Only human artists, not AI creators will receive Grammy awards

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Only human artists, not AI creators will receive Grammy awards

19 June 2023

The Recording Academy of the United States recently amended their rules to stipulate that only human artists and creators can receive Grammy awards. Speaking in a recent interview, Harvey Mason Jr., CEO of the Recording Academy, said AI musical compositions can be entered for consideration, but at this stage no awards will be presented to such works.

At this point, we are going to allow AI music and content to be submitted, but the GRAMMYs will only be allowed to go to human creators who have contributed creatively in the appropriate categories. If there’s an AI voice singing the song or AI instrumentation, we’ll consider it. But in a songwriting-based category, it has to have been written mostly by a human. Same goes for performance categories – only a human performer can be considered for a GRAMMY.

The 2024 Grammy Awards are scheduled to take place on Wednesday 31 January 2024.

The Beatles get by with a little help from AI with new song

14 June 2023

Image courtesy of Firmbee.

With emphasis on the word little. Recent comments made by Sir Paul McCartney, bass player and co-songwriter of defunct 1960s British music act the Beatles, that AI has brought about a “new” song by the band, are perhaps a tad misconstrued. AI technology has indeed assisted in the production of a previously unreleased Beatles song, but application of the technology was somewhat limited.

In 1978 John Lennon, late Beatles guitarist and co-songwriter, recorded a number of demo songs in his New York home, using a portable audio cassette player, variously called a boombox or ghettoblaster. In 1995, when the remaining members of the Beatles were preparing to release the Beatles Anthology, they considered using Lennon’s demo songs as a basis for some new Beatles tracks. This resulted in the inclusion of two songs, Real Love, and Free as a Bird, in the Anthology set.

Starr, Harrison, and McCartney also wanted to include a third track from Lennon’s demo tape, called Now And Then, but there was a problem: the quality of Lennon’s vocals on the recording wasn’t the greatest. Despite their best efforts to tidy up the singing, the group — George Harrison in particular — wasn’t happy with the result. So the idea was shelved.

AI technology however has recently been able to extract Lennon’s vocals from his forty-five year old demo recording, and elevate the quality to a level McCartney and Starr, the surviving band members, are satisfied with. But that was the limit of AI’s part in bringing about this new — and according to McCartney — final Beatles song. The song, and it’s still not certain that it is Now And Then — though Beatles pundits believe it is — is expected to be released later in 2023.

Unless there are other forgotten, or lost, demo tapes made by Beatles members, lying undiscovered somewhere, it is to be hoped whatever track is eventually released, is indeed the last “new” material we hear from the old Liverpool musicians. I say that as I have the concern AI will surely manufacture additional, unauthorised, tracks that mimic the sound and style of the Fab Four, and be passed off as “newly discovered” lost recordings made by the band, by unscrupulous parties.

As the Metaverse flounders, Second Life turns twenty

13 June 2023

Virtual community Second Life turns twenty this month, and continues to deliver what it always promised: a second life that’s sometimes better than the first:

While in cities like New York or London you might never own a flat, in Second Life you could design, build and inhabit a mansion.

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metaverse, technology

Will Vision Pro change or enhance the book reading experience?

8 June 2023

A few days ago Apple unveiled its much anticipated spatial computer headset device, Vision Pro. According to Apple, the product is “a revolutionary spatial computer that seamlessly blends digital content with the physical world, while allowing users to stay present and connected to others.”

This assertion is borne out by American Apple/tech blogger John Gruber, who briefly tried out a test version of the Vision Pro, on the sidelines of this year’s Worldwide Developers Conference (WWDC):

First: the overall technology is extraordinary, and far better than I expected. And like my friend and Dithering co-host Ben Thompson, my expectations were high. Apple exceeded them. Vision Pro and VisionOS feel like they’ve been pulled forward in time from the future. I haven’t had that feeling about a new product since the original iPhone in 2007. There are several aspects of the experience that felt impossible.

If you have even the slightest interest in the Apple headset, I suggest you read Gruber’s article in full. While the device is capable — or eventually will be — of doing all sorts of things, including offering an almost immersive movie watching experience, the rendering of (could we call them) fantasy scenarios caught my eye:

Then, a dinosaur — a velociraptor-looking thing, seemingly about 9 or 10 feet tall — approached the “portal” in the wall and came halfway through into the room. I was invited to stand up from the couch and approach it. […] The dinosaur was not pre-recorded. It reacted, live, to me, keeping eye contact with me at all times. It was spooky, and a significant part of my own lizard brain was instinctively very alarmed. I got extremely close to the dinosaur’s head, and the illusion that it was real never broke down.

Aside from the dinosaur simulation, Gruber also saw an excerpt of James Cameron’s 2022 movie Avatar: The Way of Water. I’m not really a fan of 3D films, I sometimes think they’re an eye-straining gimmick, but Vision Pro sounds like the platform 3D movies have been waiting for:

Cameron shot Avatar 2 with state-of-the-art 3D cameras, and the 3D effect was, as promised, better than anything I’ve ever seen in a theater or theme park. I don’t generally like 3D feature-length movies at all — I find myself not remembering them afterwards — but I might watch movies like Avatar this way with Vision Pro. But even though Avatar is 3D, it’s still a rectangular movie. It’s just presented as a very large rectangle with very compelling 3D depth inside that rectangle.

While a completely different medium from dinosaur simulations and 3D films, the possibilities Vision Pro presents made the book reader in me wonder how, or if, books, or novels, could be consumed on the platform. Books don’t exactly constitute digital content in this context, but still, could the way they’re “read” be somehow augmented, or enhanced, on a headset like this?

Might a book optimised for Vision Pro consumption combine an audiobook experience with visuals other than (but not excluding) pictures or illustrations. “Video” vignettes perhaps? And then audio. What about some background sound? Or might that be something book readers would resist?

While not every novel published would be adapted for Vision Pro — for obvious reasons, cost being one — I can’t imagine ebooks, which one or two people will read on their Vision Pros, not ever being altered or embellished, in some way for the platform.

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books, fiction, technology

ooh.directory a blogroll and web directory in the TikTok age

31 May 2023

My thanks to Phil Gyford for listing disassociated in his web directory ooh.directory. In the early days of the web, before search engines were a thing, website owners often sought to be added to web directories, as promotional opportunities were otherwise limited.

These website lists, or catalogues, were usually broken down by category or subject, so if, say, you were seeking websites focussed on literature, the books or literature page was the place to go. I used to while away many an hour perusing web directories. Site descriptions were often concise, to say the least, and on occasion there was no telling where a link might lead. There was a certain spontaneity that came with directories and blogrolls, something perhaps lacking in today’s web.

ooh.directory is also a blogroll. Once upon a time bloggers used to list their favourite websites and blogs, usually in a sidebar of their blog. Blogrolls were preceded by link pages, which served a similar purpose. They’re not seen so often today, as their use became frowned upon by the search engines. There was a concern some websites included on blogrolls and link pages might have been paid placements, potentially giving the listed blog an unsanctioned leg up in search rankings.

Web directories and blogrolls have been making something of a comeback recently. And in a world chock full of distractions, their return couldn’t be more timely. Elegant tools for a more civilised web. In addition to ooh.directory, there’s also the excellent feedle, the actual Blogroll, and FeedLand.

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design, history, technology

Blog publishing application WordPress has turned twenty

29 May 2023

When I re-launched disassociated as a blog in 2007, being one of many reboots this website has been subject to since 1997, I migrated to blog publishing application WordPress (WP). Prior to that, all pages here were laboriously hand coded. Hand coding was a hangover from my web design days, and my distaste for WYSIWYG website editors. My beef, at the time, with many of these webpage builders was the way they worked. Best practice, and standards, were an alien concept to them, to say nothing of the extraneous code they generated.

One, that shall remain nameless, created rollover code for text hyperlinks using JavaScript. JavaScript. This despite the web being well into the age of CSS generated rollover code by that stage. Come 2007 though, apps like WP were the way to go. Other bloggers I was speaking to then told me WP, or similar such CMSs, would save a bundle of time, and allow me to go about my disassociated way. I’m sure glad I listened to them. “WP is working for me, even while I sleep,” one counterpart said.

I was sold. By that stage WP had been around for about four years, but was still regarded as being relatively new. It was enough to make me feel as if I were some sort of (sort of) pioneer. But WP frustrated the hell out of some people. Many felt WP’s core capabilities were lacking, necessitating an over dependence on plugins — small apps that add, or extend to, WP’s functionality — to bring about the website, or blog, they desired. Ben Barden, a developer and blogger, once created his own CMS, back in the day, named Injader, for this reason.

But I’ve always strived to keep the backend as simple as the front. My use of plugins is as minimal as the interface design. All I want to do is write and post content. But here we are in 2023. disassociated, still styled (mostly) with a lowercase d, which first came into being in 1997 (not as a blog, the term was yet to be coined), is, despite stops and starts, still publishing. And this week WP is twenty years old. So, happy birthday WordPress, and thanks for being here. I’m looking forward to your thirtieth, which will really be something if disassociated is still doing its thing.

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blogs, design, history, technology

Australian authors, illustrators say generative AI is a threat

22 May 2023

A recent poll of just over two hundred Australian Society of Authors (ASA) members reveals local authors and illustrators are concerned generative AI technologies pose a threat to their livelihoods. This despite about twenty percent of poll participants stating they made use of AI tools — if only partially — in their work.

The survey results demonstrate that while a small minority of authors are using AI tools as part of their writing and illustrating process, there is overwhelming concern about the threat generative AI poses to already precarious writing and illustrating professions.

While it seems certain authors will more fully embrace tools such as ChatGPT to help brainstorm, edit, and correct work, most ASA members feel the part AI technologies play in the writing of a book should be publicly divulged.

Converting empty offices to housing to reduce homelessness?

7 May 2023

When people started working from home during the COVID pandemic, large numbers of office buildings fell vacant, and many remain that way. So why not convert these once commercial spaces into residential accommodation, and put a roof over the head of homeless people?

At first glance the idea makes sense:

Proponents argue that increasing housing in urban centres through office-to-residential conversions also supports the 15-minute city model, where many of your daily needs are just a short walk or bike ride from home. The model promotes community-building and healthy living, boosts local economies and reduces transport emissions, helping ensure there is cleaner air and a more sustainable planet.

Problems abound though. Repurposing office blocks into housing comes at cost, and some buildings are not always suitable for conversion into residential accommodation. It’s an unfortunate dilemma. On one hand, buildings sit empty, while on the other, there are people without a place to call home.

Australian Glenn Homann wins 2022 mobile photography award

14 April 2023

Brisbane based Australian photographer Glenn Homann has been named the 2022 Grand Prize winner in the twelfth annual Mobile Photography Awards, with a portrait titled “Old Mate”.

Glenn Homann’s mobile photography is remarkable on so many levels. He takes us with him through a broad sweep of genres with particular mastery of light & shape, character & narrative. From landscapes to architecture, portraits & street photography, Glenn repeatedly locates the visual ephemera at the intersection of geometry & color.

Before I actually read who the winner was, I speculated they might be Australian, after spotting the photo title, old mate.

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Australia, photography, technology

Book Depository to close for orders on 26 April 2023

8 April 2023

Online bookseller Book Depository says it will shut up shop in late April 2023. Established in the United Kingdom in 2004 by Stuart Felton, and Andrew Crawford — a former Amazon employee — the company went on to be bought by Amazon in 2011.

The news comes as a blow to book buyers across the world:

Thousands of Book Depository customers, including bestselling authors, reacted with sadness over the announcement. “Sad to hear the news. A huge loss for all of us,” New Zealand-based author and poet Lang Leav tweeted. “My heart breaks,” another Twitter user said.

Not everyone is upset by the announcement however, according to Dan Slevin of New Zealand bookshop association Booksellers NZ. He says local sellers struggled to compete with Book Depository, who didn’t levy GST — a consumption tax — on sales, as they were not based in New Zealand, and also offered free delivery on purchases.

Dan Slevin, chief executive of Booksellers NZ, said there were “metaphorical champagne corks popping in bookshops all over New Zealand”.

I detected similar sentiments in Australia being expressed on Twitter. Book buyers are unhappy, but local booksellers not so much. Possibly some delivery services in Australia may also be rejoicing, if some of the tweets I saw are anything to go by.

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books, bookshops, technology

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