Showing all posts about history
The Tintin stories enter the public domain in 2025
18 December 2024
As a kid I loved the Tintin books. Although they might today be called a product of their time, I aspired to be like the intrepid boy-reporter, who seemed to do very little reporting. I have the red hair, and I write a blog so… Plus, I did write a few articles for a newspaper once. Sometimes people refer to me as a journalist (not always for flattering reasons however…).
So maybe I kind of, sort of, ended up like Tintin.
Anyway, the Tintin stories are among a batch of well-known cultural artefacts (could I refer to the Tintin comic books that way?) entering the public domain in 2025. The final, completed, story in the series, Tintin and the Picaros, was published in 1976, and creator Hergé died in 1983, meaning only some earlier Tintin works will enter the public realm for now.
But it makes me wonder. If the boy-reporter were still with us, would he still be writing for a newspaper? Or might he have capitalised on his considerable profile, and launched his own online publication. A super-famous blog. Such are the things I stay up late at night thinking about.
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books, comic books, graphic novels, history, Tintin
Y2K, a film by Kyle Mooney, the Y2K bug seriously strikes back
12 December 2024
I’m not sure if this horror re-imagining, trailer, of the Y2K “bug” will have a cinematic run in Australia, or is going straight to streaming.
Two high school nobodies make the decision to crash the last major celebration before the new millennium on New Year’s Eve 1999. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.
With dire fears of road traffic signals failing, ATMs crashing (causing some people to keep cash on hand), and aeroplanes falling out of the sky at midnight, on the first of January 2000, what more would you want in a horror story?
Those who came in post 1999, can read more about the Y2K bug here, but here’s a quick summary of the problem:
Many programs represented four-digit years with only the final two digits, making the year 2000 indistinguishable from 1900. Computer systems’ inability to distinguish dates correctly had the potential to bring down worldwide infrastructures for computer reliant industries.
Apparently some organisations spent up big trying to fend off the bug, although some IT experts felt the money could’ve been put to better use. In late 1999, I was having some weird computer (think clunky desktop with bloated monitor with an actually pretty small screen) problem (of a Windows nature, not Y2K), and had a computer fix-it guy come around and look at it. The issue was resolved, but I ended up being auto-subscribed to the fix-it people’s monthly newsletter.
Out of politeness, I read the first few newsletters they sent, before unsubscribing. In the February, or maybe March 2000 edition, they did a “recap” of their clients’ Y2K bug experiences. The fix-it people claimed many, many, organisations had averted catastrophe, thanks to their efforts. Unfortunately, or conveniently, as the case may be, not one of these organisations wished to talk publicly about how the fix-it people had saved them from certain doom. Of course.
In late 1999, I launched a Y2K bug inspired Neocities-like version of disassociated, here’s a screen grab. See them bugs in the lower right hand corner, hey? I picked up on the idea of traffic signals failing, and roads choked full of cars, trapped amid the chaos. Notice also the news box. They were ubiquitous on personal websites of the day; a design trend. Today the whole site is a news box.
Mooney’s movie might make for a great glimpse of the world, and the internet, in late 1999 though.
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design, film, history, Kyle Mooney
Things Magazine latest list of links to things
14 November 2024
Things Magazine has been publishing lists of links for over fourteen years, and here’s the latest batch. I don’t exactly know where they source all their links from, which are all top quality, but it’s a process that must take a certain time. Next time someone tries to tell you publishing a link-blog is easier than a long-form writing blog, see if they can do better than Things.
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blogs, history, publishing, trends
Linux OSs and CGI scripts: awesome, but not for everyone
23 October 2024
David Heinemeier Hansson looks at why more people don’t migrate to Linux operating systems:
The world is full of free invitations to self-improvement that are ignored by most people most of the time. Putting it crudely, it’s easier to be fat and ignorant in a world of cheap, empty calories than it is to be fit and informed. It’s hard to resist the temptation of minimal effort.
I run Linux Mint, possibly the most user-friendly Linux distribution AKA distro. For some reason, who knows, Mint reminds me of when I used to tinker with CGI scripts. I’m not talking about CGI as in computer generated imagery, but common gateway interface. In the days of old, CGI scripts helped make personal websites a little more interactive. They could do all sorts of things, but were widely used to power contact forms and guestbooks.
Web designers would hunt around for a CGI script that might aid them to do something or other on their website. In the same way a, say, WordPress publisher today would search out plug-ins. Once a suitable script had been located, they’d then go about configuring it, obviously provided their web host supported CGI scripts. While most scripts came ready to use, they usually required tweaking. Care needed to be taken doing this, because a misstep could render the script useless. Or worse.
For the first ten years I had a website, I hosted it at a smaller operation based in Sydney, NSW. They had a “sandbox” arrangement in place, where CGI scripts could be loaded, and if something went wrong, isolated, without bringing the whole server down. I haven’t used CGI in a long time now, but the configuration experience seems comparable to Mint. It’s mostly setup and ready to run, but still needs tweaks here and there.
But that’s enough to put off some people, even those who would like to move away from, especially, Windows operating systems. It’s unfortunate, but entirely understandable. Most of us just want to push the button, and see something happen.
I should conclude this discussion by making mention of the webmaster — a person, not a team, they were too small for that — at my long gone old web host. I’d often email the support people with questions about some difficulty configuring a CGI script, and he’d respond. My questions must have been too much for the regular support crew (er, duo), and would be forwarded to the guy actually looking after the servers.
He’d send replies at like three o’clock in the morning with suggestions on what to do, which always helped. Remember we’re talking the late nineties here, but this sort of thing said a lot about the earlier days of the web: it often felt like it was all happening during the middle of the night. But emails from the webmaster themselves: that has to be something you’d probably never see today, a hands-on person, instead of a customer service rep, taking the time to help out.
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history, technology, trends, web design
Before the Firefox, Opera, web browsers there was Netscape
21 October 2024
Jamie Zawinski, one of the original creators of the erstwhile Netscape browser, recalls the day the first version, Netscape 0.9, was shipped thirty-years ago, last week:
According to my notes, it went live shortly after midnight on Oct 13, 1994. We sat in the conference room in the dark and listened to different sound effects fired for each different platform that was downloaded.
I started using Netscape, by then known as Netscape Navigator, when I bought my own computer in 1996, meaning I could choose the software I wanted to install.
That was a Windows 95 box, and would have had a version of Internet Explorer (IE), Microsoft’s then web browser offering. But Netscape was all anyone could talk about, so I soon migrated there. I’ve never been a fan of IE, or any Microsoft browser, for that matter. The browser wars of the late nineties left me with a distinct distain for their stuff. I took to using Firefox almost the day it was released, and it remains my default browser to this day.
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So long, thanks for all the blog posts: Microsoft cans WordPad
10 October 2024
Microsoft is doing away with their old basic, but useful, word processor, WordPad, which has been bundled with Windows Operating Systems for nearly thirty-years. It will not be a feature at all in Windows 11. Yet another reason to migrate away from Windows all together, perhaps?
Before switching to Word, I used to draft all my blog posts in WordPad. Now I use Writer. I did, still do, prep all the text and HTML tags when writing up a blog post, then copy and paste the lot into WordPress. When I migrated to WordPress in 2007, I used WordPad (heh, WP) to set out all the old blog posts from the old static, manually coded HTML webpages, onto an upload template. I later imported the template in the then new database on the WordPress install. So, WP to WP. The whole process took months, and I still look through the file today, which I’ve kept in an archive folder.
I expect the end game, on Microsoft’s part, is to push everyone onto Word. For a subscription.
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blogs, history, technology, trends, writing
Internet Archive Wayback Machine link replaces Google search cache
27 September 2024
Google search does away with its cache, an archived copy of an earlier version of a webpage, but now links to the Internet Archive’s (IA) Wayback Machine copy instead. Try it on your own website, assuming it’s indexed by Google that is. On the search result, click the “more about this page” button, which will take you to a page where you’ll see a Wayback Machine link.
You won’t see a copy of every website presently online, or that once was though, as Chris Freeland, writing on the IA blogs page, explains:
This collaboration with Google underscores the importance of web archiving and expands the reach of the Wayback Machine, making it even easier for users to access and explore archived content. However, the link to archived webpages will not be available in instances where the rights holder has opted out of having their site archived or if the webpage violates content policies.
The Google move seems like a much needed — maybe — shot in the arm — maybe — for the IA, which has been struggling of late.
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Google no longer archives cache versions of webpages
18 September 2024
Thomas Germain, writing for Gizmodo:
Nostalgia for a button that a lot of people probably haven’t heard of might seem absurd, but Google’s cache function was a foundational solution to one of the web’s earliest problems. As the web transformed into a more stable infrastructure, cache was mostly abandoned by regular consumers, but it was still a useful tool. SEO workers used it to watch changes made by competitors. Journalists and researchers checked caches to keep an eye on the historical record. Some savvy internet users knew cache was a way to get around paywalls, or as a poor man’s VPN to load websites that were blocked in particular regions.
I’ve not been able to access this feature for some time, which used to accompany search results, and was beginning to wonder what had happened. Google cache, as many referred to it, was also a good way to look at posts or articles that were intended to be online only for short periods of time.
Checking Google cache was always a quick and easy way to look at these sorts of documents after they had been deleted.
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Apollo 13: Survival, a Netflix documentary
18 September 2024
Apollo 13: Survival, a Netflix produced documentary, trailer, recounts the story of what was meant to be the third Apollo crewed landing on the Moon, in 1970. An exploding oxygen tank in the body of the command module craft, on-route to the Moon, however spelt the end of the landing attempt.
Instead the flight became a desperate race against time to return the Apollo astronauts to Earth before they ran out of oxygen and fuel.
The Apollo 13 flight transcript is well worth listening to. Note how calmly Jack Swigert, followed a few seconds later by Jim Lovell speak, when informing mission controllers on Earth of the situation. “Houston, we’ve had a problem.” Sounds more like someone saying they’ve missed the bus and will be ten minutes late for work.
American filmmaker Ron Howard’s 1995 docudrama, Apollo 13, starring Tom Hanks, Bill Paxton, and Kevin Bacon, is also an excellent recounting of the story.
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Does a court ruling mean no more Internet Archive, Way Back Machine?
11 September 2024
The Internet Archive (IA) has been fighting a number of legal proceedings recently, after making digitised copies of numerous books and novels freely available, through their website. At no point did the IA seek permission from any of the authors involved, nor did they offer them any sort of payment, for copying and distributing their work.
Last week the United States Court of Appeals ruled against the IA, who were seeking to overturn a lawsuit brought against them by a number of publishing houses. The outcome may force the not-for-profit organisation to shut down.
The IA is perhaps best known for the Way Back Machine, a repository of past and present websites. According to the IA, they have archived over eight-hundred-and-sixty billion webpages, including copies of disassociated since 1998.
But websites and books are not all that the IA has taken copies of. TV shows, software applications, and images, are also among their vast collections of digital paraphernalia, much of which is also subject to copyright, as Bryan Lunduke writes:
First and foremost: Has the Internet Archive made, and distributed, digital copies of work you own? This ruling will certainly not hurt your case should you decide to take legal action against Archive.org. And — holy smokes — the amount of copyrighted material on Archive.org is absolutely massive.
Although past versions of my website archived by the IA may constitute them distributing digital copies of my work, I’ve never viewed that negatively. In fact, I’ve always found it useful to have access to earlier instances of disassociated, especially as I didn’t backup all of my old website designs. In my case though, I don’t see the IA’s duplicates of my work as any sort of copyright violation. Rather, I think of these copies as something of a “mirror” of disassociated.
Whether people look up my website via the URL, or the Way Back Machine, doesn’t particularly matter. The content is the same. It hasn’t been altered in any way I’m aware of. Further, as far as I know, the IA isn’t charging anyone to see the archived versions of disassociated, and therefore making money by way of my efforts.
But the Way Back Machine isn’t just there for me to go looking up old versions of my website. It’s also akin to a museum of the internet. A place where we can go and see websites that have long since gone offline, and study the history of the web. To this end, in my opinion, the Way Back Machine serves an important purpose.
The IA’s duplication of novels, and distribution through a “library”, is a different matter entirely. Although some well-known novels are now in the public domain, those published in recent decades usually are not. Copyright laws prevent novels from being duplicated and distributed by unauthorised means. And that’s the way it should be. Consider that many Australian authors earn less than thirty-thousand (Australian) dollars a year. Poets usually make well below ten-thousand dollars. Both these figures are far less than the minimum wage in Australia.
Depriving writers of income by freely copying and distributing their work is plain wrong. I’m really at a loss to understand why the IA pushed ahead with such a program. Equally, I find it hard to believe they thought they were doing the right thing. But what’s truly unfortunate is how the judicial findings against the IA could bring about their end, and that of the Way Back Machine.
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