Showing all posts about history
Why do young people in old photos look old?
19 July 2022
This is something I’ve often wondered about. I’m looking at a photo portrait that might be one hundred years old, of a person who is, or was, aged about twenty at the time the photo was taken. Despite their obvious youth, they still somehow look… old. Why should that be though? It’s a question that Michael Stevens, host of Vsauce, explores in a recent video.
The phenomenon of people who seem to be older at a younger age, is something Stevens calls retrospective aging. People today, he tells us, are aging at a slower rate than those who came before us. Lifestyle and nutrition changes, better healthcare, less smoking, and even the wider spread use of sunscreen, all make a difference. But there’s more to it, as Stevens explains.
As to the one hundred year photo of the twenty year old, who indeed looks twenty and not thirty-five, but still seems old, is something I call the illusion of age.
Compare photography of a century ago with the casual nature of selfie snaps today. One hundred years ago cameras were not as ubiquitous as they are today. Back then, having your photo taken was an occasion. People dressed elegantly. Put on their best clothes. Suits, evening dresses. Tidied up their appearance. People also tended to pose more formally, and seldom smiled. They looked serious. Not to mention their hairstyles, which also suggest a bygone era. All of those factors could combine to present someone in a more mature, older, light.
Then there’s the fact we know said photo is a century old. We’re looking at someone we know, were they still alive, would be aged well over one hundred. The image, the illusion, of an old person, therefore presents itself in our minds. The young person — unfortunately — looks old to our eyes.
RELATED CONTENT
Drawing program interfaces from the 1980s and 90s
15 July 2022
Here’s a truly awesome blast from the past… a Twitter thread, by California based data storyteller RJ Andrews, with images of drawing program software used on computers in the late 1980’s and early 1990’s.
The image above is the Micrografx Windows Graph interface, which was released in 1987, used to create graphs and charts on computers running the Microsoft Windows 1 operating system, which launched in 1985.
While some people might say the bold fluorescent pink, green, and yellow colours against the black background clash, the more you look at them, the better they begin to look.
RELATED CONTENT
A guide to designing and building websites in 1997
11 July 2022
It’s 1997 and you want to build a website, a history of the early days of website development, by Jay Hoffmann. The first version of disassociated went online in 1997. I even held a small launch party. We went to an internet cafe so I could see disassociated on a third-party device that was not mine, nor anyone I knew.
They were the good old days of web design. Designers would stay up all night working on a new website, only to pull it apart, and start all over again when some new trend came along, which seemed to be all the time. Javascript image rollovers, anyone? TV lines? Some of the best experimental web design was to be found in the late nineties. Partly because there was a new-frontier exuberance, and the rules were few.
Despite this, I worked to the HTML 3.2 standard — a non-proprietary specification for building websites to — published by the W3C. My desire to use standards was two-fold: they promised to make the web a little more accessible, and hardly anyone else was working with them. It made me feel like some sort of counter-culture rebel.
When the HMTL 4 spec came along in April 1998 though I quickly adopted it, because, you know, it was shiny and new. I only talk about standards because they were the only paper resource I referred to when coding — sorry, marking up — a website. I didn’t rely on text books to teach myself web design, but rather the online tutorials of the time. Plus a little, actually considerable, trial and error.
I worked at some big-end-of-town company for a short time in 1998, where I furtively printed out the HTML 4 spec, twenty pages at a time, here and there, throughout the day, for several weeks.
Why I needed to waste all that paper — once printed the spec was almost the size of a telephone directory — when I could’ve referred to the document online (via dialup), eludes me now. I think having the spec, bound in a ring-binder, sitting on my desk at home, validated my then fledgling web design aspirations.
For somebody surfing the web in 1997, a book might feel a bit… 20th century. If you already knew the basics of getting online, why not poke around some sites that might help, right there in your browser.
Hoffmann’s article also mentions a bunch of early-on-the-scene web design agencies, including Razorfish, who were behind the production of This Girl, the monthly serialisation of the life of a fictitious twenty-something living in New York, called Phoebe. The work of Razorfish, and the exploits of Phoebe, were one of thousands of web influences I absorbed.
I wonder what became of Phoebe. And that print out of that HMTL 4 spec.
RELATED CONTENT
Photos of the construction of Sydney Opera House
27 June 2022
A collection of incredible photos of the Sydney Opera House, taken during its construction. Today the Opera House is one of the most recognisable buildings in the world, but it seems Sydneysiders were not enamoured by the iconic structure while it was being built.
Today the building is loved, yet while it was under construction attitudes were very different. The local press continually attacked its cost, its delays, and its architect; headline writers gave the now familiar white shell roof nicknames such as ‘the concrete camel’, ‘copulating terrapins’ and ‘the hunchback of Bennelong Point’.
What’s also compelling about these photos is both how much has changed, and how much has remained the same, when looking at the areas surrounding the land the Opera House stands on.
Via Things Magazine.
RELATED CONTENT
Australia, history, photos, Sydney
QUEER: Stories from the NGV Collection
9 June 2022
QUEER: Stories from the NGV Collection, published by the National Gallery of Victoria (NGV), is not only a catalogue for the exhibition of the same name running until Sunday 21 August 2022 in Melbourne, but also a collection of LGBTQIA+ stories and histories, edited by Ted Gott, Angela Hesson, Myles Russell-Cook, Meg Slater, and Pip Wallis.
More than 60 essays from authors with comprehensive knowledge of the historical and contemporary subjects encompassed by the NGV’s QUEER project are presented along side stunning reproductions of more than 200 works from the NGV collection, either by queer artists or engaging with queer issues. The essays in QUEER: Stories from the NGV Collection explore the history of LGBTQ+ activism; the creation of queer spaces and communities; queerness as an artistic strategy; the expression of love, desire and sensuality; queer aesthetics; and the concepts of camp and the fantastic.
RELATED CONTENT
Australian literature, culture, history, non-fiction
What did Earth look like in the distant past?
1 June 2022
A fantastic visualisation of ancient Earth, as it is thought to have appeared in the distant past, going back 750 million years, created by Ian Webster, based on plate tectonic and paleogeographic maps made by C. R. Scotese.
Even better, type in your location’s name and see it where it was in the past, relative to the landmasses of the time. 750 million years ago, during the Cryogenian Period, the major city nearest me, Sydney, sat in the ocean. Might’ve been the best place to be, given glaciers covered the then landmasses, and the world was in the grips of the biggest known ice-age.
RELATED CONTENT
How did dinosaurs spend their last day on Earth?
2 May 2022
Riley Black, writing for the Smithsonian Magazine, depicts the last day in the life in of an Edmontosaurus, a dinosaur focussed on finding food and avoiding predators, while trying to divest itself of lice like creatures feeding on his flesh.
There was no impending sense of doom. There was no shift to the wind, or darkening of the clouds. No lightning, no thunder. In this little patch of Hell Creek, Montana, all is as it ever was as far as the dinosaurs are concerned. But more than two thousand miles away, a chunk of extraterrestrial stone more than seven miles across just slammed into the Earth.
RELATED CONTENT
Saving the roof of Jane Austen’s Hampshire cottage
3 November 2021
Good news for Jane Austen fans who like, or are one day hoping, to visit the house in the English village of Chawton, Hampshire, where she spent the final eight years of her life, and wrote several of her novels… funds have been raised to repair the roof of her old cottage, which was built in the seventeenth century.
The roof was last refurbished in 1948 before the House opened to the public. Over 70 years on and over a million visitors later, major repairs are required to ensure the watertightness of the building and preserve the museum collection.
RELATED CONTENT
Single microbe theory, was it a bug that killed off the dinosaurs?
20 December 2012
The mass extinction that killed off ninety percent of animal, plant, and insect species on Earth around two-hundred-and-fifty-one million years ago, could be attributable to an ocean residing microbe called methanosarcina, thinks Massachusetts Institute of Technology researcher Daniel Rothman:
Called methanosarcina, this sea-dwelling microbe is responsible for most of the methane produced biologically even today. Rothman and his team discovered that methanosarcina developed the ability to produce methane 231 million years ago. While that ability came around too late to be single-handedly responsible for the link. However, mathanosarcina requires nickel in order to produce methane quickly. Nickel levels spiked almost 251 million years ago, likely because of a spike in Siberian lava from the volcanoes themselves. This indicates that methanosarcina was directly responsible for producing the methane that killed off an overwhelming majority of the Earth\’s species.
Bound to be hotly disputed but will surely make for a talking point or two over the year-end break.
Originally published Thursday 20 December 2012.
RELATED CONTENT
Someone out there knows who Adelaide’s ‘Somerton Man’ is
22 August 2011
The “Mystery of the Somerton Man”, or “The Taman Shud Case”, where the body of an unidentified male was found on Somerton beach, near Adelaide, capital of South Australia, in December 1948, remains one of Australia’s most perplexing unsolved “missing persons” cases.
Was the dead man, who became known as “Somerton Man”, the victim of an elaborate murder plot, or did he take his own life? Why is it that no one was able to positively identify him, despite extensive publicity given to the case at the time? What is to be made of his apparent association with an Adelaide nurse, and rumours of links to espionage groups?
The police had brought in another expert, John Cleland, emeritus professor of pathology at the University of Adelaide, to re-examine the corpse and the dead man’s possessions. In April, four months after the discovery of the body, Cleland’s search produced a final piece of evidence — one that would prove to be the most baffling of all. Cleland discovered a small pocket sewn into the waistband of the dead man\’s trousers. Previous examiners had missed it, and several accounts of the case have referred to it as a “secret pocket,” but it seems to have been intended to hold a fob watch. Inside, tightly rolled, was a minute scrap of paper, which, opened up, proved to contain two words, typeset in an elaborate printed script. The phrase read “Tamám Shud.”
Efforts to solve the mystery remain on-going, which includes determining the man’s identity, and what exactly occasioned his death, are being lead by a University of Adelaide team. More information about the case can be found on Wikipedia.
UPDATE: researchers believe they have identified the dead man.
Originally published Monday 22 August 2011.
RELATED CONTENT