Showing all posts about music
A preview of the 2022 Triple J Hottest 100 countdown
27 January 2023
The countdown of Triple J’s Hottest 100 songs of 2022 kicks off at midday tomorrow, Saturday 28 January 2023, AEDT. To ramp up anticipation, the powers that be at the Jays have offered a few tantalising clues as to what can be expected this year:
- Twenty-three acts will be making their Hottest 100 debut
- Fifty-seven songs are by Australian artists
- Six songs were posted to Triple J Unearthed this year
- AND, at least two massive Hottest 100 records will be broken
There’s nothing like a few surprises to round out a Hottest 100 countdown.
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Triple J Hottest 100 winners likely to be male acts from Sydney or Melbourne
26 January 2023
The countdown of the Hottest 100, a poll of Australian radio station Triple J’s listeners, goes to air from midday (AEDT) on Saturday 28 January 2023. Billie Eder and Lachlan Abbott, writing for the Sydney Morning Herald, analysed past winners of the countdown, and worked out what it takes to get to the top. In short being male — either as a solo act, or in a group — and being based in either Sydney or Melbourne, makes a big difference:
Firstly, you’ll want to be either a solo male artist or in an all-male band – this will significantly increase your chance of winning. In the countdown’s three-decade long history, there has only ever been one solo female winner: Billie Eilish. Eilish took out the number one spot for her song Bad Guy in 2019. The win also made Eilish the youngest ever winner of the award, at just 18 years old.
I’ve been listening to the Hottest 100 for some time now, but reading that American musician Billie Eilish is the only solo female act to be voted number one, in the whole history of the countdown, came as quite the surprise. I’m not sure why this would be. The Triple J playlist is diverse and varied, so it’s not as if the music of female artists isn’t presented to listeners. This is a puzzle.
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Nick Cave calls ChatGPT written Nick Cave song grotesque
18 January 2023
A fan of Australian musician Nick Cave, named Mark, asked ChatGPT to write the lyrics to a song “in the style of Nick Cave”, and sent the resulting output to Cave to look at.
Despite disliking the lyrics, Cave, who described the song as “bullshit”, and “a grotesque mockery”, wrote Mark a gracious, informative response, noting this was not the first time someone had asked the AI powered chatbot to perform such a task:
What ChatGPT is, in this instance, is replication as travesty. ChatGPT may be able to write a speech or an essay or a sermon or an obituary but it cannot create a genuine song. It could perhaps in time create a song that is, on the surface, indistinguishable from an original, but it will always be a replication, a kind of burlesque.
ChatGPT may be capable of a good many things, but being truly artistic is not (yet) one of those things.
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artificial intelligence, music, Nick Cave, technology
Taylor Swift, Harry Styles, part of cassette tape revival, but why?
14 January 2023
Image courtesy of Ratfink1973.
Taylor Swift and Harry Styles are among musicians to recently release material on… cassette. As in cassette tape, or compact cassette. But at least eighty percent of both performers’ target audience must be under the age of thirty-five. How many of these people would have even heard of cassettes, let alone have access to a cassette player?
Australian writer and radio presenter Richard Glover is on the money in saying cassettes, along with rotary dial telephones, VHS tapes, camera film, and typewriters, having had their day, belong in the past:
But not every piece of old technology was a boon. The typewriter, for instance, was a menace. The sliding carriage seemed designed to knock over any coffee cup momentarily perched on your desk, while vigorous typing would produce tiny portholes on the page every time you hit the “o” or the “p”.
Music in digital formats might have its naysayers — high compression, reduced quality — but it has eliminated the need to haul cumbersome players, speakers, and storage cabinets for all those cassettes, around with us. Call me a philistine, but I’ll take the convenience of carrying my music collection, and my books come to that, in my pocket, any day of the week.
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The Playlist, a Netflix series about the founding of Spotify
2 January 2023
The Social Network, the 2010 dramatization of the creation of Facebook, directed by American filmmaker David Fincher, was one of my favourite films of that year, even though I may not be the biggest fan of the Facebook itself. But the audacity, the arrogance, the energy, the self-belief, and the growing realisation Mark Zuckerberg (as portrayed in deadpan fashion by Jesse Eisenberg) was onto something, was infectious.
The Playlist, trailer, a Netflix produced docu-drama dramatization about the founding of music streaming service Spotify, released in October 2022, is another start-up show I’m looking forward to seeing, as the Spotify story has some similarities to Facebook.
In 2006, Spotify co-founders Daniel Ek and Martin Lorentzon, set about building the “best music player in the world”. One that was both free to use, and legal. To succeed they said, “we just need to get hold of the music rights.” What could be simpler? But, the rest — as they say — is history.
Led by Daniel Ek, a group of passionate young entrepreneurs come together in what seems to be the impossible task to change the music industry — and the world. They set out to create a legal streaming service for music.
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music, technology, trailer, video
NSW Labor party to pay musicians $250 for live shows at publicly funded events
21 December 2022
Should they form government at the state election in March 2023, the NSW state Labor party will mandate a minimum payment of A$250 for musicians performing at any event or show in NSW that has received public, or government, funding.
The $250 flat fee will be a condition of a contract by a business or other entity that accepts a government grant for a show or event. While there is currently no guarantee that artists will receive a minimum fee for performing at events funded by public money in New South Wales, a Chris Minns-led government aims to change things.
This is a step in the right direction. A$250 may not be much, once musicians have deducted their various overheads, but it’s something. And worth far more than the trite line that artists doubtless hear often: “but performing (gratis) at our event will give you some great exposure.”
Heck, it’s even a line that’s been spun on me sometimes here at disassociated. Do I need/want exposure? Sure. But I also need income, to, you know, make a living.
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artists, arts, Australian music, music
Black hole stars, a weird cosmic entity and Soundgarden song
18 December 2022
Black hole stars, sometimes called quasi-stars, were a hypothetical star that may have existed in the earliest days of the universe, up to about half a billion years after the Big Bang.
They were larger — far larger — than any star known to be present in the universe today, and were capable of outshining entire galaxies. And, as the name suggests, they were part black hole. We know some stars become black holes at the end of their lives, but for the two to somehow co-exist, star and black hole, without one destroying the other? How can such a thing even happen?
In 1927, British-Indian scientist J. B. S. Haldane, in an essay titled Possible Worlds wrote the oft quoted sentence: “now, my own suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose.” It was Haldane’s way of saying we’re unlikely to ever make sense of the universe, no matter how much we learn about it. Black hole stars, in their bizarre weirdness, only add to the wonder.
And, as a bonus, American rock/grunge act Soundgarden’s 1994 track, Black Hole Sun, written by the late Chris Cornell, takes on a whole (er, no pun intended) new meaning in this context.
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astronomy, music, science, video
Spotify Wrapped 2022 into the genre-verse and Aussietronica
1 December 2022
Spotify Wrapped for 2022 has dropped, and once again the music streaming service is bamboozling listeners with custom genre definitions and statistics that apparently place some listeners into what appear to be elite music listening categories. And it also looks like we have listening personalities.
One of my top genres — in what Spotify now call the genre-verse, a nod to Mastodon’s fediverse perhaps — is a genre dubbed Aussietronica. To spare scrolling pages and pages of search engine results, I’m going to take a punt here, because it seems quite self-explanatory, and state the obvious: this is Australian made electronica. I’d simply call it electronica, but have to admit Aussietronica is kind of cute, and maybe saves us from having to say “Australian made electronica” all the time.
And for a moment I thought I was kind of special when Wrapped informed me I was among the top five percent of listeners of Sydney based, yeah, Aussietronica act RÜFÜS DU SOL. I played their 2021 track Alive on loop earlier this year as I was re-booting disassociated. But a glance at Twitter trending revealed I was anything but special. Some people are finding themselves in even more exclusive bands, such as, but not limited to, point zero five percent.
I also learned I have a listening personality. To be precise I have a listening personality type, just like you (allegedly) have a Myers–Briggs type. My listening personality type, according to Spotify is F T L U, being Familiarity Timelessness Loyalty Uniqueness. The Replayer, they call me. The F and the L are doubtless a result of the aforementioned looping of Alive.
Listening personalities, all be they a gimmick, are kind of cool though. In fact I’ll go out on a limb and declare the Spotify listening personalities might just be a little more scientific than the other type indicator. But Wrapped is, according the Wikipedia page, a viral marketing campaign, so it is doing its job, getting the interwebs excited, once again, about our music listening preferences and habits.
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Sydney act 1300 wins Triple J/RAGE music video of 2022
28 November 2022
And before another Ausmusic month, and November for that matter, falls behind us… Western Sydney based Korean rap act 1300 have won the music video of the year for 2022, with their clip Oldboy in the 2022 J Awards. The video was directed by long-time collaborator Raghav Rampal.
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1300, Australian music, music, video
Vance Joy, Baker Boy, Archie Roach win at 2022 ARIAs
24 November 2022
Melbourne based Australian indie pop musician Vance Joy has won the Best Video award for his 2022 single Every Side of You, which was directed by William Bleakley, at Australian music’s night of nights, the ARIAs.
Meanwhile fellow Melbourne music act Baker Boy also known as Danzal Baker, picked up five ARIA awards, being Album of the Year, Best Hip Hop/Rap release, Best Solo Artist, Best Cover Art, and Best Mixed Album.
Other winners included Amyl and the Sniffers, who collected the Best Group and Best Rock Album, while late Indigenous singer and songwriter Archie Roach won the Best Independent Release award. A full list of winners is here .
Update: not sure how I missed this, but the Australian Chamber Orchestra also had an ARIAs win, being awarded Best Original Soundtrack, for their work on Australian made documentary River.
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Archie Roach, Australian music, Baker Boy, music, Vance Joy, video