Showing all posts about fiction
I’ll Leave You With This, by Melbourne author Kylie Ladd
18 March 2023

Deciding to donate our bodily organs, perhaps in the event of our unexpected demise, is a decision we make, then largely forget about. After all, when the time comes, we won’t be around to think about it, nor appreciate the difference doing so might make to the lives of others. For instance, what opportunities, what new hopes, might such a donation create for the recipient, and their loved ones?
This is one of the themes running through I’ll Leave You With This, published by Penguin Random House Australia, January 2023, the seventh book by Melbourne based Australian author and psychologist, Kylie Ladd. Every year, the four O’Shea sisters, each troubled in their own way, gather on the anniversary of the death of their brother, Daniel. He was the victim of a shooting, and had requested that his organs be donated should he die suddenly.
Allison, the eldest of the sisters, who works at a Sydney hospital, is married with two children. Bridie, once a promising film director, finds her career languishing. Clare, also a medical professional, has struggled to conceive a child, which has resulted in the breakdown of her marriage. Emma — far younger than her elder sisters — is a musician, plagued by loneliness, who turned to religion in a bid to find meaning in her life.
Daniel’s loss is keenly felt. He was more than an only brother to the four sisters, and while alive bound the family together. Since he died, the sisters, occupied with their own lives, have slowly drifted apart. But on the third anniversary of Daniel’s death, Clare tells her sisters about an idea she has. Why don’t they try and locate the people who received Daniel’s organs, and learn how they have helped those who received them?
Finding each recipient — for all the difficulties entailed in the process — and hearing their stories, might give the sisters a collaborative goal to work towards, and perhaps be a source of hope for them. I’ll Leave You With This is a layered family drama, following four people leading sometimes rich, and definitely complex, complicated, lives. The sisters’ quest takes them to unexpected places, and forces them to evaluate their lives, and relationships with each other, in the cold light of day.
Spanning a number of years in its telling, I’ll Leave You With This is another example of compelling Australian literature. With a story such as this, I have the feeling it will not be told solely through the pages of a book. This is a story I could see as possibly a film, or a TV series, one day. Let’s sit back and see what happens.
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Australian literature, fiction, Kylie Ladd, novels
Reading fiction books can make more empathic people of us
16 March 2023
Jeannie Kidera, writing for Big Think:
The capacity for empathy — to first identify and then understand and share in someone else’s feelings — is largely held as a virtue these days. Yet, philosophically speaking, there is a bit of a knowledge problem that makes being naturally empathetic a struggle. Why? As poet John Keats put it, “Nothing ever becomes real until it is experienced.”
So how can someone else’s perspective and emotions ever become real enough for us to develop empathy? Reading fiction may provide an answer. Research suggests that fictional books may effectively be empathy-building tools, offering us the closest we can get to first-hand knowledge of someone else’s experience.
To read a chapter out of someone’s life story is to truly walk a mile in their shoes.
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fiction, novels, psychology, reading
The Not So Chosen One, young adult fiction by Kate Emery
15 March 2023

If you felt like a fish out of water during your school days, spare a thought for seventeen year old Lucy. She’s just been enrolled at Drake’s College, a school nurturing the magical talent of young people, located in Perth, Western Australia. But there’s only one thing: Lucy’s not so sure she’s possessed of any magical talent.
That’s not the end of it though. Somehow Drake’s believes Lucy is the “chosen one”. They see her as a prodigy, one who will defeat the forces of evil. Again, Lucy has her doubts about that idea as well. On the other hand, she has a fearsome reputation for being sarcastic and cynical. Perhaps those attributes will suffice instead?
But Lucy has other things to think about, at this place she never knew existed until walking through the gates. One of them is her new friend, Jack, a teacher’s assistant at Drake’s, who seems to know far more than what’s printed on the curriculum. Then there’s all sorts of strange incidents occurring on the school’s grounds.
It strikes Lucy as slightly odd that these weird, often frightening happenings, seemed to start around the time she arrived at Drake’s. As if that’s not enough, Lucy discovers she has become pregnant. Taking on the forces of evil could be a walk in the park, compared to having explain her pregnancy to her mother.
This is the premise of The Not So Chosen One, published by Text Publishing, July 2022, debut young adult fantasy fiction by Kate Emery, a Perth based journalist and writer. This is a title that will delight anyone who’s previously lamented the absence of a Hogwarts like school of magic in Australia.
While the ending of The Not So Chosen One has polarised readers, some people believe a sequel may be the result. That could well happen, considering Emery’s debut has been named on the shortlist of the 2023 Aurealis Awards, in the Best Fantasy Novel category. The Aurealis Awards recognise the work of Australian science fiction, fantasy, and horror writers.
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Australian literature, fiction, Kate Emery, literary awards, novels
Dark Mode, the debut novel of Ashley Kalagian Blunt
13 March 2023

Presently about fourteen percent of Australians do not own a smartphone, while some seventeen percent do not use social media. So although a minority, they don’t exactly — no pun intended — stand in isolation. Twenty-something Sydneysider Reagan Carsen is a person who resides in both camps, in Dark Mode, published by Ultimo Press, March 2023, the debut novel of Sydney based Canadian Australian author, Ashley Kalagian Blunt.
When it comes to smartphones and social media though, Reagan seems like an unlikely holdout. But it’s not just smartphones and social media she shuns. Reagan has no online presence whatsoever. As the owner of the Voodoo Lily Garden Centre, a small business, a smartphone would surely be a must. As would a social media presence. After all, is not Instagram a pathway to fortune untold? And if there’s one thing Voodoo Lily needs right now, it’s a little good fortune.
But Reagan’s reluctance to embrace these technologies, stems from a fear of them. Reagan is deliberately keeping herself out the way of the all-seeing, and invasive, internet. Ever since being stalked as a teenager, Reagan has understandably gone all out to shield herself from the digital domain. But when Reagan stumbles upon the mutilated body of women while running one morning, she immediately fears the worst.
The murdered woman, lying in alley not far from where Reagan lives, looks almost exactly like her. Reagan sees this as a veiled threat, and a message that her old stalker has found her. In her trepidation, she refuses to even tell the police of her gruesome discovery, petrified she will expose herself. Instead she turns to a friend, Min, an investigator, and true crime writer, for help.
But this turns out only to be the beginning. There are more murders. To Reagan’s mind the victims all resemble her. But still she continues her quest for answers. Having avoided the internet for so long, Reagan now finds herself venturing into its darkest recesses. But that’s not all. Having struck up some new friendships, the usually guarded Reagan may have become a little too trusting, perhaps making herself vulnerable.
Although Dark Mode is her first novel, Kalagian Blunt is an accomplished writer. In 2018 she wrote My Name Is Revenge, a collection of short stories and essays. She followed this up in 2020 with her memoir How to Be Australian. Her work has also featured in Kill Your Darlings, The Sydney Morning Herald, and Overland. When not writing, Kalagian Blunt teaches creative writing, and also mentors emerging authors.
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Ashley Kalagian Blunt, Australian literature, fiction, novels
What about a best of the best Miles Franklin award in 2027?
12 March 2023

Image courtesy of Eli Digital Creative.
To mark its twenty-fifth anniversary, Britain’s Baillie Gifford literary prize, which recognises excellence in non-fiction writing, is holding a Winner of Winners Award to select the best title — the best of the best, if you like — among the past twenty-four winners of the prize.
Riffing on this idea, Jason Steger, literary editor for Australian newspapers The Age, and The Sydney Morning Herald, suggests the Miles Franklin Literary Award could do likewise to commemorate its seventieth anniversary in 2027. The Booker Prize also did something similar in 2008, for their fortieth anniversary, with the Best of the Booker.
Steger put forward the proposal in his weekly newsletter The Booklist last week. A special panel of judges could create a shortlist of perhaps a dozen past Miles Franklin winners, with a public vote to determine an overall victor:
Like the Booker, choosing a shortlist and a public vote would seem the optimum way to go if the Miles were to do it. A panel of judges would have to be chosen and they could pick perhaps a 10- or 12-book shortlist. And then the likes of you and me would have our say.
Selecting a crème de la crème winner would be a big ask, as would drawing up any shortlist, but anything that boosts interest and excitement in Australian literature can only be a good idea.
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Australian literature, fiction, literary awards, Miles Franklin
Hydra, debut literary horror fiction by Adriane Howell
11 March 2023

Before she lost her job, Anja sold antique furniture at an auction house in Melbourne, capital of the Australian state of Victoria. The pieces she prepared for sale though were more than mere objects to her. These aged items of furniture, and bric-a-brac, were possessed of intricate histories. Imagine the stories each could tell, were they able to speak.
Perhaps it was partly this fascination with the past that lead Anja to lease a ramshackle old cottage, on a naval base on the Mornington Peninsula, to the south of Melbourne. The cottage’s isolation makes for the ideal place to retreat from the world, something she is seeking right now. Being sacked is not the only misfortune to befall Anja. Her mother died recently, and her marriage also failed.
The cottage is in need of attention, and Anja thinks fixing up the old place could be the beginning of something new. It might also help her keep her sanity. Anja finds a new job, and goes about making a home of the cottage. But strange things seem to be happening, and Anja comes to believe she is not alone on the grounds of the cottage.
She begins looking for answers. Like the history of the antiques she once obsessed over, Anja learns the cottage also has something of a history, a somewhat dark one, at that. Do these alleged past events — which the reader is given glimpses of by way of classified defence department reports — have any connection to what Anja thinks is happening now?
But Anja is a troubled person, and may not be the most reliable of narrators. Hydra, published by Transit Lounge in August 2022, is the debut novel of Melbourne based Australian author and arts worker, Adriane Howell. Howell is also the co-founder of Gargouille, a literary journal she established with Sarah Wreford in 2014.
Hydra, which has been longlisted for the 2023 Stella Prize, has variously been described as mystery, thriller, and literary horror. Anyone looking for slasher variety gore though, may be disappointed. The real horror in Hydra perhaps lies in the protagonist’s struggle to maintain her sanity, and keep a grip on reality.
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Adriane Howell, Australian literature, fiction, novels
The 2023 Penguin Literary Prize shortlist
9 March 2023
The 2023 Penguin Literary Prize shortlist, consisting of six manuscripts by new and emerging Australian writers of literary fiction, has been unveiled:
- The Elementals by Liz Allan
- The Boy Who Wept Rabbits by Benjamin Forbes
- Falling and Burning by Michael Krockenberger
- Jade and Emerald by Michelle See-Tho
- Nothing Like The Sun by J.N. Read
- The Guggenheim by Heather Taylor-Johnson
The winner, to be named on Thursday 15 June 2023, will win a cash prize, and have the opportunity to see their work published.
Update: the winner has been named.
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Australian literature, fiction, literary awards, literary fiction, novels
Thirst for Salt, the debut novel of Madelaine Lucas
8 March 2023

It was the title of Thirst for Salt, published by Allen & Unwin in April 2023, the debut novel of New York based Australian author Madelaine Lucas, that initially piqued my curiosity.
What did the name refer to? Was it a reference to the setting of the story, an isolated coastal town called Sailors Beach. Was the thirst for salt a desire to be near the water, to be swimming in the ocean? Or might the title describe a penchant for things salty, and the partaking of a taste sensation both sweet and sour?
Perhaps a thirst for salt is summation of the romantic relationship central to the novel. The affair a woman in her early twenties has with a man almost twenty years her senior.
She meets Jude, at the beach, after she is stung by a jelly-fish. He takes her home to tend her wound, and there it begins. But Jude soon reveals himself as a far from ideal lover and partner. He is manipulative, demanding, and evasive. He, for instance, refuses to introduce his girlfriend to his family and friends.
But these red flags, these warnings of toxic character flaws, are indiscernible when in the throes of love. They are brushed off, explained away, with an offhanded apathy. It is only in reassessing the relationship more than a decade later when she — the narrator of Thirst for Salt goes unnamed — understands just how much was not right.
But Lucas’ novel is not only a meditation of a romantic relationship. The narrator also ponders her relationship with her mother, and a childhood spent moving from place to place, without the presence of a father.
This is not a book for readers looking for fast paced action, or, for that matter, quotation marks accompanying the speech of the novel’s characters. Thirst for Salt is a contemplative exploration of deep, and complex feelings. It is the recounting of a journey some of us will be familiar with. One we are ambivalent about, but one that is often unforgettable. Perhaps now the idea behind the name of the novel begins to become apparent.
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Australian literature, fiction, Madelaine Lucas, novels
Every Version of You, speculative fiction by Grace Chan
5 March 2023

Finding someone to publish science fiction in Australia is difficult but not wholly impossible. A number of Australian authors report difficulty in having works of anything other than contemporary or literary fiction published locally, forcing them to take their work to overseas publishers.
Under these circumstances it would seem Melbourne based Australian author Grace Chan was fortunate. Her debut novel Every Version of You, published by Affirm Press in July 2022, is categorised as speculative fiction after all. Speculative fiction may not be another name for science fiction per se, but speculative fiction is often considered an umbrella term for a number of non-realist fiction genres, including horror, fantasy, and sci-fi.
Every Version of You is set in the late twenty-first century in a world where inhabitants spend most of their time within what is described as a hyper-immersive, hyper-consumerist virtual reality called Gaia. They live almost every aspect of their lives in this digital realm without ever leaving the house. But wait a minute, doesn’t that describe the way many of us already live? Are we not so immersed by the domain on the screen in the palm of our hands that we don’t even blink sideways at the person standing next to us?
Social media gave rise to socialising online, while the COVID-19 lockdowns of recent years made working from home the norm, deepening our engagement with the virtual dimension.
Gaia then sounds very much like an actual place, rather than the product of a speculative fiction writer’s mind. Might these details have somehow escaped the publisher of Every Version of You, who believed the book to be a work of a genre other than speculative fiction? This is surely a hopeful sign for writers of speculative and science fiction in Australia, as their work often explores contemporary, and relevant matters, through a lens other than that of contemporary or literary fiction.
The prospect of uploading one’s consciousness, in a digital format, to the internet, sometimes called mind uploading, is by no means a fanciful notion either. And in the world Tao-Yi, and her boyfriend Navin inhabit, this is something they find themselves grappling with. Tao-Yi, who has reservations about the Gaia concept in any case, is anything but enthusiastic when a technology that allows people to permanently upload their consciousness completely to Gaia, emerges. Navin, in contrast, is all for the idea.
Tao-Yi is confronted with a choice. Follow her boyfriend into this perpetual digital realm, or, like her mother, remain in the real world, but one ravaged by climate change and poverty. Those who reside in the world Chan has created seem to be damned if they do, damned if they don’t.
Chan, who also works a psychiatrist, is a prolific writer of short fiction, with a keen interest in neuroscience, consciousness, empathy, ethics, and the mind-body relationship. One of her short works, He Leaps for the Stars, He Leaps for the Stars, was shortlisted in the Aurealis Awards, a literary prize celebrating the work of Australian speculative fiction writers.
Every Version of You meanwhile has been longlisted for the 2023 Stella Prize. Recognition of a work of speculative fiction by a literary award as highly regarded as the Stellar is certainly positive for writers of the genre in Australia.
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Australian literature, fiction, Grace Chan, novels, science fiction
The Wakes, debut fiction by Australian author Dianne Yarwood
1 March 2023

I’m yet to read The Wakes, published by Hachette Australia, March 2023, by Sydney based Australian author Dianne Yarwood, but I’m already convinced it could be adapted to film. I’ve even thought of a name: Four Funerals and a Divorce. I’m not actually sure a divorce even occurs in Yarwood’s fiction debut, there may in fact be two, given the blurb to The Wakes tells us two failing marriages (and four funerals) feature in the story. But back to my big screen adaptation idea.
Since my fanciful film title, Four Funerals and a Divorce, obviously riffs on the 1994 film Four Weddings and a Funeral, directed by Mike Newell, and starring Andie MacDowell and Hugh Grant, the two leads could be invited to participate. The rest of the would-be cast though would of course be Australian. But now back to The Wakes.
Sydneysider Clare has recently separated from her husband. She is happy to accept a call for help from Louisa, her neighbour. Louisa runs a catering business that specialises in wakes, the gatherings that take place after funerals. Louisa is overwhelmed with work. Assisting Louisa is a smart move on Clare’s part for several reasons. Wake catering has to be a growth industry. Further, it is somewhat immune to the threats posed to other forms of employment by the likes of AI Chatbots.
But job security, whether Clare is looking for it or not, is moot point. Wake catering might be about to change her life. For it is at one post funeral gathering that Clare makes the acquaintance of Chris. He is a doctor working in the emergency room of a hospital. Chris sees too much death in his job to want to think about going to funerals, but he decides one day to make an exception.
The Wakes is isn’t all wake catering though. In the mix is love both lost and found, unsuccessful rounds of IVF, and the constant comfort that food can bring to the lives of people whose depleted spirits need a little lift.
Prior to penning her first novel, Yarwood worked in accounting and corporate advisory, both in Australia and Europe. She also has an interest in cooking and catering, which seems to have partly inspired her novel. But there’s more. Her life was once saved by an emergency room doctor, an experience that lead Yarwood to focus on her long held writing ambitions. Along with possibly being the genius behind the character of Chris.
Could we be seeing another instance of art imitating life, as we do in a lot of fiction, among the pages of The Wakes?
UPDATE: after waxing lyrical about the possibility of a film adaptation, a reader messaged to let me know a TV series, based on The Wakes, is in the works. A screen adaptation deal was reached last September, with production company Fifth Season.
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