Australian authors to be compensated for ebook library loans

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Australian authors to be compensated for ebook library loans

28 January 2023

After concerted lobbying by industry representative organisations, such as the Australian Society of Authors, Australian writers will now receive a payment when a library lends out an electronic version of their book.

Authors, illustrators, and editors will be compensated for e-book and audiobook library borrowings for the first time, in a move by the federal government to bring lenders’ rights into the 21st century. A $12.9 million expansion of the annual lending rights scheme over four years will be announced at Monday’s launch of the Albanese government’s national cultural policy.

Until now, authors were only compensated when a library user borrowed a physical copy of their book, as part of the Australian lending rights scheme, which was established in 1975.

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Australian literature, ebooks

Proposed new policy boosts funding for Australian arts sector

2 January 2023

Speaking at the annual Woodford Folk Festival that concluded yesterday, Australian federal arts minister Tony Burke announced a raft of initiatives to bolster the local arts sector. A proposed five-pillar policy includes an undertaking to increase recognition of the work of Indigenous creatives, and plans to introduce fairer remuneration rates for artists:

The minister promised to treat “artists as workers”, criticising the [previous] Coalition government for exclusions on jobkeeper wage subsidies and for the comments by the former prime minister Scott Morrison praising “tradies … building the stage” but not artists.

In addition, streaming services such as Netflix and Stan will be subject to quotas, ensuring they air more Australian made content. Also the Lending Right Schemes, which pays a royalty to authors when a library loans one of their books out, will be expanded to include ebooks.

ASA pre-budget submission hopes to boost investment in Australian literature

2 February 2022

It’s incredible to believe that Federal Government investment in Australian literature has declined by forty percent in the last ten years. It is something the Australian Society of Authors (ASA) hopes to redress in a pre-budget submission to the Australian Treasury. Direct grants to authors, and an increase in public lending rights scheme, are two key areas of interest to the ASA:

Direct authors’ grants: the development of a Commonwealth Fellowships and Grants program which includes a focus on First Nations storytelling, designed to fuel the talent pipeline and build the creative economy of the future.
A 20% increase to the Federal Government’s Lending Rights Budget to fund the expansion of the public lending rights (PLR) and educational lending rights (ELR) schemes to include digital formats (ebooks and audiobooks), which would modernise the schemes and reflect the reality of library holdings.

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Australian writing, ebooks, literature

Australia’s lending rights scheme needs to recognise ebooks

6 December 2021

In Australia, when you borrow a print novel from a library, the author is eligible to receive a small payment, as a compensation for missed book sales. Surprisingly though, if you loan one of their titles through a library ebook service, such as Libby, writers are not recompensed. This is because Australia’s lending rights scheme does not – yet – recognise electronic books and audiobooks, despite – in some cases – an eighty percent increase in ebook lending in recent years. It is a situation Olivia Lanchester, CEO of the Australian Society of Authors, says needs to be rectified.

“If it only remains applicable to the print world, and libraries are increasingly reducing their print collection, then over time our fear is that the payments will go to fewer and fewer Australian authors,” Lanchester said. “We want it to be a broad-based scheme that really captures everyone whose books are being read via libraries.”

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books, ebooks, novels

How do bookshops stay in business in the e-book age?

21 September 2015

By rights bookshops should have long since ceased to exist. Swept aside by e-books, electronic publishing, and online communication, and square into the dustbin of history. Indeed by now these quaint shelf lined emporiums should only be recalled via dwindling references, solely in nostalgic exchanges between older and younger generations, about the way things once were.

But that’s not quite what has happened. Booksellers are still with us. And rather than going into retreat, some are expanding, and opening new shops even. For all their convenience then, why have bookworms refused to wholly embrace the electronic successors of the bound paper volume? So what is it that bookshops are doing today to prosper, and remain in business?

Rather than attempting to extract trade secrets, or delve through annual reports, I asked myself what I could learn from booksellers, simply by looking at the way they appear to be operating, on the basis I was going to open a shop. So consider this more of a thought experiment, and a series of deductions, rather than in-depth or scientific research.

Paperback is the new black

In order to broaden their customer base, booksellers have become more exclusive by making a concerted effort to appeal to a more select band of consumers. These are people who favour the paper over the electronic, and see the endangered species that is the paper book, as having a certain desirability. But that’s not the only way booksellers define customers.

Harry Hartog, a name that somehow sounds like it should be familiar, is very much the new kid on the block when it comes to bookshops, having only opened in Canberra last October, and then Bondi Junction, Sydney, last month. But they have no doubt as to who their clientele are, being a “shop for the adventurer, the student of life and the next generation of reader”.

That’s no shop, that’s a boutique

If shopping for books was ever a perfunctory task, and a visit to a bookshop was uninspiring, and something to be dreaded, it certainly isn’t anymore. It’s not as if buyers have to navigate bland rows of overladen shelves bleaching in the cold glow of harsh fluorescent lights. Indeed, a keen eye to aesthetics on the part of booksellers, has transformed book shopping in recent years.

It’s not just about books

Once upon a time a bookshop used to be just that, a bookshop. You may have been able to source items of stationery, and maybe there was a shelf or two bearing accessories of some sort, but that was it. Today booksellers stock just about anything you care to imagine, from chocolate, lamps, posters, ornaments, toys, board games, to DVDs, and more, but why should I go on?

Ariel Booksellers, in Paddington, Sydney is a case in point. Scan through some of the photos of their merchandise (Facebook page) and it becomes clear that booksellers are turning to diversification as a means of attracting, and retaining customers. Bookshops don\’t have to become one stop shops, but it can\’t be too bad for business to offer customers a few extra options.

Engaging customers

Social media, and the likes of Facebook, Twitter, and Instagram, are boons for contemporary bookshops. Here are platforms that allow them to quickly and readily connect with their customers, helping them maintain a vital edge. Online channels aren’t the only ways of fostering interaction though, and book launches, and community events, also play a role.

Small is better?

In the bookshop survival stakes, it might be thought the bigger operators have the upper hand, on account of being part of a wider chain, and the benefits that must bestow. Sadly, that’s not always the situation, as shop closures, some years ago, by high profile sellers such as Borders, and Angus and Robertson, illustrates. So if the big shops can’t make it, what hope do others have?

More than you might imagine. Smaller, independent, booksellers, especially owner operated stores, are probably more motivated to focus on their customers, and build up relationships, something that may not always be a priority for the bigger players. Buyers are also more likely to find staff at smaller shops better attuned to their interests, than they might elsewhere.

Electronic purveyors of paper

So far it’s been a case of the electronic supplanting the paper when it comes to books, but Sydney based bookseller Big Ego Books (Instagram page) have adopted another tack, they operate as an electronic, or online only, seller of paper books. Hardly ground-breaking, but perhaps their speciality, sourcing “rare and hard-to-find titles”, is. There’s market niche for you.

And there we have it…

Well, a few suggestions at least. I for one am not keen to see the end of bookshops, but it certainly looks like plenty are doing something right, so hopefully they’ll be with us for a long time to come. As to the notion of opening a bookshop, it could hardly be considered a lost cause, even if it might not be easy, but here at least are a few pieces of the puzzle.

Originally published Monday 21 September 2015, with subsequent revisions, updates to lapsed URLs, etc.