How many people will Oscar winners thank? How long will they speak for?

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How many people will Oscar winners thank? How long will they speak for?

3 March 2025

A forty-five second limit for Oscar acceptance speeches was introduced in 2010, but that doesn’t always stop the motivated. Or those who feel they need to acknowledge everyone who contributed to their award. Back in the day — seventy plus years ago — acceptances were usually only a few words long. But a decade ago, they were pushing three-hundred words, says Stephen Follows:

Acceptance speeches in the middle of the 20th century were exactly that, a chance to accept the award and say thank you. Over time, they have evolved into a platform to express opinions, share emotions, and highlight personal journeys.

Why the increase? Having the undivided attention of what was once a large, captive audience, might have been something to do with it. Today, of course, Oscar recipients have the social media platforms, offering a continuous outlet, not just forty-five seconds of television.

On the subject of social media platforms, the size of Oscar television audiences has, overall, been in decline — at least in the United States — plunging to a nadir of about ten million viewers in 2021. What’s going on there? Were people keeping tabs on the Oscar’s ceremony through the likes of TikTok and Instagram, or has there been a general loss of interest in the awards?

Next up: the James Bond sequel trilogy and Bond villain origin stories

24 February 2025

Long time producers of the James Bond films, Barbara Broccoli and Michael G Wilson, have agreed to sell the decades old film franchise to Amazon. The new arrangement gives the tech giant full creative control, and Amazon has already indicated they intend to “move beyond the franchise of the James Bond movies”.

Who knows exactly what that means at this stage, but looking at what happened to Star Wars, after series creator George Lucas sold the sci-fi saga to Disney in 2012, probably gives us a pretty good idea of what to expect.

Good luck 007.

I gave up on the Bond films years ago. I think 2012’s Skyfall was the last one I went to a cinema to see. I never made it to No Time to Die, the Daniel Craig finale, which was released in 2021.

But Bond had stopped being Bond a long time ago. Indeed, the entire premise belonged to a bygone era. The barely plausible Bond had ceased to be relevant. Even Roger Moore, who portrayed the fictional British intelligence agent seven times between 1972 and 1985, once told late Irish–British broadcaster Terry Wogan, he thought the character was ridiculous:

“Bond films are so outrageous, the stunts are so outrageous,” Moore told Wogan. “Everything is beyond belief.”

In a way though, the slapstick nature of the earlier films was a big part of their allure. The stories were a bit of light-hearted, if fast paced, escapism. Efforts in recent decades to make the series darker, and grittier, to appeal to a new, and wider audience, seemed futile to me. Why not retire the James Bond films all together, and create a brand new character, and story arc, instead of rehashing something that’s decades old? But this is a point I’ve made before.

It’s not like there’s a shortage of new stories to bring to the big screen. That, however, is clearly not the way Amazon sees the situation. As with Star Wars, they know there’s a ready, nostalgia craving audience, waiting to see whatever new Bond offerings are forthcoming.

I take Amazon’s desire to “move beyond” will see movies, TV shows, video games, and graphic novels, among other things, based on other characters — from what will no doubt become the Bond universe — assuming centre stage in stories of their own. With nary a glimpse of Bond in sight. I don’t know, some of this stuff might be ok, but maybe it won’t.

Good luck 007 fans.

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entertainment, film, trends

Chappell Roan wins best new artist at the 2025 Grammys

4 February 2025

American singer/song writer Chappell Roan, who topped the 2024 Triple J Hottest 100 just over a week ago, was named best new artist at the 2025 Grammys yesterday.

Roan used her acceptance to call on record companies to offer more support to emerging artists, in the form of improved healthcare and financial support, telling gathered industry executives: “we got you — but do you got us?”

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awards, entertainment, music

Good Luck, Babe! by Chappell Roan tops 2025 Hottest 100

29 January 2025

American pop singer and songwriter Chappell Roan’s 2024 track Good Luck, Babe! was voted the favourite song of 2024 by Triple J listeners in this year’s Hottest 100 music poll.

In taking out the top spot, Roan collected the most number of votes ever for a number one song:

The number of votes clocked isn’t the only landmark fact about Chappell’s win. ‘Good Luck, Babe!’ was her only eligible track for voting and her only song in the countdown, which makes her the first solo female artist to win a Hottest 100 with her sole entry.

There’s also good news for Swifties in the 2024 countdown, Taylor Swift notched her first ever entry into the Hottest 100.

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Australia, entertainment, music, radio

Apple Cider Vinegar, the ‘true-ish’ story of wellness guru Belle Gibson

22 January 2025

Belle Gibson is a former Australian wellness influencer who claimed to have cured herself of several cancers by way of a diet, exercise, and alternative medicine regimen. Her story brought hope to others stricken with similar diseases. But it seemed too good to be true, and it was. Investigations later revealed Gibson had been healthy, and disease free, the entire time.

In addition, Gibson claimed to be making donations to a number of charities, through money she had raised, but these organisations saw little, if any, of these funds. Her story is the subject of a “true-ish” Netflix produced TV mini-series, Apple Cider Vinegar, trailer, which premieres on Thursday 6 February 2025.

I’m not quite sure about the “true-ish” tagline of the series. I take this to mean some of the story is factual, while some is fiction. Netflix say they did not speak to Gibson during production of the show, but worked “carefully” to fend off the possibility of legal action being taken against them.

Australian alternative music radio station Triple J turns fifty

22 January 2025

Australian alternative music radio station Triple J, originally known as Double J, launched fifty-years ago, on Sunday 19 January 1975. Here’s footage of their first few minutes on air (Instagram page), with DJ Holger Brockmann behind the microphone.

With a predominantly youth audience, Triple J especially has struggled with declining ratings in recent years, as large segments of their audience turn to social media for music listening, and discovery. The jays however have been making inroads through podcasts, and their Instagram and TikTok channels, which have sizable followings.

Voting open for the 2024 Triple J Hottest 100 music poll

2 January 2025

The annual Hottest 100 countdown is part and parcel of the Australian music scene. Hosted by Australian indie radio station Triple J, since 1978, the poll gives listeners the chance to vote for their favourite music of the previous year.

The countdown itself takes place on Saturday 25 January 2025. I don’t always listen in on the day, in fact I’ve struggled to listen to much radio this last year, but the chart is great for new music discovery.

Australian high school drama Heartbreak High returns for third series

13 November 2024

The third — and it seems, final — series of Heartbreak High, in the second inception of the gritty Australian high-school TV drama, is on the way. Set at the fictional Hartley High, in Sydney, Heartbreak High originally screened between 1994 and 1999.

A rebooted version of the show debuted in 2022. Series one of the reboot was well received all around, and garnered a one-hundred percent Rotten Tomatoes Tomatometer rating. Series two, while popular with audiences, did not however do so well critically.

The original nineties show was considered ground-breaking (read: in your face), and as I wrote before, Heartbreak High made my high-school days seem like a non-event…

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Australia, entertainment, television

Star Bores: A Few Cope, as fourth Star Wars trilogy announced

11 November 2024

For years I was excited by the prospect of a Star Wars sequel trilogy. This, long before what became episodes seven through nine, were even announced. I used to burn the midnight oil reading fan-written Star Wars EU plots and stories, that were published on various Star Wars forums and wikis.

But all three films, when they were eventually released, were underwhelming. The Last Jedi, the only one I remotely liked, seemed to be hated by just about everyone else. But I think the Disney produced sequel trilogy, made after series creator George Lucas had sold Disney the franchise, was hamstrung by the expectations of EU storylines, some of which were decades old by that stage.

Of course, the EU stories were not canon, or official, and differed considerably — to say the least — from Lucas’ vision of a third trilogy. Nonetheless, they prominently featured many of the Star Wars characters we knew and loved, as they struggled to build the New Republic. When the first sequel trilogy film, The Force Awakens (the very title was a portent of things to come…) arrived, we all expected to see the old gang back together again. Luke, Leia, Han Solo, Chewbecca, R2D2, C3PO, plus other hangers-on, who’d joined in as the original trilogy progressed.

Instead we had a confusing array of new characters, Han Solo wearing the same bloody clothes from twenty-years earlier, and director J.J. Abrams, borrowing heavily from Episode Four, A New Hope. I thought to myself: I have a bad feeling about this. Abrams that is, having seen him in action in the re-booted Star Trek films. I knew it was over there the moment Star Trek villain Khan (re)entered the frame in Star Trek into Darkness.

Now a fourth trilogy is apparently in the works. Where this story goes, or who exactly is involved, remains to be seen at this stage. Naturally the Star Wars name will get people along to the cinema to see whatever eventuates, but I wonder what interest this new trilogy will have to early Star Wars fans.

Despite the cameo appearances by the likes of Luke, Leia, Han Solo, et el, episodes seven to nine, did not feel like Star Wars stories. They were a galaxy removed from the earlier instalments, and the magic of the Lucas made films, present even in the prequel trilogy, was nowhere to be found.

But we can live in hope. Dare I say: new hope. After all, Disney has access to some great writing talent, perhaps something amazing is on the way. Until then, may the fourth trilogy be with you…

Great movie title drops are like clever cameo appearances

8 November 2024

Title Drops, by Germany based data visualisation designer and developer Dominikus Baur, analyses the number of times a movie’s title is mentioned during the story.

It’s something that’s not always possible though. I’m looking at 2001: A Space Odyssey, as an example. Although if you can think of a way it could, somehow, happen, let me know. Time-travel classic Back to the Future, however, is, I think, the gold-standard when it comes to title drops.

I’m not sure movies named for a main character, Barbie for instance, really count. It’s surely a given their name will come into the conversation sooner or later. But something like: “next Saturday night, we’re sending you back to the future“, is self-referential in both a smart, and funny, way.

One thing that seems apparent form the data here is that title drops are becoming more frequent.

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entertainment, film, trends

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