Rotten Tomatoes film scores may not be accurate or reliable

8 September 2023

When it comes to quickly gauging whether a movie is worth watching (since life is too short for bad films), I glance at its Metascore, a rating of a film which is calculated by Metacritic. This score is based on, as their FAQ page explains, a weighted average of reviews from top critics and publications.

Take note of that definition, its significance will become apparent shortly. In terms of Metascores though, I find ratings of sixty-five or more usually means a feature is worth watching, and in most cases — though there are exceptions — the higher the score, the better film will be. Particularly films with scores going up into the eighties and nineties. And no doubt, it is every filmmaker’s dream to attain the perfect score of one hundred.

The other major player in the film rating business is Rotten Tomatoes. Despite probably being a more recognised brand than Metacritic, I’ve never really bothered much with the Rotten Tomatoes scores.

This stems partly from my initial misunderstanding of how Rotten Tomatoes worked, and the way I used to (mis)read a Rotten Tomatoes score, combined with the site’s name. To my then warped way of thinking, a score of, say, one hundred, suggested to me, until I eventually saw the error of my ways, that the title was one hundred percent rotten.

Yeah, right, whatever. But there’s always been something about the Rotten Tomatoes metric that has never quite felt right to me. For instance, only moments, it seemed, after being released in March 2022, Tom Gormican’s 2022 feature The Unbearable Weight of Massive Talent, had attained a Rotten Tomatoes score of one hundred. I remember thinking to myself, how could that be? Surely a film needed to be widely acclaimed, by numerous critics, and audiences — something that would take time — to earn such an accolade.

That early score of one hundred was likely an incongruity, based on a low number of positive reviews. Today the title has a slightly more modest Rotten Tomatoes score of eighty seven, while Metacritic rates it a sixty eight. I haven’t yet seen The Unbearable Weight of Massive Talent but a score of sixty eight sounds to me like it’s closer to the mark.

But the one hundred score garnered, albeit temporarily, by The Unbearable Weight of Massive Talent says a lot about the weaknesses of the Rotten Tomatoes scoring system, and in particular, how the ratings can be exploited, as Lane Brown and Luke Winkie, writing for Vulture, point out:

But despite Rotten Tomatoes’ reputed importance, it’s worth a reminder: Its math stinks. Scores are calculated by classifying each review as either positive or negative and then dividing the number of positives by the total. That’s the whole formula. Every review carries the same weight whether it runs in a major newspaper or a Substack with a dozen subscribers.

In the course of their investigation into Rotten Tomatoes, Brown and Winkie discovered evidence that some publicity companies were paying little known film critics, who were often bloggers, to write, for an incentive, a positive review of a film that had not been faring well at the hands of other critics. To reverse a poor Rotten Tomatoes score, it is, or was, merely a matter of publishing a sufficient number of positive reviews — regardless of the integrity of the publication — to offset the negative write-ups.

Trying to manipulate a Metascore in the same way, would be somewhat more difficult — though doubtless not wholly impossible — given Metacritic draws only on the reviews of established film critics and publications. This is an unfortunate outcome for film-goers, who felt they could rely on the accuracy of a film’s Rotten Tomatoes score, when deciding what to pay to see.

And to be clear, I have no problem with little known bloggers writing about film. I do so myself. But I think an assessment model more akin to Metacritic — where only the reviews of writers and publications with a certain reputation are considered — needs to be adopted by Rotten Tomatoes.

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Looking After Country With Fire wins 2023 Karajira Award

8 September 2023

Looking After Country With Fire, book cover

Book cover of Looking After Country With Fire, by Victor Steffensen.

Looking After Country With Fire, published by Hardie Grant in 2022, written by Indigenous Australian writer and filmmaker Victor Steffensen, and illustrated by Far North Queensland based visual arts teacher Sandra Steffensen, has won the 2023 Karajira Award for Children’s Literature.

Presented by the Wilderness Society, the Karajira Award celebrates excellence in children’s literature by Aboriginal or Torres Strait Island authors and/or illustrators, who honour connection to Country and tell stories exploring land, community, culture, and language.

Looking After Country With Fire explores methods and systems of fire management used by Indigenous Australians, over thousands of years, to manage, and regenerate the land:

Mother Nature has a language. If we listen, and read the signs in the land, we can understand it. For thousands of years, First Nations people have listened and responded to the land and made friends with fire, using this knowledge to encourage plants and seeds to flourish, and creating beautiful places for both animals and people to live.

A trailer for The Boy and the Heron, a new film by Hayao Miyazaki

7 September 2023

The Boy and the Heron, trailer, is the latest animated feature by Japanese filmmaker and manga artist, Hayao Miyazaki. Released in Japan under the name Kimitachi wa Do Ikiruka, Miyazaki’s latest film is said to be partly autobiographical:

Through encounters with his friends and uncle, The Boy and the Heron follows a teenage boy’s psychological development. He enters a magical world with a talking grey heron after finding an abandoned tower in his new town.

Miyazaki’s previous titles include Spirited Away, Howl’s Moving Castle, and The Wind Rises. There’s no word yet of an Australian cinematic run, but The Boy and the Heron is scheduled for release in the United States this December, so perhaps it will come our way then.

Information pollution, decision fatigue, among new dictionary words

7 September 2023

Dictionary.com has unveiled a new series of updates to its lexicon. Five hundred and sixty six new words have been added (seems a lot) along with three hundred and forty eight new definitions.

The words don’t stop coming, so we’re updating the dictionary more frequently than ever. And not just with any words: this update includes an incredibly useful concentration of terms for naming the complexities of modern life.

I haven’t looked at all five-hundred plus additions, but straight off the bat, I can tell you I like information pollution, and decision fatigue. Neologism, or terms, for the times, if ever they were.

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language, trends

The 2023 Banjo Prize shortlist for unpublished Australian fiction

7 September 2023

The shortlist for the 2023 Banjo Prize, for unpublished Australian fiction, was announced on Tuesday 5 September 2023, and includes the manuscripts of five writers:

Lou and I, by Anna Fursland
Islands of Secrets, by Stefanie Koens
The Shores Between, by A’Mhara McKey
The Sister Tree, by Natasha Neary
Katherine Papadakis is Figuring Things Out, by Christina Pontos

The winner of the prize, which is presented annually by HarperCollins Australia, will have the opportunity to see their work published. The winner will be named on Tuesday 26 September 2023.

The Conversion, a new book by Amanda Lohrey, past Miles Franklin winner

6 September 2023

The Conversion by Amanda Lohrey, book cover

Book cover of The Conversion, by Amanda Lohrey.

Tasmanian based Australian author, and winner of the 2021 Miles Franklin Literary Award, Amanda Lohrey, has written a new novel, The Conversion, which will be published by Text Publishing, in October 2023. The story follows a couple, Zoe and Nick, who set about converting a deconsecrated church into a home:

The conversion was Nick’s idea, but it’s Zoe who’s here now, in a valley of old coalmines and new vineyards, working out how to live in a deconsecrated church. What to do with all that vertical space, those oppressive stained-glass windows? Can a church become a home or, even with all its vestiges removed, will it remain forever what it was intended to be?

To date, The Labyrinth, winner of the aforementioned Miles Franklin prize, is the only of Lohrey’s books I’ve read. It was an utterly compelling read though, and I’m looking forward to The Conversion, and possibly even seeing it among nominations for the 2024 Miles Franklin.

Paris bans rental e-scooters after accidents, injuries

6 September 2023

The French capital, Paris, has become the first European city to ban the use of electric share scooters. The move follows a referendum earlier this year, where Parisians were asked to decide whether the e-scooters should remain or be removed.

Paris will this week become one of the only cities in Europe with an outright ban on rented e-scooters — as operators plan to ramp up their e-bike fleets to replace them ahead of the 2024 Olympics. Despite previously expressing hopes for a last-minute reprieve, the three firms with e-scooter operating licenses in the French capital, Lime, Dott and Tier, all confirmed to CNBC that they will have removed their scooters, or trottinettes, by the Sept. 1 deadline.

At first glance, e-scooters seem like a low-cost, convenient, and even environmentally friendly, way to travel short distances. But the sometimes dangerous conduct of some e-scooter users, resulting in injuries, and tragically, a fatality, drew wide condemnation in Paris.

E-scooter users are also causing similar problems in parts of Australia. A number of pedestrians have been hurt in collisions, and often have little legal recourse, or access to compensation.

While the e-scooters hire companies offer insurance to users, the policies are often voided if the e-scooter driver was not wearing a helmet, or breaking the law in some other way, leaving accident victims, who were doing nothing wrong, high and dry.

It seems like a no-brainer that the use of sustainable methods of travel, such as e-scooters, should be encouraged, but laws need to be in place to ensure pedestrians, and others in public spaces, are protected in the event something goes wrong.

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current affairs, technology, trends

Shayda by Noora Niasari, Australia’s 2024 Oscar Best International Feature hopeful

6 September 2023

Shayda, trailer, the debut feature of Iranian born, Melbourne based, Australian writer and filmmaker Noora Niasari, has been selected by Screen Australia as Australia’s entry in the Best International Feature category of the 2024 Oscars.

Based in part on Niasari’s own experiences, Shayda recounts the story of an Iranian woman who is forced to seek refuge in a women’s shelter with her young daughter, for two weeks during Nowruz, the Iranian New Year.

Shayda has already won a number of awards, the World Cinema Audience Award among them, after its world premiere at this year’s Sundance Film Festival. While the feature had its Australian premiere at the Melbourne International Film Festival in August, Shayda commences a theatrical season in Australian cinemas on Thursday 5 October 2023.

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Better building design will make air conditioning more environmentally friendly

5 September 2023

Ways are being sought to reduce the harmful environmental impact of air conditioning (AC) systems, which remain essential for health and well-being, starting with how buildings are designed and constructed in the first place:

“We need to design our buildings in a way that consumes less energy. We need to insulate them better. We need to ventilate them better,” explained Ankit Kalanki, a manager at Third Derivative, a climate tech accelerator co-founded by the sustainability research organization RMI. “These strategies are very important. We can reduce the air conditioning demand in the first place, but we cannot eliminate that.”

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climate change, environment, health

The 2023 Mark and Evette Moran Nib Literary Award shortlist

5 September 2023

The 2023 Mark and Evette Moran Nib Literary Award shortlist was announced yesterday, Monday 4 September 2023, and consists of the following six titles:

An Intimate History of Evolution: The Story of the Huxley Family, by Alison Bashford
Anam, by André Dao
Emperors in Lilliput, by Jim Davidson
The Age of Seeds, by Fiona McMillian-Webster
Life So Full of Promise: further biographies of Australia’s lost generation, by Ross McMullin
Shirley Hazzard: A Writing Life, by Brigitta Olubas

First presented in 2002, and also referred to as the Nib Award, the prize honours excellence in literary research, be they works fiction or non-fiction. Past recipients include Helen Garner and Andrew Tink. The 2023 winner, along with this year’s people choice award, will be announced in just over two months time, on Thursday 9 November 2023.

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