The Booker Prize World Cup 2022

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The Booker Prize World Cup 2022

4 December 2022

If football/soccer isn’t your thing, but you love the thrill of elimination contests involving novels, you could always take a look at the Booker Prize World Cup:

We’ve selected, entirely arbitrarily, 16 winning books from the Booker Prize’s 53-year history, with each author representing a different footballing nation. In each case, the author is playing for their country of birth (which is more than you can say for the Qatar football team), and not necessarily the country with which they are best associated or where they live. We have drawn books against one another at random and in each ‘match’ — which will be posted on our Instagram and Twitter channels each day — we would like you to vote for the best book via a poll. The winning book will then progress to the next round. After the first round, there’ll be a quarter-final, semi-final and grand final.

The provision of each author playing for their country of birth is important, given South African born writer J.M. Coetzee, for example, has been an Australian citizen since 2006. Otherwise Peter Carey, with his 1988 novel Oscar and Lucinda, was Australia’s opening round representative.

While it could have been argued Australia was in with two chances, unfortunately as of the quarter final phase of the Booker Prize World Cup, both Carey and Coetzee had been eliminated. Such is life. Still, I’m waiting to see who wins. To take part, and support your favourite book, cast your vote via the Booker Prize Twitter or Instagram pages.

Why aren’t Australian books being nominated for the Booker Prize?

19 October 2022

It’s been six years since the work of an Australian author was nominated for the Booker Prize. Tasmanian writer Richard Flanagan was the last recipient in 2014, with his book The Narrow Road to the Deep North.

Since then only South African born Australian author J.M. Coetzee has made the cut, being named on the longlist for the 2016 Prize with The Schooldays of Jesus.

But 2014 was also the year changes were made to the Prize’s eligibility requirements, allowing any English language title to be nominated, essentially opening up the award to American writers. Since then it seems Australian books have struggled to gain traction.

The Booker was once confined to authors from the Commonwealth, Ireland and Zimbabwe — an empire rule that looked increasingly silly, leading to a change in 2014 to allow all novels written in English, so long as they were published by UK and Irish publishing houses. Much fuss was made about the decision to let Americans in (including by Carey), but it is undeniable that since then, they have made up roughly a quarter of every longlist and won three times; at this year’s prize, which was won by Sri Lankan author Shehan Karunatilaka on Monday, six of the 13 nominees were American. These authors are most often living, working and published in the US — seemingly an easier path into the UK than the long road from Australia.

Shehan Karunatilaka wins 2022 Booker Prize with The Seven Moons of Maali Almeid

18 October 2022

After much speculation as who would win the 2022 Booker Prize, and whether there was even any point in speculating in the first place, Sri Lankan author Shehan Karunatilaka has been named winner of the 2022 Booker Prize, for The Seven Moons of Maali Almeid.

Of the winning title, the Booker judges said:

Any one of the six shortlisted books would have been a worthy winner. What the judges particularly admired and enjoyed in The Seven Moons of Maali Almeida was the ambition of its scope, and the hilarious audacity of its narrative techniques. This is a metaphysical thriller, an afterlife noir that dissolves the boundaries not just of different genres, but of life and death, body and spirit, east and west. It is an entirely serious philosophical romp that takes the reader to ‘the world’s dark heart’ — the murderous horrors of civil war Sri Lanka. And once there, the reader also discovers the tenderness and beauty, the love and loyalty, and the pursuit of an ideal that justify every human life.

The Booker Prize 2022 shortlist

7 September 2022

The Seven Moons of Maali Almeid by Shehan Karunatilaka book cover

The Booker Prize 2022 shortlist has been unveiled:

Glory by NoViolet Bulawayo
Small Things Like These by Claire Keegan
Treacle Walker by Alan Garner
The Trees by Percival Everett
The Seven Moons of Maali Almeid by Shehan Karunatilaka
Oh William! by Elizabeth Strout

Featured above is the cover of Shehan Karunatilaka’s shortlisted title The Seven Moons of Maali Almeid. It would win the disassociated prize for best book cover on the Booker Prize shortlist, if there were such a thing.

The winner will be announced on Monday 17 October 2022.

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The 2022 Booker Prize longlist

27 July 2022

The 2022 Booker Prize longlist was announced overnight, Australian time. Thirteen authors including Case Study by Graeme Macrae Burnet, and Oh William! by Elizabeth Strout, are among those included.

It includes the youngest and oldest authors ever to be nominated, as well as the shortest book, three debuts and two new publishers receiving their first ever nominations. Chair of the judges Neil MacGregor said ‘The list offers story, fable and parable, fantasy, mystery, meditation and thriller’.

The shortlist for the Booker Prize, which celebrates English language novels published in Ireland and the UK each year, will be unveiled on Tuesday 6 September 2022.

2022 International Booker Prize longlist

11 March 2022

Thirteen titles have been named on the 2022 International Booker Prize longlist. Awarded in its present format since 2016, the International Booker celebrates works translated into English, with the £50,000 prize split equally between the author and translator.

Among the titles translated from eleven languages into English, is Tomb of Sand, by New Delhi based Indian author Geetanjali Shree, and translated by American writer and painter Daisy Rockwell. Shree’s work is the first book written in Hindi to be included on the International Booker Prize longlist.

Just about all of these titles are new to me — the books I read, when time permits, tend to be contemporary Australian, but not always — so it’s good to see something new and not so familiar, that I can add to my to-be-read list.

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Damon Galgut’s The Promise wins Booker Prize

4 November 2021

The Promise, by Damon Galgut, book cover

South African author Damon Galgut has been named the winner of this year’s Booker Prize, with his book The Promise. After the shortlist was announced in mid-September it was clear the judges had their work cut out in selecting a winner. Maya Jasanoff, chair of the judging panel, described how they made their choice:

We arrived at a decision after a lot of discussion and arrived at a consensus around a book that is a real master of form and pushes the form in new ways, that has an incredible originality and fluidity of voice, and a book that’s really dense with historical and metaphorical significance.

Great Circle, by Maggie Shipstead

25 September 2021

Great Circle is an aviation term, and in the context of Los Angeles based American author Maggie Shipstead’s novel of the same name (published by Penguin Random House, 4 May 2021), refers to flying around the world, from say the North Pole to the South, and then back. This is what Marion Graves, the pilot at the heart of Shipstead’s third novel is attempting.

However Marion never makes it home during the 1950 flight. Sixty years later a filmmaker is adapting the story of Marion’s life and ill-fated flight to the big screen, and casts Hadley Baxter to portray Marion. Fearing she has become typecast by her part in a recent film franchise, Hadley is keen to take on a role that will cast her in a different light.

But as filming progresses, Hadley becomes drawn into Marion’s rich and varied life, and develops a fascination with her final flight. In learning what she can about Marion, it seems Hadley may have stumbled upon a clue as to the lost pilot’s ultimate fate. Weighing at six hundred pages though, you may want to clear a few other books from your to-be-read list, before beginning Great Circle.

Bewilderment, by Richard Powers

24 September 2021

Bewilderment (published by Hutchinson Heinemann/Penguin Random House, 21 September 2021), is the thirteenth novel by American author Richard Powers, and his second work to be shortlisted for the Booker Prize. It tells the story of the recently widowed Theo, an astrobiologist, and his nine-year-old son, Robin.

They live in a chaotic world, confronting climate change and animal extinction, in a country once on the brink of civil war. The administration of a populist president wants to cut scientific research budgets, something that could bring an end to Theo’s work, searching for extra-terrestrial life on other planets.

While Robin is intelligent and creative, he is also deeply troubled, and prone to aggressive outbursts. His school is threatening to expel him unless he is given medication to control his moods, but Theo is against the idea. He would prefer to try an experimental neurofeedback treatment, based on the recorded brain patterns of Robin’s late mother.

No One Is Talking About This, by Patricia Lockwood

22 September 2021

Quite possibly you’re connected to, on, or in the portal, as you read these words. The simplest definition of the portal would be the internet, though most likely there’s a world of difference between the two. The portal could perhaps be regarded as a hard core social media experience, one that all but consumes those who enter its purview. Does this somehow sound familiar?

No One Is Talking About This (published by Bloomsbury Circus, 16 February 2021), is the debut novel of American poet and author Patricia Lockwood. It tells the story of an unnamed social media influencer who is so caught up in the seemingly inescapable domain of the portal, she appears to have lost sight of what is meant to be the real world. This abruptly changes though when she receives word of a family emergency, and is forced to bring herself back to the here and now.

No One Is Talking About This, which has been named on the shortlist of the 2021 Booker Prize, places the protagonist in two starkly different realms, to the point the novel feels like two novels. In doing so, might the suggestion be the portal and real life can, in some way, co-exist? I don’t know; does a choice even exist?

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