Vulture magazine does their own stunts, stunt awards that is

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Vulture magazine does their own stunts, stunt awards that is

11 February 2023

New York based pop-culture publication Vulture has established their own film award — a “mini-academy” — to recognise the work of stunt professionals:

Since the AMPAS won’t properly fete achievements in stunts, we’re going to do it. We’ve spent the past few months assembling our own mini-academy of stunt professionals: a select group of stunt people, writers, filmmakers, and other industry professionals (including cinematographers and visual-effects artists) who helped us establish our own set of relevant and distinct stunt awards in a variety of categories, honoring work in feature-length films released between January 1, 2022 and December 31, 2022.

Good work. Action movies, plus a lot more, wouldn’t be there if it weren’t for stunt actors. Nominations are spread across ten categories, which includes a lifetime achievement award. Winners of the inaugural stunt awards will be announced on Monday 6 March 2023.

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awards, film, film production

What if 2001: A Space Odyssey was directed by George Lucas?

4 February 2023

Stanley Kubrick’s 1968 sci-fi classic 2001: A Space Odyssey is remixed with George Lucas’ 1977 space opera Star Wars, by YouTuber Poakwoods, and this is the result.

Truly awesome.

Also, it seems hard to believe from the third decade of the twenty-first century that less than ten years separate 2001: A Space Odyssey and the first Star Wars film.

What is the most successful Hollywood movie? It depends

3 February 2023

Information is Beautiful looks at the different of assessing a film’s success.

By worldwide box office gross takings, Avatar, made in 2010, by James Cameron, tops the list. But adjust the takings for inflation, and the picture changes. Sort of. Avatar still tops the stack, but Titanic, also directed by Cameron, comes in at number two, with 1977’s Star Wars close behind.

And then, using the not so great return on investment metric — which favours productions with smaller budgets — films like My Big Fat Greek Wedding, and Australia’s own ocker hit Crocodile Dundee, rate highly.

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film, trends

Simone Young, Knowing the Score, a film by Janine Hosking

30 January 2023

Conductors are synonymous with classical music performances, yet at the first recital I went to, a show by the Australian Chamber Orchestra (ACO) in 2009, at the Sydney Opera House, no conductor was present. Instead, ACO artistic director, and lead violin player, Richard Tognetti, led proceedings.

To many people though, a conductor is something of a mystery. Why does there need to be someone waving a stick, called a baton, at the orchestra? Do the musicians not know what to do? Did they not practice the pieces prior to the show? The ACO manages without a conductor, why then can’t anyone else? And how on earth can performers at a distance from the conductor even discern the many, swift, and seemingly all too subtle, baton gestures?

Further, why are conductors accorded a special status? Why are they treated to a separate round of applause, upon making a separate entrance to the auditorium, after the musicians have already assembled on stage? That conductors effectively only came into being about two hundred years ago, only adds to the enigma. Prior to 1820, orchestras were similar to the ACO, and directed themselves. It was only as orchestras grew in size though, did the need for a separate person to lead the musicians manifest itself.

Knowing the Score, trailer, a documentary about the life and work of Australian conductor Simone Young, may answer some of these questions. While early conductors were the subject of derision, particularly from musicians who felt they served no real purpose, Young has also encountered her share of naysayers. Despite this, Young, presently chief conductor of the Sydney Symphony Orchestra, is regarded as one of the world’s leading orchestral conductors.

Knowing the Score, directed by Australian documentary maker Janine Hosking, opens in Australian cinemas on Thursday 16 February 2023. The world premiere takes place at the Ritz Cinema in Randwick, Sydney, on Sunday 5 February 2023, and features a Q&A session with Young following the screening.

Only two book adaptations nominated for Oscars Best Picture 2023

27 January 2023

All Quiet on the Western Front, written in 1928 by Erich Maria Remarque, and Women Talking, written in 2018 by Miriam Toews, are the only two book to film adaptations to be nominated in the best picture category for the 2023 Oscars. This is a far cry from the substantial number of best picture nominations in earlier years, including 1956, 1959, 1972, 1980, 1991, and 1995, when all best picture contenders were adaptation of books.

In accounting for this dearth of nominations, Eliza Smith, writing for Literary Hub, suggests more books are being made into TV shows, film producers chose the wrong books to adapt, and — perhaps unsurprisingly — many of the book to film productions were plain bad:

…and then there were the bad adaptations. See: Spiderhead, The Gray Man, Three Thousand Years of Longing, Persuasion, White Noise (reviews are mixed on this one — I’m firmly a thumbs down), Firestarter (which got a whopping 10% on Rotten Tomatoes), Death on the Nile, and Deep Water (though my colleague Dan insists this one is so bad it’s good). To be fair, some were good and just not Oscars material (see: Bodies Bodies Bodies, Bullet Train, and Confess Fletch).

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books, film, Oscars

The Whale, a film by American director Darren Aronofsky

18 January 2023

The finer production details of a film are usually something I don’t pay much attention to. I’m primarily interested in the story, and the way it is told. Having said that, I don’t mind filmmakers talking about, say, visual effects, if it’s being discussed incidentally. Otherwise, that sort of thing is what film awards are for. But when a filmmaker talks about nothing other than production techniques, and little of the story, it makes me wonder. Do they really have nothing else to say about their work?

So far though, I cannot say I’ve heard a single word about the filming of The Whale, trailer, by American director Darren Aronofsky (Requiem for a Dream, Black Swan). What has caught my eye though, are the stills of Charlie, the morbidly obese protagonist, a British teacher, portrayed by Canadian-American actor Brendan Fraser. At first I thought his appearance was the product of the post production unit, and the efforts of a skilled visual effects team.

But I was wrong. Fraser’s look is quite real, or somewhat so. For the role of Charlie, who weighs over two hundred and seventy kilograms, Fraser was required to put on a considerable amount of weight. This surely cannot be as easy as it might sound. Ten to twenty kilograms maybe, depending on an actor’s stature, but more has to be a challenge, and possibly even a health risk. Never let it be said that acting is an occupation merely requiring a practitioner to feign certain emotions.

In the end, Fraser did not gain sufficient weight, and was required to wear a fat suit, an under garment often used by actors — sometimes controversially — to alter the appearance of their weight. But the suit worn by Fraser was itself heavy. By adding dried beans and marbles to the outfit, its weight was said to have been over one hundred and thirty kilograms. The idea here, I imagine, was to make Fraser feel as heavy as he looked, for the sake of authenticity.

While his appearance, and efforts to put on weight, have attracted some criticism, early reviews of Fraser’s portrayal of Charlie have been generally positive to date. The Whale opens in Australian cinemas on Thursday, 2 February 2023, with the Australian premiere taking place at the Westpac OpenAir cinema, located at Mrs Macquaries Point, in Sydney’s Royal Botanic Garden, on the evening of Sunday, 22 January 2023.

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Darren Aronofsky, film, trailer, video

Richard Bell, You Can Go Now, a film by Larissa Behrendt

16 January 2023

You may not have heard of Indigenous Australian artist and activist Richard Bell, but he has been at the forefront of political activism for over fifty years. Describing himself as an activist masquerading as an artist, Bell has spent fifty years fighting for Aboriginal rights and self determination, through his art and protest.

One of his best known works, an installation titled Embassy, was inspired by the Aboriginal Tent Embassy protest, which was first established on the lawns outside Australia’s parliament building in 1972. Bell’s installation has been presented in Australia, and cities across the world, including Jakarta, New York, Moscow, and Jerusalem.

Bell’s life and work is now the subject of a documentary, You Can Go Now, trailer, directed by Australian academic, Indigenous advocate, and author, Larissa Behrendt. Behrendt’s most recent novel, After Story, published in 2021, was longlisted in the 2022 Miles Franklin literary award.

You Can Go Now opens in Australian cinemas on Thursday 26 January 2023. Bell and Behrendt will also be participating in Q&A preview screenings at the Museum of Contemporary Art, and Dendy Cinema, Newtown, on Tuesday 24 January, and the National Film and Sound Archive, in Canberra, on Wednesday 25 January.

Golden Globe 2023 winner highlights

11 January 2023

The 2023 Golden Globes awards were presented today. Best actor winners include Cate Blanchett and Austin Butler, while The Banshees of Inisherin, and Steven Spielberg’s The Fabelmans — which edged out Top Gun: Maverick, and Avatar: The Way of Water — took out the best picture awards in their respective categories. A full list of this year’s winner is here.

Emily, a biopic film about Emily Bronte, by Frances O’Connor

10 January 2023

Although regarded as one of the greatest English language books, Wuthering Heights, the haunting 1847 novel of British writer Emily Brontë, was met with a mixed reception when published under Brontë’s non de plume, Ellis Bell. Critics hailed Brontë’s story of star crossed lovers Heathcliff and Catherine Earnshaw — her only published novel — as original, imaginative, and intriguing, but were shocked by the book’s depictions of violence, domestic abuse, sexual passion, and its host of narcissistic characters.

Brontë’s novel later went on to spawn numerous film, stage, and television adaptations, along with British musician Kate Bush’s 1978 single of the same name, which it could be argued is perhaps the most memorable interpretation of the Gothic fiction classic.

Despite Brontë’s literary prominence, little is known about her personal life. She was said to be reserved and shy, possibly explaining the lack of detailed writing about her. This dearth of knowledge was one of the challenges facing British born Australian actor and writer, turned filmmaker Frances O’Connor, during the production of her debut feature, Emily, trailer, leaving O’Connor to speculate about the finer details of Brontë’s life.

While Emily explores Brontë’s relationship with her famous sisters Charlotte, and Anne, and the writing of Wuthering Heights, it also portrays an apparent, doomed, love affair between Brontë and William Weightman, a local member of the clergy. While there is no evidence of any romance between Brontë and Weightman in reality, O’Connor makes the tantalising suggestion the supposed affair inspired the characters of Heathcliff and Catherine, and possibly Wuthering Heights itself.

Emily opens in Australian cinemas on Thursday 12 January 2023, though if you are in Sydney, and move quickly, you may be able to score tickets to a preview screening at the Westpac OpenAir cinema, on the shore of Sydney harbour tomorrow evening, Wednesday 11 January 2023.

Tar, Aftersun, win in National Society of Film Critics 2022 awards

8 January 2023

Tár (trailer), starring Cate Blanchett, The Banshees of Inisherin (trailer), directed by Martin McDonagh, and Aftersun, written and directed by Charlotte Wells, have featured prominently in the 2022 awards of the National Society of Film Critics. Based on their trailers, they all look like winners to me.

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