Great Circle is an aviation term, and in the context of Los Angeles based American author Maggie Shipstead’s novel of the same name (published by Penguin Random House, 4 May 2021), refers to flying around the world, from say the North Pole to the South, and then back. This is what Marion Graves, the pilot at the heart of Shipstead’s third novel is attempting.
However Marion never makes it home during the 1950 flight. Sixty years later a filmmaker is adapting the story of Marion’s life and ill-fated flight to the big screen, and casts Hadley Baxter to portray Marion. Fearing she has become typecast by her part in a recent film franchise, Hadley is keen to take on a role that will cast her in a different light.
But as filming progresses, Hadley becomes drawn into Marion’s rich and varied life, and develops a fascination with her final flight. In learning what she can about Marion, it seems Hadley may have stumbled upon a clue as to the lost pilot’s ultimate fate. Weighing at six hundred pages though, you may want to clear a few other books from your to-be-read list, before beginning Great Circle.
The Voyeurs, the new film by American filmmaker Michael Mohan, drew me in with its Rear Window feel. Sydney Sweeney and Justice Smith star as a young couple who have moved into an apartment in Montreal, and become obsessed with the antics of their neighbours who live across the road.
Wielding a nasty cunning and just the right amount of irony, he sets up a playful take on Rear Window for the age of nude leaks that lays bare the roiling carnal subtext of Hitchcock’s masterpiece.
They live in a chaotic world, confronting climate change and animal extinction, in a country once on the brink of civil war. The administration of a populist president wants to cut scientific research budgets, something that could bring an end to Theo’s work, searching for extra-terrestrial life on other planets.
While Robin is intelligent and creative, he is also deeply troubled, and prone to aggressive outbursts. His school is threatening to expel him unless he is given medication to control his moods, but Theo is against the idea. He would prefer to try an experimental neurofeedback treatment, based on the recorded brain patterns of Robin’s late mother.
Writers know one of the scenarios Gauld envisages is going to play out. But it started me thinking; what if you’re an aspiring author, in other words, unpublished. How do you go about seeking feedback for the manuscript you’ve possibly spent years toiling over, when you don’t have the luxury of being able to call on an editor?
Should you ask friends? It’s probably what most people would think of. But if what a bunch of people agree to take a look, and you end up hearing nothing back? How do you interpret that? To mean your writing is subpar? That’s what I might think. On the other hand, it could be your friends are time-poor, like everyone else.
Expecting someone to read and digest one hundred thousand words and supply commentary, especially in the space of say a week, is a big ask by any standard. Perhaps a more graduated approach is a better idea, something Chicago based writer and filmmaker Jennifer Peepas suggests:
If someone volunteers to read your novel, send them the first chapter or so. If they write back to you wanting more, you have good feedback from that act alone: You wrote a good first chapter, you hooked them, they do actually want to read it, and they will likely give you notes.
That’s not a bad idea. But let’s get to the nitty-gritty. A friend has sent you their writing for critique, and it… it’s terrible. How do you respond? Without causing offence, and destroying the friendship? Freelance editor and writer Meg Dowell thinks the prospective author should put themselves in their friend’s position before sending anything. Long story short, maybe it’s best you don’t ask in the first place:
As humans often do, I turned this question back on myself and tried to imagine myself as the bad writer friend dreaming big. Would I want someone to tell me my writing kind of sucked? Or would I have a better experience continuing to write to my heart’s content and chase my dreams even if it wasn’t likely they’d come true? I’m not sure I would want to know if my writing was terrible. At least, I’m not sure I’d want to hear it from someone close to me. If I were passionate enough about writing to work hard in an attempt to make it, having my dreams crushed before my eyes … I don’t know how I would handle that.
I’m not sure anyone could tell a friend their would-be novel sucked though. More likely they’d say they really liked it, and they’re looking forward to the book launch. After all, that’s what friends are for. This is a matter requiring of further research, and follow-up. In the meantime, go and look at more of Tom Gauld’s work. It’s stellar, unlike asking friends to critique your writing.
Quite possibly you’re connected to, on, or in the portal, as you read these words. The simplest definition of the portal would be the internet, though most likely there’s a world of difference between the two. The portal could perhaps be regarded as a hard core social media experience, one that all but consumes those who enter its purview. Does this somehow sound familiar?
No One Is Talking About This (published by Bloomsbury Circus, 16 February 2021), is the debut novel of American poet and author Patricia Lockwood. It tells the story of an unnamed social media influencer who is so caught up in the seemingly inescapable domain of the portal, she appears to have lost sight of what is meant to be the real world. This abruptly changes though when she receives word of a family emergency, and is forced to bring herself back to the here and now.
No One Is Talking About This, which has been named on the shortlist of the 2021 Booker Prize, places the protagonist in two starkly different realms, to the point the novel feels like two novels. In doing so, might the suggestion be the portal and real life can, in some way, co-exist? I don’t know; does a choice even exist?
While sitting in my living room I was transported to a train anywhere in the subcontinent looking out into grassy fields for miles spotted with cattle and small mud huts with thatched roofs paddy fields and streams and stations with hot chai in tiny plastic cups and samosas. Berths with thin white sheets and packed dinners leaking with yellow oil. A recent cross country train ride I did just my older son and I where we spent sometime just staring out of the window each with our own thoughts.
While I’m yet to read A Passage North, it seems to me these words capture something of the novel’s essence.
A Passage North, (published by Granta Books, 15 July 2021), is the second novel of Colombo, Sri Lanka, born novelist Anuk Arudpragasam, and was included on the Booker Prize shortlist last week. Set in the wake of the thirty year long civil war that devastated much of northern and eastern Sri Lanka, the story follows Krishan, a young Tamil man, as he makes his way from Colombo to the war ravaged north.
The death of Rana, his late grandmother’s former carer precipitates the long train journey. While travelling to Kilinochchi, Krishan contemplates an email from Anjum, his ex-girlfriend whom he met while living in Delhi, India. This message is the first contact with her in four years, after she ended the relationship to prioritise her activist interests.
Arudpragasam’s work is influenced by late Austrian writer Thomas Bernhard, and this manifests itself in the long sentences and paragraphs that are replete throughout the novel. Dialogue is non-existent, as is a focus on story and setting, and it is this less than standard approach to writing that sets A Passage North apart from other works of literature.
Time Magazine’s list of the Most Influential People of 2021, contains the names of icons, pioneers, titans, leaders, and innovators, but it’s only in drilling down into the artist category, that a single writer comes to light; American author N. K. Jemisin. First and foremost congratulations to Jemisin for being included, but it seems unfortunate more writers aren’t recognised here. How do we remedy this situation?
An unfulfilled, decades old promise divides an already dysfunctional South African family of five, in The Promise (published by Chatto & Windus/Penguin Random House, 17 June 2021), the ninth book by Cape Town based playwright and novelist Damon Galgut.
In her final days, family matriarch Rachel extracts an undertaking from her husband, Manie, to provide Salome, the well-off family’s long serving housekeeper, her own house on a block of land. Amor, a daughter of the Pretoria based farming family, overhears the conversation, and is determined the commitment be honoured. Her frustration grows though as the years pass, and the family fails to deliver.
The Promise, the third of Galgut’s books to be shortlisted for the Booker Prize, switches its storytelling perspective between the troubled family members. The pledge to take care of Salome is an analogy of sorts for a hopeful South Africa emerging from the apartheid years, and the challenges confronting the country in moving away from its past.
Scoring a hit with your first musical release… that has to be an achievement and a half. What a great way to start a career. Tomorrow from midday, Saturday, 18 September, Double J will countdown what they rate as the Fifty Best Debut Singles.
That’ll be a show and a half. I couldn’t possibly guess at a number one, so instead here’s the video clip for Crave you, the 2009 debut single by Sydney electronic act Flight Facilities, which I’m hoping will be included somewhere in the fifty.
