Thomas Mitchell: when your book is used to train AI platforms without permission

Showing all posts tagged: Australian literature

Thomas Mitchell: when your book is used to train AI platforms without permission

14 April 2025

American tech company Meta has been using the works of Australian authors — and no doubt many writers worldwide — to train its AI platforms. This happens, apparently, without consultation with the authors, and certainly — to date — without any payment. Australian author Thomas Mitchell (Instagram link), of Today I F****d Up fame, writes first-hand about the experience:

I have very little in common with Australian author Tim Winton. He has written many books, and I have written one. His titles are bestsellers; my book was mainly purchased by friends and family. He loves the ocean, whereas I am happier on land. Despite our differences, it turns out both Tim Winton and I are part of the same unfortunate club: Australian authors being ripped off by Meta.

Miles Franklin Undercover, a new biography of the Australian author, by Kerrie Davies

14 April 2025

Miles Franklin Undercover, by NSW North Coast based university lecturer and author Kerrie Davies, traces Franklin’s life in the years following the 1901 publication of her iconic novel, My Brilliant Career. Spoiler: things were not too brilliant:

But fame can be deceptive. In reality, the book earned her a pittance. The family farm was sold, her new novels were rejected, and she was broke. Just two years after her debut, Miles disappeared.

On the subject of Miles Franklin, the annual Australian literary award named for her, can’t be too far away from publishing the longlist for the 2025 award. That, I’m guessing, is maybe in a month’s time?

The 2025 Stella Prize for Australian literature shortlist

9 April 2025

The shortlist for the (stellar) Stella Prize, consisting of six titles, was unveiled last night:

Black Convicts, by Santilla Chingaipe
Black Witness, by Amy McQuire
Cactus Pear For My Beloved, by Samah Sabawi
Translations, by Jumaana Abdu
The Burrow, by Melanie Cheng
Theory & Practice, by Michelle de Kretser

The Stella Prize is an annual celebration of literature written by Australian women. The winner will be announced on Friday 23 May 2025.

We Are the Stars, Gina Chick, tops 2025 Dymocks Top 101 Book poll

7 April 2025

We Are the Stars, by Australian author Gina Chick, has claimed the number one spot in the 2025 Dymocks Top 101 Books poll. We Are the Stars also enjoys the distinction of being the first work of non-fiction to top the the list in almost twenty years.

Notable fiction inclusions (being titles I’ve also read) in this year’s Top 101 include Lessons in Chemistry by Bonnie Garmus, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, The Dictionary of Lost Words by Pip Williams, and Before the Coffee Gets Cold by Toshikazu Kawaguchi.

Every year, customers of the Australian bookseller vote to determine their favourite titles of the previous twelve months.

Meta using the work of Australian authors to train AI platforms

7 April 2025

Two years ago it was ChatGPT being trained with books written by Australian authors, without their knowledge or permission. Now Facebook owner Meta is doing the same thing: using the works of local writers without permission or royalty.

A number of Australian authors, including Sophie Cunningham, Hannah Kent, Tim Winton, Helen Garner, and Alexis Wright, using a tool developed by The Atlantic, have found their work has been added to LibGen, a database Meta is using to “train” its generative AI platform.

The company claims their use of the novels constitutes fair use, as, apparently, only “limited” amounts of copyright material is being used.

If the Meta AI technology in question is what I saw on Instagram a day or two ago, on the search tab, then it’s not much to write home about. I typed my name in to see what would happen, something that appeared to stump the AI platform.

Instead of saying something about me, someone’s who been online here for over twenty-five years — how could Meta’s AI technology possibly not know about that? — it returned a spiel about an English football player called Frank, who has the same surname as I do.

If the writing of some of Australia’s best authors can’t help the technology figure out what day of the week it is, just how useful is this AI platform going to be?

Three Dresses by Wanda Gibson, wins 2025 Victorian Premier’s Literary Award

20 March 2025

Cape York Peninsula, Queensland, based Nukgal Wurra woman Wanda Gibson, has won the 2025 Victorian Premier’s Literary Award, with her book, Three Dresses. Gibson’s win is the first time a children’s title has won the award. In addition, Three Dresses won the Children’s Literature category.

Winners in other categories included Highway 13 by Fiona McFarlane, in Fiction, and Black Witness by Amy McQuire, in Indigenous Writing, which is also on the longlist of this year’s Stella Prize.

Gawimarra: Gathering by Jeanine Leane, won the Poetry award, anything can happen by Susan Hampton, collected the Non-Fiction prize, while I Made This Just for You by Chris Ames, won the Unpublished Manuscript award.

Moonboy, a time traveller fears she has changed history, and other books

19 March 2025

In Moonboy by Anna Ciddor, Letty can travel back in time from the room in her present day house, to the same room in 1969, when it is occupied by a boy her age. Letty is able to relive the excitement of the Apollo 11 launch, but fears her jaunts through time might be changing history. Don’t mess with the space-time continuum now. Moonboy might be a kids’ book, but the plot is just my thing.

First Name, Second Name, by Steve MinOn, isn’t a time travel story, nor horror, as a dead man walks back through his family’s turbulent history to claim his identity. Just in time for the imminent Federal election: How Australian Democracy Works, edited by Australian journalist Amanda Dunn. Yes, we need our democracy more than ever, as the byline reminds us.

A troubled young woman takes her mother and grandmother to Peru on a trek to Machu Picchu, thinking the walk will do them all good. But is it a good idea? Or will the amalgam of family secrets that come to light scuttle her plan? That’s Best, First and Last, by Amy Matthews.

Gusty Girls explores the life of late Australian poet Dorothy Porter, written by her younger sister, Josie McSkimming. Careless People, by former Facebook director of global public policy, Sarah Wynn-Williams, is the book Meta doesn’t want you to read. If that doesn’t scream buy me, what does?

The Sydney Writers’ Festival 2025 program has been published

19 March 2025

This year’s festival has events running from Sunday 18 May through to Wednesday 11 June 2025, though I understand the main event goes from Monday 19 May to Sunday 25 May. There’s too many highlights to list separately, but a few events caught my eye.

The evening of Monday 19 May sees the naming of the winners of the NSW Literary Awards, previously the NSW Premier’s Literary Awards — I can’t find an official announcement of the name change — so NSW Literary Awards it is.

Charlotte Wood, author of Stone Yard Devotional speaks on Tuesday 20 May. Toby Walsh, Chief Scientist of UNSW AI will discuss the six ideas you need to understand AI, on Thursday 22 May.

Friday 23 May is busy. Marcel Dirsus’ talks about the rise and fall of tyrants. Topical, or what. Helen Garner discusses her popular sports-themed memoir The Season. And Shankari Chandran, winner of the 2023 Miles Franklin Award, speaks about the power of literature in sorting fact from fiction in the face of authoritarianism.

Saturday 24 May is a big day. Robbie Arnott (Instagram link) talks about his latest novel Dusk. Michelle Brasier, Virginia Gay, and Chloe Elisabeth Wilson, discuss building writing communities. And the winners of Sydney Morning Herald Best Young Novelist award, will speak to Melanie Kembrey.

Sunday 25 May is another big one. Charlotte Wood, and Irish author Colm Tóibín, also immediate past Laureate for Irish Fiction, discuss Irish literature versus Australian writing. In case you don’t know, Irish literature is smashing the ball out of the park. Annabel Crabb is joined by Jessie Tu (Instagram link), to talk about her latest novel, The Honeyeater.

On Sunday evening, Anna Funder will deliver the festival’s closing address. As I say, this is but a small sample of what’s happening, so check out the program for the full story.

RELATED CONTENT

Australian literature, events, Sydney

The Australian Book Design Awards 2025 longlist

13 March 2025

This is where we get the once-a-year chance to judge a book by its cover… the longlist for the 2025 Australian Book Design Awards (ABDA) was published last week (PDF).

Among numerous inclusions (this is the longlist after all) are covers for Tim Winton’s latest novel, Juice, designed by Adam Laszczuk, and Lucinda Froomes Price’s book All I Ever Wanted Was To Be Hot, designed by Katherine Zhang, of Sydney based Australian design house Evi-O.Studio.

The winners will be announced on Friday 23 May 2025.

RELATED CONTENT

Australian literature, books, design

Signs of Damage, a new novel by Australian author Diana Reid

5 March 2025

Signs of Damage is the third novel from London based Australian author Diana Reid.

The Kelly family’s idyllic holiday in the south of France is disturbed when Cass, a thirteen-year-old girl, goes missing. She’s discovered several hours later with no visible signs of injury. Everyone present dismisses the incident as a close brush with tragedy.

Sixteen years later, at a funeral for a member of the Kelly family, Cass collapses. The present and the past start to collide as buried secrets come to light and old doubts resurface. What really happened to Cass in the south of France? And what’s wrong with her now?

I’ve read Reid’s 2021 debut Love & Virtue and have her second, novel Seeing Other People, published in 2022, on my (lengthy) TBR list. Signs of Damage will be published later this month.

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