The Best Books of 2022 from The New Yorker

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The Best Books of 2022 from The New Yorker

12 November 2022

Twenty-twenty-two must be winding down if “best books of the year” lists are beginning to appear.

The Best Books of 2022, from the New Yorker, is the first summary I’ve seen so far, though they add the crucial “for now” provision. After all, anything could happen in the next month and a half. It’s a pretty extensive list, and includes the fiction work of two Australian authors I could see, Cold Enough for Snow by Jessica Au, and The White Girl by Tony Birch.

Stage and TV for Pip Williams The Dictionary of Lost Words

12 November 2022

The Dictionary of Lost Words, by Pip Williams, book cover

The Dictionary of Lost Words, the debut novel of Adelaide Hills, South Australia, based author Pip Williams, which I happen to be reading at the moment, is to be the subject of not one, but two separate adaptations.

A stage production, directed by Jessica Arthur, a collaboration between the State Theatre Company of South Australia and the Sydney Theatre Company, is set to open in September 2023, in Adelaide. The show then moves to Sydney, where it opens in late October 2023.

And then this week Australian television producers Lisa Scott and Rebecca Summerton announced they had acquired the TV rights to the book, and were planning a six to eight part series. At this stage it remains unknown when the show will go to air.

Set with the publishing of the first Oxford Dictionary as a backdrop, The Dictionary of Lost Words, published in March 2020 by Affirm Press, recounts the story of Esme, the daughter of one of the lexicographers working on production of the dictionary:

Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme seizes the word and hides it in an old wooden trunk that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words.

Small publishers thrive on Prime Minister’s Literary Awards shortlist

9 November 2022

The shortlist for the 2022 Prime Minister’s Literary Awards was unveiled this week. Thirty titles, across six categories — including fiction, poetry, Australian history, and young adult — were selected from over five-hundred and forty entries.

Notably, sixteen of the books shortlisted were published by members of the Small Press Network, a representative body for small and independent Australian publishers.

With consolidations taking place in the publishing industry worldwide, potentially reducing the number of publishing houses, and leaving only a handful of large players, this is a welcome indication that smaller publishers are thriving.

Susannah Begbie wins 2022 Richell Prize for Emerging Writers

3 November 2022

Australian doctor Susannah Begbie has been named winner of the 2022 Richell Prize for Emerging Writers, with her manuscript titled When Trees Fall Without Warning.

Her work, When Trees Fall Without Warning, which took ten years to write, is an expertly told, compelling work of commercial fiction. Instantly captivating, with characters alive with personality who ring emotionally true, this is an original and lively narrative that creates memorable insights into a dysfunctional family dynamic. The Richell Prize judges have no doubt that Susannah is a writer with the ability to create an ongoing literary career.

So good to see that ten years of writing looks like it will result in a published work.

Emily Bitto wins 2022 Roderick Literary Award with Wild Abandon

3 November 2022

Melbourne based Australian author Emily Bitto has been named winner of the 2022 Roderick Literary Award, with her 2021 novel Wild Abandon.

Two hundred and thirty entries — a record number — were received for the 2022 award. All were of a high standard, which made selecting a shortlist, let alone a winner, difficult, according to Emeritus Professor Alan Lawson, who headed up the judging panel.

A lot of very good books just didn’t make the shortlist. But in the end Emily Bitto’s extremely well-crafted account of a young Australian man’s ‘escape’ to New York and then into the US heartlands after the breakdown of his first serious relationship — a coming of age and into self-knowledge story set against a richly symbolic and allusive account of the decline of civilisations — won the prize.

Bramble a literary journal for and by disabled creatives

31 October 2022

Bramble is a newly launched quarterly literary journal for, and by, disabled creatives. Founded by Spencer Barberis, and Scout Lee Robinson, past University of Wollongong arts students, Bramble only publishes creative work by disabled writers and artists based in Australia.

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Australian literature, writing

Australian genre fiction authors look overseas for publishers

22 October 2022

If you’re an Australian author, don’t bother submitting manuscripts for anything other than literary fiction to local publishers. Nothing else will be accepted. That seems to be the message from a number of prominent Australian writers, including Stephanie Laurens and Shelley Parker-Chan, who say they had to find overseas publishers for their works of genre fiction.

The local publishing landscape is dominated by trade houses that concentrate on contemporary or literary fiction: books that are often character-driven, serious and contemplative. But these novels are not the most popular. A 2021 survey of Australian readers found crime and mystery was their favourite genre, followed by science fiction and fantasy, then contemporary and literary fiction.

But according to Jo MacKay, the head of local publishing at HQ Books, a division of HarperCollins, the Australian book market is saturated by the likes of fantasy fiction. It may be popular, but no one is buying it, if that makes any sense. And while Australian authors undoubtedly greatly benefit from exposure to markets such as those in America, there are strings attached.

For instance, Laurens reported having to be content with a cover design her publisher thought would be conducive to sales, rather than an option she would have preferred.

Tom Keneally, Katrina Nannestad win 2022 ARA Historical Novel Prize

22 October 2022

Sydney based Australian author Tom Keneally has won the adult category of the 2022 ARA Historical Novel Prize with his novel Corporal Hitler’s Pistol. Katrina Nannestad meanwhile, who resides in central Victoria, was named winner of the children and young adult category with Rabbit, Soldier, Angel, Thief.

Keneally has graciously shared his prize money with this year’s other award longlisted authors. Keneally was forthright in his decision. Speaking as an eighty-seven year old he said, he’d rather see other writers benefit from the prize money instead of him spending it on incontinence pads.

Why aren’t Australian books being nominated for the Booker Prize?

19 October 2022

It’s been six years since the work of an Australian author was nominated for the Booker Prize. Tasmanian writer Richard Flanagan was the last recipient in 2014, with his book The Narrow Road to the Deep North.

Since then only South African born Australian author J.M. Coetzee has made the cut, being named on the longlist for the 2016 Prize with The Schooldays of Jesus.

But 2014 was also the year changes were made to the Prize’s eligibility requirements, allowing any English language title to be nominated, essentially opening up the award to American writers. Since then it seems Australian books have struggled to gain traction.

The Booker was once confined to authors from the Commonwealth, Ireland and Zimbabwe — an empire rule that looked increasingly silly, leading to a change in 2014 to allow all novels written in English, so long as they were published by UK and Irish publishing houses. Much fuss was made about the decision to let Americans in (including by Carey), but it is undeniable that since then, they have made up roughly a quarter of every longlist and won three times; at this year’s prize, which was won by Sri Lankan author Shehan Karunatilaka on Monday, six of the 13 nominees were American. These authors are most often living, working and published in the US — seemingly an easier path into the UK than the long road from Australia.

The 2022 Richell Prize shortlist for unpublished writers

13 October 2022

The 2022 Richell Prize shortlist — which is open to unpublished Australian writers of adult fiction and adult narrative non-fiction — was announced on Tuesday 10 October 2022. This year six writers were selected from a field of some seven hundred aspirants.

Zainab’s Not Home, by Hajer Al-awsi
When Trees Fall Without Warning, by Susannah Begbie
Wake, by Kate Harris
Place Setting, by Eva Lomski
The Little Ones, by Anne Myers
The Medusa, by Lisa Nan Joo

In addition to a cash prize, the winner — who will be named on Thursday 3 November 2022 — will receive twelve months mentoring with a publisher at Hachette Australia, and may possibly see their manuscript published.

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