Showing all posts about art
Planets, moons, and stars, made to order by the Little Planet Factory
8 March 2017
Astronomy geeks will love this. 3D printed models of the planets, and moons, of the solar system, made by George Ioannidis of the Little Planet Factory (Internet Archive link). Above is an image of Earth posing with Jupiter, and a sans-rings Saturn.
You can also order the Sun. And the three stars of the Alpha Centauri, and Proxima Centauri system, our nearest neighbours in interstellar space. Or the Moon. Or Mars, when it once had oceans.
Originally published Wednesday 8 March 2017, with subsequent revisions, updates to lapsed URLs, etc.
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art, astronomy, illustration, legacy
Neil Mendoza’s amazing hamster powered hamster drawing machine
6 July 2016
The Hamster Powered Hamster Drawing Machine, created by Neil Mendoza, is exactly what it says it is. A drawing machine powered by what is effectively a running wheel for hamsters or mice.
I expect the hamsters or mice are pleased that their exertion brings about a little more than some exercise on their part.
Originally published Wednesday 6 July 2016, with subsequent revisions, updates to lapsed URLs, etc.
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art, design, legacy, technology
Mechatronic Harmonies, a translation of instructions and knowledge
9 February 2016
abstr^ct:groove is a Milan, Italy, based production and design studio, who work mainly “on developing uncommon audiovisual projects in communication and advertising”. Mechatronic Harmonies is the result of a recent collaboration with Wittenstein, a German manufacturer of high-precision electro-mechanical systems.
This description of the creative process probably better describes how Mechatronic Harmonies came to be, than I could:
After a series of meetings at their laboratories, we were asked to translate all the instructions and knowledge we received in images and sounds, but within a well defined task limitation: no technical data could be conveyed in a linear or didactic manner.
Originally published Tuesday 9 February 2016.
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The billboard artworks of Robert Montgomery
8 June 2012
London based artist Robert Montgomery takes billboards, both in use and disused, and turns them into oversize canvases to make a variety of observations on day to day life.
Originally published Friday 8 June 2012.
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art, legacy, Robert Montgomery
French illustrator Mega’s new take on the alphabet
14 May 2012
Image courtesy of Mega.
Paris based illustrator and street artist Mega, whose work I’ve mentioned before, recently launched I Just Murdered The Alphabet, a new project that will see him create a new illustration each day for five months.
Inspired variously by graffiti, sign painting, and psychedelic art, Mega’s new series of works are a tribute to hip-hop culture, and also an introduction to an intriguing, though imaginary, tribe that seeks to set itself apart from mainstream society.
Originally published Monday 14 May 2012.
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Une Fête dans le Papier, an exhibition by Penelope Benton and Alexandra Clapham
10 January 2011
Penelope Benton, a Sydney based photography, performance and installation artist, and Alexandra Clapham, combine to present a representation of a Versailles-inspired ballroom made entirely out of cardboard.
In this recent collaboration Benton and Clapham propose to marry royalty by birth and royalty by imagination, constructing a Versailles-inspired ballroom entirely out of cardboard such as is associated with the early life of Basquiat the street-artist/dreamer: Basquiat’s cardboard box for a bed, Marie Antoinette’s palace.
In this necessarily flimsy set the two will hold a dinner party, a feast of unimaginable scope, which will be in full view of the public (most likely consisting of starving artists and hangers-on) who will be invited to later riot over the leftovers of the important guests in a literal free-for-all.
The exhibition opens at The Paper Mill, 1 Angel Place, Ash Street, Sydney, on Tuesday, 11 January, 2011 at 6pm, and concludes on the following Saturday, 15 January.
Originally published Monday 10 January 2011, with subsequent revisions, updates to lapsed URLs, etc.
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Alexandra Clapham, art, art shows, Australian art, legacy, Penelope Benton
Ladies of the Letterform, an art show by Sofles, Lo-Fi Collective, Sydney
10 December 2010
Here’s your chance to see the work of Australian graffiti and street artist Sofles.
Sofles has burst from the anonymity of the graffiti world onto a public stage in a manner comparable to the explosive impact of his images rendered on canvas, brick, paper and human bodies. Witness blank space being filled with imagery from the over-running cup of his enigmatic mind.
Ladies of the Letterform is quite possibly Lo-Fi Collective’s last ever exhibition so make sure you don’t miss it. The show takes place at Lo-Fi Collective, Floor 3, 383 Bourke Street, Surry Hills, Sydney, on Thursday, 16 December, 2010 at 6pm.
Update: I posted some photos from the show on my Flickr page.
Originally published Friday 10 December 2010, with subsequent revisions, updates to lapsed URLs, etc.
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art, Australian art, legacy, Sofles
Tips for artists arranging their own art exhibition and opening
8 March 2010
Ask anyone what they like the best about going to an art show and most people will tell you it’s the opening night party.
And who can blame them, after all what better way is there to spend an evening, than enjoying some brand new art while partying?
So while from a show-goer’s point of view the opening night party seems like a straightforward process — placing a collection of artworks in a gallery and then laying on refreshments and live music — there’s a lot more to staging an exhibition, even a smaller show, than meets the eye.
Months, possibly years, of planning and organising go into some shows and their opening night party, so in the interests of imbuing the curious with an appreciation of the process, here it is, a step by step guide to planning and staging an exhibition.
Planning
You might be surprised at the amount of planning an exhibition requires. Factors such as venues, budgets, funding, sponsorship, advertising and promotion, catering, and possibly insurance, all need careful consideration.
Lead times can vary greatly as a result, with some shows taking a year or more to set up, while others can be arranged within a couple of months.
Budgets, sponsorship, and funding
Staging an exhibition can be expensive, and you will need to ensure you have sufficient funding, whether private, or through sponsorships, to cover the cost of things like catering, promotion, printing, and gallery space.
While established artists may be able to find sponsors to cover costs, as their larger following ensures a reasonable degree of exposure for their backers, new or emerging artists may not be so fortunate, and will have to rely on savings, or help from family or friends.
Check around though.It may be possible to obtain funding through arts grants, and sometimes municipal councils or community groups may offer some assistance staging a show, whether it be providing a venue, or publicity.
Artists at some exhibitions I have been to sometimes ask a for small (gold coin) contribution to help cover costs, a portion of which they usually donate to charity.
Finding a gallery
Gallery space is competitive, and can be hard to secure, especially if you want to exhibit at an established, well known, venue.
You will also need to weigh-up the amount, nature, and size, of work to be exhibited, against the availability of suitable galleries.
Other things to consider are whether the gallery operates on a commission basis, taking a percentage on works sold, or charges a fixed fee for holding a show.
Also, depending on your location, since regulations vary from place to place, are insurance matters, both public liability, and cover for items on show.
Look out also for alternative venues, such as cafes or bookshops for instance, which may offer wall space, and would surely be happy to collect a commission on any works sold.
Given the potential for publicity and custom, cafe and bookshop owners may possibly be prepared to provide other forms of support for your show as well.
A theme and a name for the exhibition
Your show will need a name and a theme. It’s worth taking some time to think this over.
Pricing your artworks
This is one of the more difficult steps in the process of planning an art show.
The amount you can ask for an artwork will depend on a number of factors including your reputation or standing as an artist. Obviously the more regarded your work, the more you can ask.
Another is the arrangement you have with the gallery exhibiting your work. Most galleries take a commission on works sold during an exhibition. While this cut varies, sometimes greatly, rates of about twenty-five to up to fifty percent are reasonably common.
Don’t be afraid to negotiate on the commission either. If you believe you will sell a lot of your work, you may be able to haggle a slightly lower rate.
To set a price you will need to work out much you would like to receive, against how much you think someone will pay, less the commission asked for by the exhibiting gallery.
Printing
Once you have funding, a venue, and a theme worked out, you can start arranging the printing of promotional flyers and brochures, title cards, and a list or catalogue of items you’ll be exhibiting.
If money is tight you may be able to reduce some printing costs by doing some of the work yourself.
Great looking catalogues and title cards can be produced with a word-processor, the use of good fonts, some careful page layout, and a reasonable quality printer.
If you know someone with calligraphy skills see if they can make title cards for your works.
Promote and advertise
There’s quite a few options when it comes to promoting shows, many of which are low-cost, or free.
Social networking sites, such as Facebook, make it easy for members to create pages for events, such as an exhibition opening, and issue invitations to their contacts.
There’s also art focused discussion forums, and you could even consider approaching arts bloggers to see if they will help the spread the word. Be careful not to wear out your welcome, or take anything for granted here though.
Setting up a page on a photo-sharing site, such as Flickr, and posting photos of your work is also a good way to generate some ongoing profile.
If your budget permits, consider printing flyers to post on community notice boards. Local shops may also be happy to display these for you. Also think about writing a press release to send to local and community magazines and newspapers.
I’ve received a number of invitations to exhibition openings through (snail) mail, so if time and money allows, have some invitations printed and then gather up a list of people to post them to.
Finally, invite as many people as you can, however you can, to the opening. Not only will they appreciate a drink and snack, they’ll also add some atmosphere, and make your attendance numbers look good. Nothing says success more than a well attended show opening.
Food, beverages, and catering
A big part of the opening night of any exhibition is the food, drink and party atmosphere, but you don’t need to go overboard.
Offering guests a choice between a red and white wine, and water (and juice or soft drinks, if you really want to push the boat out) is quite acceptable.
If you have a generous sponsor, or even just a catering sponsor, you may also be able to lay on beer and some finger food.
Other entertainment
Many of the openings I’ve been to have some sort of live music, and given the atmosphere a DJ, or even a band, can add to proceedings, this is something well worth thinking about.
If money, or floor space dictates otherwise, the only option may be background music. Whatever you do, choose music that is light and upbeat, and generates a good vibe.
Opening times
Most of the shows I go to usually open on Wednesdays, Thursdays, or Fridays. Thursday seems to be the most common day, it’s not too early in the week, and not too close to the weekend.
If possible, avoid weekend openings, or early in the week, times that people usually have other plans.
An early evening opening of around 6pm is probably a good all round time. Most your guests will be on the way home form work by then, yet it is still early enough for them to fit your show in around other plans they have for later in the evening.
Photos
You will definitely want a photographic record of the opening, so try and arrange for someone to take photos through out the evening.
Post the photos to your Flickr or Facebook pages, and also use them when you write about about the opening on your blog later.
And enjoy
The opening night, and exhibition itself, will probably be over in what feels like no time, especially when compared to the months of prior planning and preparation, so be sure to take a little time out to enjoy your own exhibition.
Good luck with it.
Originally published Monday 8 March 2010, with subsequent revisions, updates to lapsed URLs, etc.
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art, art shows, artists, legacy
Del Kathryn Barton wins Archibald Prize 2008
7 March 2008
Sydney based Australian artist Del Kathryn Barton has been named winner of the 2008 Archibald Prize, with a self-portrait featuring her children: You are what is most beautiful about me, a self-portrait with Kell and Arella.
Born in Sydney in 1972, Barton has a Bachelor of Fine Art from the College of Fine Arts, University of NSW, where she taught for three years until 2003. She has had regular solo exhibitions since 2000 and has participated in national and international group shows including the Helen Lempiere Travelling Art Scholarship, the Blake Prize for Religious Art and the Sulman Prize. She was a finalist in the 2007 Dobell Prize for Drawing.
The Archibald Prize Exhibition opens to the public tomorrow, Friday 8 March 2008, at the Art Gallery of New South Wales, in Sydney.
Update: for those interested, the portrait measures 180 centimetres (cm) wide x 280 cm high, and as far as I can tell the work is a combination of illustration and painting.
Originally published Friday 7 March 2008.
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Archibald Prize, art, Australian art, Del Kathryn Barton, legacy