Three Dresses by Wanda Gibson, wins 2025 Victorian Premier’s Literary Award

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Three Dresses by Wanda Gibson, wins 2025 Victorian Premier’s Literary Award

20 March 2025

Cape York Peninsula, Queensland, based Nukgal Wurra woman Wanda Gibson, has won the 2025 Victorian Premier’s Literary Award, with her book, Three Dresses. Gibson’s win is the first time a children’s title has won the award. In addition, Three Dresses won the Children’s Literature category.

Winners in other categories included Highway 13 by Fiona McFarlane, in Fiction, and Black Witness by Amy McQuire, in Indigenous Writing, which is also on the longlist of this year’s Stella Prize.

Gawimarra: Gathering by Jeanine Leane, won the Poetry award, anything can happen by Susan Hampton, collected the Non-Fiction prize, while I Made This Just for You by Chris Ames, won the Unpublished Manuscript award.

Moonboy, a time traveller fears she has changed history, and other books

19 March 2025

In Moonboy by Anna Ciddor, Letty can travel back in time from the room in her present day house, to the same room in 1969, when it is occupied by a boy her age. Letty is able to relive the excitement of the Apollo 11 launch, but fears her jaunts through time might be changing history. Don’t mess with the space-time continuum now. Moonboy might be a kids’ book, but the plot is just my thing.

First Name, Second Name, by Steve MinOn, isn’t a time travel story, nor horror, as a dead man walks back through his family’s turbulent history to claim his identity. Just in time for the imminent Federal election: How Australian Democracy Works, edited by Australian journalist Amanda Dunn. Yes, we need our democracy more than ever, as the byline reminds us.

A troubled young woman takes her mother and grandmother to Peru on a trek to Machu Picchu, thinking the walk will do them all good. But is it a good idea? Or will the amalgam of family secrets that come to light scuttle her plan? That’s Best, First and Last, by Amy Matthews.

Gusty Girls explores the life of late Australian poet Dorothy Porter, written by her younger sister, Josie McSkimming. Careless People, by former Facebook director of global public policy, Sarah Wynn-Williams, is the book Meta doesn’t want you to read. If that doesn’t scream buy me, what does?

The Australian Book Design Awards 2025 longlist

13 March 2025

This is where we get the once-a-year chance to judge a book by its cover… the longlist for the 2025 Australian Book Design Awards (ABDA) was published last week (PDF).

Among numerous inclusions (this is the longlist after all) are covers for Tim Winton’s latest novel, Juice, designed by Adam Laszczuk, and Lucinda Froomes Price’s book All I Ever Wanted Was To Be Hot, designed by Katherine Zhang, of Sydney based Australian design house Evi-O.Studio.

The winners will be announced on Friday 23 May 2025.

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Australian literature, books, design

Signs of Damage, a new novel by Australian author Diana Reid

5 March 2025

Signs of Damage is the third novel from London based Australian author Diana Reid.

The Kelly family’s idyllic holiday in the south of France is disturbed when Cass, a thirteen-year-old girl, goes missing. She’s discovered several hours later with no visible signs of injury. Everyone present dismisses the incident as a close brush with tragedy.

Sixteen years later, at a funeral for a member of the Kelly family, Cass collapses. The present and the past start to collide as buried secrets come to light and old doubts resurface. What really happened to Cass in the south of France? And what’s wrong with her now?

I’ve read Reid’s 2021 debut Love & Virtue and have her second, novel Seeing Other People, published in 2022, on my (lengthy) TBR list. Signs of Damage will be published later this month.

Somebody Down There Likes Me, a new novel by Robert Lukins

19 February 2025

Melbourne based Australian author Robert Lukins returns with a new novel, Somebody Down There Likes Me, a follow up to his 2022 book, Loveland.

As with Loveland and his 2018 debut, The Everlasting Sunday, Somebody Down There Likes Me, is set outside Australia, this time in a town called Belle Haven, in Connecticut, in the United States, during the final years of the twentieth-century:

Against the backdrop of the last decadent gasps of the twentieth century, the Gulch family have led a charmed existence in the ultra-wealthy enclave of Belle Haven, Connecticut. Now, the empire they have built is on the edge of collapse, and as the decades of fraud and criminality that lie beneath the family’s incredible wealth is exposed, the Gulch children are summoned.

I read Loveland a couple of years ago, and look forward to Somebody Down There Likes Me. I must also get hold of The Everlasting Sunday as well.

Book publisher Simon & Schuster says no to celebrity blurbs

17 February 2025

Lucy Knight, writing for The Guardian:

[] soon we may not see so many of these author blurbs — Sean Manning, publisher of Simon & Schuster’s flagship imprint in the US, has written an essay for Publishers Weekly explaining that as of this year he will “no longer require authors to obtain blurbs for their books”.

A celebrity blurb is where a well known author offers some brief praise for the work of a new, or not so well known, writer. Examples could be something like: “a veritable page-turner”, or “a forceful new talent”. But it’s not always clear whether the author offering the endorsement has even read the book in question. That’s one reason why I take a dim view of celebrity blurbs.

I’m more interested in a novel’s synopsis, and then — where possible — seeking out some consensus as to whether the book is good or bad, through a website like Hardcover. After all, life is too short to spend reading novels you might not like.

But what surprises, and irks me, is that blurb is an official book publishing term. It sounds like a colloquialism, which it very much is, but it seems like a word people use because they don’t know the correct term to use. Sarney is a colloquialism, but sandwich is what is meant.

Wikipedia defines a blurb as a “a short promotional piece“, and celebrity endorsements aside, are usually more a short, yet enticing, summary of a novel. Here is the publisher’s blurb for Christian White’s most recent novel, The Ledge, which I wrote about last week:

When human remains are discovered in a forest, police are baffled, the locals are shocked and one group of old friends starts to panic. Their long-held secret is about to be uncovered. It all began in 1999 when sixteen-year-old Aaron ran away from home, drawing his friends into an unforeseeable chain of events that no one escaped from unscathed. In The Ledge, past and present run breathlessly parallel, leading to a climax that will change everything you thought you knew. This is a mind-bending new novel from the master of the unexpected.

That’s more like a synopsis, or even a summary, albeit with a promotional bent. Films are marketed with a similar sort of write-up, but synopsis is usually the go-to term, even though people sometimes call them blurbs. But blurb sounds like the sort of word I might otherwise be, maybe with some trepidation, looking up on Urban Dictionary.

Henceforth, I shall do away with the blubbery blurb, and go with synopsis or summary.

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books, language, novels, publishing

The Ledge, a thriller by Australian author Christian White

12 February 2025

A disturbing development in a twenty-five year old missing persons case sees a group of old school friends reluctantly reunite. All have reason to be fearful of the re-opened police investigation, and all are willing to do whatever it takes to ensure they are not incriminated. It’s not easy to be sure who to trust, or exactly who knows what about that tragic day many years earlier in 1999.

The Ledge wouldn’t be a Christian White novel if it didn’t feature a twist that leaves you breathless, and wondering whether you’ve been paying attention. White’s fourth novel will not let you down.

I read The Ledge in three days, a sprint compared to my usual glacial pace, often reading until two or three in the morning. Calling this a page-turner is an understatement.

I also suggest you read White’s earlier novels, The Nowhere Child, his debut, and The Wife and the Widow, his second novel, which in trademark style, are also set across dual timelines. I’m yet to read his third novel, Wild Places, published in 2022. I’ll need to catch up on some sleep before then.

Text publishing bought by Penguin Random House. Exciting, right?

29 January 2025

Independent Melbourne based Australian book publisher Text Publishing was recently acquired by Penguin Random House Australia, a subsidiary of Penguin Random House (PRH), one of the world’s largest publishers. While the move has been hailed as “exciting” by Text and PRH, some literary commentators do not feel the same way.

Both parties say they are committed to retaining Text’s independence as a PRH imprint, but this isn’t always the long term outcome, says Misha Ketchell, writing for The Conversation:

But history shows that mergers often result in the dissolution of the smaller imprint. To take just one example, Penguin no longer publishes books under the McPhee Gribble imprint. It is precisely the question of which readerships the merged version of Text will cater to that will worry Australian readers and supporters of independent publishing.

Text obviously have their reasons for making the deal, and their independence as a PRH imprint appears to be hard wired into the acquisition agreement. Those concerned about the future of independent book publishing in Australia have reason to be fearful though. Text joins other previously standalone local publishing houses, Affirm Press, and Pantera Press, in being bought out by larger book publishers in 2024. Australia is running low on indie publishers.

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Australia, books, publishing

The Shortlist for the Australian 2025 Indie Book Awards

20 January 2025

The Australian Indie Book Awards span six categories: fiction, non-fiction, debut fiction, illustrated non-fiction, children’s, and young adult, and last week the shortlist for the 2025 awards was published. My main interest is fiction, where Dusk by Robbie Arnott, and The Ledge by Christian White, are among contenders in that category.

I’m yet to read Dusk, but finished The Ledge in four days flat. Record time, for me, in recent years. White’s thriller/crime stories, with twists that leave you breathless, are verifiable page turners. That is was holidays contributed to the fast read. On that basis, The Ledge is my favourite in fiction. The winners will be announced on Monday 24 March 2025.

That might give me time to read Dusk, plus Cherrywood by Jock Serong, and Juice by Tim Winton, the other titles shortlisted in the fiction category, beforehand.

The one-hundred best book covers of 2024 by PRINT

13 January 2025

PRINT’s annual list of the best book covers of 2024, features double the number of entries as 2023, one-hundred, up from fifty. Either a record number of books were published in 2024, or cover design has become so good more books needed to be included.

Among inclusions is a cover for Intermezzo, Sally Rooney’s latest novel, which features a chess board. Not the version of the cover I’ve seen in this part of the world, but it is damn fine.

The chess board cover version was designed by New York based illustrators June Park and Rodrigo Corral. I’ve said it before, and I’ll say it again, but book cover designers do not always receive the recognition they deserve for their work.

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