Nothing about Kissing by Kathryn Lomer wins 2024 Furphy literary award

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Nothing about Kissing by Kathryn Lomer wins 2024 Furphy literary award

12 August 2024

Hobart based Australian poet, and young adult writer, Kathryn Lomer, has been named winner of the 2024 Furphy literary award for short stories, with her work Nothing about Kissing (PDF).

Set in Tasmania’s Museum of Old and New Art (Mona), also in Hobart, Nothing about Kissing, is the story of an unnamed museum cleaner, who’s early morning shift gets off to a rather bad start.

I’m not really into short stories, they’re a hard act to master, but Lomer’s work is, literally, a winner. It’s short enough to read during a refreshment break, so do give it a look.

The Ledge, a new thriller/whodunit by Christian White

8 August 2024

The Ledge is the fourth novel by Victoria based Australian writer, and master of twists that will leave you breathless and dumbfounded: Christian White.

When human remains are discovered in a forest, police are baffled, the locals are shocked and one group of old friends starts to panic. Their long-held secret is about to be uncovered.

It all began in 1999 when sixteen-year-old Aaron ran away from home, drawing his friends into an unforeseeable chain of events that no one escaped from unscathed.

White’s novels are chock full of the things readers of thrillers and suspense love: red herrings, blind alleys, smoke and mirrors, lies, deception, characters with multiple aliases, the list goes on. So far I’ve read The Nowhere Child, White’s 2019 debut, and The Wife and the Widow, which possibly has of one the most mind-blowing twists in the genre.

Wild Place, meanwhile, published in 2021, remains on my TBR list, where it will be joined by The Ledge, when it is published on Tuesday, 24 September 2024.

Stone Yard Devotional by Charlotte Wood included on Booker Prize longlist

6 August 2024

Sydney based Australian author Charlotte Wood has been included on the 2024 longlist for the Booker Prize, with her latest novel, Stone Yard Devotional. It is the first time a work by an Australian writer has featured on the Booker longlist since 2016.

I’m reading Stone Yard Devotional right now, and loving it. Some reviewers however have complained it plods, and is too introspective. The story is about a woman, non-religious, who retreats to a convent in outback Australia for a while to sort out her life. Her musing however, are interrupted by a number of unexpected happenings.

Wood’s 2019 novel The Weekend is another great read, in case you’re on the lookout for book recommendations. It was adapted for the stage, and has been optioned for a screen production.

The Echoes, a new novel by Evie Wyld, author of The Bass Rock

5 August 2024

Cover image of The Echoes, a new novel by Evie Wyld.

London based Anglo-Australian author Evie Wyld’s 2021 novel, The Bass Rock, which won the Stellar Prize literary award in the same year, was a riveting read. Her new book, The Echoes, looks like it will follow suit, given it incorporates elements of The Bass Rock, including settings across several locations and time, and a dollop of the supernatural thrown in for good measure:

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him.

In the weeks and months before Max’s death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max.

Both a celebration and an autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them. It asks what of our past we can shrug off and what is fixed forever, echoing down through the years.

Praiseworthy by Alexis Wright wins 2024 Miles Franklin Literary Award

2 August 2024

As called/guessed by yours truly, Praiseworthy, the 2023 novel by Waanyi/Gulf of Carpentaria based Australian author Alexis Wright, has won the 2024 Miles Franklin Literary Award. Praiseworthy has cleaned up on the awards circuit since publication, also winning the other major Australian literary award, the Stellar Prize.

Wright also won the Miles Franklin in 2007, with Carpentaria. In winning this year, she joins an elite band of Australian writers to win the esteemed prize multiple times, including Thea Astley, Tim Winton, Patrick White, Michelle de Kretser, Kim Scott, and Thomas Keneally.

The 2024 Miles Franklin shortlist for Australian fiction

2 July 2024

The shortlist for the 2024 Miles Franklin literary award for works of Australian fiction, was announced earlier today. Of the ten novels named on the longlist in May, the following six titles have been included today:

Only Sound Remains, by Hossein Asgari
Wall, by Jen Craig
Anam, by André Dao
The Bell of the World, by Gregory Day
Hospital, by Sanya Rushdi
Praiseworthy, by Alexis Wright

Each author will receive five-thousand dollars for making the cut. Kate Evans, writing for ABC News, describes this year’s shortlist as one of the most culturally diverse, and notes that should a woman author win this year, that will be eight times in a row a woman has won.

My money would be on Alexis Wright’s Praiseworthy, which has been doing well on the award’s circuit. The 2024 winner will be unveiled on Thursday 1 August 2024.

The Honeyeater, the new novel by Australian author Jessie Tu

1 July 2024

Cover image of The Honeyeater, the new novel by Jessie Tu.

The Honeyeater is the second novel by Sydney based Australian writer Jessie Tu, and will be in bookshops on Tuesday 2 July 2024. That’s tomorrow.

I read Tu’s 2020 debut A Lonely Girl is a Dangerous Thing almost four years ago. It was the story of a once child prodigy musician, who wasn’t always successfully navigating life as a twenty-something adult. It often made for difficult reading. In contrast, The Honeyeater seems more like a thriller:

Young academic and emerging translator Fay takes her mother on a package tour holiday to France to celebrate her birthday. It’s a chance for the two of them to take a break from work and have a little fun, but they both find it hard to relax. Her mother seems reluctant to leave their room in the evening, and Fay is working on a difficult translation. On their last night in France, Fay receives the shattering news that her former lover has suddenly died.

Back in Sydney, Fay seeks solace from her mentor, Professor Samantha Egan-Smith, who offers her a spot at a prestigious translation conference in Taipei. But can she trust her? Does the Professor know more than she is admitting, or is Fay being paranoid? When a shocking allegation is made, Fay chooses to keep it secret. Is she protecting the Professor or exercising power over her?

Fay arrives at the conference in Taipei. Career opportunities abound, but it’s ghost month in Taiwan. Her mother had begged her not to go at that time, warning that she would be susceptible to dangers and threats. And there is almost nothing a mother won’t do to protect her child.

And coincidentally, Tuesday 2 July 2024 is also when the shortlist for Australian literary prize, the Miles Franklin, will be announced. Not that The Honeyeater will feature on that list, though who knows, it may in 2025.

She is the Earth wins NSW Premiers Literary Awards book of year 2024

22 May 2024

She is the Earth, a work of verse, written by Yankunytjatjara (South Australia) poet Ali Cobby Eckermann, was named the NSW Premiers Literary Awards book of the year, on Monday 20 May 2024.

Award judges were unstinting in their praise of Eckermann’s writing:

She is the Earth is a stunning verse novel that takes the reader on a journey of love and grief, through land, sky and water, and all places in between. This surreal creation story contains many other stories and worlds within the whole. A story of breath and breadth, it is both other-worldly and inner-worldly, with the distinction between the two realms fuzzy and flowing across each other to astonishing effect.

2024 Australian Book Industry Awards (ABIAs) winners

16 May 2024

The 2024 Australian Book Industry Awards (ABIAs) were held last week, on Thursday 9 May. The ABIAs are considered the Australian book publishing industry’s night of nights. A book-ish version of the Oscars, if you will.

Award winners include Pip Williams, with her novel The Bookbinder of Jericho, in the General Fiction Book of the Year category. I’ve read the predecessor title, The Dictionary of Lost Words, a story with the publishing of the first edition of the Oxford Dictionary, as a backdrop.

Wifedom: Mrs Orwell’s Invisible Life, by Anna Funder, won Biography Book of the Year, while Welcome to Sex, written by Melissa Kang and Yumi Stynes, which garnered some controversy last year, took out Book of the Year for Older Children (ages 13+).

The full list of winners can be seen here.

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Australian literature, literary awards

The 2024 Miles Franklin longlist for Australian novel writing

16 May 2024

Well this is exciting, the longlist for the 2024 Miles Franklin literary award for Australian novel writing, has been published. Not sure how I missed the official announcement, but I went searching for a date the longlist would be unveiled, and instead found the longlist itself:

Only Sound Remains, by Hossein Asgari
Wall, by Jen Craig
Strangers at the Port, by Lauren Aimee Curtis
Anam, by André Dao
The Bell of the World, by Gregory Day
Edenglassie, by Melissa Lucashenko
The Sitter, by Angela O’Keefe
Hospital, by Sanya Rushdi
Stone Yard Devotional, by Charlotte Wood
Praiseworthy, by Alexis Wright

Praiseworthy, which won the 2024 Stella Prize, and Charlotte Wood’s Stone Yard Devotional, are notable inclusions. I loved Wood’s 2019 novel, The Weekend, and I guess a few other people also, as the film option was sold a couple of years ago, and a stage adaptation was also made.

I can’t — as yet — find a date the shortlist will be announced. Come to that, I couldn’t even find a date the longlist would be published, I just seemed to stumble upon it last night. I can’t figure out why they need to be so elusive about these things. The Miles Franklin is after all one of the highlights of the Australian literary calendar.

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