How to write 31 books at the same time by James Patterson

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How to write 31 books at the same time by James Patterson

20 February 2023

American author James Patterson recently told GQ Magazine he is working on no fewer than thirty-one manuscripts simultaneously. That’s impressive. Patterson’s output comes down to two things, one being his daily routine:

“I do what I do seven days a week. I’ll usually get up at 5:30 and work for an hour. Then, frequently, I will go out and hit a golf ball. They let me onto most of the courses I belong to very early, which is nice. If I come at 6:00, they say, “Go ahead.” I’ll go around for an hour, an hour and a half. Then I’m back here by 8:00, and then I’ll work till 6:00. I’ll take a couple breaks if I need them, which I usually do. And obviously, what that [day] results in is more books than my publisher wants. That’s why I started doing non-fiction, because they said, “Okay, yeah, we can handle one or two non-fiction.”

The other is team work. Even though Patterson is directly involved with each work in progress, he has a bevy of writers assisting him. It seems like the more books you write, the more you sell. And the more books you sell, the more money you make. And the more money you make, the more assistants can you employ to help write even more books.

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Why are Australian publishers averse to science fiction books?

20 February 2023

Australian author Alice Boer-Endacott, writing for the Australian Young Adult Literature Alliance (#LoveOzYA) blog:

However, despite the growing mainstream appreciation of fantasy (and science fiction) texts, especially within YA, Will [Kostakis] notes, “it’s as if we’re conditioned to see something as less worthy just because it is unabashedly fun. The implications of this? We talk less about fantasy books’ craft, we omit some of our finest YA writers from awards conversations, they’re not studied in schools … That last bit is very important in the Australian landscape, where sales are (unfortunately) quite small.” This final point was echoed by an industry insider with whom I had a passing conversation on this subject (they declined to be named). They told me, “the success of YA texts are dependent on whether or not schools pick up class sets, and they are much less inclined to do that with fantasy.”

Some Australian publishers explicitly state they will not accept science fiction and fantasy manuscripts. Some Australian authors meanwhile have reported local agents and publishers will only accept literary fiction manuscripts, and nothing else. Scoring any publishing deal is difficult, but the odds are especially stacked against sci-fi and fantasy writers in Australia.

There’s nothing wrong with marking a book did not finish

18 February 2023

Life’s too short to stick with, say, a movie or a book, that isn’t appealing, so ditch them, says Josh Gondelman, writing for Self magazine:

This is not, by the way, a criticism of the slow burn. It’s simply a permission slip to ditch the no burn. Gratification doesn’t have to be immediate, but it should be… eventual. With all the world’s art at our fingertips, there’s no reason to settle for something that leaves us cold. Unless, of course, you’re simply trying to bludgeon yourself into numbness with some kind of dull programming marathon. We all have to get to sleep somehow.

Yes, sleep. I often read books later in the evening, because, you know, I’m writing about books during the day, so I have to read later on. But if I find myself constantly nodding off while reading a novel, that’s pretty much an indication to stop and move onto something else.

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New Australian books and TBR ideas, 17 February 2023

17 February 2023

Book cover: A Country of Eternal Light by Paul Dalgarno

Here’s a selection of recent or upcoming Australian published books to add to your TBR list, that have caught my eye this week.

The Bookbinder of Jericho by Pip Williams — follow up to 2020’s The Dictionary of Lost Words — a story about twin sisters working in the bindery at Oxford University Press during World War I.
The Wakes by Dianne Yarwood. Funerals, failing marriages, and a catering business, are the ties that bind five people, to greater or lesser degrees, in Yarwood’s fiction debut.
Gigorou by Sasha Kutabah Sarago. The beauty assistant, model, and magazine editor recounts her journey to reconcile her conflict with beauty.
The Messiah’s Bride by Megan Norris. The harrowing story of Stefanie Hinrichs, a survivor of an Australian doomsday cult, who was forced to become the child bride of the cult’s leader.
A Country of Eternal Light, by Paul Dalgarno. A dead woman travels back and forth through time, and around the globe, as she seeks meaning in life and death.

The Booker Prize trophy name contest shortlist

14 February 2023

The Booker Prize has been on the lookout for a name for the statuette that is presented to winners of the British literary award. After combing through suggestions, a shortlist of six potential names has been published, and everyone is invited to vote for their favourite:

Beryl – after the late Beryl Bainbridge, a Booker Prize legend, who was shortlisted for the award five times, though never won
Iris – after 1978 Booker winner Iris Murdoch, who was nominated for the prize seven times. Iris was also the Greek messenger of the gods
Minerva – after the Roman goddess of poetry, wisdom and the arts
Calliope – after the Greek muse who presided over eloquence and poetry
Bernie – after Bernice Rubens, the first woman to win the Booker (1970) and Bernardine Evaristo, the first Black woman to win the prize (2019)
Janina – primarily a Polish name meaning ‘God is gracious’, and the female form of Jan, after Jan Pienkowski, the Polish-born designer of the trophy

I kind of like Minerva, but Calliope was the most popular as of the last time I looked at the trophy name post on the Booker Prize Instagram page.

Voting closes next Monday, 20 February, with the winner being named on Monday 27 February 2023.

Truth Be Told, the 2023 Adelaide Writers Week program

11 February 2023

The program for Adelaide Writers’ Week 2023, which runs from Saturday 4 March though to Thursday 9 March 2023, in the capital of South Australia, has been published. This year’s theme is Truth Be Told, always a subjective, nuanced matter, as festival director Louise Adler notes:

The thread that weaves through the 2023 program of literary luminaries, writers on their way and novitiates is the notion of truth — truths we acknowledge, truths we feel are debatable and those beyond debate. Do we want truthfulness in fiction or does it only matter in nonfiction? Do novelists owe us the truth? Is the biographer’s task to tell nothing but the truth about their subject? Is my truth The Truth and yours simply your truth and therefore partial, imprecise or even suspect? Is any truth incontestable, universal? Does truth matter and if so, how should it be upheld in a world crammed with falsehoods, lies, misinformation and inaccuracies? If all ideas are reimagined or appropriated, if originality is a fallacious delusion nurtured in an artist’s garret, does truth even matter anymore?

Catriona Menzies-Pike, J.M. Coetzee, Sarah Holland-Batt, and Raina MacIntyre are among Australian writers who will be in attendance.

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Hazel Edwards, do not tell me who I cannot write about

11 February 2023

Australian author Hazel Edwards, writing for the Sydney Morning Herald:

I’m not Indigenous. I’m not Muslim. I’m not a refugee. I’m not transgender. I’m not disabled. And I’m not a hippopotamus who eats cake. But as a professional author of more than 200 books across 50 years, I’ve always used diverse characters from varied backgrounds and ages in all my stories. And as a 70-ish, white grandmother, I find this diversity is increasingly being challenged. It seems to me the prevailing literary attitude is that I must not write of other cultures in which I was not raised. The term “cultural appropriation” is being used to silence potential writers.

Not sure how popular I’ll be for saying this, but I think any respectful author who has thoroughly researched their subject matter, and takes a respectful tone, should be able to write on any topic.

Entries open for 2023 Australian/Vogel Young Writers Award

8 February 2023

The Australian/Vogel’s Award for Young Writers has launched the career of many an Australian author, including Emma Batchelor, Katherine Brabon, and Murray Middleton. Entries are open for the 2023 award, to Australian citizens or permanent residents, who are under the age of thirty-five as of 31 May 2023, the date entries close. To be eligible, manuscripts must contain between fifty-thousand and eighty-thousand words.

2023 Val Vallis Award for unpublished poetry entries open

8 February 2023

Entries are open for the 2023 Val Vallis Award for an unpublished poem, until Sunday 26 February 2023. Named in honour of late Queensland poet, lecturer, and opera critic Valentine Vallis, who died in 2009, the award recognises unpublished works, by Australian poets, of no more than eighty lines.

Dan Hogan, a poet based on the NSW Central Coast, won the 2022 award with a work titled Aduantas.

Update: the 2023 award winner was named on Tuesday 2 May 2023.

Limberlost by Robbie Arnott longlisted in 2023 Dylan Thomas Prize

7 February 2023

Tasmania based Australian author Robbie Arnott, has been longlisted in the 2023 Dylan Thomas Prize, for his 2022 novel, Limberlost. Established in 2006, the Dylan Thomas Prize recognises the best published English language literary work, written by an author aged 39 or under, globally.

The shortlist will be announced on Thursday 23 March 2023, with the winner being named at the awards ceremony on Thursday 11 May 2023.

Another reason to add Limberlost to your TBR list.

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