Showing all posts tagged: radio

Myf Warhurst with Melissa Fyfe on Good Weekend Talks podcast

3 July 2023

Radio and television broadcaster Myf Warhurst speaks to Good Weekend Magazine writer Melissa Fyfe, on the Good Weekend Talks podcast (Spotify link).

I used to listen to Warhurst when she presented on Australian radio station Triple J, from 2000 to 2007. She later had a show on Double J, originally known as Dig Radio, a digital station that was spun off from Triple J in 2002.

Her television credits include Spicks & Specks, a quiz show, and being an Australian commentator for the Eurovision Song Contest. Presently Warhurst is a narrator for stage rock musical, The Rocky Horror Show, which also happens to be celebrating its fiftieth anniversary this year.

Update: if Spotify is not your preferred streamer, you can also tune into the podcast via Apple, or Google.


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Debbie Disrupt, AI newsreader, broadcasting on Disrupt Radio

19 June 2023

Debbie Disrupt, Disrupt Radio's AI newsreader

Debbie Disrupt, AI newsreader, image via Disrupt Radio.

Entrepreneurial thinkers and business mavericks are in the sights of Disrupt Radio, Australia’s newest national radio network, which goes to air, or a streaming device near you, on Monday 26 June 2023. Australian comedian and broadcaster Libbi Gorr, also known as Elle McFeast and Irish rocker and activist Bob Geldof, will be kick starting proceedings during the station’s first week, with both set to feature on the breakfast show.

Veteran radio and television presenter, George Donikian has been brought on-board to read morning news bulletins, while Debbie Disrupt, an AI radio presenter will take the afternoon news shift. I don’t know if Debbie Disrupt is the first AI newsreader to ever present on a radio show, but her presence has media pundits talking. At the moment they remain unsure whether her participation is a cost consideration, or a publicity stunt.

I’m leaning more to the latter. Any suitably experienced radio presenter could read the news, but having an AI robot that can do the job instead? That’ll bring in the listeners, at least to begin with. I also see an element of expectation here. Something would be wrong if a start-up digital radio station called Disrupt didn’t have at least one AI presenter on the crew.


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Why do people only listen to old music as they get older?

27 February 2023

There’s all sorts of reasons, but a lack of time to seek out new compositions, and not simply a love of “old music”, is one:

One explanation for the age-based reduction in music consumption simply posits that responsibility-laden adults may have less discretionary time to explore their musical interests than younger people.

This is where good old radio can help. Switch to station that plays newer, less familiar, music, while you’re working or driving. Since radio playlists are generally repetitive, new favourites will gradually worm their way into your ear.


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2022 Hottest 100 music the worst to dance to in a decade

7 February 2023

An analysis of songs in Triple J’s Hottest 100 countdown for 2022, which was aired on 28 January 2023, reveals them to among the worst to dance to in almost a decade, say Mark Doman, Katia Shatoba, and Thomas Brettell, writing for ABC News.

The same research shows 1995 to be the worst on record for Hottest 100 danceability, though a steady rise follows thereafter. This can likely be attributed to the greater presence of electronica and dance music in countdowns from the late nineties onwards, as those genres began to flourish.

The winning track — Flume’s Say Nothing, featuring MAY-A — was also the least-dancey track to win the countdown since Muse’s six-minute, prog rock epic Knights of Cydonia in 2007. Data also shows that the average tempo of the 2022 Hottest 100 was the second-fastest on record since counting began back in 1993.

At this stage the drop in Hottest 100 song danceability looks more like a blip. The long term trend shows a rise, even if 2022 danceability is markedly lower than the peak recorded in 2019.


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Flume, Hilltop Hoods, make their mark in 2022 Hottest 100

30 January 2023

Sydney DJ and electronic musician Flume topped the 2022 Triple J Hottest 100, with his track Say Nothing, a collaboration with Australian singer-songwriter MAY-A. It’s the second time a Flume track has reached number one in the Hottest 100, a feat matched only by defunct Brisbane rock band Powderfinger, over twenty years ago.

Meanwhile veteran Adelaide hop hop act Hilltop Hoods, made countdown history by notching their twenty-third entry in the music poll, with Show Business, which charted at number seventy-one. Previously Powderfinger, and American rockers Foo Fighters, had shared the record for the most Hottest 100 entries, with twenty-two tracks each.


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A preview of the 2022 Triple J Hottest 100 countdown

27 January 2023

The countdown of Triple J’s Hottest 100 songs of 2022 kicks off at midday tomorrow, Saturday 28 January 2023, AEDT. To ramp up anticipation, the powers that be at the Jays have offered a few tantalising clues as to what can be expected this year:

  • Twenty-three acts will be making their Hottest 100 debut
  • Fifty-seven songs are by Australian artists
  • Six songs were posted to Triple J Unearthed this year
  • AND, at least two massive Hottest 100 records will be broken

There’s nothing like a few surprises to round out a Hottest 100 countdown.


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Triple J Hottest 100 winners likely to be male acts from Sydney or Melbourne

26 January 2023

The countdown of the Hottest 100, a poll of Australian radio station Triple J’s listeners, goes to air from midday (AEDT) on Saturday 28 January 2023. Billie Eder and Lachlan Abbott, writing for the Sydney Morning Herald, analysed past winners of the countdown, and worked out what it takes to get to the top. In short being male — either as a solo act, or in a group — and being based in either Sydney or Melbourne, makes a big difference:

Firstly, you’ll want to be either a solo male artist or in an all-male band – this will significantly increase your chance of winning. In the countdown’s three-decade long history, there has only ever been one solo female winner: Billie Eilish. Eilish took out the number one spot for her song Bad Guy in 2019. The win also made Eilish the youngest ever winner of the award, at just 18 years old.

I’ve been listening to the Hottest 100 for some time now, but reading that American musician Billie Eilish is the only solo female act to be voted number one, in the whole history of the countdown, came as quite the surprise. I’m not sure why this would be. The Triple J playlist is diverse and varied, so it’s not as if the music of female artists isn’t presented to listeners. This is a puzzle.


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From woe to go Triple J ratings rebound in latest survey

26 August 2022

Last time I wrote about listener survey ratings for local and alternative music Australian radio station, Triple J, the news was not good for the broadcaster. Results of survey four for 2022, conducted between Sunday 22 May and Saturday 25 June, and released on Tuesday 5 July, showed a sharp fall in the number of people tuning in.

The findings of survey five though, where radio listeners were polled between Sunday 10 July and Saturday 13 August, revealed a jump in audience numbers, among Sydneysiders aged 18 to 24.

Australia’s national youth broadcaster Triple J has seen a noticeable bump in its key 18-24 demographic in the fifth radio survey of the year, after struggling with its core audience in Sydney for most of 2022. The latest survey has seen the broadcaster more than double its 18-24 audience share, leaping from 4.4 per cent to 9.6 per cent of all listeners in that age group.

Despite the overall increase of listeners in the 18-24 demographic, Triple J’s breakfast and morning shows saw a decrease in audience numbers.


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Jacoténe wins Triple J Unearthed High with I Need Therapy

12 August 2022

Talking of Triple J… Emerging Melbourne based Australian soul and pop singer Jacoténe has won the radio station’s Unearthed High for 2022, with her demo single I Need Therapy. Those vocals though…


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Triple J losing listeners to commercial radio, go figure

12 August 2022

Government funded, alternative music Australian radio station, Triple J has been losing listeners for sometime among their target demographic of 18 to 24 year olds, but recent surveys show the decline has picked up pace, as Tim Burrows at Unmade writes:

However, the fall for average listening to Triple J is much worse. Now, a much bigger proportion of that young listening audience is choosing commercial radio. In 2014, there were an average of 22,000 members of Triple J’s target audience listening at any given time. In the most recent survey in 2022, that had fallen to 10,000 – a fall of 55%.

What puzzles me is the migration to commercial radio though. Listeners haven’t gone to TikTok to discover and listen to music — at least not all of them — instead they’re tuning into commercial radio stations. Surely the ads that choke commercial radio broadcasts don’t have some sort of hitherto unrealised appeal to Generation Z?

I’m somewhat outside Triple J’s target audience, but one reason I still tune in (stream in) is precisely because there are no cheesy commercial jingles. There are ads of sorts on Triple J, but usually for other shows, and music related events and happenings. Certainly not the kind you encounter on commercial channels though.

And surely 18 to 24 year olds aren’t being turned off by Triple J’s focus on new Australian music? Interestingly, radio listenership in general is down some seventeen percent among those aged 18 to 24, so while the jays are losing audience share, they’re not the only ones.


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