When writing her journal, World War II diarist Anne Frank imagined she was relating her experiences to a girl called Kitty. Kitty was not a real person, but Frank felt she needed to write to someone, rather than merely document her thoughts in a dairy she believed not a single person would ever see.
Seven decades later, Kitty has been bought to life by Israeli filmmaker Ari Folman, director of Waltz with Bashir, in his new animated feature Where Is Anne Frank, trailer.
The film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. A fiery teenager, Kitty wakes up in the near future in Anne Frank’s house in Amsterdam and embarks on a journey to find Anne, who she believes is still alive, in today’s Europe. While the young girl is shocked by the modern world, she also comes across Anne’s legacy.
Talking of Anne Frank, reports have been surfacing on social media that Dairy of a Young Girl, the journal she wrote while in hiding with her family in Amsterdam from the Nazis during World War II, had been banned by a school district in Texas. While it is true a recently published graphic-novel version of Frank’s dairy has temporarily been removed from the shelves of school libraries in Texas, pending a review of its content, other versions of the title remain available for reading.
“De-extinction is a fairytale science,” Associate Professor Jeremy Austin from the Australian Centre for Ancient DNA told the Sydney Morning Herald, adding that the project is “more about media attention for the scientists and less about doing serious science”.
Brian MacKinnon studied at Bearsden Academy, a school near Glasgow in Scotland, until his graduation at age seventeen in 1980. After leaving Bearsden, MacKinnon went to Glasgow University, but his enrolment was revoked after failing course exams. MacKinnon was bitterly disappointed, so he decided — quite literally — to start over again.
In 1993, at the age of thirty, he re-enrolled at Bearsden Academy, posing as a sixteen year old Canadian expatriate named Brandon Lee. For the year he spent there, no one saw through the ruse. None of his classmates were suspicious, nor the handful of original teachers still there, who had taught MacKinnon over a decade earlier.
The deception only came to light after “Lee” had left Bearsden for a second time. Now his story has been made into a documentary My Old School, trailer, by Jono McLeod, a former TV news reporter, who was a classmate of “Lee” in 1993.
[McLeod] says he always gets asked how he did not know that Brandon was an imposter at the time. “It is everyone’s nightmare to wake up at 30 years old and be back at school, so why would anyone choose to place themselves in that situation?” he says.
While parents of some students were alarmed that a thirty-year-old was in close proximity to teenagers, many people were certain MacKinnon’s motives were not untoward, including numerous former students and teachers. He sought only to right a perceived wrong.
While MacKinnon agreed to be interviewed for the documentary, he refused to be filmed, and instead actor Alan Cumming stands in for him. In perhaps attempting to rationalise the escapade, MacKinnon says: “the thing you have to do if you really want to prevail is do the unimaginable.”
What if a tragedy — something like a full-blown war, or a deadly pandemic akin to the bubonic plague — befell the human race, plunging any survivors into a new dark age? Would they be able to pick up the pieces and (eventually) restore civilisation as we know it? Is such a catastrophe even possible? Kurzgesagt looks at the question.
At its height, the Roman Empire was home to about 30% of the world’s population, and in many ways the pinnacle of human advancement. Rome became the first city in history to reach one million inhabitants and was a center of technological, legal, and economic progress. An empire impossible to topple, stable and rich and powerful. Until it wasn’t anymore. First slowly then suddenly, the most powerful civilization on earth collapsed. If this is how it has been over the ages, what about us today? Will we lose our industrial technology, and with that our greatest achievements, from one dollar pizza to smartphones or laser eye surgery? Will all this go away too?
And authors are also cashing in. Many writers who struggled to find publishers previously, are sometimes finding themselves at the centre of bidding wars between rival publishing houses, after taking a novel idea to TikTok to gauge interest in the premise.
Aster didn’t expect much, especially when she checked in a few hours later to see that her post had only clocked up about 1,000 views. Maybe the books world was right, she thought. Maybe there wasn’t a market for Lightlark, a young adult story she had been writing and rewriting for years, to no interest from publishers. The next day, however, she woke up to see her video had been viewed more than a million times. A week later, Lightlark had gone to auction and she had a six-figure deal with Amulet Books. Last month, Universal preemptively bought the film rights for, in her words, “more zeros than I’ve seen in my life”.
Aster conceded an element of luck was involved though, describing the TikTok algorithm that eventually propelled her to success as “finicky”. Here’s hoping the algorithm will favour other writers.
To mark the one-hundredth anniversary of the publication of Irish novelist James Joyce’s 1922 novel Ulysses, British newspaper The Times has ranked the fifty best books of the twenty-first century, according to the nominations of contemporary authors and literary critics.
Between them they have read thousands of books, and their choices reflect this: the oldest book was published in 1924, the most recent in 2009. The list includes writers from Britain, Ireland, the US, Nigeria, India and South Africa, with subject matter just as diverse. You will find scalp-hunting outlaws, organ-donating clones and Wall Street traders.
To the Lighthouse by Virginia Woolf, The Prime of Miss Jean Brodie by Muriel Spark, and Giovanni’s Room by James Baldwin, are among inclusions. When it comes to Joyce’s work, I’ve read A Portrait of the Artist as a Young Man, but am yet to take on Ulysses, but I will, but I will…
This status change follows a renewal of cooling in the tropical Pacific Ocean towards La Niña thresholds over recent weeks, as well as the persistence of the Southern Oscillation Index (SOI) at La Niña levels and strengthened trade winds at La Niña levels. Climate models indicate further cooling is likely, with four of seven models suggesting La Ni Niña a could return by early-to-mid southern hemisphere spring.
If another La Niña eventuates this summer, it will be the third in a row.
Australia’s consumer watchdog will examine whether social media behemoth Meta is throttling a potential competitor and entrenching its dominance by aping TikTok’s signature features on its own services, Facebook and Instagram. The next phase of the Australian Competition and Consumer Commission’s long-running digital platform services inquiry will also consider the reverse scenario: whether the emergence of new platforms such as Chinese-owned TikTok and daily post app BeReal is reducing Meta’s power.
Buying property is the biggest purchase most people will make. The process is given thorough due-diligence. And rightly so. In Australia, depending where exactly you buy, a free-standing house can cost near on one million dollars. You don’t commit to a million dollar obligation without understanding the ins and outs of the undertaking.
Of course a house you paid one million dollars for will end up costing closer to one million four hundred thousand dollars, if you had to fully finance the property, and pay an average interest rate of two and half percent over the course of a thirty year mortgage. Things like maintenance and insurance will also add to the overall cost. But usually that’s ok. Houses are generally assets that appreciate over time, so you’ll recoup the costs when you eventually sell, and, with any luck, make a tidy profit.
But here’s something, buying a house is not the biggest purchase many people will make. Owning a car will be. In Australia, owning a car could end up costing over two million dollars, were a driver to own a succession of vehicles over a sixty year period. How though can a car — even a small vehicle, going for maybe A$25,000 at the dealership — possibly turn out costing two million dollars? Ongoing running costs, which most vehicle owners grossly underestimate, is why.
Car owners typically underestimate car running costs by fifty-two percent
Thirty to forty percent of semi skilled and unskilled workers incomes will go into their cars, assuming they own vehicles for at least fifty years
Societies subsidise drivers by €5000 each year, so it’s not only car owners who pay
In Germany, a Volkswagen Golf typically costs the owner €7,657 per year to own and run. This includes depreciation, petrol, taxes, maintenance and so on. Based on a conservative study from a few years ago, if you own and use a car of that size over 50 years, it comes to a total cost of €403,179. If we stretch that to 60 years and apply a more realistic inflation rate of 2.5%, that small Golf will incur a lifetime cost of €1,579,583! On a medium income, that’s 30-40% of every euro earned, ever.
To convert those numbers to Australian dollars, a Volkswagen Golf, or an equivalent vehicle, would cost $11,075 each year. Over fifty years the cost is $583,286 (you could buy a modest size apartment for that). Over sixty years of ownership, and applying an inflation rate of 2.5 percent, the cost works out at $2,285,029. $2,285,029: with that sort of money you could buy a house, being, as we all know, an appreciating asset.
While fuel costs, vehicle taxes, and on the road costs might vary between Germany and Australia, I’d say the numbers would be pretty similar. And don’t forget to add in parking and traffic-offence fines. While car ownership is an unavoidable necessity for some people, those with young families among them, remind me again why anyone would otherwise want to own a car. Especially those living in centres with good public transport and cycling infrastructure.
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Beginning, trailer, is the 2020 debut feature of Georgian filmmaker Dea Kulumbegashvili. Yana (Ia Sukhitashvili) is the wife of a Jehovah’s Witness minister, David (Rati Oneli). They have a young son Giorgi (Saba Gogichaishvili). But Yana begins to question her life after their small church is fire-bombed by a group of extremists, during a service one afternoon.
She is frustrated by local police who have little interest in investigating the attack, even though security camera footage clearly identifies the perpetrators. After being assaulted by a man, Alex (Kakha Kintsurashvili), who claims to be a police officer, Yana sinks deeper into despair, but also finds a steely, though grim, resolve. Beginning is equal parts meditative and unsettling. We sense Yana at times on the verge of catharsis, yet never quite attaining the peace of mind she seeks.
But what of Yana’s shocking act at the conclusion of the story? Is her victim intended as a surrogate for the police officer, Alex, whom we see die, possibly having been poisoned, on a dried out riverbed? Does Yana see the patriarchal abuse of women as a cycle with no end? But a cycle she’ll do the unthinkable to try and curb? This is what I saw in the final scenes of the film.
