2023 Davitt Award for crime and mystery writing winners

5 September 2023

The winners of the annual Davitt Awards for crime and mystery writing were announced in Melbourne on Saturday 2 September 2023.

All That’s Left Unsaid, the debut novel of Sydney based author Tracey Lien, won the Best Adult Novel award. Seven Days by Fleur Ferris won the Best Young Adult Novel prize, while The Sugarcane Kids and the Red-bottomed Boat by Charlie Archbold, won the Best Children’s Novel Award.

In other categories, Dirt Town by Hayley Scrivenor won the Debut award, and Out of the Ashes by Megan Norris won the Best Non-Fiction Book. Meanwhile The Unbelieved by Vikki Petraitis, was chosen as the People’s Choice winner for 2023.

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Australian literature, literary awards

Is book social cataloguing website Goodreads still relevant?

4 September 2023

Canadian author Tajja Isen, writing for The Walrus:

Gradually, things started to go off the rails. My to-read list ballooned alarmingly, not from titles I felt drawn to out of genuine desire but ones the algorithm pushed on me. The thrill of discovery, too, felt compromised: every time my feed told me a friend had added a book that I’d found first, I felt a frisson of annoyance. Have some imagination.

Amazon bought the social cataloguing website in 2013, which some book industry pundits saw as an attempt to stifle potential competition, should the then owners have decided to sell books through the site. Goodreads has remained little changed since Amazon took over.

While I have a page there, I don’t used it a whole lot at the moment. In terms of reading recommendations though, I’ve just about always obtained them from other sources, as I think my reading interests fall way outside the purview of the Goodreads’ algorithms.

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books, literature, novels

2023 Ned Kelly Australian crime writing award winners

1 September 2023

Book cover of Exiles, written by Jane Harper.

Exiles by Melbourne based Australian author Jane Harper, published by Pan Macmillan Australia, has been named winner in the best crime fiction category of the 2023 Ned Kelly Awards for Australian crime writing. Written in 2022, Exiles tells the story of an investigation into the disappearance of a woman from a small community in South Australia:

At a busy festival site on a warm spring night, a baby lies alone in her pram, her mother having vanished into the crowds.

A year on, Kim Gillespie’s absence casts a long shadow as her friends and loved ones gather deep in the heart of South Australian wine country to welcome a new addition to the family.

Aaron Falk, federal investigator, is joining the celebrations. But as he soaks up life in the lush valley, he begins to suspect this tight-knit group may be more fractured than it seems. As hidden truths slowly emerge, Falk faces the darkest of questions.

In other award categories Wake, by Shelley Burr won in the Best Debut crime fiction, Betrayed, by Sandi Logan won in Best True Crime, while The Lemon Man, by Dublin based Irish writer Keith Bruton, won the Best International Crime prize.

Named for one of Australia’s best known outlaws, the 2023 Ned Kelly Awards attracted over one hundred and sixty entries, an increase over last year.

Karina Kilmore, chair of the Australian Crime Writers Association which presents the awards, stressed the importance of the role of literary prizes in supporting authors, particularly in light of the threat artificial intelligence technologies (AI) pose. Kilmore said as things stand, AI will do away with the human elements of creativity in all forms of story-telling.

Libraries, co-working spaces lending out sewing machines, iPads, and more

1 September 2023

Australian libraries are no longer quiet places to study or borrow books, writes Bec Zhuang for The Guardian. Today they are community hubs offering working spaces, meeting rooms, film screenings, art shows, and study courses, among other things. And in some places, libraries loan out more than books. Musical instruments, gaming consoles, sewing machines, bike repair tool kits, and, in the case of Waverley library, in Sydney’s east, iPads, are now potentially on offer:

In fact, libraries are transforming into “community hubs” to work, play or access outreach services — at no cost to visitors. The Australian Library and Information Association says forthcoming data from Public Libraries Victoria’s annual survey suggests that, with Covid restrictions now over, participation in free library programs increased by 95% this year.

Up until the pandemic I used to work semi-regularly at a nearby library. Looking around, I’d frequently see the same people each time, and it was apparent many were operating small businesses, or working there. Of these regulars, one often conducted meetings with clients in the library’s foyer, as there were, at the time, no dedicated meeting rooms.

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community, economics, trends

The 100 year WordPress plan preserves your website for posterity

28 August 2023

WordPress, creator of the CMS I publish disassociated with, has unveiled a one hundred yearlong website hosting and domain name registration package. If you have a lazy US$38,000, then there’s nothing stopping you from signing up. But I like the idea. It makes sense. When I first began designing websites in 1997, there was a consensus that the web, websites, and even email, was a fad. A craze. Something that would come and go. As did pet rocks and CDs.

It took only a few short years — or was that months? — before we realised though we were going to live on the internet. Forever. No, we weren’t going to crank up the modem and login via dial up, a couple of times a day, rather our computers would be plugged into the grid every last waking minute. And who could have foreseen — back in the 1990’s — that we would one day carry devices in our pockets allowing us to remain online constantly?

Now that I think about it, I cannot remotely conceive of a notion that the web, and all of its interconnected peripherals, were a mere passing phase. disassociated has been online (in one form or another) for twenty-five years, and I occasionally find myself wondering about its long term future. Like what happens when I’m longer here? The thought of making provision in my will, to keep this website registered and online, has crossed my mind once or twice.

I can’t imagine I’m the only one. To some people, their website is an integral part of their identity. I’m talking particularly about those who document every aspect of their lives on a website or blog. It would be a shame, a loss even, if upon the death of the publisher, these resources simply vanished because no one was paying the domain registration and hosting bills. These are matters I doubt few people even remotely considered twenty-five years ago.

The WordPress one hundred year package is therefore compelling, even though I can see people baulking at the $38,000 price tag. I quickly ran the numbers, and based on current domain and hosting costs, could keep disassociated afloat for a century for maybe half that cost. But I’d need someone, a dependable descendent, I could rely on to carry out the necessary administrative tasks of keeping my website online when I’m gone.

On that basis, the cost, although steep, begins to look a little more palatable. Everything is taken care of, without the need to burden someone else. But the WordPress proposal poses intriguing questions. Do you believe preserving your website is essential to preserving your memory? People are already giving thought to what happens to their digital assets, things like email accounts and social media pages, on their deaths, but what about personal websites and blogs?

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design, history, technology

How a nuclear war will start according to Kurzgesagt

26 August 2023

It’s alarming how close the world has come to nuclear conflict in the past, and on several occasions leaders with nuclear arsenals at their disposal have had their finger poised on the proverbial button. In just about every instance though, the threat of a nuclear exchange has been the result of a misunderstanding or miscommunication between nuclear armed nations.

But if one nuclear armed nation — for whatever reason — launches a strike on another, the target country has mere minutes to respond, as Kurzgesagt eloquently illustrates, in their latest video, How A Nuclear War Will Start. Doom and gloom sells I know, but Kurzgesagt have been on quite the gloomy doom-roll for a while now.

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animation, education, science

Entries for 2024 Stella Prize for Australian literature now open

26 August 2023

It seems like only last week the winner of the 2023 Stella Prize — Sarah Holland-Batt with her poetry collection The Jaquar — was announced, when in fact that happened four months ago.

The year is marching on.

Entries are now open for the 2024 prize, but only for about the next month and a half. There are a few cut-off dates for submissions, but Friday 13 October 2023 is the final day an entry can be made.

From slush pile to bookshop shelf: the secrets of successful unsolicited manuscripts

26 August 2023

We all know the drill. We send — unsolicited — the novel manuscript we’ve spent years toiling over, to a couple of publishing houses who accept them. From there they go into a kind of purgatory called a slush pile. How long manuscripts might spend in this limbo is unknown, but probably just about all of them end up going through the shredder eventually.

Nevertheless, we hold onto hope — hope above all else — of a different fate.

Because not all slush pile works go to pulp. Some Australian authors, including Abby Corson, Shannon Meyerkort, Natasha Sholl, and Mark Smith, have been plucked from the agglomeration and found their way onto a bookshop shelf. Perhaps then what happens in the movies is true. Book publishers have staff who sift through the slush pile, looking for that elusive diamond in the rough.

Take note then. Good writing separates the wheat from the chaff. Manuscripts with eye-catching premises, and engaging opening chapters, might reach the next rung of the ladder.

Nina Wan, Tracey Lien, on Labours of Love podcast with Sarah L’Estrange

26 August 2023

Newly published Australian authors Nina Wan and Tracey Lien, discuss their debut novels, The Albatross and All That’s Left Unsaid, respectively, with Sarah L’Estrange of The Bookshow, in a podcast, recorded during the 2023 Melbourne Writers Festival.

The hour long conversation covers numerous topics, including their inspirations, writing influences, racism and the concept of being a “conditional citizen” of Australia, and what exactly an albatross is in golf. I could tell right now what an albatross is, but far better you listen to find out.

The 2023 Readings Young Adult Prize shortlist

24 August 2023

The 2023 Readings Young Adult Prize shortlist was announced earlier today. Six titles are in contention for this year’s award:

Dancing Barefoot, by Alice Boyle
If You Could See the Sun, by Ann Liang
Completely Normal (and Other Lies), by Biffy James
Spice Road, by Maiya Ibrahim
The Upwelling, by Lystra Rose
Where You Left Us, by Rhiannon Wilde

Presented annually since 2014 by Readings, an independent Melbourne based bookseller, the Readings Young Adult Prize is awarded to the best contribution to Australian youth literature, by emerging Australian writers. The winner will named at a ceremony in late October this year.

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