Authors slam NaNoWriMo neither for nor against AI stance

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Authors slam NaNoWriMo neither for nor against AI stance

9 September 2024

National Novel Writing Month, AKA NaNoWriMo, the popular, twenty-five year old, write a fifty-thousand word novel in thirty-days challenge, infuriated authors last week, after organisers appeared to support the use of AI tools by participants. While they didn’t specifically endorse apps such as ChatGPT, they did not rule them out either:

NaNoWriMo neither explicitly supports nor condemns any approach to writing, including the use of tools that leverage AI.

NaNoWriMo’s neutral stance however has upset many writers. Not only do they feel generative AI tools threaten their livelihoods, some have also seen their own works used to “train” AI chatbots, usually without their permission or knowledge.

To these authors, the neutral position represents support of this conduct. But like many segments of society, NaNoWriMo, and its community of amateur and professional writers, have been grappling with the advent of AI technologies. Organisers say their (since amended) AI policy was intended to put an end to what had become inflammatory discussion on the topic:

In early August, debates about AI on our social media channels became vitriolic. It was clear that the intimidation and harassment we witnessed were causing harm within our community of writers. The FAQs we crafted last week were written to curtail those behaviors.

I don’t really know much about the NaNoWriMo community, but with over half a million members globally, it surely represents a wide and varied group of writers. Although some six-hundred NaNoWriMo manuscripts have gone on to be published, for many participants the writing challenge is simply a fun way to pass some time. The majority are not looking for publishing deals. I’d venture to say some participants may not be the greatest of writers. Others might struggle, for whatever reasons, to put a story idea they have, into words.

NaNoWriMo is saying they don’t have a problem with some of their members using AI tools, if it helps them with the process, be that drafting or proofreading. But they make an obvious caveat:

If using AI will assist your creative process, you are welcome to use it. Using ChatGPT to write your entire novel would defeat the purpose of the challenge, though.

I’m not in favour of using AI apps in any creative endeavours, particularly writing. Personally, I don’t think AI has any place in NaNoWriMo, for the precise reason organisers have stated above. AI defeats the purpose. But we’re getting to the point where it’s going to be hard to tell what work has been AI assisted, and what hasn’t. Plagiarism tools may be effective, but not if the AI apps stay one-step ahead. Imposing a ban on AI apps seems pointless. AI is here to stay, and is only going to more deeply embed itself in our lives. This is what we need to expend our energies on navigating.

Ireland: home of some of the best literature in the world

2 September 2024

Publication of Irish author Sally Rooney’s fourth novel, Intermezzo, on 24 September 2024, nears. It promises to be quite the event. I don’t know about Australia, but in Ireland and the UK, some bookshops will open early on the day, so eager Rooney fans can get hold of her latest offering.

But Sally Rooney is only one of a cohort of popular Irish writers. The Emerald Isle* may not be the world’s most populous nation, yet it is up there with the best of them when it comes to literary output. Jonathan Swift, W.B. Yeats, Oscar Wilde, Bram Stoker, George Bernard Shaw, James Joyce, C.S. Lewis, Iris Murdoch, and Edna O’Brien, are among Irish authors who are household names.

So, what’s the go? What makes Ireland a country of great writers? As Kate McCusker, writing for The Guardian discovered, the propensity to put pen to paper comes down to a number of factors.

One is the Irish love of entertaining and storytelling, of which I have some first-hand experience. Another is the diminishing influence of the Catholic Church. People no longer feel they need to restrain themselves, subsequently they can write about whatever they want, including divorce, gay marriage, and pre-marital sex. The things we all love to read about.

The Irish government is also arts-friendly. A few years ago they launched a three-year trial scheme that pays selected artists and creatives a basic weekly income. There’s an initiative that has to make a difference. Artists and writers can focus on being creative, and not getting distracted as they try to juggle day jobs and art.

* the term the Emerald Isle comes from a poem, written in 1795 by William Drennan, a doctor no less. Even non-professional writers make for great writers in Ireland…

The Ledge, a new thriller/whodunit by Christian White

8 August 2024

The Ledge is the fourth novel by Victoria based Australian writer, and master of twists that will leave you breathless and dumbfounded: Christian White.

When human remains are discovered in a forest, police are baffled, the locals are shocked and one group of old friends starts to panic. Their long-held secret is about to be uncovered.

It all began in 1999 when sixteen-year-old Aaron ran away from home, drawing his friends into an unforeseeable chain of events that no one escaped from unscathed.

White’s novels are chock full of the things readers of thrillers and suspense love: red herrings, blind alleys, smoke and mirrors, lies, deception, characters with multiple aliases, the list goes on. So far I’ve read The Nowhere Child, White’s 2019 debut, and The Wife and the Widow, which possibly has of one the most mind-blowing twists in the genre.

Wild Place, meanwhile, published in 2021, remains on my TBR list, where it will be joined by The Ledge, when it is published on Tuesday, 24 September 2024.

The Echoes, a new novel by Evie Wyld, author of The Bass Rock

5 August 2024

Cover image of The Echoes, a new novel by Evie Wyld.

London based Anglo-Australian author Evie Wyld’s 2021 novel, The Bass Rock, which won the Stellar Prize literary award in the same year, was a riveting read. Her new book, The Echoes, looks like it will follow suit, given it incorporates elements of The Bass Rock, including settings across several locations and time, and a dollop of the supernatural thrown in for good measure:

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him.

In the weeks and months before Max’s death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max.

Both a celebration and an autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them. It asks what of our past we can shrug off and what is fixed forever, echoing down through the years.

That time Douglas Adams unofficially signed copies of his books in Sydney, Australia

22 July 2024

If you enjoyed the novels of late British author Douglas Adams, you may enjoy this in-depth article about his later life, by Jimmy Maher.

Adams, it seems, did not restrict his particular brand of humour to the written word. A regular customer at a coffee shop I used to go to, told me about an encounter (of a sort) with Adams, in Sydney, Australia, sometime in the late 1990’s. My friend at the coffee shop once worked at a large bookshop in Sydney’s CBD.

He told of the day that Adams — who was presumably in Australia promoting his latest work — arrived at the shop unannounced, and made his way to the sci-fi section. Apparently, his most recent book, plus a selection of others, were on display in a promotional cardboard gondola, similar to what you see on this webpage.

Adams, without saying a word to anyone, pulled a pen from his pocket, and proceeded to sign random copies of his books. Before turning to leave, he scrawled his name across the top of the gondola, and walked out of the shop, again, without saying a word to anyone.

My friend told me how a huddle of bewildered bookshop staff quickly gathered at the gondola, trying to make sense of what had just happened. “Was that him?” was a phrase uttered numerous times apparently. Signed copies of Adams’ novels must have been a windfall for those who bought them…

Australian bookseller Booktopia in voluntary administration

3 July 2024

This is sad and concerning news.

The Melbourne based bookseller had become well ensconced in the Australian literary realm, since being founded about twenty-years ago. The company, which is also listed on the ASX (though trading of shares has been suspended), had been struggling financially in recent years though.

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The Honeyeater, the new novel by Australian author Jessie Tu

1 July 2024

Cover image of The Honeyeater, the new novel by Jessie Tu.

The Honeyeater is the second novel by Sydney based Australian writer Jessie Tu, and will be in bookshops on Tuesday 2 July 2024. That’s tomorrow.

I read Tu’s 2020 debut A Lonely Girl is a Dangerous Thing almost four years ago. It was the story of a once child prodigy musician, who wasn’t always successfully navigating life as a twenty-something adult. It often made for difficult reading. In contrast, The Honeyeater seems more like a thriller:

Young academic and emerging translator Fay takes her mother on a package tour holiday to France to celebrate her birthday. It’s a chance for the two of them to take a break from work and have a little fun, but they both find it hard to relax. Her mother seems reluctant to leave their room in the evening, and Fay is working on a difficult translation. On their last night in France, Fay receives the shattering news that her former lover has suddenly died.

Back in Sydney, Fay seeks solace from her mentor, Professor Samantha Egan-Smith, who offers her a spot at a prestigious translation conference in Taipei. But can she trust her? Does the Professor know more than she is admitting, or is Fay being paranoid? When a shocking allegation is made, Fay chooses to keep it secret. Is she protecting the Professor or exercising power over her?

Fay arrives at the conference in Taipei. Career opportunities abound, but it’s ghost month in Taiwan. Her mother had begged her not to go at that time, warning that she would be susceptible to dangers and threats. And there is almost nothing a mother won’t do to protect her child.

And coincidentally, Tuesday 2 July 2024 is also when the shortlist for Australian literary prize, the Miles Franklin, will be announced. Not that The Honeyeater will feature on that list, though who knows, it may in 2025.

Are more first time authors struggling to get published?

18 June 2024

Kate Dwyer, writing for Esquire:

Almost everyone mentioned that debut fiction has become harder to launch. For writers, the stakes are do or die: A debut sets the bar for each of their subsequent books, so their debut advance and sales performance can follow them for the rest of their career.

It might be harder today to launch a debut novel than in past decades, but people still succeed in doing so. What sort of sales might be generated by a “successful” debut novel, is another matter though. Spoiler: probably not a whole lot, unless the title is the next Harry Potter, or has enjoyed some sort of celebrity endorsement.

Promotional channels are more fractured, and maybe the number of people who want to write a book is greater. Everyone has a book has in them, after all. It could be tools such as word processors, and access to helpful resources online, empower more to try getting published.

So what to do, to help debut authors? Encourage more people to read newer fiction? Place less emphasis on the classics? Why not? If people are reading books that are centuries old, when is there time to read contemporary work? For my part, I rarely look at anything over ten years old nowadays.

I tried though. Don Quixote, by Miguel de Cervantes. Mansfield Park, by Jane Austen. Both cornerstones of Western literature, no doubt. How many novels feature a key character, having been out of the country on a prolonged absence, returning home, unexpectedly, late at night? We can thank Mansfield Park for that.

But despite my interest in these novels, I finished neither. I’m sure they’re both great books, but they’re just not for me. Ditto Vanity Fair. So contemporary fiction it is. Call me shallow and uncultured, but hopefully I’m helping a new or emerging author at the same time.

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Intermezzo by Sally Rooney, on bookshelves in September 2024

17 June 2024

Cover image of Intermezzo, the new Sally Rooney novel.

Intermezzo, the fourth novel by Irish literary fiction author Sally Rooney, will be published on 24 September 2024*. The synopsis is classic Rooney:

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties — successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women — his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude — a period of desire, despair and possibility — a chance to find out how much one life might hold inside itself without breaking.

I’ve liked all of Rooney’s novels, with Conversations with Friends, her 2017 debut, being my favourite so far. I’m yet to see the TV adaptation, but am told the book/screen crossover didn’t quite work.

I don’t know about anyone else, but I find many of Rooney’s male characters not to be all that driven, certainly when it comes to the women in their lives. The men are flawed (as are all of Rooney’s characters), and that’s ok, but they just don’t seem to have much motivation.

But said women are usually the lead protagonists, so maybe Peter and Ivan, especially since they are Intermezzo’s main characters, will be less plodding, less non-committal?

* that’s 24/9/24. Obviously not a palindrome… but does the date have some sort of significance, or was it chosen solely for its, um, numerical symmetry?

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People may not read longer novels, but they do win literary awards

4 June 2024

Tangentially related to the last post. Longer novels might pose a challenge to certain readers, especially those who require apps to do the reading for them. But, longer titles are more likely to win literary awards:

Judgment and decision-making research suggests several causes of the apparent bias. One is the representativeness heuristic: longer novels resemble the tomes that constitute the foundations of the Western canon, and this similarity may subconsciously sway judges.

Winning a prize is obviously great for the author in question, but are they left wondering just how many people read their book, cover to cover? Especially those on the award judging panel…

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