Bath image sees Mem Fox children’s book removed from Florida libraries

Showing all posts tagged: politics

Bath image sees Mem Fox children’s book removed from Florida libraries

18 May 2023

Guess What?, a children’s book written in 1988 by Adelaide, South Australia, based Australian author Mem Fox, has reportedly been removed from school libraries in the US state of Florida. An image of a character — drawn by illustrator Vivienne Goodman — taking a bath, apparently contravenes anti-pornography laws in the state:

In one illustration, Daisy sits across a double bowl sink (that she is comically too big to fit in) wearing a scuba mask. The bowls are filled with water, and she sits sideways in one with her feet splashing in the other. She is nude, but not exposed. Limbs cover her breasts and genitalia. The room is busy and pleasantly chaotic: soap on the floor, a frog on a towel, fish pegged to the clothesline that hangs over the sink. It’s far from a sexual image.

That it’s taken thirty-five years for this… transgression to come to light is mind boggling. The offending illustration — safe for work by the way, at least in Australia — can be seen here.

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Trove receives funding to continue ongoing operation

4 April 2023

Trove, Australia’s online library database of historical and cultural documents, which is operated by the National Library of Australia, has received a new round of funding from the Australian federal government. The move ends months of uncertainty that had been shrouding Trove’s future:

The National Library of Australia welcomes the commitment made by the Albanese Government to provide $33m over the next 4 years to maintain Trove, with $9.2m ongoing and indexed funding from July 2027. We are delighted that Trove’s future has been secured.

Writers’ festivals are for talking books not politics

19 March 2023

Fleur Morrison, writing at Readability:

I have a love/hate relationship with politics. I love that we have a stable form of politics in Australia, even though sometimes it can get a little heated and it certainly isn’t without its problems. But I hate that it has taken over writers festivals to the degree that it is hard to find a session that isn’t overtly political. These festivals have moved from being celebrations of books to become fixated on politics and ideology.

If you argue everything that happens in the world is political to some degree, then keeping politics out of writers’ festivals isn’t going to be easy. Personally though, I’d rather see more talk focus on books, and fiction, at festivals.

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A poet laureate will need to bolster interest in Australian poetry

4 February 2023

By 2025 Australia will have a poet laureate, who will presumably be selected and appointed by the proposed Writers Australia peak body. As with many aspects of the National Culture Policy which was unveiled last Monday though, details remain thin on the ground for now.

For instance, how long would an incumbent serve, and what exactly would their role be? Poetry, certainly in Australia, is a niche form of literature, given less than five percent of the population chooses to partake of written rhyme, so one of the mandates of an Australian poet laureate would be to bolster interest in local poetry.

This is something Sarah Holland-Batt, professor of creative writing and literary studies at Queensland University of Technology, advocated for when making submissions to the National Cultural Policy:

“An Australian poet laureate would elevate the status of Australian poetry domestically and internationally,” Holland-Batt says. “Australian literature can struggle on the world stage so there would be a soft diplomacy element to it.” She said the laureate would be an advocate for Australia and Australian writing and the benefits would be beyond only poetry. “It would be a big boost for Australian literature to have someone with that authority invested by the state.”

Will Writers Australia succeed where other peak bodies have not?

3 February 2023

Writers Australia is a new peak body to be established as part of the National Cultural Policy, which was released by the Australian federal government last Monday. While the exact functions of Writers Australia — which comes into being in 2025 — are yet to be fully detailed, its stated mandate is to provide direct support to the Australian literature sector.

While hopes are high the proposed new entity will improve the lot of local writers, Writers Australia is by no means the first attempt to establish an Australian peak literature body. There have been several attempts to do similar in the past, with some being anything but successful, as Adelaide, South Australia, based author Jessica Alice, writing for Meanjin, explains:

There are two years until the body will come into operation and those working in the field will remember past attempts to create a national literature body. There was Writing Australia, the unsuccessful attempt to create a peak body for writers centres that was defunct within two years, and more recently the Book Council of Australia debacle that heralded the Brandis era.

In that instance, a national body was established to represent the interests of publishers, agents and booksellers, with $6 million in funds taken from the Australia Council’s operating budget. It faced pushback from the broader literary sector culminating in an open letter signed by high profile figures like Nick Cave and JM Coetzee arguing it was a rush-job initiated without proper sector consultation and a limited terms of reference. The body was ultimately abandoned.

The National Cultural Policy and the role of Writers Australia

1 February 2023

Among initiatives announced this week in the Australian federal government’s National Cultural Policy, is the formation of Writers Australia, a body that will, according to the policy document, “provide direct support to the literature sector from 2025.” Writers Australia will be part of a new peak arts investment and advisory body to be called Creative Australia, which will represent an overhaul of the current Australia Council for the Arts.

While the finer details are still to be made public, it is known Writers Australia will, among other things, administer the Prime Minister’s Literary Awards, and make appointments to the (kind of) newly formed role of Australian poet laureate.

It can also be presumed Writers Australia will work to address remuneration for Australian authors, who according to recent research earn about A$18,000 per annum for their work. Australian workers need to earn at least A$25,675 per annum to be living above the poverty line. The income of local writers is a point underlined by Sophie Cunningham, Chair of the Australian Society of Authors (ASA):

“We’re thrilled to see the Government’s affirmation that artists and authors should be paid fairly for their work. This is fundamental to a fair and sustainable arts sector. As I and many other authors made clear in our submissions to Government, authors do not fall under the protection of awards or industrial agreements and, as freelancers, have to negotiate on a case by case basis to be paid fairly. We welcome the recognition of the ASA’s recommended minimum rates of pay in cultural policy.”

While supporting writers and literary organisations through funding, Writers Australia will take a proactive role in boosting incomes for writers and book illustrators, by raising their profile, and growing local and international audiences for their books. One way of achieving this could be to encourage broader promotion of Australian literary awards, in the same way the British publishing industry enthusiastically backs the Booker Prize.

In the meantime poetry can look forward to more prominence in Australia, through the creation of a poet laureate, an appointment Writers Australia will make. There has not been an Australian poet laureate since 1818, when Michael Massey Robinson, a British convict, held the role for about two years.

Poetry is a poorly appreciated form of literature in Australia, with just three and a half percent of local book readers indicating they are inclined to read works of poetry, according to recent research by Amazon Kindle.

Dropbear, a collection of poetry by Melbourne based author Evelyn Araluen, and winner of the 2022 Stella Prize, had sold in the order of fifteen thousand copies as of August 2022. In comparison, Apples Never Fall, by Sydney based novelist Liane Moriarty, was the bestselling book in Australia, with sales of just under two-hundred thousand copies, in 2021.

Revive, Australia’s new National Cultural Policy unveiled

31 January 2023

Revive is the name the Australian federal government has given to a new five principle, five year, National Cultural Policy, that was made public yesterday.

Revive is a five-year plan to renew and revive Australia’s arts, entertainment and cultural sector. It delivers new momentum so that Australia’s creative workers, organisations and audiences continue to thrive and grow, and so that our arts, culture and heritage are re-positioned as central to Australia’s future.

Core objectives of the policy include the recognition of the work of Indigenous artists and creators, recognition of artists as workers, and increased support for cultural institutions. A revamp of the Australia Council for the Arts, and the creation of Writers Australia, which will “provide direct support to the literature sector from 2025”, are among other initiatives on the cards.

Funding uncertainty may see online database Trove close down

10 January 2023

Trove, an online library database containing digital copies of significant historical and cultural Australian documents, maintained by the National Library of Australia, may be forced to cease operating at the end of June 2023, unless it is allocated more funding, according to its recently published strategy document:

The Library has sufficient resources to maintain Trove until June 2023. The future of Trove beyond July 2023 will be dependent upon available funds. To achieve the full strategic vision will require substantial investment. More modest investment sustained over a longer term would enable achievement of the strategy at a measured pace. In a limited funding environment, Trove may reduce to a service focused on the National Library of Australia’s collections. Without any additional funds, the Library will need to cease offering the Trove service entirely.

While funding for Trove, and other collecting institutions, including the National Gallery of Australia, and the National Museum of Australia, was not part of the recently unveiled National Cultural Policy, Australian federal arts minister Tony Burke suggested the matter would be looked at as part of this year’s federal budget, which is traditionally handed down in May.

Proposed new policy boosts funding for Australian arts sector

2 January 2023

Speaking at the annual Woodford Folk Festival that concluded yesterday, Australian federal arts minister Tony Burke announced a raft of initiatives to bolster the local arts sector. A proposed five-pillar policy includes an undertaking to increase recognition of the work of Indigenous creatives, and plans to introduce fairer remuneration rates for artists:

The minister promised to treat “artists as workers”, criticising the [previous] Coalition government for exclusions on jobkeeper wage subsidies and for the comments by the former prime minister Scott Morrison praising “tradies … building the stage” but not artists.

In addition, streaming services such as Netflix and Stan will be subject to quotas, ensuring they air more Australian made content. Also the Lending Right Schemes, which pays a royalty to authors when a library loans one of their books out, will be expanded to include ebooks.

Australian CBDs will bounce forward, not back, in 2023

29 December 2022

Rob Stokes, NSW Minister for Cities, writing for the Sydney Morning Herald.

Rather than forcing workers back into CDBs, many of whom took to working from home during COVID lockdowns of the last few years, the NSW State government is looking at other ways of reinvigorating city centres across Australia’s most populous state:

Our CBDs are going to bounce forward, not back. They will rebound on a totally different trajectory in 2023. Over the course of the pandemic, the NSW government has invested $66 million in ways to reinvent how our central urban areas function. Programs to move dining into streets and public spaces, pop-up events, new walking and cycling paths, and reduced controls over music, retail and service of food and drinks have all changed the way we experience city streets.

The writing has been on the wall for CBDs for some time. With the advent of robust technologies allowing more people to work from home with greater ease, it was only a matter of time until workers migrated away from city centres. The COVID lockdowns, and work from home mandates, only brought forward the present state of affairs, it did not precipitate it.

None of that helps businesses who have long been based in CBD areas, and are struggling with the change though. Many are still reeling from the impact of COVID, not to mention construction of Sydney’s light rail transit system. Here’s hoping these initiatives are of benefit.

And here’s something intriguing. According to Stokes, the concept of CBDs was devised by white, middle class men, for white, middle class men:

The phrase “central business district” was coined by white, male, middle-class planners in Chicago in the 1930s and 40s, based on the notion that cities work most efficiently when different groups work, live and play in different precincts. CBDs were designed to be used by white, middle-class businessmen, 9-5, Monday to Friday. They were never really designed to include anyone else.

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