Showing all posts about trends
Converting empty offices to housing to reduce homelessness?
7 May 2023
When people started working from home during the COVID pandemic, large numbers of office buildings fell vacant, and many remain that way. So why not convert these once commercial spaces into residential accommodation, and put a roof over the head of homeless people?
At first glance the idea makes sense:
Proponents argue that increasing housing in urban centres through office-to-residential conversions also supports the 15-minute city model, where many of your daily needs are just a short walk or bike ride from home. The model promotes community-building and healthy living, boosts local economies and reduces transport emissions, helping ensure there is cleaner air and a more sustainable planet.
Problems abound though. Repurposing office blocks into housing comes at cost, and some buildings are not always suitable for conversion into residential accommodation. It’s an unfortunate dilemma. On one hand, buildings sit empty, while on the other, there are people without a place to call home.
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community, economics, technology, trends
Self identity, work, careers, Gen Z are doing it differently
4 May 2023
Generation Z has an identity crisis. People aged between about ten and twenty-six say they struggle to define who they are. Other demographics, I dare say, would have no such trouble. But, according to recent research carried out by in Australia by Snapchat, zoomers, as Generation Z members are also known, are pretty clear on other things.
When it comes to the identity of others around them though, Gen Z dislike binary definitions, and not just those applied to gender:
More than half (56%) of Australian Gen Z have said they don’t like binary definitions based on sex, gender, ability or culture, and prefer to just be defined as themselves.
Many zoomers also see themselves as intersectional, being people who embrace a number of identities. Gen Z may not have been the first demographic to realise just about everyone is really intersectional, but they may be the first to consider being intersectional as part of who they are.
Gen Z also takes a different view to work and careers. They’re keen to avoid burnout, and what they call the nine to five hustle:
That’s not to say that Gen Z are shunning work however. The vast majority (87%) have said they’re actively seeking new ways to earn money outside of a traditional job, with side gigs and passive incomes (e.g. selling handmade goods, investing in the stock market and cryptocurrency, or becoming a blogger or influencer).
Eighty percent of zoomers say they would prefer to work on a freelance basis, or be self-employed. About sixty percent of survey respondents say they’ve taken courses (from “traditional learning institutions”) to skill themselves for this sort of work.
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current affairs, economics, trends
Half the buyers of vinyl records do not have a record player
3 May 2023
Image courtesy of SanderSmit.
I was pleased to see the back of my (admittedly modest) collection of vinyl records a decade or two ago. I was not a fan of the format. The records (and their covers) needed to be handled with great care, the vinyl seemed to scratch all too easily, and, like a large number of paper books, were an imposition when it came to moving house.
Such concerns are of little importance to others though. Last year, sales of vinyl records surged by twenty percent, compared to the year before. 2022 was indeed a good year for vinyl, with sales at their highest since 1988. Despite the resurgence vinyl records are enjoying though, sales today remain a shadow of what they were during the 1970’s.
But here’s the thing, even though sales of vinyl are skyrocketing, fifty percent of buyers do not have a turntable, or a record player. This according to research conducted by Luminate, a company analysing music sales data, says Abby Jones, writing for Consequence:
Luminate’s “Top Entertainment Trends for 2023” report found that of the 3,900 US-based respondents surveyed, “50% of consumers who have bought vinyl in the past 12 months own a record player, compared to 15% among music listeners overall.” So — feel free to double-check our math here — that would indicate that 50% of vinyl buyers over the past year have no way to play those records at home.
So what goes here then? Record players are still available. So why not buy one to enjoy the music you’ve bought? Are some buyers of vinyl treating the format like a tradable commodity, and attempting to speculate on their value?
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More than a Spotify genre, Glitchcore explored and defined
24 April 2023
Image courtesy of Enrique Meseguer.
Too Long; Didn’t Read: Glitchcore is a type of electronic music that features noisy digital artefacts including distortion, static, crackle, interference, and other warning sounds that means something’s not right. But there’s nothing wrong with the music itself. Read on for more of the story…
Twenty five years ago — give or take — a web design trend called “TV lines” was all the rage. Like all fads, it was short lived, but if you were a web designer who was anyone, the graphics on your website had to feature TV lines. The effect would have looked a little like the image above, created by Enrique Meseguer, and conveyed the impression your image was a screen-grab from a TV show.
Although images with TV lines have largely disappeared from the web, it can be argued their influence lingers, albeit non-visually, in the form of Glitchcore music. As the name suggests, Glitchcore is a genre that blends what are considered to be inharmonious noises, caused by errors of some sort, into the mix. These anomalies include distortion, static, crackle, interference, and other noisy artefacts. But Glitchcore is more than an amalgamation of discordant sounds, it’s also a blend of other genres, according to volt.fm:
Glitchcore is a genre of electronic music that combines elements of glitch, IDM, and breakcore. It is characterized by its chaotic and unpredictable sound, often featuring heavily distorted and chopped up samples, rapid-fire drum patterns, and complex, syncopated rhythms.
Yecch, syncopated rhythms. I sucked at syncopated strumming during my guitar playing days. But back to Glitchcore, which actually owes little to mellow, mostly unobtrusive, TV lines, than it does to boldly coloured, garish online memes, and Glitch art. Like Glitchcore music, Glitch artists make use of visual digital defects, in their artworks. And while Glitch art sounds like a contemporary movement, it isn’t. Instances of the form can be traced back to 1935, when experimental New Zealand filmmaker Len Lye incorporated analogue flaws into his short film, A Colour Box.
But Glitch art became more prominent in the early twenty-first century, when digital artists began to embrace errors and unwanted visual artefacts, spewed out by digital technologies, and crafted artworks from them. A Glitchcore musician then might look at a work of glitch art — refer again to Meseguer’s image above — and wonder how it could be rendered as a musical piece.
Musically, Glitchcore is seen as subgenre of Glitch music. Or Hyperpop, depending on who you ask. Glitch music became popular in the 1990s, but its origins can be traced back to the second decade of the twentieth century. In 1913, Luigi Russolo, an Italian artist and composer, produced The Art of Noises (L’arte dei rumori), a Futurist manifesto, which was considered by some to be the basis of noise music. Here, anything, particularly machinery, that made noise, could, somehow, be used in a musical composition.
Hyperpop (think of the music of Charli XCX), meanwhile, emerged about ten years ago, even though the term was first used in 1988 by a music writer named Don Shewey, when describing the Cocteau Twins, an erstwhile Scottish act. Wikipedia defines Hyperpop thusly:
Hyperpop reflects an exaggerated, eclectic, and self-referential approach to pop music and typically employs elements such as brash synth melodies, Auto-Tuned “earworm” vocals, and excessive compression and distortion, as well as surrealist or nostalgic references to 2000s Internet culture and the Web 2.0 era.
Glitchcore become more widely heard in 2020. And like Hyperpop, the name also seems to have preceded the music, if this excerpt from the March 2001 edition of SPIN magazine (and might they be referring to Matthew Herbert here?) is anything to go by:
Herbert is a former piano prodigy and Exeter drama student who went from touring with UK big bands to freaking clubbers with samplers and kitchen utensils, and his cozy records merge glitchcore buzz and tech-house heat.
So, there, at last we have it, an explanation of Glitchcore. Assuming the genre, subgenre, in fact exists, something Cat Zhang, writing for Pitchfork, says is debatable. And given its smorgasbord of genre ingredients, I can see where the doubters are coming from. Spotify, however, has no such misgivings. It’s a verified genre to them, as people perusing their annual Spotify Wrapped music listening reports would have noticed.
In case Glitchcore is new to you, as it was to me, here’s a small selection of the music to check out: Money Machine by 100 gecs, Ethanol by Madge, and This World is Sick by IC3PEAK. I should say a language warning may apply to some of these tracks.
And on the off chance the existence of Glitchcore is blowing your mind, and you think there’s too many music genres, and subgenres already, bear in mind some one hundred and twenty three thousand new songs are released daily across the world. That’s daily with a D. If that’s the case, there’s going be a whole lot more music genres coming to Spotify Wrapped in the future.
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Could libraries be a place to offer affordable housing?
21 April 2023
Libraries are more than somewhere to go to merely read, or borrow, a book. They’re often places were people study, work, and, to a degree, socialise. In short, libraries are community hubs.
But the idea that libraries could be expanded upon — subject to certain caveats — to offer affordable housing, is compelling. It is however a proposal the Boston Public Library has been considering, says library president David Leonard:
These three libraries will serve as a model to expand alternative affordable housing options. But Leonard said adding affordable housing may not be right for every neighborhood. Programming studies of the Field’s Corner branch revealed the space was too tight to deliver affordable construction; in Egleston Square, the community valued the existing greenspace over an expanded library/housing footprint.
On paper it’s an intriguing idea. People who need affordable housing would have somewhere to live, and potentially a community to tap into, downstairs in the library itself.
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Sales of paper books surge in the United Kingdom in 2022
18 April 2023
Paper, or physical, books are by no means relics of a bygone era, if sales thereof in the UK last year are anything to go by. Six hundred and sixty nine million books were purchased in 2022. Against a population of sixty seven million people, that equates to about ten books per person.
A Year in Publishing, a look at the state of the book market by trade body the Publishers Association, found that sales were up 4% from 2021 in 2022, 669m physical books were sold in the UK, the highest overall level ever recorded.
UK book exports also increased by eight percent, with Heartstopper, by Alice Oseman, topping the list of books sent out of the country. To date, there are now five books in the Heartstopper series — which has spawned a Netflix TV show — with a sixth, and final, title on the way.
Meanwhile in Australia, nearly seventy one millions books were purchased in 2022, an increase of about eight percent on 2021, according to Nielsen BookData figures. I’m not sure what quantity of books sold were physical, but it seems bookshops had a good year, so I’m guessing a lot were paper.
It’s to be hoped bookshops in Australia (and elsewhere, of course) are doing well again, after a difficult few years. While it’s purely anecdotal, I saw that Dymocks, a large Australian bookseller, is opening a brand new store in the Sydney suburb of Bondi Junction in June. Saying re-opening a bookshop is probably more accurate, as the company did have a shop there, which closed several years ago. While opening one bookshop does not a trend make, the move can only be a good sign.
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100,000 plus new songs released daily, so what to listen to?
4 April 2023
By some estimates, one hundred and twenty three thousand new songs are released across the globe every day. That’s surely more music than any person could listen to in a lifetime. In a seemingly arts saturated world though, American jazz critic and music historian, Ted Gioia, contends the problem isn’t necessarily with supply, but rather demand. This means creating more demand driven initiatives, in other words, finding new ways of putting this new music in front of audiences.
Yet almost every arts-related institution in the world is focused on the supply side, almost to an obsessive degree. This feels good — we love giving money to artists. But even from a purely financial standpoint, these programs don’t do half as much good as genuine audience expansion. If you offered a musician the choice between a hundred dollars and a hundred new fans, they absolutely benefit more from the latter. It’s a no-brainer. In fact, musicians probably make more from just one loyal fan.
This is something we see with fiction publishing in Australia, and likely worldwide. As I’ve written before, a first-time writer of a literary fiction novel in Australia might expect to see a maximum of two thousand sales of that book. Australia doesn’t have the biggest of populations, but surely there’d be more interest in a book than that. In a somewhat supply saturated market, granted. As Gioia says, it is demand driven initiatives that are needed.
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Paper books give Gen Z much needed screen free time
19 March 2023
Generation Z, being people born between 1997 and 2015, prefer to read paper books rather than electronic ones, according to World Economic Forum data. A break from eye-straining smartphone screens, a desire to support local bricks and mortar book stores, and the smell of newly published paper books, are among reasons they cite for the preference.
Book sales in the US and the UK have boomed in the past two years, the management consultancy McKinsey found. Sales in the US hit a record of more than 843 million units in 2021, while last year had the second-highest number sales, at almost 789 million. This increasing popularity was partly because of Gen Z and its social-media trends, including the hashtag #BookTok on TikTok, McKinsey said.
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Has the world reached peak podcast?
25 February 2023
Phil Siarri, writing at The PhilaVerse, notes the number of new podcasts has declined by eighty-percent globally, compared to 2020-2022, based on data published by Listen Notes.
219,178 new podcasts were created in 2022 as opposed to 337,063 in 2019.
But James Cridland, writing at Podnews, says that while the number of new podcast shows has declined, the number of new episodes has increased:
The increasing number of episodes suggests that podcasters aren’t, as the narrative suggests, “giving up”. Committed podcasters are continuing to release new episodes, at an ever-increasing rate. Far from podcasting being in severe decline, the industry seems healthy and growing.
I can’t go anywhere on the web without tripping over a podcast show, so suggesting podcasting is in decline seems like a big call, even though some data might indicate this is the case. It seems reasonable the number of new podcast shows would fall once COVID-19 lockdowns ended, and people were no longer looking for so many ways to occupy themselves while at home.
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Arrivals offset departures as Twitter exodus seems to pause
18 February 2023
Elon Musk’s arrival at Twitter last October sparked a stampede for the doors, as members worried about where Musk might take the platform. But surprisingly, departures have been matched by arrivals, says Sarah Perez, writing for Techcrunch:
Worldwide mobile app installs are up by 3.7 million in January compared with September 2022. Notably, Twitter installs didn’t decline in November. Instead, it gained new downloads even as some of its users seemingly left for other apps. In other words, any Twitter exodus may have been offset by new Twitter arrivals. Active user data would tell a better story here, but Twitter is no longer a publicly traded company and it’s not clear that Musk is analyzing user data as Twitter had before, which would allow for a direct comparison. But his claims of a burst of November signups could be directionally true, as the month saw higher app installs than October.
There’s also the point that long term Twitter members, despite their disillusionment with the present direction of the platform, have a lot invested in the microblogging service.
Many have spent years, decades possibly, establishing a profile on Twitter, and wouldn’t be in any hurry to leave. Despite the uptake in alternatives, such as Mastodon, there’s still, I think, the hope among some Twitter members that things will eventually return to normal, or some semblance of normal.
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