30 April 2023
America is the land of hope and glory. According to legend, it’s the place to make a new start in life. And, more importantly perhaps, is also home to Disneyworld. The prospect of visiting the entertainment complex is an enticement Lucia (Martha Reyes Arias) has offered her young school age sons, Max (Maximiliano Nájar Márquez), and Leo (Leonardo Nájar Márquez), as they immigrate to the United States.
Unknown circumstances have forced the family to leave their native Mexico. But Lucia knows the life waiting them on the other side of the border will be anything but the stuff of dreams. She’ll be working long hours in menial jobs, despite being capable of bigger things. They’ll be calling a barely habitable apartment their home. But Lucia hopes the lure of one day going to Disneyworld will help Max and Leo see passed these hardships.
Unable to yet place the boys in a school, Lucia leaves them at home, alone, when she goes to work. Sometimes she does not return until late in the evening. Max and Leo are subject to a number of rules, including never leaving the apartment, unless it is on fire. To pass the long days with only each other for company, the boys retreat into a fantasy realm, and imagine themselves to be Ninja Turtles.
Max and Leo also speculate about their absent father. All they have of him is a photo on an old identity card, from his days as a police officer. What became of him, they don’t know. All Lucia will say is he “went away by lightbulb”. Unsurprisingly, the boys are often transfixed by a broken lightbulb in the apartment, and seemingly will their father to return to their lives through it.
But boredom begins to get the better of Max and Leo. The apartment is too confining. All they have to amuse themselves is an old cassette recorder. Too much is going on around the apartment complex. A group of slightly older boys, who also don’t seem to be at school, play football in the courtyard. Max and Leo yearn to join them. But their desire for companionship comes with unfortunate consequences.
Los lobos (trailer), also known as The Wolves, is partly based on the experiences of Mexican filmmaker Samuel Kishi, who also co-wrote the screenplay. For reasons I cannot fathom though, Kishi’s second feature, made in 2019, seems to have been overlooked by most film-goers. Certainly, no fault lies in the scene framing or cinematography, which is exceptional.
Nor the slow-burning, sometimes evasive, storytelling. We learn little about the life Lucia and her sons had in Mexico, and remain equally in the dark as to their fate come the credit roll, though the aforementioned lightbulb allegory is eloquently resolved. Los lobos is a slice of life gem not to miss.
30 April 2023
According to Buzzfeed, if you’ve seen the following fourteen movies, you’re a movie buff:
Methinks a number of movies, one in particular, have been omitted from this list…
30 April 2023
Australian writer and book reviewer Sheree Strange has put together a list of the birthdays of well-known authors. If you’re stuck for a birthday gift idea for a friend or relative, maybe you could get them a book written by the writer who they share their birthday with.
27 April 2023
It’s been a good couple of years for poetry at the Stella Prize. And for the University of Queensland Press (UQP). This evening Queensland born Australian author Sarah Holland-Batt was named winner of the 2023 award, with her collection of poetry, The Jaguar, published by UQP, in May 2022. Holland-Batt follows Evelyn Araluen, winner of the 2022 Stella with her collection of poetry, Dropbear, also published by UQP.
The Jaguar is Holland-Batt’s third book, and was written in the wake of her father being diagnosed with Parkinson’s disease, and his later death in 2020:
With electrifying boldness, Sarah Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.
Alice Pung, chair of this year’s judging panel, describes Holland-Batt’s prose as “unexpected and unforgettable“:
In The Jaguar, Sarah Holland-Batt writes about death as tenderly as we’ve ever read about birth. She focuses on the pedestrian details of hospitals and aged care facilities, enabling us to see these institutions as distinct universes teeming with life and love. Her imagery is unexpected and unforgettable, and often blended with humour. This is a book that cuts through to the core of what it means to descend into frailty, old age, and death. It unflinchingly observes the complex emotions of caring for loved ones, contending with our own mortality and above all – continuing to live.
The Stella Prize is not the only accolade The Jaguar has garnered. It was named The Australian’s, 2022 Book of the Year, and was shortlisted for the 2023 Kenneth Slessor Poetry Prize, which is part of the NSW Premier’s Literary Awards.
Update: see Holland-Batt’s Stella Prize acceptance speech here.
27 April 2023
Cairns, Queensland, based Australian artist Andrea Huelin, has been named winner of the 2023 Archibald Packing Room Prize, with her portrait of New Zealand comedian Cal Wilson, titled Clown Jewels.
In addition, fifty-seven works were selected as finalists for the 2023 Archibald Prize, the winner of which will be announced on Friday 5 May 2023. This year over nine hundred entries were received for the annual art award honouring Australian portrait painting.
Finalists were also announced for the Wynne Prize for Australian landscape painting, the Sulman Prize for genre or mural painting, and the Young Archies, for artists aged five to eighteen.
The winners of these prizes will also be named next Friday, ahead of the opening of the exhibition of the works of the winners and finalists, on Saturday 6 May 2023, at the Art Gallery of New South Wales, in Sydney.
26 April 2023
The American Library Association (ALA) has published a list of the top ten books subject to some sort of challenge, based on their content, or subject matter, in the last twelve months. While the majority of challenges related to books written by, or about, people of colour, and LGBTQIA+ community members, the ALA also noted a sharp overall increase in objections over the last year:
Libraries in every state faced another year of unprecedented attempts to ban books. In 2022, ALA tracked the highest number of censorship reports since the association began compiling data about library censorship more than 20 years ago. ALA’s Office for Intellectual Freedom tracked 2,571 unique titles targeted for censorship, a 38% increase from the 1,858 unique titles targeted in 2021. Most of the targeted books were written by or about members of the LGBTQIA+ community and people of color.
26 April 2023
A recent survey conducted by British book industry magazine The Bookseller, found a little over half of first time authors did not finding the publishing experience positive:
Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and “lowered” self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.
There seemed to be little difference between independent and “big four” publishers, according to survey participants. Making for a smoother experience for first time authors seems to be something all publishers need to focus on.
26 April 2023
Jenny Brown Associates, a literary agency based in Edinburgh, Scotland, announced the launch of a literary prize for emerging authors aged fifty and over, the Debut Writers Over 50 award, at this year’s London Book Fair. Speaking at the event, which was held last week, agency associate Lisa Highton said when it comes to starting out as a writer, youth should not be a prerequisite:
“The bestseller lists are full of debut novelists who are older, but the perception is that you have to be young when your first book comes out,” says literary agent Lisa Highton of Jenny Brown Associates. “But being a debut is not just about being a shiny, sparkly, young person. The reason we launched the award was to say to people over 50 yes, you too can be a shiny, sparkly, new writer – just older.”
This is a great initiative. I’m not sure how many literary awards cater for mature authors, but there sure seems to be plenty aimed at youth writers, and people aged under thirty-five. And that’s fine. Emerging younger writers need to be encouraged, since it’s difficult to become established in an industry dominated — usually — by, you know, older, big name authors, or those with several books to their name.
While the Debut Writers Over 50 award is for unpublished novelists residing in the United Kingdom, it’s good to see people commencing writing careers later in life being recognised. Submissions for the inaugural award close at the end of next month. A shortlist will be published on 27 July 2023, and the winner will be named on 26 August 2023, at the Edinburgh International Book Festival.
24 April 2023
Image courtesy of Enrique Meseguer.
Too Long; Didn’t Read: Glitchcore is a type of electronic music that features noisy digital artefacts including distortion, static, crackle, interference, and other warning sounds that means something’s not right. But there’s nothing wrong with the music itself. Read on for more of the story…
Twenty five years ago — give or take — a web design trend called “TV lines” was all the rage. Like all fads, it was short lived, but if you were a web designer who was anyone, the graphics on your website had to feature TV lines. The effect would have looked a little like the image above, created by Enrique Meseguer, and conveyed the impression your image was a screen-grab from a TV show.
Although images with TV lines have largely disappeared from the web, it can be argued their influence lingers, albeit non-visually, in the form of Glitchcore music. As the name suggests, Glitchcore is a genre that blends what are considered to be inharmonious noises, caused by errors of some sort, into the mix. These anomalies include distortion, static, crackle, interference, and other noisy artefacts. But Glitchcore is more than an amalgamation of discordant sounds, it’s also a blend of other genres, according to volt.fm:
Glitchcore is a genre of electronic music that combines elements of glitch, IDM, and breakcore. It is characterized by its chaotic and unpredictable sound, often featuring heavily distorted and chopped up samples, rapid-fire drum patterns, and complex, syncopated rhythms.
Yecch, syncopated rhythms. I sucked at syncopated strumming during my guitar playing days. But back to Glitchcore, which actually owes little to mellow, mostly unobtrusive, TV lines, than it does to boldly coloured, garish online memes, and Glitch art. Like Glitchcore music, Glitch artists make use of visual digital defects, in their artworks. And while Glitch art sounds like a contemporary movement, it isn’t. Instances of the form can be traced back to 1935, when experimental New Zealand filmmaker Len Lye incorporated analogue flaws into his short film, A Colour Box.
But Glitch art became more prominent in the early twenty-first century, when digital artists began to embrace errors and unwanted visual artefacts, spewed out by digital technologies, and crafted artworks from them. A Glitchcore musician then might look at a work of glitch art — refer again to Meseguer’s image above — and wonder how it could be rendered as a musical piece.
Musically, Glitchcore is seen as subgenre of Glitch music. Or Hyperpop, depending on who you ask. Glitch music became popular in the 1990s, but its origins can be traced back to the second decade of the twentieth century. In 1913, Luigi Russolo, an Italian artist and composer, produced The Art of Noises (L’arte dei rumori), a Futurist manifesto, which was considered by some to be the basis of noise music. Here, anything, particularly machinery, that made noise, could, somehow, be used in a musical composition.
Hyperpop (think of the music of Charli XCX), meanwhile, emerged about ten years ago, even though the term was first used in 1988 by a music writer named Don Shewey, when describing the Cocteau Twins, an erstwhile Scottish act. Wikipedia defines Hyperpop thusly:
Hyperpop reflects an exaggerated, eclectic, and self-referential approach to pop music and typically employs elements such as brash synth melodies, Auto-Tuned “earworm” vocals, and excessive compression and distortion, as well as surrealist or nostalgic references to 2000s Internet culture and the Web 2.0 era.
Glitchcore become more widely heard in 2020. And like Hyperpop, the name also seems to have preceded the music, if this excerpt from the March 2001 edition of SPIN magazine (and might they be referring to Matthew Herbert here?) is anything to go by:
Herbert is a former piano prodigy and Exeter drama student who went from touring with UK big bands to freaking clubbers with samplers and kitchen utensils, and his cozy records merge glitchcore buzz and tech-house heat.
So, there, at last we have it, an explanation of Glitchcore. Assuming the genre, subgenre, in fact exists, something Cat Zhang, writing for Pitchfork, says is debatable. And given its smorgasbord of genre ingredients, I can see where the doubters are coming from. Spotify, however, has no such misgivings. It’s a verified genre to them, as people perusing their annual Spotify Wrapped music listening reports would have noticed.
In case Glitchcore is new to you, as it was to me, here’s a small selection of the music to check out: Money Machine by 100 gecs, Ethanol by Madge, and This World is Sick by IC3PEAK. I should say a language warning may apply to some of these tracks.
And on the off chance the existence of Glitchcore is blowing your mind, and you think there’s too many music genres, and subgenres already, bear in mind some one hundred and twenty three thousand new songs are released daily across the world. That’s daily with a D. If that’s the case, there’s going be a whole lot more music genres coming to Spotify Wrapped in the future.
21 April 2023
It’s been a busy several days for literary awards. Since last Friday, shortlists for The Age Book of the Year, the International Booker Prize, the Australian Book Industry Awards, and the Australian Book Design Awards, for book cover design, have been published.
And to cap off the week, the 2023 BookPeople Book of Year shortlist was announced earlier today. Six books have been selected in three categories: kids, adult non-fiction, and adult fiction. The following six titles are on the adult fiction shortlist:
The BookPeople Book of Year awards honour new Australian book releases, which have been selected by Australian Booksellers Association members as their favourite hand-sells of the last year. The winners in each category will be named on Sunday 19 June 2023.
Nice to see Willowman on the fiction list, I think everyone else has had at least one listing previously. Oh, and another accolade for Jessica Au’s Cold Enough for Snow. Incredible, hey?
