“The entire industry is based on hunches,” says literary agent Martin Shaw, who was head book buyer at Readings for 20 years before he became an agent. “More than half the books you publish either lose money or don’t make money. And that’s true — week in, week out, year in year out — whether you’re a small, medium or big publisher,” claims Henry Rosenbloom, founder of Scribe Publications, which has been acquiring books since 1976. This can be a heartbreaking reality for the in-house staff. “I’ve personally spent months editing books, and you publish the book and no one’s interested,” Henry adds.
I wonder how the publishing industry could not be based on hunches. Unless you’re publishing a big-name, well established (and even then nothing’s ever guaranteed) author, how does anyone know how a new book might be received?
The latest feature from Kurzgesagt, those veritable video virtuosos of educational storytelling, explores the possibility of Earth being invaded by an advanced extra-terrestrial civilisation. While Kurzgesagt stresses much of what they present here is speculative, some of the points they raise are nonetheless fascinating.
While this video is based on scientific papers, we are presenting interesting ideas based on little data and lots of extrapolation, so take them with a grain of salt.
Kurzgesagt make the seemingly incredible suggestion that our galaxy, the Milky Way, may one day not be big enough to accommodate all the space faring civilisations that could potentially arise. The notion seems astonishing given the amount of space we’re talking about.
It is also possible humanity is the first technological civilisation to emerge in the Milky Way. This call is made on the basis that there is next to no evidence of the existence of other intelligent lifeforms in the galaxy. This thought is backed up by the Fermi paradox, which asks, if the galaxy is teeming with habitable planets, were are all the extra-terrestrials?
Sufficiently advanced extra-terrestrials would be relatively easy to detect, with the technologies we possess. Their Dyson swarms, their presence in numerous neighbouring star systems, would create blips on the radar, so to speak. That’s not to say there are no other technological civilisations in the galaxy, but if there were, they’re possibly at a similar level of development to ours at the moment.
But intelligent civilisations need significant amounts of time to evolve. The process has taken billions of years on Earth. So while the galaxy seems devoid of space faring civilisations at present, that may change in the next billion or so years, as currently in utero lifeforms grow. Intelligent civilisations also need a stable environment in which to germinate, which Earth, and the Sun, has given us, but some good fortune has been involved in our case.
Kurzgesagt suggests suitably located planets orbiting red dwarf, or M-type stars, which are abundant, provide an ideal environment for intelligent life to develop.
Most stars are red dwarfs that can sustain habitable planets for tens of trillions of years! Life on these planets has an incredibly long time window to appear and pass the hard steps.
Red dwarf stars live for trillions of years, as opposed to billions, for G-type stars such as the Sun. Intelligent life would therefore have more chance of taking hold, as it has plenty of time to do so. On Earth, intelligent life took five billion years to emerge, being half way through the Sun’s approximately ten-billion year lifespan.
But if the process had started any later, it may well have been too late. As the Sun ages, it is becoming warmer, and eventually Earth will be too hot to support life. Humanity, it seems, came along at the right moment. Seen in that context, planets hosted by red dwarfs appear to be the perfect incubator for intelligent life. But things are not that simple: red dwarfs pose their own problems for the emergence of life.
For one, any planets in a red dwarf’s habitable zone, a place where the environment is neither too hot nor too cold, would be tidally locked. This means one side of a planet would permanently face the star, and be exceedingly warm as a result. The other side, meanwhile, would always be shrouded in darkness, and likely too cold for life to thrive.
It has been suggested life could flourish on the day-night terminators of such planets, but this would make for an all too narrow habitable corridor. In addition, red dwarfs also emit radiation flares, which can have the effect of “sterilising” planets in their vicinity, rendering them uninhabitable. That’s not too good. Nor is it conducive for the prevalence of intelligent life.
Given life only spawns in what seems like an extremely slender set of circumstances, an extra-terrestrial invasion may be the one thing we don’t have to worry about. There’s simply no one else out there. Given humanity appears to ascendant then, we have the opportunity, as Kurzgesagt suggests, to carve out our own niche in the galaxy.
It’s been a while since I wrote about recent fiction releases by Australian authors, so here’s a quick round up of a few titles that have arrived on bookshop shelves in the last little while.
The Last Love Note, by Emma Grey, an author living near Canberra, is the story of a woman, Kate Whittaker, looking for love following her husband’s death. Based in part on Grey’s own experiences after her husband died, her protagonist struggles to get on with life.
Kate has a son to raise, while holding down a demanding job, and contending with a domineering mother, along with her best friend who is trying to find her a match. Then Kate learns that her boss knows a secret about her past…
The Bell of the World is the sixth novel from Victorian author, poet, and musician Gregory Day, and is set during early to mid-twentieth century in a rural coastal town called Ngangahook. Sarah Hutchinson, a troubled young woman, returns to Australia after a stint at an English boarding school, to live with her uncle Ferny.
Sarah and Ferny bond over music, poetry, and reading. But their way of life is threatened when local town’s people propose building a bell tower, the chimes of which would surely disrupt the harmonies created by nature.
Resistance is the latest novel by Melbourne based author Jacinta Halloran, a former doctor and board member of Australian literary award, the Stella Prize. Nina is a family therapist with a reputation for listening to everything her clients tell her.
But her latest case may be her most challenging. A couple who stole a car and drove into the outback have been ordered to be counselled by her. But something’s not quite right about this couple who are reluctant to see her, and before long Nina begins to fear for the safety of their two children.
We Only Want What’s Best, is the debut novel of Sydney based writer and stand-up comedian Carolyn Swindell, and is set on a flight between Australia and Los Angeles. Bridget is taking her daughter Becky to Disneyland to perform in a dance recital. Accompanying them is Simone and her daughter, Zahra.
Bridget, who isn’t completely comfortable making the long flight, becomes further unsettled when she finds potentially exploitative photos of Zahra, and other dance troupe girls, on Simone’s phone. The two women struggle to contain the rising tension between them, lest it overwhelms them before the flight lands.
Things She Would Have Said Herself, is new fiction from Australian author Catherine Therese, and tells the story of Leslie Bird, the quick tempered matriarch of her family. And while Leslie loves being a wife and mother, there’s a problem: she can’t stand her husband or children.
Despite the difficulty of her role, Leslie does her best to conceal the pain she feels, and the losses she has suffered. But the pressure of organising and hosting Christmas lunch for her extended family, may cause everything to unravel in spectacular fashion.
Beau Is Afraid, trailer, is the latest feature by American screenwriter and filmmaker Ari Aster. If there were only one word to sum up Aster’s work, uncomfortable would surely be it. His 2018 debut, Heredity, a supernatural thriller, about a family whose members become possessed by demons, was described as “harrowing” and “disturbing”.
Midsommar, his second feature made in 2020, portrays a couple who find themselves in the grip of a pagan cult. While Midsommar also unsettled audiences, it didn’t enjoy quite the same critical reception as Heredity. The impact Beau Is Afraid has on audiences remains to be seen, but with a billing as “surrealist black comedy horror”, it seems likely to linger in the minds of viewers long after the screening ends.
Beau Is Afraid, a Kafkaesque nightmare comedy
Beau Wassermann (Joaquin Phoenix) is a jittery middle-aged man, who is burdened with self-doubt. He is the son of a domineering mother, and a father he never knew. When his mother dies suddenly, Beau sets off for his childhood home. But the journey he takes is no ordinary one. It is more of an odyssey, a surreal odyssey. He traverses nightmare like dreamscapes, as a boy and an old man, where he comes face to face with his (plentiful) fears and insecurities along the way.
Interestingly, Beau Is Afraid is based on a short film Aster made in 2011 called Beau. Aster’s short is about a middle-aged man who attempts to visit his mother, but is unable to leave home after his house keys mysteriously vanish. Their disappearance sets in motion a sequence of strange and terrifying events. While Beau featured Billy Mayo, Aster has turned to Joaquin Phoenix to portray the troubled lead in Beau Is Afraid.
Joaquin Phoenix, master of the dark streak
A filmmaker would be hard pressed to find a more talented actor to take on the role of the depraved — albeit outwardly mild-mannered — Beau, than Puerto Rican born American actor Phoenix. His work in Todd Phillips’ 2019 feature, Joker, an origin story about Batman’s long-time nemesis, speaks for itself. But Phoenix’s ability to layer darkness upon the characters he portrays came to the fore in 2005’s Walk the Line, James Mangold’s biopic of late American country singer Johnny Cash.
When it comes to drawing out the dark streak in a person, Phoenix might be in his element though when he is the subject. This was the case in the Casey Affleck made mockumentary I’m Still Here, from 2010. Here Phoenix — in collaboration with Affleck — succeeded in making audiences believe he was giving up his acting career to become a hip hop artist. The ruse had credibility after Phoenix had earlier told television host David Letterman this was his intention.
But it was the candid scenes of Phoenix’s private life, while at home, that possibly left a lasting impression on those who saw I’m Still Here. Without spoiling proceedings too much more for those yet to partake, there was plenty that could not be unseen, nor unheard. From the little we’ve seen of Phoenix’s portrayal of Beau so far, calling it a comedic exaggeration and extension of Phoenix’s portrayal of himself in I’m Still Here, may not be too far off the mark.
Beau Is Afraid is not for the faint of heart
Unless, that is, a three hour foray — yes, that’s right, Beau Is Afraid has a run time of almost three hours — of Kafkaesque proportions, into the mind of a disturbed person, is your thing. Quite possibly though Aster’s third feature may have been longer. During a discussion in June 2020, with the Associated Students Program Board, Aster said he was working on a “nightmare comedy” of four hours duration, that, at the time, was named Disappointment Blvd.
Four hours of Kafkaesque nightmare comedy might have been a bit much though. Three hours seemed like a struggle as it was, especially for Phoenix, with reports that he fainted during filming of a particularly intense scene.
When do we get to see this?
Beau Is Afraid had its world premiere at a surprise screening in New York, on Saturday 1 April 2023, in what was something of an April fool’s joke. Attendees were under the impression they were going to see a director’s cut of Midsommar, until Emma Stone, the event’s MC, informed them otherwise.
Beau Is Afraid meanwhile opens in Australian cinemas on Thursday 20 April 2023.
A photo taken a couple of years ago on the shore of Budgewoi Lake, on the NSW Central Coast.
Budgewoi is an Indigenous Australian name for the area meaning “where the waters meet”. Budgewoi Lake in one of the waters in question, the Tasman Sea, situated about a kilometre directly behind me, being the other.
Lucasfilm president Kathleen Kennedy announced three new Star Wars movies at Star Wars Celebration, currently taking place in London. One of the titles will see Daisy Ridley reprise the role of Rey, who featured prominently in episodes seven to nine, in a story that picks up fifteen years after events of The Rise of Skywalker:
The third film to be announced, a project to be directed by Sharmeen Obaid-Chinoy, has been known about for some time, but appears to have been dogged by changes of direction and staff departures. Obaid-Chinoy’s film will take place 15 years after The Rise of Skywalker and feature Daisy Ridley returning in the role of Rey; it will “tell the story of rebuilding the New Jedi Order and the powers that rise to tear it down”.
Sounds a little like post Return of the Jedi storylines that were plotted out in the Star WarsExpanded Universe (EU) back in the day. Now known as Star Wars Legends, the EU were imaginings of events in the Star Wars stories before, around, and more notably, after episode six.
Most of the main players in the original trilogy (episodes four to six) were part of these post Return of the Jedi EU stories. But episodes seven through nine saw many of them off, so obviously they will be absent. But who knows, maybe not. The Star Wars universe is full of ghosts. Let’s see what happens. And just maybe these new movies will be a little more engaging than the previous three. But again, let’s see what happens.
Online bookseller Book Depository says it will shut up shop in late April 2023. Established in the United Kingdom in 2004 by Stuart Felton, and Andrew Crawford — a former Amazon employee — the company went on to be bought by Amazon in 2011.
Thousands of Book Depository customers, including bestselling authors, reacted with sadness over the announcement. “Sad to hear the news. A huge loss for all of us,” New Zealand-based author and poet Lang Leav tweeted. “My heart breaks,” another Twitter user said.
Not everyone is upset by the announcement however, according to Dan Slevin of New Zealand bookshop association Booksellers NZ. He says local sellers struggled to compete with Book Depository, who didn’t levy GST — a consumption tax — on sales, as they were not based in New Zealand, and also offered free delivery on purchases.
Dan Slevin, chief executive of Booksellers NZ, said there were “metaphorical champagne corks popping in bookshops all over New Zealand”.
I detected similar sentiments in Australia being expressed on Twitter. Book buyers are unhappy, but local booksellers not so much. Possibly some delivery services in Australia may also be rejoicing, if some of the tweets I saw are anything to go by.
Friends Leon (Thomas Schubert) and Felix (Langston Uibel) head to an idyllic seaside holiday home for the summer. They look forward to relaxation, but also must work on their creative projects. Leon will finish the manuscript of his anticipated second novel, while Felix has to complete a photography portfolio. On arrival they find an unexpected guest Nadja (Paula Beer, Undine), whose loud sex with local lifesaver Devid (Enno Trebs) elicits irritation… among other feelings. Soon Leon is smitten with Nadja, and Felix taken with Devid — and the summer holiday is filled with lust, jealousy, competition and creativity. All the while the forest fires, once distant, encroach and grow, leading to a shocking climax.
The full program of the festival will be announced on Wednesday 10 May 2023.
Entries are open until Monday 29 May 2023 for the 2023 David Harold Tribe Poetry Award. With a prize of twenty-thousand dollars, it is Australia’s richest award for original, unpublished, poetry of up to one-hundred lines in length. David Tribe was an Australian humanist and writer who died in 2017.
The prize was created in 2005 as part of the David Harold Tribe Awards, to recognise excellence in Australian fiction, poetry, philosophy, sculpture, and symphony, with a prize for each segment being awarded every five years. In 2018, the last time the poetry award was presented, Grace Heyer and Ella O’Keefe were named joint winners.
More information about the prize, and how to enter, can be found here.
