Never Tear Us Apart, by INXS, tops all Australian Hottest 100

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Never Tear Us Apart, by INXS, tops all Australian Hottest 100

28 July 2025

The 1987 ballad by Australian rock act INXS claimed the number one spot in Triple J’s countdown of the Hottest 100 Australian Songs, last Saturday.

INXS rose to prominence during the 80’s and 90’s, when the late Micheal Hutchence, who died in 1997, fronted the act. The band last performed live in 2012, though they’ve not officially retired.

The top ten was not quite as old-school Australian rock as I thought it might be. Cold Chisel featured at numbers seven and eight, with Flame Trees (1984), and Khe Sanh (1978), respectively. Veteran singer Paul Kelly made it to number nine with his 1996 track How to Make Gravy.

Somebody That I Used to Know (2011) by Gotye, My Happiness (2000) by Powderfinger, Scar (2004) by Missy Higgins, Untouched (2007) by The Veronicas, and The Nosebleed Section (2003) by Hilltop Hoods, also charted in the top ten. Music recorded in the twenty-first century (which I’ll say includes 2000), ended up being well represented here.

Ben Lee suggests shock jocks host Triple J Hottest 100. No, not quite

19 July 2025

The shock jocks in question are Kyle Sandilands and Jackie O, who host a show — The Kyle and Jackie O Show — on a Sydney based commercial Australian radio station. The pair, especially Sandilands, often find themselves in hot water, on account of inappropriate and offensive comments made on air.

Last Wednesday, the Sydney Morning Herald published an article making the claim Australian musician Ben Lee had suggested Kyle and Jackie O host Triple J’s annual Hottest 100 countdown.

Triple J is a non-commerical Australian radio station with a focus on broadcasting new and independent local music, but mixed with non-Australian indie music. The Hottest 100 charts listeners’ favourite songs of the previous calendar year, regardless of country of origin.

But next Saturday, 26 July, Triple J will broadcast a one-off Hottest 100 of listener’s all-time favourite Australian only songs, as part of their fiftieth birthday celebrations.

In response to the Herald article, Lee posted a clarification on his Instagram page, saying Triple J’s Hottest 100 countdown, in its present format, should be broadcast by a commercial station. The jays, Lee explains, as a government funded station, should only support Australian music.

What I’m saying is let commercial radio handle servicing multi-national major labels — that’s their job. Triple J is taxpayer funded and I think those funds would be better used almost exclusively supporting Australian artists and culture.

I get where Lee is coming from here.

But the Hottest 100 is a draw card event for the jays, and likely introduces new listeners to the station, who in turn go on to hear the station’s predominately Australian music programming. On the other hand, as Lilya Murray, writing for Arc, a UNSW student publication, points out, representation of Australian artists in the Hottest 100, has been declining in recent years:

In 2024, only 29 Australian artists featured in the Hottest 100. This was a significant drop from 2023, which featured 52 local artists, and 57 from 2022.

Triple J has a mandate to broadcast a minimum of forty-percent Australian music, though the station claimed in 2019 they played closer to sixty-percent. Why then would fewer Australian musicians be featuring in the annual countdowns?

One suggestion here is that many Hottest 100 voters are not regular Triple J listeners, and are voting up music they’ve heard elsewhere. But I’m not sure you can stop people voting for non-Australian music, unless maybe it wasn’t aired on Triple J in the first place. After all, the Hottest 100 is meant to be a poll of Triple J listeners, not other stations.

But I doubt a one-hundred percent focus on local music, both played by Triple J, and included in the countdown, is the answer either. I’ve always enjoyed the jay’s mix of new and independent, and predominantly Australian music, and the annual Hottest 100 that results.

But more discussion about local music can only be a good thing, something the misleading notion that Kyle and Jackie O host the Hottest 100, might have precipitated.

Triple J turns fifty, will rank Hottest 100 Australian songs to celebrate

12 July 2025

Happy birthday to the jays, which clocked the milestone back in January.

To mark the momentous occasion, a special all-time Hottest 100 countdown of Australian songs will be broadcast in a week, on Saturday 26 July 2025. This chart varies from the annual Hottest 100 countdowns, which rank the favourite songs of Triple J listeners, released each calender year, regardless of country of origin.

Voting closes on Thursday 17 July 2025, at 5PM AEST, so if you haven’t participated, time is running out. Now to the thorny question. What would I vote for? After giving the matter some thought, here’s what I came up with:

Alive by RÜFÜS DU SOL
Lie to Me by Vera Blue
Evening Star by All India Radio
Anthem for the Year 2000 by Silverchair
Rabbit Hole by Jess Day
Never Dance Alone by Crooked Colours
Let Me Down Easy by Gang of Youths
Under the Milky Way by The Church
Heart Attack by Flight Facilities
The Trouble with Us by Chet Faker and Marcus Marr
Beds are Burning by Midnight Oil

There are more I’d choose, but I think ten songs is the most you can vote for, as is I’ve listed eleven.

AI-host presents Australian radio show undetected for six months

28 April 2025

CADA, a Sydney based radio station, was, without a word said, using an AI-generated DJ to host one of their shows, for possibly as long as six months. The ruse came to light after Australian writer Stephanie Coombes, acting on a tip off, was unable to track down any bios, press releases, or social media presences for Thy, the twenty-something presenter of the four-hour, weekday show.

Australian Radio Network (ARN), who owns CADA, later said in a statement to Mediaweek, that Thy was part of a “trial” of AI audio tools. Thy’s voice, according to the statement, was based on that of a woman working in the ARN office.

There’s a few things at play here. One is the broadcaster’s failure to disclose their presenter was AI-generated. Another is the time it took to pick this up. I don’t listen to CADA, and never heard Thy’s show, but the AI avatar must have been convincing in the extreme, if others listeners didn’t think anything was amiss, even after six months.

There’s also the point that this is the direction broadcast media might be moving in, that is, away from people as presenters, to AI-created entities. In addition, the suggestion has been made that other broadcasters might already be using AI hosts for shows, that have not, so far, come to light.

One well known AI-radio presenter however is Debbie Disrupt, a newsreader on Melbourne based radio station, Disrupt Radio. In this instance though the station made it clear from the onset that Debbie was not a real person. That particular stance seemed to move in Disrupt’s favour.

Good Luck, Babe! by Chappell Roan tops 2025 Hottest 100

29 January 2025

American pop singer and songwriter Chappell Roan’s 2024 track Good Luck, Babe! was voted the favourite song of 2024 by Triple J listeners in this year’s Hottest 100 music poll.

In taking out the top spot, Roan collected the most number of votes ever for a number one song:

The number of votes clocked isn’t the only landmark fact about Chappell’s win. ‘Good Luck, Babe!’ was her only eligible track for voting and her only song in the countdown, which makes her the first solo female artist to win a Hottest 100 with her sole entry.

There’s also good news for Swifties in the 2024 countdown, Taylor Swift notched her first ever entry into the Hottest 100.

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Australia, entertainment, music, radio

Australian alternative music radio station Triple J turns fifty

22 January 2025

Australian alternative music radio station Triple J, originally known as Double J, launched fifty-years ago, on Sunday 19 January 1975. Here’s footage of their first few minutes on air (Instagram page), with DJ Holger Brockmann behind the microphone.

With a predominantly youth audience, Triple J especially has struggled with declining ratings in recent years, as large segments of their audience turn to social media for music listening, and discovery. The jays however have been making inroads through podcasts, and their Instagram and TikTok channels, which have sizable followings.

Voting open for the 2024 Triple J Hottest 100 music poll

2 January 2025

The annual Hottest 100 countdown is part and parcel of the Australian music scene. Hosted by Australian indie radio station Triple J, since 1978, the poll gives listeners the chance to vote for their favourite music of the previous year.

The countdown itself takes place on Saturday 25 January 2025. I don’t always listen in on the day, in fact I’ve struggled to listen to much radio this last year, but the chart is great for new music discovery.

Myf Warhurst with Melissa Fyfe on Good Weekend Talks podcast

3 July 2023

Radio and television broadcaster Myf Warhurst speaks to Good Weekend Magazine writer Melissa Fyfe, on the Good Weekend Talks podcast (Spotify link).

I used to listen to Warhurst when she presented on Australian radio station Triple J, from 2000 to 2007. She later had a show on Double J, originally known as Dig Radio, a digital station that was spun off from Triple J in 2002.

Her television credits include Spicks & Specks, a quiz show, and being an Australian commentator for the Eurovision Song Contest. Presently Warhurst is a narrator for stage rock musical, The Rocky Horror Show, which also happens to be celebrating its fiftieth anniversary this year.

Update: if Spotify is not your preferred streamer, you can also tune into the podcast via Apple, or Google.

Debbie Disrupt, AI newsreader, broadcasting on Disrupt Radio

19 June 2023

Debbie Disrupt, Disrupt Radio's AI newsreader

Debbie Disrupt, AI newsreader, image via Disrupt Radio.

Entrepreneurial thinkers and business mavericks are in the sights of Disrupt Radio, Australia’s newest national radio network, which goes to air, or a streaming device near you, on Monday 26 June 2023. Australian comedian and broadcaster Libbi Gorr, also known as Elle McFeast and Irish rocker and activist Bob Geldof, will be kick starting proceedings during the station’s first week, with both set to feature on the breakfast show.

Veteran radio and television presenter, George Donikian has been brought on-board to read morning news bulletins, while Debbie Disrupt, an AI radio presenter will take the afternoon news shift. I don’t know if Debbie Disrupt is the first AI newsreader to ever present on a radio show, but her presence has media pundits talking. At the moment they remain unsure whether her participation is a cost consideration, or a publicity stunt.

I’m leaning more to the latter. Any suitably experienced radio presenter could read the news, but having an AI robot that can do the job instead? That’ll bring in the listeners, at least to begin with. I also see an element of expectation here. Something would be wrong if a start-up digital radio station called Disrupt didn’t have at least one AI presenter on the crew.

Why do people only listen to old music as they get older?

27 February 2023

There’s all sorts of reasons, but a lack of time to seek out new compositions, and not simply a love of “old music”, is one:

One explanation for the age-based reduction in music consumption simply posits that responsibility-laden adults may have less discretionary time to explore their musical interests than younger people.

This is where good old radio can help. Switch to station that plays newer, less familiar, music, while you’re working or driving. Since radio playlists are generally repetitive, new favourites will gradually worm their way into your ear.

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entertainment, music, radio

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