Something that really cooks: Michael J Fox replays Johnny B Goode

17 November 2011

Michael J. Fox who played Marty McFly in Back To The Future, recently re-performed Chuck Berry’s 1958 hit Johnny B. Goode at A Funny Thing Happened On The Way To Cure Parkinson, an annual event staged by his foundation that supports research into Parkinson’s disease.

Fox’s, or rather McFly’s, rendition of Johnny B. Goode at the Enchantment under the sea dance in 1955, is one of the (fictitious) historical events I’d like to witness. It’d also be an opportunity to be a dance floor innovator/early adopter, by showing 1950’s dance-goers a whole new way to trip the light fantastic.

Originally published Thursday 17 November 2011

Caught Inside, a film by Adam Blaiklock, with Ben Oxenbould, Daisy Betts

10 October 2011

Still from Caught Inside, a film by Adam Blaiklock.

Caught Inside, trailer, a psychological thriller, is the debut feature of Australian film director Adam Blaiklock, who co-wrote the screenplay with Matt Tomaszewski and Joe Velikovsky. The film, which won the Audience Award at the Sydney Film Festival in 2010, is presently screening in limited release in Australian cinemas.

Set in Bali, and the seas off Indonesia, Caught Inside follows a group of long-time friends who sail to a remote island for twelve days. Drinking and fishing are on the agenda, along with surfing at a little known location called “the butchery”, named for the spectacular surfing waves in the vicinity.

While usually a boys only getaway, Toobs (Simon Lyndon) contravenes the long standing no girls tradition by bring girlfriend Alex (Leeanna Walsman), and her friend Sam (Daisy Betts), along. While the girls don’t much bother Bobby (Sam Lyndon), and youngster Grom (Harry Cook), Bull (Ben Oxenbould), does not feel the same way.

Nonetheless the group sets sail with Skipper Joe (Peter Phelps) at the helm, and after a night of partying Bull begins to warm to the girls, particularly the single Sam. A story about a certain video featuring her that went viral online further piques Bull’s interest, but his efforts to win her attention are thwarted by Bobby, who has caught Sam’s eye.

Upon reaching the supposedly secret surfing spot, the group is surprised to find a lone European surfer residing on the nearby secluded island, who worse still, appears to have claimed “the butchery” as his. This act of “trespass” enrages Bull, who is also becoming increasingly agitated by the amount of time Bobby and Sam are spending together.

After Bull boils over, Skipper Joe leaves him on the island alone overnight to cool down. Bull, convinced Sam likes him over Bobby, returns to the yacht in the darkness, which is moored some distance off shore, and is determined that nothing, or no one, will stand between the two of them.

At first glance, Caught Inside seems to tread familiar ground, whereby a group of people, cut off somehow from the outside world, find themselves contending with a violent psychopath. But Caught Inside sets itself apart from similar stories, by not quite going the way that might be expected.

Indeed Caught Inside pushes against the weight of its run-of-the-mill expectations to advantage, generating an unsettling foreboding and suspense. Solid performances, especially from Ben Oxenbould, and striking cinematography, which includes some impressive, if disquieting, underwater shots, further buoy the story.

Originally published Monday 10 October 2011

Trigger, a film by Bruce McDonald, with Tracy Wright, Molly Parker

16 August 2011

Trigger (trailer), a comedy drama, is the latest feature of Canadian film director Bruce McDonald (The Tracey Fragments, Pontypool). The story traces the reunion of two indie-rockers, Kat (Molly Parker), a bass player and vocalist, and Vic (the late Tracy Wright), who once performed together in a two-piece band called Trigger.

Trigger, which premiered in Australia at the Canadian Film Festival in Sydney on Wednesday, 10 August, 2011, picks up the story of the two band members ten years after their acrimonious on-stage split. They have accepted an invitation to perform at a Women in Rock tribute show taking place in Toronto, their hometown.

Kat has since relocated to Los Angeles where she works in marketing, but often travels to Toronto for work. The two have arranged to meet for dinner in the restaurant of the five-star hotel where Kat is staying. Vic however is less than impressed with the extravagant setting of their first face-to-face meeting since the band broke up.

While past tensions quickly surface, it isn’t long before some traces of their earlier, close if turbulent, friendship comes to light. While Vic is happy to go along to the tribute show, she is not so willing to perform, even though Kat promised organisers they would. The show however soon rouses happy memories of their on-stage hey-day.

While reacquainting themselves with former associates, both come to the doleful realisation that they cannot reclaim their old lives. This is brought home by the fact friends have moved on, become older, more conservative, and are even driving hybrid vehicles, surely a contravention of the hard living, hard playing, rock ethos.

Despite having been apart Kat and Vic learn they have had a number of similar experiences, including having dealt with substance abuse issues, which both seem to have overcome. But just as the two are beginning to warm to each other again, Vic then learns that there is just a little more to the tribute show than meets the eye…

Trigger is a slice-of-life drama featuring just two central characters, and covers a only small period of time, in much the same way as Richard Linklater’s Before Sunset and Before Sunrise films, and plays out over the course of a single night. This however gives Kat and Vic plenty of time to try and make sense of their post-band lives.

Trigger isn’t all introspection though, and features a stirring performance reminiscent of the band during its peak, plus flashback glimpses of the friendship of Kat and Vic in earlier days. This is a story that anyone who has had the dream, or once lived the dream, and now finds life to be a little quieter, will be all too familiar with.

Originally published Tuesday 16 August 2011.

Jaloux, a film by Patrick Demers with Sophie Cadieux, Maxime Denommee

11 August 2011

Jaloux, trailer (French language), a drama thriller, is the debut feature of Montreal director Patrick Demers, who wrote the screenplay, which was largely improvised during filming, in conjunction with its three stars, Sophie Cadieux who plays Marianne, Maxime Denommée as Thomas, and Benoît Gouin as the neighbour of Thomas’ uncle.

Marianne and Thomas have been together eight years but boredom has begun to stifle their relationship. Thomas believes a weekend away at his uncle’s remote forest cabin, near Mandeville, in Quebec, will help them rediscover each other. Jaloux premiered in Australia at the 6th Canadian Film Festival in Sydney on Tuesday, 9 August, 2011.

To say Marianne and Thomas’ relationship is in strife would be an understatement. A fierce argument, which turns into a tussle, as they approach his uncle Michel’s (Daniel Gadouas) cabin, results in their car running off the gravel road into a ditch. Neither is hurt however, and they complete the trip to the nearby cabin on foot.

On reaching the cabin they are surprised to find Michel’s neighbour, Ben, has prepared a meal for them. Ben had however been expecting Michel and his girlfriend Helene (Marie-France Lambert), but after learning that Thomas is his nephew, and having taken a shine to Marianne, instead invites the couple to share the meal with him.

After a night’s heavy drinking Marianne and Thomas wake the next morning, having slept in separate parts of the house, with little memory of the evening before. Deciding a swim will help clear their heads, they wander down to the nearby lake, only to meet Ben again, much to Thomas’ annoyance, who happens to be out rowing his boat.

Not happy with the way Marianne is taking to Ben, Thomas instead decides to find a mechanic to repair their car. On his way into the local town though he, by chance, meets a cousin who he hasn’t seen in years. It is only then that Thomas comes to realise that the man claiming to be his uncle’s neighbour is in fact someone else altogether…

Jaloux is a slow burning thriller that is underscored by a simmering unease that threatens to boil over at any minute. This tension is accentuated by flashbacks and memories that may be from the night before, the week before, or possibly even months or years earlier.

But what here is real, imagined, or fantasy? While the storyline is relatively simple, what Jaloux lacks in narrative it makes up for in drama and suspense, as jealousy, lies, deceit, and guilt compound. Clichés bountiful in a story of this nature are refreshingly absent, leaving the viewer uncertain as to what exactly will happen next.

Originally published Thursday 11 August 2011.

Fade to grey: as we get older we stop dreaming in technicolour

12 July 2011

We tend to stop dreaming in colour as we age, according to a study which surveyed a group of people in 1993, and then again in 2009.

In both surveys, approximately 80% of subjects younger than 30 years of age experienced color in their dreams, but the percentage decreased with age and fell to approximately 20% by the age of 60. The frequency of dreaming in color increased from 1993 to 2009 only for respondents in their 20s, 30s, and 40s. We speculate that color TV may play a role in the generational difference observed.

Originally published Tuesday 12 July 2011.

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legacy, psychology

Get Low, a film by Aaron Schneider, with Robert Duvall, Sissy Spacek

3 June 2011

Get Low, trailer, a comedy drama, is the debut feature of American cinematographer turned film director Aaron Schneider. Collaborating with Chris Provenzano and C. Gaby Mitchell, who wrote the screenplay, Get Low explores the intriguing notion of attending your own funeral, as a living, rather than dead, participant.

Set in the late 1930’s, Get Low is based in part on the life of Felix Breazeale, or Uncle Bush as some called him, a man living in Tennessee. In 1938 Breazeale arranged a funeral party for himself — while still alive — to which eight to twelve thousand people attended.

Felix Bush (Robert Duvall) has lived alone in a cabin he built deep in the woods of Tennessee for most of his adult life. His self-imposed exile is the result of an unfortunate incident some forty years earlier. He is also the subject of all sorts of gossip, and his few visits to a nearby town, by horse drawn cart no less, attract plenty of, usually unwelcome, attention.

He never married, and has no family, but after hearing that an old acquaintance died, begins to reassess his guilt ridden past. He realises the only way to obtain redemption for his part in a long past transgression is to seek forgiveness before he eventually dies. Forgiveness of the divine kind however won’t cut it, he needs it from elsewhere.

He soon decides a funeral party, with him in attendance while still alive, is the best way to make this happen, and enlists the services of local undertaker, shifty Frank Quinn (Bill Murray), and his assistant Buddy (Lucas Black). While an unusual request, Frank is happy to accommodate Felix, given business has been on the quiet side recently.

In the course of preparations for the party, which include a radio interview, Felix is reunited with Mattie Darrow (Sissy Spacek), an old flame, who has returned to the area following the death of her husband. As Mattie learns more about Felix, and his bizarre funeral party, she realises she is linked to the event from which Felix desperately seeks absolution.

Get Low has the feel of a whodunit, as the story of what has been bothering Felix for so long slowly unfurls. It also features top notch portrayals by a host of veteran actors, especially Duval and Spacek. Murray meanwhile puts in his best performance in a long time, one with a little life, rather than his more usual dead-pan style.

A few people have been critical of the film’s ending. They feel it lacks punch or resolution. While the conclusion may be a touch otherworldly, perhaps they are not happy with the way the story unfolds gradually, reserving Felix’s confession until the finale, and the big reveal. What’s wrong with that?

Originally published Friday 3 June 2011.

Sugar and soy ruins perfectly good coffee say Sydney baristas

25 May 2011

Sydney baristas are increasingly calling the shots when it comes to brewing what they consider to be ideal coffee, by refusing to accommodate requests to add sugar, use skim (low fat) or soy milks, and decaffeinated coffee, or make brews “extra hot”, a dictate some customers describe as excessive:

Bar Italia in Leichardt is famous for its “No soy, no skim” stand. Customers have been known to storm out of Barefoot Coffee Traders in Manly which won’t do decaf or large cups. Kafenio Cafe in Cronulla declares: “No skim or babycinos … Don’t even ask!” “The guy behind the coffee machine … reminded me of the Soup Nazi off Seinfeld, but it wasn’t funny … get over the delicate genius syndrome,” said one Kafenio customer on online restaurant guide Eatability. Said another: “The barista refused three separate times to make the coffee that was ordered. If this was a hard order I would have understood but nowhere else [finds] a double shot 3/4 latte hard.”

Maybe the majority of coffee shop customers want full cream milk and caffeine brews, but the stance sounds harsh to me. What of the people with lactose intolerance? As for refusing to serve babycinos, that doesn’t seem too family-friendly to me.

Originally published Wednesday 25 May 2011.

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coffee, legacy, trends

A short history of the letter J the alphabets last member

14 April 2011

While sitting in the tenth place in the English alphabet, the letter J, which split off from the letter I, was actually the last addition to the writing system.

“J” is a bit of a late bloomer; after all, it was the last letter added to the alphabet. It is no coincidence that i and j stand side by side — they actually started out as the same character. The letter j began as a swash, a typographical embellishment for the already existing i. With the introduction of lowercase letters to the Roman numeric system, j was commonly used to denote the conclusion of a series of one’s – as in “xiij” for the number 13.

Originally published Thursday 14 April 2011.

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alphabet, history, legacy

A certain type of screw head in time saves almost 29

15 December 2010

The more common, well-known, Flat and Phillips screw heads are just two of some 28 varieties of screw drive type… you may therefore need to expand the range of screwdrivers you own in case you encounter any of the not so common sorts. Image via Apartment Therapy.

Originally published Wednesday 15 December 2010.

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legacy, tools

Illustration by Eric Slager, the muppets go minimal

6 December 2010

Since I can’t get enough of minimal design and illustration… graphic designer Eric Slager’s Minimalist Muppets illustration series.

No Cookie Monster then?

(Thanks Jessica)

Originally published Monday 6 December 2010.

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