Showing all posts tagged: design
Ye Olde Blogroll is sporting a swish new design
18 April 2025
Check it out. In addition, Ray, creator of the algorithm-free web directory of personal websites and blogs, which lists this website (thanks again), has transferred ownership to Manuel Moreale, he of People and Blogs fame, among other things.
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blogs, design, IndieWeb, technology
After 25 years we still don’t know what the web is, what it could be
18 April 2025
Here’s some web history trivia for you: it’s been twenty-five years since A Dao of Web Design was published at A List Apart (ALA). Written by Australian product developer, and Web Directions co-founder John Allsopp, the article explored how the web, still seen then as an online variation of print, could find its own path, and evolve into something entirely different.
Reflecting on his ALA article earlier this week, John made the following comment:
The Web is its own thing — but we’ve still yet to really discover what that is. Don’t ask me, I don’t know what that is either. But a quarter of a century on I’m still just as interested in discovering what that is.
I think what we can say now though, is the web is no longer a child of print.
For additional historical trivia, see this article I wrote for the Sydney Morning Herald/The Age, about John and Westciv, a company he established with Maxine Sherrin. Westciv developed tools to assist web designers create compliant CSS, and web pages.
That was twenty-years ago — yes, mind blown — and was one of several articles I wrote for print publications, before becoming more focused on writing online. And while talking of ALA, it sadly appears only to be publishing sporadically nowadays.
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content production, design, history, technology
The Australian Book Design Awards 2025 longlist
13 March 2025
This is where we get the once-a-year chance to judge a book by its cover… the longlist for the 2025 Australian Book Design Awards (ABDA) was published last week (PDF).
Among numerous inclusions (this is the longlist after all) are covers for Tim Winton’s latest novel, Juice, designed by Adam Laszczuk, and Lucinda Froomes Price’s book All I Ever Wanted Was To Be Hot, designed by Katherine Zhang, of Sydney based Australian design house Evi-O.Studio.
The winners will be announced on Friday 23 May 2025.
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Australian literature, books, design
The one-hundred best book covers of 2024 by PRINT
13 January 2025
PRINT’s annual list of the best book covers of 2024, features double the number of entries as 2023, one-hundred, up from fifty. Either a record number of books were published in 2024, or cover design has become so good more books needed to be included.
Among inclusions is a cover for Intermezzo, Sally Rooney’s latest novel, which features a chess board. Not the version of the cover I’ve seen in this part of the world, but it is damn fine.
The chess board cover version was designed by New York based illustrators June Park and Rodrigo Corral. I’ve said it before, and I’ll say it again, but book cover designers do not always receive the recognition they deserve for their work.
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books, design, illustration, novels, Sally Rooney
Favourite monospaced font for coding, do people have such a thing?
31 December 2024
Code is code, what difference does the font you choose in whatever app you use for coding possibly make? As long as the code works as intended, what does appearance have to do with it?
But the conversation I found on the topic — which in fact started months ago — actually relates to a writer’s favourite font for writing — as in copy, not code — which is kind of intriguing.
Intriguing, because I’ve never given the matter the slightest thought. Obviously on my website I have chosen a particular display font, but when it comes to drafting my posts, no, I pretty much use one of the fonts the app offers.
These fonts are certainly not monospaced fonts (for all their virtues), which is where the discussion seemed to later turn. I write all my posts, together with the necessary HTML tags, on a word processing app, and when ready, copy and paste the text into WordPress.
I know I’m missing something using this process, because I read about the way other people use (what sounds like) a number of apps, before their blog post drafts are fed into their blog publishing software. But when it comes to a favourite font for drafting, whatever that might be, there isn’t one.
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The web today is not necessarily worse than the early web
27 December 2024
Xavier H.M., writing on his Mastodon page:
Your neocities blog is cute but I can’t read the 5pt font and your cursor is the size of a bread crumb. The web page is loading so many gifs my computer sounds like a boeing 747.
disassociated once, in a way, looked like a Neocities website. Or, more the point, way back in the day: GeoCities-esque. My websites of twenty-five years ago may have seemed like the work of a web designer trying to be artistic, but the way they were built presented problems to some visitors, particularly those with low vision. For example, much text on my early sites was rendered as images.
The facility to use alternative text, or alt-text, was always there, as far as I remember, but like a lot of visual web designers of the time, I did not make effective use of the facility. For example, if say I was posting a photo of a tree, the alt text would literally read “a tree”. I’d say nothing about where the tree stood. Along a road? In a park? Near a body of water? Nor anything else that would help describe the image more fully to people who had trouble seeing it.
As for blocks of text rendered as images — this to maintain complete design control across different browsers and operating systems — I probably supplied no alt-text, even though it would not have been difficult to do so. In other words, much of the content was invisible to some visitors.
And then we get around to font and cursor sizes that would suit an ant. For sure, it’s all fun, but doesn’t work for everyone. Those early days were more about aesthetics rather than accessibility. Today’s websites and blogs might look bland, might look all the same, but they are easier for a greater number of people to use, and, as a bonus, aren’t too demanding on our devices.
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design, history, technology, trends
Mocha Mousse 17-1230 selected as the PANTONE colour of year 2025
13 December 2024
We’re twelve days out from the big one, and high in the silly season, as the brevity of recent posts here may allude to. Otherwise, the major highlight has to be the annual announcement of the PANTONE colour of the year. As I wrote two years ago, this was a big deal during my web design days. Well, a somewhat big deal, as we were always on the lookout for new colour inspiration.
Anyway, the PANTONE colour for 2025 is Mocha Mousse 17-1230. Mocha Mousse. I can’t decide if that’s a dessert, or a hair product. Whatever, I’m liking it. Here’s how PANTONE describe the hue:
Simple and Comforting: A Soft, Warming Brown. With its sophisticated, earthy elegance, PANTONE 17-1230 Mocha Mousse can stand alone or serve as a versatile foundation, enhancing a wide range of palettes and applications—from minimalist to richly detailed designs—across all color-focused industries.
To whip up some designs featuring Mocha Mousse in your favourite graphics editor, here are some common colour generating codes. The HEX code is #9e7a68. If Red, Green, and Blue is your thing, use these values: R = 158, G = 122 B = 104. On the CMYK colour model, go C = 31%, M = 47%. Y = 49%, K = 18%. For the HSB colour system, go H = 20°, S = 34%, B = 62%.
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Y2K, a film by Kyle Mooney, the Y2K bug seriously strikes back
12 December 2024
I’m not sure if this horror re-imagining, trailer, of the Y2K “bug” will have a cinematic run in Australia, or is going straight to streaming.
Two high school nobodies make the decision to crash the last major celebration before the new millennium on New Year’s Eve 1999. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.
With dire fears of road traffic signals failing, ATMs crashing (causing some people to keep cash on hand), and aeroplanes falling out of the sky at midnight, on the first of January 2000, what more would you want in a horror story?
Those who came in post 1999, can read more about the Y2K bug here, but here’s a quick summary of the problem:
Many programs represented four-digit years with only the final two digits, making the year 2000 indistinguishable from 1900. Computer systems’ inability to distinguish dates correctly had the potential to bring down worldwide infrastructures for computer reliant industries.
Apparently some organisations spent up big trying to fend off the bug, although some IT experts felt the money could’ve been put to better use. In late 1999, I was having some weird computer (think clunky desktop with bloated monitor with an actually pretty small screen) problem (of a Windows nature, not Y2K), and had a computer fix-it guy come around and look at it. The issue was resolved, but I ended up being auto-subscribed to the fix-it people’s monthly newsletter.
Out of politeness, I read the first few newsletters they sent, before unsubscribing. In the February, or maybe March 2000 edition, they did a “recap” of their clients’ Y2K bug experiences. The fix-it people claimed many, many, organisations had averted catastrophe, thanks to their efforts. Unfortunately, or conveniently, as the case may be, not one of these organisations wished to talk publicly about how the fix-it people had saved them from certain doom. Of course.
In late 1999, I launched a Y2K bug inspired Neocities-like version of disassociated, here’s a screen grab. See them bugs in the lower right hand corner, hey? I picked up on the idea of traffic signals failing, and roads choked full of cars, trapped amid the chaos. Notice also the news box. They were ubiquitous on personal websites of the day; a design trend. Today the whole site is a news box.
Mooney’s movie might make for a great glimpse of the world, and the internet, in late 1999 though.
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design, film, history, Kyle Mooney
One Minute Park, One Million Checkboxes, win Tiny Awards 2024
29 August 2024
One Minute Park by Elliott Cost, has been named winner of the main prize of the Tiny Awards 2024, while One Million Checkboxes by Nolen Royalty, took out the multiplayer player gong.
One is your lucky number this year. Held annually since last year, 2023, the Tiny Awards recognise excellence in non-commercial websites designed by individuals and/or or groups of creators.
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awards, design, IndieWeb, technology
Dense Discovery notches three hundred editions, opens reader community
7 August 2024
Melbourne based Australian designer and publisher Kai Brach’s weekly publication, Dense Discovery (DD), is one of the few newsletters I subscribe to. If you have an interest in, well, everything, then DD is for you. First published in September 2018, the three-hundredth edition was posted yesterday.
And to mark this most impressive of milestones, Brach launched a community space, the DD Lounge, especially for supporters, friends of DD. That a regular newsletter can go on to spawn a community says a lot. Yes, I know there are other similar such communities, but still it’s something.
Congratulations on publishing three-hundred editions DD.
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