The Wakes, debut fiction by Australian author Dianne Yarwood

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The Wakes, debut fiction by Australian author Dianne Yarwood

1 March 2023

The Wakes, by Dianne Yarwood, book cover

I’m yet to read The Wakes, published by Hachette Australia, March 2023, by Sydney based Australian author Dianne Yarwood, but I’m already convinced it could be adapted to film. I’ve even thought of a name: Four Funerals and a Divorce. I’m not actually sure a divorce even occurs in Yarwood’s fiction debut, there may in fact be two, given the blurb to The Wakes tells us two failing marriages (and four funerals) feature in the story. But back to my big screen adaptation idea.

Since my fanciful film title, Four Funerals and a Divorce, obviously riffs on the 1994 film Four Weddings and a Funeral, directed by Mike Newell, and starring Andie MacDowell and Hugh Grant, the two leads could be invited to participate. The rest of the would-be cast though would of course be Australian. But now back to The Wakes.

Sydneysider Clare has recently separated from her husband. She is happy to accept a call for help from Louisa, her neighbour. Louisa runs a catering business that specialises in wakes, the gatherings that take place after funerals. Louisa is overwhelmed with work. Assisting Louisa is a smart move on Clare’s part for several reasons. Wake catering has to be a growth industry. Further, it is somewhat immune to the threats posed to other forms of employment by the likes of AI Chatbots.

But job security, whether Clare is looking for it or not, is moot point. Wake catering might be about to change her life. For it is at one post funeral gathering that Clare makes the acquaintance of Chris. He is a doctor working in the emergency room of a hospital. Chris sees too much death in his job to want to think about going to funerals, but he decides one day to make an exception.

The Wakes is isn’t all wake catering though. In the mix is love both lost and found, unsuccessful rounds of IVF, and the constant comfort that food can bring to the lives of people whose depleted spirits need a little lift.

Prior to penning her first novel, Yarwood worked in accounting and corporate advisory, both in Australia and Europe. She also has an interest in cooking and catering, which seems to have partly inspired her novel. But there’s more. Her life was once saved by an emergency room doctor, an experience that lead Yarwood to focus on her long held writing ambitions. Along with possibly being the genius behind the character of Chris.

Could we be seeing another instance of art imitating life, as we do in a lot of fiction, among the pages of The Wakes?

UPDATE: after waxing lyrical about the possibility of a film adaptation, a reader messaged to let me know a TV series, based on The Wakes, is in the works. A screen adaptation deal was reached last September, with production company Fifth Season.

One Illumined Thread, debut fiction by Sally Colin-James

28 February 2023

One Illumined Thread, by Sally Colin-James, book cover

The stories of three women, living millennia apart, form a single, though not immediately obvious, thread that runs through One Illumined Thread, published by HarperCollins, March 2023, the debut novel of Australian author Sally Colin-James.

A young woman living two thousand years ago in Judea, an ancient kingdom in parts of what are today Palestine and Israel, is cast out of her home after failing to become pregnant. She longs to have a child, and as a way of keeping the hope of motherhood in her sights, takes the unusual step of learning the craft of glassblowing.

Fifteen hundred years later, in the Italian city of Florence, a woman is left without any money after being betrayed by her husband. The Renaissance is at its height, but with a son to look after also, she battles to make ends meet. The third thread of the story plays out in latter day Australia. Here a woman, devastated by a loss, working as a textile conservator, faces danger that puts her life at risk.

While the challenges confronting each woman seem insurmountable, the three share a link, even though they are separated by vast periods of time and distance.

The premise of One Illumined Thread brought to mind The Bass Rock, written in 2020 by Anglo-Australian author Evie Wyld. Wyld’s novel, winner of the 2021 Stella Prize, recounts the story of three woman who lived in the North Berwick area of Scotland at various times. Two women, Ruth and Viv, have a family connection, step grandmother and granddaughter, while the third, Sarah, lived several centuries earlier.

But where the ties between the three main characters in The Bass Rock are more apparent, the links in One Illumined Thread are far less so. Here is a story shrouded in mystery.

Before she took up writing, Colin-James worked in events management, and communications, both in Australia, and internationally. In 2020 she won the inaugural Historical Novel Society Australasia (HNSA) Colleen McCullough Writing Residency in the aspiring writer category. The residency, named in memory of late Australian author Colleen McCullough, awards recipients a week on Norfolk Island, where McCullough spent the latter part of her life.

Colin-James has also won the Varuna PIP Fellowship Award, and the Byron Bay Writers Festival Mentorship Award in 2020. In addition, she was also shortlisted in the First Pages Prize for writers who do not have agents, in 2021.

How to Be Remembered, debut fiction by Michael Thompson

26 February 2023

How to Be Remembered by Michael Thompson, book cover

Tommy is desperate to create a legacy for himself. But he can’t wait until he reaches old age. Tommy needs people to remember who he is sooner than that. Before his birthday, to be precise. For, come the conclusion of each lap of his around the Sun, all memory of his existence is erased from the minds of everyone in the world. No one at all remembers him.

This includes his parents, his friends, and even the girl he has a crush on. As far they’re concerned, he was never there. Every trace of his life is obliterated. Memories. Photos. Shared experiences. Every last thing, including, presumably, a criminal record if he has one. Each and every detail gone, as if it were never there. And you thought you were having a bad day.

But not everything dissolves when the clock ticks over into his birthday. Anything Tommy is in direct contact with, such as his clothes, stays with him. The phenomenon is some sort of enigmatic cosmic occurrence that Tommy has dubbed “the Reset”, and it began the day he turned one.

On his first birthday, his parents woke to find an unknown baby in the house. They had no recollection whatsoever of having a son. Clueless as to who the infant was, they called the police, who sent Tommy to a foster home. And so it went. Every year all traces of Tommy are wiped from the world’s slate, leaving him to spend the following twelve months rebuilding his life.

How to Be Remembered (published by Allen & Unwin, February 2023), by Sydney based Australian journalist and podcast producer Michael Thompson, straight away had me thinking of Harold Ramis’ 1993 film Groundhog Day. Like Ramis’ hapless protagonist Phil, portrayed by American actor Bill Murray, Tommy is aware of his predicament, albeit one that plays out annually instead of daily.

He remembers everything from before his birthday. To him, his life is continuous. He still knows those around him, although they don’t have the faintest idea who he is. Accordingly, Tommy has devised strategies to re-establish himself in the lives of those he was with before the Reset.

But Thompson’s debut work of fiction is not only reminiscent of the likes of Groundhog Day. Parallels have also been drawn with The Curious Case of Benjamin Button, and even Forrest Gump. The Reset, meanwhile, is another matter. It is a sadistic abnormality that perhaps a serial speedster — seeking only to have an unblemished driving record restored every year — might appreciate.

But it is for that reason I see How to Be Remembered being a story that will excite readers. So much so, that I wouldn’t be surprised to see a screen adaptation in the not too distant future.

Apartment 303, a new Australian thriller by Kelli Hawkins

23 February 2023

Twenty-something Sydneysider Rory is ready for a prolonged period of isolation. Her job, writing reports for a private investigator, means she doesn’t need to leave her apartment building for work. She has a pet dog to keep her company, and the roof area of the building is a fine place to exercise and walk the dog. Rory is also possessed of a vivid imagination. She has even given backstories, of her own making, to some homeless people, whom she never spoken to, camping over the road.

Lockdown is going to be kind to Rory. But there’s only one thing. The COVID-19 lockdowns are no more. Rory’s confinement is self-imposed. Her fear of the outside world is so intense, she even goes all out to avoid her neighbours. Rory is a woman with a troubled past, and the gilded cage she has created is her only tonic. But the future is about to add to her woes, in Apartment 303, published by HarperCollins Australia, in March 2023, by Newcastle based Australian author, Kelli Hawkins.

When one of the homeless people across the street is murdered, Rory is forced to adjust her relationship with the outside world. She has frequent contact with police investigating the death, and also makes the acquaintance of neighbours for the first time. But not all of the knocks at the door are welcome. And when a chapter of her past, one that Rory would rather forget, comes calling, she begins to feel unsafe in her previously protective home.

Apartment 303 is Hawkins’ third novel, and like her protagonist Rory, Hawkins’ likewise writes reports for a private investigator, between working on manuscripts. And as with many writers of fiction, Hawkins’ own experiences shape her stories. Her debut novel, Other People’s Houses, published in 2021, tells the story of a woman, Kate, who spends her Saturdays inspecting houses listed for sale.

In the same way Rory finds solace by locking herself away from the world, seeing the homes of other families bring comfort to Kate, whose son who died ten years earlier. Hawkins is no stranger to viewing properties either. Between living in Australia, and stints in the United Kingdom, and America, she has been a frequent house hunter, including more recently, in tragic circumstances, following the death of her husband.

Early reviews on Goodreads have described Apartment 303 as “a slower burn thriller”, “a stirring, suburban tale of mystery, suspense and daring”, and “a page-turner”.

Having penned three novels in as many years, Hawkins’ output could be described as prolific, and another novel is probably already in progress. Hawkins has also worked as a graphic designer, political journalist, mystery shopper, and a role as a “staple remover”, in the past. I see plenty of inspiration for more stories in amongst those occupations.

Affirm Press to publish One Divine Night by Mick Cummins

22 February 2023

Less than three weeks after winning the unpublished manuscript award in the 2023 Victorian Premiers Literary Awards, former Melbourne based social worker and screenwriter Mick Cummins has been offered a publishing deal by Affirm Press for his novel One Divine Night:

We’re elated to announce that Affirm Press has acquired world rights to One Divine Night by Mick Cummins, who recently won the prestigious Victorian Premier’s Unpublished Manuscript Award, in a deal brokered by Jane Novak Literary Agency. One Divine Nightis a gritty and compelling novel exploring homelessness, independence and the ties that bind. The story follows protagonist Aaron Peters as he becomes estranged from his family, addicted to heroin, and ends up living on the streets of Melbourne but yearning for a different life.

It is anticipated One Divine Night will be in bookshops by late 2023.

Why are Australian publishers averse to science fiction books?

20 February 2023

Australian author Alice Boer-Endacott, writing for the Australian Young Adult Literature Alliance (#LoveOzYA) blog:

However, despite the growing mainstream appreciation of fantasy (and science fiction) texts, especially within YA, Will [Kostakis] notes, “it’s as if we’re conditioned to see something as less worthy just because it is unabashedly fun. The implications of this? We talk less about fantasy books’ craft, we omit some of our finest YA writers from awards conversations, they’re not studied in schools … That last bit is very important in the Australian landscape, where sales are (unfortunately) quite small.” This final point was echoed by an industry insider with whom I had a passing conversation on this subject (they declined to be named). They told me, “the success of YA texts are dependent on whether or not schools pick up class sets, and they are much less inclined to do that with fantasy.”

Some Australian publishers explicitly state they will not accept science fiction and fantasy manuscripts. Some Australian authors meanwhile have reported local agents and publishers will only accept literary fiction manuscripts, and nothing else. Scoring any publishing deal is difficult, but the odds are especially stacked against sci-fi and fantasy writers in Australia.

Funny Ethnics, the debut novel of Sydney writer Shirley Le

19 February 2023

Yagoona is a suburb in the southwest of Sydney, located about twenty kilometres from the city’s CBD. An Aboriginal word meaning “now” or “today”, Yagoona was accorded a unique claim to fame in 1971, when it became host to the first McDonald’s hamburger restaurant in Australia.

At this stage I could not tell you whether said hamburger restaurant features in any way in Funny Ethnics (published by Affirm Press in February 2023), the debut novel of Sydney based Australian author Shirley Le, which is also set in Yagoona.

It is possible though, as the story follows the fortunes, and misfortunes, of Sylvia Nguyen, a second generation Vietnamese-Australian, from childhood through to adulthood. Surely it is not unreasonable to assume Sylvia would have hung out at her local Macca’s with friends after school, as was a rite of passage for many Australian teenagers.

But even if Sylvia spent all her school days in the Yagoona McDonald’s, it seems doubtful she would have had much interest in the restaurant’s significance in Australian fast food history. That’s because Sylvia had lofty goals. She aspired to move out of her childhood home, leave Yagoona and Western Sydney behind, and move into a share house, in a world far removed in Sydney’s inner west.

But hardships run in tandem with the dreams. The city is not always welcoming of immigrants. Racism is rife. Sylvia struggles to balance her Vietnamese heritage with her Australian identity.

Whether Sylvia’s experiences mirror Le’s, also a second generation Vietnamese-Australian, is another matter though. The question of how much of her life goes into her writing is something Le says she is often asked. Speaking to Stephen Pham of Liminal magazine in 2018 however, Le said she considered herself a writer of literary fiction rather than autobiography. And in Funny Ethnics, Le seems more interested in taking the ordinary, the apparent hum-drum of day-to-day life, and transforming it into something extraordinary.

While Funny Ethnics is Le’s first novel, her name will be familiar to anyone with an interest in Australian literature. A member of Western Sydney literacy movement Sweatshop, Le’s short stories and essays have been published locally in Meanjin, Kill Your Darlings, Overland, SBS Voices, and The Lifted Brow, among others. Le was also the inaugural recipient of the Affirm Press Mentorship for Sweatshop Writers, together with Arab-Australian human rights activist Sara Saleh.

There’s nothing wrong with marking a book did not finish

18 February 2023

Life’s too short to stick with, say, a movie or a book, that isn’t appealing, so ditch them, says Josh Gondelman, writing for Self magazine:

This is not, by the way, a criticism of the slow burn. It’s simply a permission slip to ditch the no burn. Gratification doesn’t have to be immediate, but it should be… eventual. With all the world’s art at our fingertips, there’s no reason to settle for something that leaves us cold. Unless, of course, you’re simply trying to bludgeon yourself into numbness with some kind of dull programming marathon. We all have to get to sleep somehow.

Yes, sleep. I often read books later in the evening, because, you know, I’m writing about books during the day, so I have to read later on. But if I find myself constantly nodding off while reading a novel, that’s pretty much an indication to stop and move onto something else.

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All That’s Left Unsaid, debut fiction by Tracey Lien

15 February 2023

Bookcover: All That's Left Unsaid, by Tracey Lien

There are ways to begin a writing career, and there are ways to begin a writing career. Your first novel being the subject of a manuscript bidding contest, and then making the shortlist of a major literary award once published, would probably rate as a pretty good start in the eyes of most pundits.

This is what happened to Sydney based Australian journalist and author Tracey Lien, and her novel All That’s Left Unsaid, published in September 2022 by HarperCollins Australia. So intense was enthusiasm for Lien’s manuscript, it was reported no fewer than nine publishing houses slugged it out for the publishing rights.

Frantic auctions for manuscripts are not uncommon, but they’re not exactly every day occurrences either. In 2021, American author Olivie Blake also found herself, and the manuscript of her book The Atlas Six — which she had already self-published — at the centre of a lucrative bidding contest that was sparked on TikTok.

But Lien’s story continues. Soon after being published, All That’s Left Unsaid was shortlisted in the debut fiction category of the 2023 Indie Book Awards. Needless to say, this is a novel that packs a punch. Ky Tran, a young woman is forced to return to Australia after her younger brother, Denny, is murdered in a busy restaurant, in the Sydney suburb of Cabramatta.

Despite the presence of numerous bystanders though, no one seems to know anything about how Denny died. With local police seemingly uninterested in the case, Ky sets about contacting, and talking to, each of the witnesses present when Denny was killed. But All That’s Left Unsaid is more than a murder story.

Lien’s novel lifts the lid on a troubled area of Sydney — also home to a large refugee population — during a difficult chapter in its history. The streets were awash with drugs and violence. Cabramatta is also where Australia’s first political assassination took place, when John Newman, a New South Wales State parliamentarian was killed outside his home in 1994.

Emma Finn, of London based literary agency C&W Agency described Lien’s manuscript as “electrifying and compulsive”, at the time the publishing rights were acquired. One can only wonder what might be next for Lien, and All That’s Left Unsaid. Blake’s novel The Atlas Six is in the process of being adapted for TV, and given interest thus far in Lien’s debut, a screen adaptation hardly seems like a surprise. Time will tell.

The winners of the Indie Book Awards will be announced on Monday 20 March 2023.

Palimpsest by Florina Enache, Australia’s 2022 Novel Prize contender

12 February 2023

Close up of typewriter keys, photo by Valerio Errani

Image courtesy of Valerio Errani.

The winner of the 2022 Novel Prize is due to be announced any day now. The award is a collaboration between Australian publishing house Giramondo, and international counterparts Fitzcarraldo Editions in Britain, and New Directions in the United States. Celebrating works of literary fiction that “are innovative and imaginative in style,” the Novel Prize is presented every two years, for unpublished manuscripts, regardless of whether the author has prior published work or not.

The inaugural prize was won by Melbourne based Australian author Jessica Au for her second book, Cold Enough for Snow, in 2020, which also won this year’s Victorian Prize for Literature.

But in 2023 the big question is, can another Australian writer take out the award, and make it two in a row for Australian literature? While that may be wishful thinking, the odds are the same as in 2020, with only one Australian author, Florina Enache, on the 2022 shortlist, for her manuscript Palimpsest. As a coincidence though, another of the Novel Prize 2020 shortlisted writers, Glenn Diaz, a Manila based Pilipino writer, happened to be studying in Australia at the time.

Enache, who like Au calls Melbourne home, was born in Romania, and immigrated to Australia in 2005. Her first book, An-Tan-Tiri Mogodan, published by Adelaide Books in August 2019, is a collection of twelve short stories, depicting ordinary life in a totalitarian regime. An-Tan-Tiri Mogodan went on to be shortlisted in the 2020 NSW Premier’s Literary Awards for new writing.

Totalitarian regimes seem to be a recurring theme in Enache’s work. Palimpsest is set in the days prior to the observance of a holiday called National Day. Participation is mandated by the nation’s oppressive government, and citizens are required to attend observances, referred to as “the great spectacle”, in the capital city.

Should Enache follow in Au’s footsteps and be named winner of the Novel Prize, her manuscript will be published by the three Novel Prize collaborating book publishers. In addition, Enache — or whoever the winner is — will receive US$10,000 in the form of an advance against royalties.

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