The Whale, a film by American director Darren Aronofsky

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The Whale, a film by American director Darren Aronofsky

18 January 2023

The finer production details of a film are usually something I don’t pay much attention to. I’m primarily interested in the story, and the way it is told. Having said that, I don’t mind filmmakers talking about, say, visual effects, if it’s being discussed incidentally. Otherwise, that sort of thing is what film awards are for. But when a filmmaker talks about nothing other than production techniques, and little of the story, it makes me wonder. Do they really have nothing else to say about their work?

So far though, I cannot say I’ve heard a single word about the filming of The Whale, trailer, by American director Darren Aronofsky (Requiem for a Dream, Black Swan). What has caught my eye though, are the stills of Charlie, the morbidly obese protagonist, a British teacher, portrayed by Canadian-American actor Brendan Fraser. At first I thought his appearance was the product of the post production unit, and the efforts of a skilled visual effects team.

But I was wrong. Fraser’s look is quite real, or somewhat so. For the role of Charlie, who weighs over two hundred and seventy kilograms, Fraser was required to put on a considerable amount of weight. This surely cannot be as easy as it might sound. Ten to twenty kilograms maybe, depending on an actor’s stature, but more has to be a challenge, and possibly even a health risk. Never let it be said that acting is an occupation merely requiring a practitioner to feign certain emotions.

In the end, Fraser did not gain sufficient weight, and was required to wear a fat suit, an under garment often used by actors — sometimes controversially — to alter the appearance of their weight. But the suit worn by Fraser was itself heavy. By adding dried beans and marbles to the outfit, its weight was said to have been over one hundred and thirty kilograms. The idea here, I imagine, was to make Fraser feel as heavy as he looked, for the sake of authenticity.

While his appearance, and efforts to put on weight, have attracted some criticism, early reviews of Fraser’s portrayal of Charlie have been generally positive to date. The Whale opens in Australian cinemas on Thursday, 2 February 2023, with the Australian premiere taking place at the Westpac OpenAir cinema, located at Mrs Macquaries Point, in Sydney’s Royal Botanic Garden, on the evening of Sunday, 22 January 2023.

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Richard Bell, You Can Go Now, a film by Larissa Behrendt

16 January 2023

You may not have heard of Indigenous Australian artist and activist Richard Bell, but he has been at the forefront of political activism for over fifty years. Describing himself as an activist masquerading as an artist, Bell has spent fifty years fighting for Aboriginal rights and self determination, through his art and protest.

One of his best known works, an installation titled Embassy, was inspired by the Aboriginal Tent Embassy protest, which was first established on the lawns outside Australia’s parliament building in 1972. Bell’s installation has been presented in Australia, and cities across the world, including Jakarta, New York, Moscow, and Jerusalem.

Bell’s life and work is now the subject of a documentary, You Can Go Now, trailer, directed by Australian academic, Indigenous advocate, and author, Larissa Behrendt. Behrendt’s most recent novel, After Story, published in 2021, was longlisted in the 2022 Miles Franklin literary award.

You Can Go Now opens in Australian cinemas on Thursday 26 January 2023. Bell and Behrendt will also be participating in Q&A preview screenings at the Museum of Contemporary Art, and Dendy Cinema, Newtown, on Tuesday 24 January, and the National Film and Sound Archive, in Canberra, on Wednesday 25 January.

Golden Globe 2023 winner highlights

11 January 2023

The 2023 Golden Globes awards were presented today. Best actor winners include Cate Blanchett and Austin Butler, while The Banshees of Inisherin, and Steven Spielberg’s The Fabelmans — which edged out Top Gun: Maverick, and Avatar: The Way of Water — took out the best picture awards in their respective categories. A full list of this year’s winner is here.

Emily, a biopic film about Emily Bronte, by Frances O’Connor

10 January 2023

Although regarded as one of the greatest English language books, Wuthering Heights, the haunting 1847 novel of British writer Emily Brontë, was met with a mixed reception when published under Brontë’s non de plume, Ellis Bell. Critics hailed Brontë’s story of star crossed lovers Heathcliff and Catherine Earnshaw — her only published novel — as original, imaginative, and intriguing, but were shocked by the book’s depictions of violence, domestic abuse, sexual passion, and its host of narcissistic characters.

Brontë’s novel later went on to spawn numerous film, stage, and television adaptations, along with British musician Kate Bush’s 1978 single of the same name, which it could be argued is perhaps the most memorable interpretation of the Gothic fiction classic.

Despite Brontë’s literary prominence, little is known about her personal life. She was said to be reserved and shy, possibly explaining the lack of detailed writing about her. This dearth of knowledge was one of the challenges facing British born Australian actor and writer, turned filmmaker Frances O’Connor, during the production of her debut feature, Emily, trailer, leaving O’Connor to speculate about the finer details of Brontë’s life.

While Emily explores Brontë’s relationship with her famous sisters Charlotte, and Anne, and the writing of Wuthering Heights, it also portrays an apparent, doomed, love affair between Brontë and William Weightman, a local member of the clergy. While there is no evidence of any romance between Brontë and Weightman in reality, O’Connor makes the tantalising suggestion the supposed affair inspired the characters of Heathcliff and Catherine, and possibly Wuthering Heights itself.

Emily opens in Australian cinemas on Thursday 12 January 2023, though if you are in Sydney, and move quickly, you may be able to score tickets to a preview screening at the Westpac OpenAir cinema, on the shore of Sydney harbour tomorrow evening, Wednesday 11 January 2023.

Tar, Aftersun, win in National Society of Film Critics 2022 awards

8 January 2023

Tár (trailer), starring Cate Blanchett, The Banshees of Inisherin (trailer), directed by Martin McDonagh, and Aftersun, written and directed by Charlotte Wells, have featured prominently in the 2022 awards of the National Society of Film Critics. Based on their trailers, they all look like winners to me.

Why so serious? The Star Wars movies are not exactly a joke

28 December 2022

American filmmaker Rian Johnson, who directed the 2017 Star Wars film The Last Jedi, the second instalment of the sequel trilogy, has defended his use of humour in the film, something fans of the long running space opera, have berated him for.

Humour, and a spattering of comedic scenes, says Johnson, are part and parcel of the Star Wars experience, considering the intent of the series was not serious:

“For me, everything in the movie is ‘Star Wars,’ and everything in the movie I can trace back to deeply, in a deep way, what ‘Star Wars’ is for me,” Johnson told GQ. “Everyone has a different take. I know there are ‘Star Wars’ fans who somehow think that ‘Star Wars’ was a serious thing, like the Batman movies or something. I was so young that when I watched ‘Empire Strikes Back,’ it had this deep, profound impact on me, because it was terrifying, because I was just young enough to not experience it as watching a ‘Star Wars’ movie, but to have it feel like too real.

If The Empire Strikes Back was anyone’s introduction to the franchise, I doubt they’d walk away from the film saying it wasn’t serious. Sure, the whole construct is science-fiction and fantasy, but Empire Strikes Back struck me as being nothing but serious. A New Hope, on the other hand, seemed like a more balanced film, even though a number of dark themes were present.

It was really Return of the Jedi, the concluding episode of the original trilogy, that introduced (at times) a less serious intent to the sci-fi saga. Ewoks, anyone?

Personally, of the sequel series movies, Last Jedi was the one I liked the most. The best of what was really a bad batch of films, to be precise. Even the prequel series, which had plenty of naysayers, held more allure.

Interestingly the Metascores — being an aggregate of ratings accorded, in this case, by film reviewers — give Last Jedi a score of 84. The first title in the sequel series, The Force Awakens received a rating of 80, while the truly awful (sorry) Rise of Skywalker scored a paltry 53.

In comparison, Empire Strikes Back — which many people consider to be the best of the Star Wars films — has a Metascore of 82. If we use Metascore as our go to metric to assess the Star Wars franchise, then Last Jedi outranks Empire Strikes Back. What’s happening there, then?

I know not everyone sees eye to eye with film critics, but if Last Jedi was as bad as people make it out to be, surely the title’s Metascore would have been far lower than that of Empire Strikes Back. And for anyone who’s curious, A New Hope — the first Star Wars movie screened in 1977 — scores a 90. Exactly right, if I may say so.

Winona, a 2019 film by Alexander Voulgaris

27 December 2022

Winona, film by Alexander Voulgaris, still

Four young women spend a day on a secluded Mediterranean beach with a dog. The friends swim, sing, and talk about film, particularly the work of Steven Spielberg, and Woody Allen.

They also ponder a solitary house on the hill — Alfred Hitchcock anyone? — above the bay, and speculate throughout the day as to who the occupant, or occupants, are.

A couple sitting in a likewise solitary car, parked nearby, also pique their curiosity. The four may not have a plan, their antics and conversation are spontaneous, but the visit to the beach has purpose.

Made in 2019, Winona, trailer, is the fifth feature of Greek filmmaker and musician Alexander Voulgaris, who’s also known as The Boy. I saw this on film streaming platform Kanopy the other day.

If you’re looking for mainly independently produced films, then Kanopy is the place for you. There’s a veritable mixed bag of titles on offer, including one or two blockbusters, but there’s some great stuff to be found lurking in the Kanopy catalogue.

Make only honest film trailers: you might be sued for deception otherwise

23 December 2022

An American judge has ruled producers of the Danny Boyle directed Yesterday deceived potential viewers of the movie. Two fans of Cuban and Spanish actor Ana de Armas had hired a copy of the 2019 rom-com, after a trailer they saw suggested de Armas had a prominent role in the story.

After discovering this was not the case, they filed a lawsuit against the film producers. While de Armas was involved in filming, none of her scenes were included in the final cut.

Film production company Universal Pictures had contended film trailers are an “artistic, expressive work”, presumably meaning any content — within reason I imagine — can feature in a trailer, but the court rejected the argument:

But according to a ruling from U.S. District Judge Steven Wilson, obtained by Deadline Hollywood, “Universal is correct that trailers involve some creativity and editorial discretion, but this creativity does not outweigh the commercial nature of a trailer. At its core, a trailer is an advertisement designed to sell a movie by providing consumers with a preview of the movie.”

Plenty of film trailers include scenes that are not seen the later theatrical release, and this often happens for good reason. Some scenes may spoil vital plot points, while other “extra” snippets may play a part in building up pre-release anticipation. I’m not entirely against the practise, these sorts of trailers are better than the ones that are essentially a short version of the feature itself.

But suggesting a certain actor will feature, when they don’t, is another matter. Particularly for people who see films solely because of the (advertised) presence of a specific actor. It will be interesting to see what the final outcome will be in this case.

Trailer for Triangle of Sadness, a film by Ruben Ostlund

23 December 2022

Triangle of Sadness, trailer, the latest feature from Swedish filmmaker Ruben Őstlund, he of Force Majeure fame, looks like a lot of fun. Sort of.

A group of rich and powerful people set sail on a yacht under the command of the captain (Woody Harrelson). It’s all plain sailing until a storm hits, and then things get messy, really messy. Passengers vomit en masse, toilets block and overflow, and then some of those aboard end up marooned on a desert island. A kind of Gilligan’s Island, but on steroids maybe.

Late South African actor Charlbi Dean stars as Yaya, an Instagram influencer, who has been given free passage in exchange for promoting the vessel. She’s accompanied by her boyfriend Carl (Harris Dickinson), a fashion model. For those who can stomach tossing seas, Triangle of Sadness can be seen in Australian cinemas from Monday 26 December 2022.

The shortlists for the 2023 Oscar Awards have been announced

22 December 2022

Ahead of nominations being announced on Tuesday 24 January 2023, the Academy of Motion Picture Arts and Sciences has unveiled the shortlists for the ninety-fifth Oscar Awards.

While there’s the usual suspects, the various sequels, prequels, and remakes, Avatar: The Way of Water, The Batman, Fantastic Beasts: The Secrets of Dumbledore, Jurassic World Dominion, and Top Gun: Maverick, among them, it’s pleasing to see other titles making the cut.

Included here are The Quiet Girl, Return to Seoul, Joyland, and The Blue Caftan, which feature in the International Feature Film category. This is always a focus for me, as we often see films that go against the grain, and tell stories that are not so familiar.

The Oscars ceremony will take place on Sunday 11 March 2023, though it’ll be Monday 12 March sometime, in this part of the world.

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