generation revolution is here

29 August 2024

Chris Welch, a writer for The Verge, on the new “reimagine” feature, that shipped with Google’s recently launched Pixel 9 smartphones. Long story short, “reimagine” allows someone to edit/enhance any photo, anyway they choose:

With a simple prompt, you can add things to photos that were never there. And the company’s Gemini AI makes it look astonishingly realistic. This all happens right from the phone’s default photo editor app. In about five seconds.

That’s quite the leap for generative artificial intelligence, one that’s going to leave the rest of us wondering if what’s depicted in a photo is actual or not.

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Australian Glenn Homann wins 2022 mobile photography award

14 April 2023

Brisbane based Australian photographer Glenn Homann has been named the 2022 Grand Prize winner in the twelfth annual Mobile Photography Awards, with a portrait titled “Old Mate”.

Glenn Homann’s mobile photography is remarkable on so many levels. He takes us with him through a broad sweep of genres with particular mastery of light & shape, character & narrative. From landscapes to architecture, portraits & street photography, Glenn repeatedly locates the visual ephemera at the intersection of geometry & color.

Before I actually read who the winner was, I speculated they might be Australian, after spotting the photo title, old mate.

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The 2022 Wiki Loves Earth photographic competition

4 February 2023

Cuckoo wasp, photo by Sven Damerow

Photo by Sven Damerow. Attribution-ShareAlike 4.0 International.

Check out the stunning entries in the 2022 Wiki Loves Earth photographic competition. This image, by Sven Damerow, of a cuckoo wasp, was created by blending several photos together. A larger version of the photo can be seen here.

Wiki Loves Earth was established in 2013, and initially took place in Ukraine, before becoming an international contest in 2014.

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Karine Aigner wins Wildlife Photographer of the Year 2022

17 October 2022

Washington, DC. based American photographer Karine Aigner has been named Wildlife Photographer of the Year for 2022, with a stunning image of male bees tussling it out to mate with a female bee.

Convened by the British Natural History Museum, the Wildlife Photographer of the Year award celebrates the best in nature photography, and is considered one of the world’s most prestigious photography competitions. A selection of other entries can be seen here.

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Apollo Remastered, beautifully enhanced photos of the Apollo flights

5 September 2022

Aquarius, lunar module, Apollo 13, photo courtesy of NASA

Image courtesy of NASA.

The above image is of Aquarius, lunar module of the ill-fated Apollo 13 Moon flight of April 1970.

Here it is seen moments after being jettisoned by the Apollo crew. For those who came in late, Aquarius acted as a “lifeboat” for much of the shortened Apollo 13 mission, after an explosion damaged Odyssey, the command module. Without Aquarius the crew may never have returned home.

I’m not sure though if it features in Apollo Remastered, the new book by British author and science writer Andy Saunders, which contains a veritable trove of photos from the Apollo missions. Saunders has spent the last few years enhancing four hundred previously grainy images, making them far sharper and clearer than those originally released.

Some before and after examples of the remastered photos can be seen in this BBC report by Jonathan Amos. And if you’re not familiar with the Apollo 13 story, American filmmaker Ron Howard’s 1995 feature of the same name is well worth a look.

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Super clear photos of Jupiter taken by the Juno probe

3 August 2022

Image of Jupiter, via NASA JunoCam

Image courtesy of NASA/Juno spacecraft.

A selection of some of the clearest photos taken so far, of Jupiter, the largest planet in the Solar System, by NASA’s Juno spacecraft. This stunning image dates from 2019. Juno has been photographing the gas giant since 2016, on a mission originally expected to last five years. NASA is hopeful however the probe will remain operational until 2025.

More of Juno’s photos can be seen here.

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Alternatives to Instagram: what about Flickr?

1 August 2022

Smartphone filming, photo by Pexels

Image courtesy of Pexels.

Has Instagram (IG) jumped the shark? You’d be forgiven for thinking as much, following the stir-up caused by the latest (in a long of line of) changes to the popular Facebook owned photo and video sharing service. Long story short, IG wants to become more like TikTok. Whether their users like it or not. If you’re a content creator, this might be good news. If you’re a user, maybe not so much, especially perhaps if you’ve been using IG since the early days.

The IG of 2011, when I joined, and the IG of 2022, are worlds apart. Checking my IG feed the other week, I couldn’t see a single photo from the people — many of whom I know personally — I follow. Instead the feed was littered with “recommendations”, content IG seems to think I “might like”. But reposted memes? Footage of some influencer I’ve never heard of walking into an elevator? Cats and dogs doing funny things? I wouldn’t mind, if I wanted to see that sort of “content”. Otherwise, no thanks.

After pressing many x buttons, and silencing one recommendation after another, some normality was restored to my IG feed. But to keep up with the people I choose to follow, I often need to go directly to their IG page to see their latest posts. In doing this, I’ve found photos I’d not seen earlier, when previously they’d appeared in the main feed.

But recommendations, intended to “help you discover new and interesting things on Instagram that you may not know exist”, are here to stay, says Adam Mosseri, Head of Instagram, at Facebook/Meta. Recommendations “help creators reach more people”, and making them part of the IG feed, rather than lurking behind the explore tab, is necessary as IG “needs to evolve because the world is changing quickly.”

Mosseri is correct. The world is changing quickly. Video sharing app TikTok is encroaching on IG’s market share. Quickly, I might add. And this calls for drastic action. The solution appears to be, if you can’t beat ’em, join ’em. Even if that means dragging a whole heap of IG users with no interest in TikTok, into a TikTok-like realm.

Accordingly, more video can be expected to feature in IG feeds, and precedence is now being given to creators, over users who just want to share photos with their friends. Like it or not, more content, in the form of recommendations, and other “interesting things”, you neither know nor care about, are coming your way.

That’s all well and good for the creators. Strictly speaking, I’m a creator. You wouldn’t be reading this if I wasn’t. But if you’re not an IG creator, and not interested in content from people you don’t know, what options do you have? If you’re looking elsewhere for an alternative free-of-cost, ease of use, IG copy, you’ll be disappointed. Even if an IG clone rose to prominence, it would likely follow IG’s path sooner or later. We might find a desert oasis far from the dark shadow IG casts, but not for long, alas.

Smartphone taking photo, by Yuliya Harbachova

Image courtesy of Yuliya Harbachova.

One possibility though may be Flickr, but there are a number of caveats.

Founded in 2004 by Stewart Butterfield and Caterina Fake, Flickr shared a trajectory similar to IG, being bought by a much larger company, Yahoo!, about a year after launching. One of the earliest online photo-sharing services, Flickr’s been around so long it pre-dates smartphones (as we know them) and smartphone apps. Like IG, the photos and videos you post to Flickr appear in a feed, which friends and followers can like and comment on. Unlike IG, you only see content from the people you chose to follow.

After early success though, Flickr suffered a near death experience several years ago. They were saved, virtually at the last minute, when California based image sharing company, SmugMug, bought them. Since then Flickr’s fortunes have been on the up. But does that make Flickr right for you?

For one thing, Flickr comes at a cost. While a free, ad supported tier, is available, members can only post two hundred photos or videos. To take advantage of Flickr’s full features, including, among other things, unlimited media uploads, you need a paid membership. A one-year plan costs about US$80. If you buy a two-year membership, the annual cost comes in at about US$72 per year. This works out to about US$1.45 a week, not even the price of a decent cup of coffee.

It’s worth noting the membership fee is not as expensive as it might seem. In a way, paid subscriptions can protect members. Should the company take a direction that upsets subscribers, they risk many leaving, and taking their money with them. Subscription free IG users meanwhile have no such leverage. You’re unlikely then to hear Flickr declaring the world is changing quickly, and they therefore must push tacky memes, and surely scintillating video clips of some self-indulgent influencer, upon you.

In that sense, Flickr is less a social network, and, while everyone is of course welcome, more a community of professional, and semi-serious amateur, photographers. Another difference is the size of the Flickr community compared to Instagram’s. IG is said to boast over a billion users. Short wonder content creators have an interest in the platform, and IG wishes to aggressively promote their work. Flickr, meanwhile, according to Photutorial, presently has 112 million members.

Chances are many people you know won’t be existing Flickr members, so you’d need to get your friends onboard, if you want to escape IG’s clutches. But if you’re looking for a place where you’ll only see content from people you chose, then Flickr might be worth taking a closer look at. Another option to consider is 500px. Like Flickr, it offers a free membership plan, allowing seven photos a week to be uploaded, to a maximum of two-thousand per account.

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Why do young people in old photos look old?

19 July 2022

This is something I’ve often wondered about. I’m looking at a photo portrait that might be one hundred years old, of a person who is, or was, aged about twenty at the time the photo was taken. Despite their obvious youth, they still somehow look… old. Why should that be though? It’s a question that Michael Stevens, host of Vsauce, explores in a recent video.

The phenomenon of people who seem to be older at a younger age, is something Stevens calls retrospective aging. People today, he tells us, are aging at a slower rate than those who came before us. Lifestyle and nutrition changes, better healthcare, less smoking, and even the wider spread use of sunscreen, all make a difference. But there’s more to it, as Stevens explains.

As to the one hundred year photo of the twenty year old, who indeed looks twenty and not thirty-five, but still seems old, is something I call the illusion of age.

Compare photography of a century ago with the casual nature of selfie snaps today. One hundred years ago cameras were not as ubiquitous as they are today. Back then, having your photo taken was an occasion. People dressed elegantly. Put on their best clothes. Suits, evening dresses. Tidied up their appearance. People also tended to pose more formally, and seldom smiled. They looked serious. Not to mention their hairstyles, which also suggest a bygone era. All of those factors could combine to present someone in a more mature, older, light.

Then there’s the fact we know said photo is a century old. We’re looking at someone we know, were they still alive, would be aged well over one hundred. The image, the illusion, of an old person, therefore presents itself in our minds. The young person — unfortunately — looks old to our eyes.

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