The Midnight Library, by Matt Haig

6 October 2021

The Midnight Library, by Matt Haig, book cover

If we live in an infinite universe, or an infinite collection of universes, then all things are possible. There may be alternate versions of you and me, somewhere out there, living lives completely different to the ones we recognise as our present reality. Relative to this universe, that is.

The Midnight Library (published by Allen & Unwin, September 2020), the seventh novel of British author Matt Haig concerns itself with similar themes. In the absence, perhaps, of a multiverse, there is the Midnight Library. It is a place located on the edge of our universe, containing an infinite number of books.

One book is an account of the life you currently lead. Then there is another title, where you can read how your life might be, had you made different choices. It is to this far-flung story repository that Nora, a troubled young woman comes to, after she attempts to end her life. Nora has the chance to read the many stories her life could have been, had she decided to do something else.

Through these books, Nora goes on a tour of her mistakes and regrets, and sees where she went wrong. We all know the drill. Should I have taken the other job? Married someone else instead? It’s a charming, enviable, premise. To be able to undo all those bad decisions, and do the “right” thing. If only it were that simple. But if such a notion does appeal to you, maybe The Midnight Library will too.

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Miles Franklin Literary Award, 2022

6 October 2021

Good morning. Submissions for the 2022 Miles Franklin Literary Award opened yesterday. Writers, please submit your work ASAP as my to-be-read list, already made up of who knows many dozens of titles, isn’t long enough. Thank you.

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Barbara, by Mathieu Amalric… will the real Barbara stand up?

5 October 2021

How best to describe French actor and filmmaker Mathieu Amalric’s 2017 feature Barbara? A movie within a movie? So frequently do the lines between the real and the portrayed blur, it’s not always easy to tell.

Amalric, who also stars as a director making a bio-pic about a cabaret singer named Barbara, becomes enamoured with Brigitte, the actor portraying Barbara. But is it really Brigitte (Jeanne Balibar) he’s obsessed with, or her representation of Barbara? But he’s not the only person on set who’s confused. Brigitte, in learning what she can about Barbara, almost comes to believe she is the late cabaret singer.

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Postcards From Abroad, video conversations with writers

5 October 2021

The borders may be closed, but postcards can still get through… tune into Postcards From Abroad, a series of video conversations with well-known authors from across the world, hosted by the Wheeler Centre. From this evening you’ll be able to tune-in to California based American writer Jonathan Franzen for the next week.

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Homegoing, by Yaa Gyasi

5 October 2021

Homegoing, by Yaa Gyasi, book cover

Homegoing (published by Penguin Books Australia, June 2017), by Brooklyn, New York based Ghanaian-American writer Yaa Gyasi, is a story spanning seven generations and two continents. In the eighteenth century Effia marries an Englishman, and they move into his Cape Coast mansion in Ghana.

Unbeknownst to Effia, her half-sister Esi, who was born in another village in Ghana, is being held captive in the cells below the house, waiting to be sold into slavery. Esi is later sent to a plantation in America. As time moves forward, the stories of both branches of the family are explored through the descendants of Effia and Esi.

Effia’s side of the family contends with long-running wars in Ghana, while Esi’s children and descendants manage to escape slavery, eventually making their way into the jazz clubs of twentieth century Harlem. The violence, hardships, and racism that both sides of the family confront are narrated by Effia and Esi, and six descendants of each.

Despite spanning several centuries, and being seen through the eyes of fourteen different people, Homegoing weighs in at a none too hefty three hundred and twenty pages. It is a brilliance that has seen the book nominated for a slew of literary awards, including the American Book Award, and the International Dublin Literary Award.

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Nitram, the new feature from Australian filmmaker Justin Kurzel

1 October 2021

Nitram, is acclaimed Australian filmmaker Justin Kurzel’s (Snowtown, Macbeth, True History of the Kelly Gang) controversial portrayal of events leading up to the Port Arthur massacre in the Australian state of Tasmania in 1996.

With a cast that includes Caleb Landry Jones, Essie Davis, Judy Davis, and Anthony LaPaglia, Nitram tells the story of an isolated, troubled young man (Caleb Landry Jones). When an unlikely friendship with Helen (Essie Davis), a reclusive heiress, comes to a tragic end, his anger and frustration spirals out of control.

Nitram opened in selected cinemas across Australia yesterday, in areas not subject to COVID lockdown restrictions.

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All your emoji are belong to us

1 October 2021

Soon another thirty-seven new emojis will be available for use on your favourite oblong shaped device, says the Unicode Consortium. One, the melting face emoji, a representation of climate change, has quickly become a crowd favourite.

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Laura Jean McKay wins the 2021 Arthur C Clarke award

1 October 2021

New Zealand based Australian author Laura Jean McKay has been named the winner of the 2021 Arthur C Clarke award for science fiction writing, with her 2020 novel The Animals in That Country. Very much a novel for our times.

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Ghosts, by Dolly Alderton

1 October 2021

Ghosts, by Dolly Alderton, book cover

When I first heard the term ghosting, almost ten years ago, it referred to leaving social gatherings without saying goodbye to anyone present, even the host. A person might mutter they were going outside to make a “quick phone call” as a pretext for leaving the room, and bang, they were gone. While ghosting’s context is wider today, it is most commonly applied to situations where someone abruptly ends an intimate relationship, without warning or explanation.

It is a phenomenon that strikes thirty-something Nina, a successful food writer, with everything going for her, in Ghosts (published by Penguin Books Australia, July 2021), the second book by London based journalist and author Dolly Alderton. While her friends are marrying and settling down with families, single Nina feels left behind until she meets Max, the man who seemingly has it all, and wants – so he says – to make a life with her.

But minutes after declaring their love for each other, Max vanishes without a trace. He doesn’t offer a goodbye, nor any reason for breaking off the relationship. But when Nina goes looking for support from her friends and family, no-one’s there. Her friends are distracted by their children, her mother is busy making a new life for herself, while her father is tragically slipping into the mist of dementia.

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The Midnight Watch, by David Dyer

30 September 2021

The Midnight Watch, by David Dyer, book cover

The tragic 1912 sinking of the RMS Titanic has intrigued and fascinated me for as long as I can remember. At age ten or eleven I found a battered copy of the late Clive Cussler’s 1976 novel Raise the Titanic!, in a box of books left out on the street, and then a short time later saw the 1953 film of the vessel’s sinking, although all I recall of that now is its haunting ending.

While it’s been sometime since I watched or read anything Titanic related, The Midnight Watch (published by Penguin Books Australia, February 2017), by Sydney based Australian former ship’s officer, and lawyer, turned teacher and writer David Dyer, recently caught my eye. The story is a fictionalised recounting of events on board the SS Californian, one of the ships in the vicinity of the ill-fated Titanic as it was sinking.

While the captain and senior officers of the Californian were aware the Titanic was in distress – it fired numerous distress flares into the night – they chose to keep their distance, even though they were close enough to see the stricken vessel. Why the Californian stayed put is a question The Midnight Watch attempts to resolve, and it is difficult not to wonder how many lives might have been saved had it rendered assistance.

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